Songs like Church of Trees by Liz Story
Based on a tempo of (+/- 10%) and a similar genre
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Eric Tingstad
Torna a Surriento
80 bpm • C min • 04:01 • -16.47db
24% Popularity • 40% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
24% Popularity • 40% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Michael Dulin
Simply Satie
80 bpm • G Maj • 04:01 • -18.25db
30% Popularity • 47% Danceability • 12% Energy • 8% Liveness
75% Instrumentalness • 10% Positiveness
30% Popularity • 47% Danceability • 12% Energy • 8% Liveness
75% Instrumentalness • 10% Positiveness
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Liz Story
Church of Trees
80 bpm • A Maj • 04:42 • -29.81db
15% Popularity • 25% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
15% Popularity • 25% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Bernward Koch
Little Moritz
80 bpm • F Maj • 03:06 • -16.93db
36% Popularity • 25% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 12% Positiveness
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Kathryn Kaye
Mountain Laurel
80 bpm • C Maj • 03:44 • -22db
18% Popularity • 51% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
18% Popularity • 51% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Craig Urquhart
Streamwalker
80 bpm • A Maj • 04:59 • -23.42db
21% Popularity • 42% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
21% Popularity • 42% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
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WordHarmonic
Evening Clouds - Smooth Jazz For Lovers:...
80 bpm • E Maj • 03:43 • -19.34db
14% Popularity • 23% Danceability • 8% Energy • 9% Liveness
68% Instrumentalness • 10% Positiveness
14% Popularity • 23% Danceability • 8% Energy • 9% Liveness
68% Instrumentalness • 10% Positiveness
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Nightnoise
Shuan
80 bpm • G Maj • 06:27 • -17.99db
17% Popularity • 38% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 17% Positiveness
17% Popularity • 38% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 17% Positiveness
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Karen Marie Garrett
The Green Hills
81 bpm • C# Maj • 03:55 • -21.04db
23% Popularity • 37% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
23% Popularity • 37% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Ryan L Stewart
Surreal
79 bpm • D min • 03:48 • -15.47db
26% Popularity • 18% Danceability • 12% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
26% Popularity • 18% Danceability • 12% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Bernardo Rubaja
From The Heart
81 bpm • A min • 05:03 • -16db
16% Popularity • 75% Danceability • 36% Energy • 6% Liveness
32% Instrumentalness • 60% Positiveness
16% Popularity • 75% Danceability • 36% Energy • 6% Liveness
32% Instrumentalness • 60% Positiveness
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Ira Stein Group
La Source
79 bpm • G Maj • 02:11 • -20.48db
11% Popularity • 44% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
11% Popularity • 44% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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John Fluker
Anytime
79 bpm • C Maj • 03:38 • -19.29db
17% Popularity • 26% Danceability • 15% Energy • 8% Liveness
81% Instrumentalness • 11% Positiveness
17% Popularity • 26% Danceability • 15% Energy • 8% Liveness
81% Instrumentalness • 11% Positiveness
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John Boswell
Skye Boat Song
79 bpm • A Maj • 05:38 • -18.75db
20% Popularity • 30% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
20% Popularity • 30% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Robin Spielberg
Eileen
79 bpm • G# Maj • 03:44 • -22.43db
10% Popularity • 32% Danceability • 3% Energy • 7% Liveness
80% Instrumentalness • 18% Positiveness
10% Popularity • 32% Danceability • 3% Energy • 7% Liveness
80% Instrumentalness • 18% Positiveness
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Laura Sullivan
Red Rock Ridge
79 bpm • G# Maj • 06:02 • -20.3db
12% Popularity • 34% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
12% Popularity • 34% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 8% Positiveness
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Michael Manring
Welcoming
81 bpm • C# Maj • 06:19 • -12.84db
19% Popularity • 46% Danceability • 41% Energy • 43% Liveness
88% Instrumentalness • 14% Positiveness
19% Popularity • 46% Danceability • 41% Energy • 43% Liveness
88% Instrumentalness • 14% Positiveness
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Anne Trenning
Eden Hall
81 bpm • F# Maj • 04:06 • -14.58db
18% Popularity • 25% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
18% Popularity • 25% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Eric Tingstad
In Moonlight Blue
79 bpm • A# Maj • 04:20 • -18.64db
10% Popularity • 57% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
10% Popularity • 57% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Joe Bongiorno
Introspect
82 bpm • E Maj • 03:29 • -25.44db
16% Popularity • 48% Danceability • 7% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
16% Popularity • 48% Danceability • 7% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
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Kostia
For You
78 bpm • D Maj • 05:14 • -20.3db
10% Popularity • 51% Danceability • 11% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
10% Popularity • 51% Danceability • 11% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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John Fluker
Through New Eyes
78 bpm • B Maj • 05:45 • -16.97db
14% Popularity • 29% Danceability • 21% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
14% Popularity • 29% Danceability • 21% Energy • 9% Liveness
74% Instrumentalness • 7% Positiveness
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Joseph Akins
Night Shadows
82 bpm • G min • 05:55 • -19.25db
23% Popularity • 33% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
23% Popularity • 33% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Mark Isham
Tibet Part II
82 bpm • A Maj • 04:56 • -26.63db
11% Popularity • 10% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 5% Positiveness
11% Popularity • 10% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 5% Positiveness
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Yanni
Whispers In The Dark
82 bpm • B min • 05:28 • -22.86db
42% Popularity • 31% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
42% Popularity • 31% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Joe Bongiorno
Walk With Me
78 bpm • D Maj • 05:29 • -23.09db
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
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John Boswell
Ill Carry You Through
82 bpm • C Maj • 06:59 • -17.59db
12% Popularity • 22% Danceability • 9% Energy • 12% Liveness
79% Instrumentalness • 5% Positiveness
12% Popularity • 22% Danceability • 9% Energy • 12% Liveness
79% Instrumentalness • 5% Positiveness
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Tom Barabas
Dolphin Dream
82 bpm • D Maj • 06:43 • -17.86db
10% Popularity • 26% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 26% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Masako
A Tale of Lonely Otter (Piano Solo Versi...
82 bpm • B min • 04:32 • -23.38db
25% Popularity • 33% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
25% Popularity • 33% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Denise Young
Green Mountain Meadows
82 bpm • C Maj • 05:29 • -17.93db
36% Popularity • 34% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
36% Popularity • 34% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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John Doan
Beloved
83 bpm • D min • 04:41 • -16.26db
12% Popularity • 33% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 33% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Liz Story
Solid Colors
77 bpm • F# Maj • 04:39 • -22.69db
11% Popularity • 30% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
11% Popularity • 30% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Snuffy
Love Unspoken
83 bpm • A Maj • 03:54 • -17.62db
14% Popularity • 23% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 10% Positiveness
14% Popularity • 23% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 10% Positiveness
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Fiona Joy Hawkins
600 Years
77 bpm • G Maj • 06:26 • -22.19db
10% Popularity • 30% Danceability • 3% Energy • 8% Liveness
75% Instrumentalness • 9% Positiveness
10% Popularity • 30% Danceability • 3% Energy • 8% Liveness
75% Instrumentalness • 9% Positiveness
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Erik Satie
Gymnopedies for Piano
83 bpm • A min • 07:43 • -22.59db
18% Popularity • 54% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
18% Popularity • 54% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Gary Remal Malkin
Appalachian Sunrise
83 bpm • F Maj • 06:31 • -17.13db
16% Popularity • 17% Danceability • 16% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 16% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Fred Simon
Time and River
77 bpm • B Maj • 04:21 • -23.38db
11% Popularity • 44% Danceability • 18% Energy • 6% Liveness
91% Instrumentalness • 48% Positiveness
11% Popularity • 44% Danceability • 18% Energy • 6% Liveness
91% Instrumentalness • 48% Positiveness
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Liz Story
Without You
83 bpm • G# Maj • 04:29 • -27.7db
12% Popularity • 41% Danceability • 3% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 41% Danceability • 3% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Tim Janis
Echo Lake (Piano reprise)
83 bpm • D Maj • 03:20 • -12.34db
11% Popularity • 22% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
11% Popularity • 22% Danceability • 27% Energy • 10% Liveness
4% Instrumentalness • 23% Positiveness
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John Doan
Tra Amici
83 bpm • E min • 05:39 • -16.13db
11% Popularity • 23% Danceability • 28% Energy • 10% Liveness
46% Instrumentalness • 23% Positiveness
11% Popularity • 23% Danceability • 28% Energy • 10% Liveness
46% Instrumentalness • 23% Positiveness
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Enya
No Holly for Miss Quinn - 2009 Remaster
83 bpm • C Maj • 02:43 • -20.89db
45% Popularity • 33% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 25% Positiveness
45% Popularity • 33% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 25% Positiveness
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Kostia
American Fields
83 bpm • D# Maj • 06:18 • -22.2db
10% Popularity • 41% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
10% Popularity • 41% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 16% Positiveness
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Spencer Brewer
Innocence
84 bpm • A Maj • 03:00 • -23.73db
17% Popularity • 42% Danceability • 8% Energy • 18% Liveness
91% Instrumentalness • 59% Positiveness
17% Popularity • 42% Danceability • 8% Energy • 18% Liveness
91% Instrumentalness • 59% Positiveness
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Liz Story
My Romance
77 bpm • C Maj • 03:11 • -24.57db
11% Popularity • 47% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
11% Popularity • 47% Danceability • 2% Energy • 8% Liveness
96% Instrumentalness • 14% Positiveness
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Nightnoise
Something Of Time
77 bpm • E min • 03:06 • -19.68db
33% Popularity • 36% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 36% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Kathryn Kaye
Midwinter Lullaby
76 bpm • D Maj • 03:23 • -22db
21% Popularity • 39% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
21% Popularity • 39% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Tim Story
A Conversation In The Rain
84 bpm • C# min • 04:30 • -19.9db
7% Popularity • 36% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 16% Positiveness
7% Popularity • 36% Danceability • 8% Energy • 12% Liveness
84% Instrumentalness • 16% Positiveness
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Bernward Koch
Journey to the Heart
84 bpm • E min • 07:23 • -21.13db
9% Popularity • 31% Danceability • 7% Energy • 5% Liveness
95% Instrumentalness • 7% Positiveness
9% Popularity • 31% Danceability • 7% Energy • 5% Liveness
95% Instrumentalness • 7% Positiveness
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Jeff Johnson
Be Thou My Vision
84 bpm • G Maj • 03:12 • -12.84db
8% Popularity • 14% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
8% Popularity • 14% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 10% Positiveness
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Liz Story
Easy Access
77 bpm • G# Maj • 04:33 • -24.64db
13% Popularity • 41% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
13% Popularity • 41% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Tim Janis
Wind Song
76 bpm • E Maj • 03:15 • -14.41db
14% Popularity • 20% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
14% Popularity • 20% Danceability • 31% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
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Nightnoise
Perchance To Dream
84 bpm • D# Maj • 04:58 • -20.63db
10% Popularity • 24% Danceability • 14% Energy • 10% Liveness
54% Instrumentalness • 17% Positiveness
10% Popularity • 24% Danceability • 14% Energy • 10% Liveness
54% Instrumentalness • 17% Positiveness
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Tingstad & Rumbel
Over The Rainbow
76 bpm • D Maj • 04:56 • -13.82db
10% Popularity • 36% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 28% Positiveness
10% Popularity • 36% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 28% Positiveness
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Michael Hedges
Chava's Song
84 bpm • D Maj • 03:16 • -30.1db
22% Popularity • 60% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 37% Positiveness
22% Popularity • 60% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 37% Positiveness
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Denise Young
Livia's Song
76 bpm • C Maj • 04:40 • -18.03db
23% Popularity • 50% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 50% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Liz Story
Deeper Reasons
84 bpm • C# Maj • 06:02 • -27.21db
5% Popularity • 15% Danceability • 2% Energy • 17% Liveness
45% Instrumentalness • 10% Positiveness
5% Popularity • 15% Danceability • 2% Energy • 17% Liveness
45% Instrumentalness • 10% Positiveness
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Ira Stein
Engravings
84 bpm • A# min • 04:04 • -21.26db
19% Popularity • 17% Danceability • 8% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
19% Popularity • 17% Danceability • 8% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Nightnoise
The Swan
84 bpm • E Maj • 03:19 • -20.22db
21% Popularity • 50% Danceability • 11% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
21% Popularity • 50% Danceability • 11% Energy • 14% Liveness
91% Instrumentalness • 14% Positiveness
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Spencer Brewer
First Rain
76 bpm • D# min • 04:04 • -29.97db
24% Popularity • 19% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 51% Positiveness
24% Popularity • 19% Danceability • 9% Energy • 6% Liveness
91% Instrumentalness • 51% Positiveness
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Richard Souther
The Last Roundup
85 bpm • F Maj • 02:50 • -30.92db
31% Popularity • 27% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Anne Trenning
When You Say Nothing At All
85 bpm • D# Maj • 03:29 • -19.08db
23% Popularity • 40% Danceability • 14% Energy • 15% Liveness
95% Instrumentalness • 16% Positiveness
23% Popularity • 40% Danceability • 14% Energy • 15% Liveness
95% Instrumentalness • 16% Positiveness
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Liz Story
Frog Park
84 bpm • G# Maj • 03:07 • -22.29db
9% Popularity • 42% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 51% Positiveness
9% Popularity • 42% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 51% Positiveness
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Peter Calandra
Sunset Sky
85 bpm • D Maj • 03:10 • -18.34db
17% Popularity • 52% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
17% Popularity • 52% Danceability • 32% Energy • 11% Liveness
95% Instrumentalness • 36% Positiveness
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Renee Michele
First Promise
85 bpm • D Maj • 03:12 • -15.55db
9% Popularity • 24% Danceability • 20% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
9% Popularity • 24% Danceability • 20% Energy • 12% Liveness
80% Instrumentalness • 20% Positiveness
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Douglas Spotted Eagle
Closer Still
85 bpm • F Maj • 04:42 • -25.6db
24% Popularity • 23% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 22% Positiveness
24% Popularity • 23% Danceability • 3% Energy • 5% Liveness
91% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Arioso (Adagio in G) from Cantata BWV 15...
75 bpm • D Maj • 03:23 • -26.32db
15% Popularity • 58% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 43% Positiveness
15% Popularity • 58% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 43% Positiveness
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Ira Stein
The Beginnings Of Love
74 bpm • A Maj • 04:17 • -15.84db
8% Popularity • 38% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
8% Popularity • 38% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Liz Story
Things With Wings
76 bpm • A# Maj • 02:51 • -26.08db
17% Popularity • 14% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 46% Positiveness
17% Popularity • 14% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 46% Positiveness
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Richard Souther
All The Way Home
75 bpm • A min • 04:56 • -25.09db
9% Popularity • 24% Danceability • 3% Energy • 5% Liveness
24% Instrumentalness • 17% Positiveness
9% Popularity • 24% Danceability • 3% Energy • 5% Liveness
24% Instrumentalness • 17% Positiveness
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Phil Coulter
The Year Of The French
74 bpm • E Maj • 03:28 • -20.89db
28% Popularity • 31% Danceability • 6% Energy • 9% Liveness
75% Instrumentalness • 16% Positiveness
28% Popularity • 31% Danceability • 6% Energy • 9% Liveness
75% Instrumentalness • 16% Positiveness
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Muriel Anderson
Vincent - Harp Guitar Duet
86 bpm • A# Maj • 05:03 • -16.58db
19% Popularity • 48% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 14% Positiveness
19% Popularity • 48% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 14% Positiveness
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Karen Marie Garrett
Lake EWOK Muse (Piano & Cello)
74 bpm • D Maj • 04:36 • -20.11db
27% Popularity • 21% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
27% Popularity • 21% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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2002
Starwalkers
74 bpm • G# Maj • 04:51 • -15.1db
21% Popularity • 24% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
21% Popularity • 24% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Peter Maunu
My Sky At Twilight
74 bpm • D Maj • 04:56 • -17.93db
7% Popularity • 45% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
7% Popularity • 45% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Nightnoise
Toys Not Ties
74 bpm • E min • 03:57 • -20.45db
20% Popularity • 26% Danceability • 13% Energy • 12% Liveness
42% Instrumentalness • 13% Positiveness
20% Popularity • 26% Danceability • 13% Energy • 12% Liveness
42% Instrumentalness • 13% Positiveness
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Philip Aaberg
O, Shenandoah
74 bpm • A Maj • 03:58 • -19.67db
24% Popularity • 22% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
24% Popularity • 22% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Michael Hedges
Rickover's Dream
87 bpm • C Maj • 04:50 • -21.22db
31% Popularity • 48% Danceability • 5% Energy • 4% Liveness
78% Instrumentalness • 8% Positiveness
31% Popularity • 48% Danceability • 5% Energy • 4% Liveness
78% Instrumentalness • 8% Positiveness
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David Tolk
For Lisa
74 bpm • G Maj • 04:36 • -14.78db
31% Popularity • 29% Danceability • 16% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
31% Popularity • 29% Danceability • 16% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
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Michael Whalen
The Shape Of Her Face
74 bpm • E Maj • 04:25 • -25.28db
13% Popularity • 51% Danceability • 2% Energy • 6% Liveness
95% Instrumentalness • 47% Positiveness
13% Popularity • 51% Danceability • 2% Energy • 6% Liveness
95% Instrumentalness • 47% Positiveness
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Karen Marie Garrett
Tally's Lullaby
74 bpm • C Maj • 06:38 • -23db
27% Popularity • 21% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
27% Popularity • 21% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Denise Young
Time Alone
74 bpm • C# Maj • 03:59 • -16.59db
33% Popularity • 36% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 36% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
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Anne Trenning
A Prayer For The World
73 bpm • C min • 03:37 • -20.16db
28% Popularity • 31% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
28% Popularity • 31% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
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John Doan
Where Horses of Faery Hide
88 bpm • F# min • 05:38 • -12.36db
26% Popularity • 52% Danceability • 37% Energy • 15% Liveness
12% Instrumentalness • 25% Positiveness
26% Popularity • 52% Danceability • 37% Energy • 15% Liveness
12% Instrumentalness • 25% Positiveness
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Shadowfax
Road To Hanna
88 bpm • G min • 04:03 • -20.69db
18% Popularity • 36% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
18% Popularity • 36% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
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Gary Girouard
Love
73 bpm • A min • 03:54 • -22.66db
38% Popularity • 34% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
38% Popularity • 34% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Karen Marie Garrett
Daydreams
73 bpm • D# Maj • 03:58 • -23db
31% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
31% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Liz Story
Out Of Time
73 bpm • C Maj • 05:37 • -31.27db
24% Popularity • 40% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
24% Popularity • 40% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 32% Positiveness
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Joseph Akins
An Inspiration
72 bpm • C# Maj • 05:38 • -21db
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Taylor Eigsti
Past Voices
72 bpm • F# Maj • 05:05 • -16.6db
15% Popularity • 36% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
15% Popularity • 36% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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Richard Burmer
Across the View
72 bpm • D# Maj • 04:51 • -10.2db
15% Popularity • 27% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 27% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Tim Story
Glass Green
72 bpm • G# min • 05:34 • -21db
10% Popularity • 15% Danceability • 17% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 17% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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James Todd
Quiet Beauty
89 bpm • G Maj • 06:25 • -15.96db
30% Popularity • 14% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
30% Popularity • 14% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 17% Positiveness
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Liz Story
Voices
89 bpm • A# Maj • 04:00 • -22.76db
8% Popularity • 21% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Fiona Joy Hawkins
Sapphire Interlude
72 bpm • G Maj • 01:42 • -21.26db
37% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
37% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 20% Positiveness
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Maurice Ravel
Pavane Pour Une Infante Defunte, M. 19
89 bpm • E min • 05:57 • -26.1db
9% Popularity • 36% Danceability • 5% Energy • 14% Liveness
87% Instrumentalness • 19% Positiveness
9% Popularity • 36% Danceability • 5% Energy • 14% Liveness
87% Instrumentalness • 19% Positiveness
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Tom Barabas
Adagio
89 bpm • E min • 07:03 • -20.9db
20% Popularity • 26% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
20% Popularity • 26% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
![It's About Love (Cello and Piano) [feat. Emil Miland] cover art](https://i.scdn.co/image/ab67616d00001e023876d8aa5f9eb09e4d1265be)
Karen Marie Garrett
It's About Love (Cello and Piano)
72 bpm • A Maj • 03:48 • -20.17db
28% Popularity • 22% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Denise Young
I'll Smile
72 bpm • C# Maj • 03:44 • -18.19db
29% Popularity • 44% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
29% Popularity • 44% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 20% Positiveness
