Songs like Church by James Blood Ulmer
Based on a tempo of (+/- 10%) and a similar genre
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Tony Williams
Red Alert
104 bpm • A# min • 04:35 • -14db
18% Popularity • 43% Danceability • 71% Energy • 36% Liveness
66% Instrumentalness • 52% Positiveness
18% Popularity • 43% Danceability • 71% Energy • 36% Liveness
66% Instrumentalness • 52% Positiveness
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Karl Berger
North
104 bpm • D Maj • 09:48 • -20.29db
0% Popularity • 47% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 37% Positiveness
0% Popularity • 47% Danceability • 19% Energy • 7% Liveness
89% Instrumentalness • 37% Positiveness
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James Blood Ulmer
Church
104 bpm • C Maj • 04:54 • -9.53db
8% Popularity • 43% Danceability • 80% Energy • 31% Liveness
33% Instrumentalness • 67% Positiveness
8% Popularity • 43% Danceability • 80% Energy • 31% Liveness
33% Instrumentalness • 67% Positiveness
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Don Cherry
Rappin' Recipe (Instrumental)
104 bpm • A# Maj • 07:20 • -16.48db
7% Popularity • 72% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
7% Popularity • 72% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
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John Zorn
Snake Catcher
104 bpm • G# Maj • 06:30 • -11.43db
9% Popularity • 78% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
9% Popularity • 78% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
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Dr. Lonnie Smith
Psychedelic Pi - Remastered
104 bpm • F min • 06:32 • -9.36db
8% Popularity • 55% Danceability • 70% Energy • 7% Liveness
77% Instrumentalness • 64% Positiveness
8% Popularity • 55% Danceability • 70% Energy • 7% Liveness
77% Instrumentalness • 64% Positiveness
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Max Roach
Driva'man - Remastered
104 bpm • C Maj • 05:14 • -13.83db
20% Popularity • 62% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 62% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Grant Calvin Weston
Dance Romance
104 bpm • B min • 04:43 • -16.16db
0% Popularity • 34% Danceability • 61% Energy • 10% Liveness
50% Instrumentalness • 27% Positiveness
0% Popularity • 34% Danceability • 61% Energy • 10% Liveness
50% Instrumentalness • 27% Positiveness
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James Blood Ulmer
Cheering
103 bpm • D Maj • 05:29 • -6.12db
6% Popularity • 45% Danceability • 56% Energy • 20% Liveness
3% Instrumentalness • 20% Positiveness
6% Popularity • 45% Danceability • 56% Energy • 20% Liveness
3% Instrumentalness • 20% Positiveness
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Sonny Sharrock
Peanut
103 bpm • G Maj • 09:14 • -10.83db
15% Popularity • 27% Danceability • 92% Energy • 14% Liveness
69% Instrumentalness • 24% Positiveness
15% Popularity • 27% Danceability • 92% Energy • 14% Liveness
69% Instrumentalness • 24% Positiveness
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Ian Carr
Changing Times
103 bpm • F Maj • 04:35 • -12.12db
10% Popularity • 34% Danceability • 66% Energy • 9% Liveness
91% Instrumentalness • 56% Positiveness
10% Popularity • 34% Danceability • 66% Energy • 9% Liveness
91% Instrumentalness • 56% Positiveness
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Mary Halvorson
Armory Beams
103 bpm • B Maj • 01:08 • -12.44db
22% Popularity • 42% Danceability • 21% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 42% Danceability • 21% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Tony Williams
You Did It to Me Baby
103 bpm • A# Maj • 03:48 • -13.35db
12% Popularity • 64% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 64% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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James Blood Ulmer
A Thing for Joe
105 bpm • D Maj • 05:54 • -8.16db
2% Popularity • 42% Danceability • 78% Energy • 10% Liveness
53% Instrumentalness • 57% Positiveness
2% Popularity • 42% Danceability • 78% Energy • 10% Liveness
53% Instrumentalness • 57% Positiveness
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Takahiro Inoue
Duck of the Bay
103 bpm • B min • 04:15 • -4.12db
0% Popularity • 58% Danceability • 72% Energy • 60% Liveness
44% Instrumentalness • 84% Positiveness
0% Popularity • 58% Danceability • 72% Energy • 60% Liveness
44% Instrumentalness • 84% Positiveness
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Pete Jolly
Sand Storm
106 bpm • G Maj • 02:01 • -19.95db
21% Popularity • 45% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
21% Popularity • 45% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Derek Bailey
Laura
106 bpm • G Maj • 02:58 • -16.4db
13% Popularity • 66% Danceability • 13% Energy • 15% Liveness
83% Instrumentalness • 13% Positiveness
13% Popularity • 66% Danceability • 13% Energy • 15% Liveness
83% Instrumentalness • 13% Positiveness
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Andrew Hill
Passing Ships
102 bpm • C Maj • 07:08 • -15db
10% Popularity • 48% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 18% Positiveness
10% Popularity • 48% Danceability • 26% Energy • 6% Liveness
4% Instrumentalness • 18% Positiveness
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Grant Calvin Weston
I Can Tell
106 bpm • E Maj • 07:17 • -15.22db
0% Popularity • 57% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 57% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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James Blood Ulmer
PAGE ONE: BLOOD AND JOHN
105 bpm • E min • 03:11 • -23.11db
2% Popularity • 48% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 58% Positiveness
2% Popularity • 48% Danceability • 9% Energy • 10% Liveness
60% Instrumentalness • 58% Positiveness
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Odyssey The Band
Happy Time
106 bpm • B Maj • 05:52 • -7.59db
0% Popularity • 46% Danceability • 76% Energy • 12% Liveness
64% Instrumentalness • 61% Positiveness
0% Popularity • 46% Danceability • 76% Energy • 12% Liveness
64% Instrumentalness • 61% Positiveness
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Ginger Baker
Interlock
102 bpm • G# min • 04:56 • -14.88db
10% Popularity • 58% Danceability • 90% Energy • 9% Liveness
78% Instrumentalness • 95% Positiveness
10% Popularity • 58% Danceability • 90% Energy • 9% Liveness
78% Instrumentalness • 95% Positiveness
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Soft Machine
Day's Eye - Remastered 2006
102 bpm • A Maj • 05:03 • -14.64db
15% Popularity • 55% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 55% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Max Roach
Tears For Johannesburg - Remastered
106 bpm • B Maj • 09:46 • -17.96db
14% Popularity • 41% Danceability • 33% Energy • 12% Liveness
74% Instrumentalness • 51% Positiveness
14% Popularity • 41% Danceability • 33% Energy • 12% Liveness
74% Instrumentalness • 51% Positiveness
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Shovin' Sunshine
...and Then Some
101 bpm • A Maj • 08:07 • -9.92db
10% Popularity • 48% Danceability • 69% Energy • 9% Liveness
76% Instrumentalness • 59% Positiveness
10% Popularity • 48% Danceability • 69% Energy • 9% Liveness
76% Instrumentalness • 59% Positiveness
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James Blood Ulmer
Momentarily
102 bpm • E min • 05:56 • -8.35db
1% Popularity • 58% Danceability • 82% Energy • 9% Liveness
91% Instrumentalness • 76% Positiveness
1% Popularity • 58% Danceability • 82% Energy • 9% Liveness
91% Instrumentalness • 76% Positiveness
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Odyssey The Band
Love Nest
102 bpm • A min • 05:18 • -11.82db
0% Popularity • 39% Danceability • 38% Energy • 10% Liveness
50% Instrumentalness • 10% Positiveness
0% Popularity • 39% Danceability • 38% Energy • 10% Liveness
50% Instrumentalness • 10% Positiveness
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Passport
Mandragora
101 bpm • F min • 03:50 • -9db
8% Popularity • 42% Danceability • 85% Energy • 28% Liveness
76% Instrumentalness • 82% Positiveness
8% Popularity • 42% Danceability • 85% Energy • 28% Liveness
76% Instrumentalness • 82% Positiveness
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Return To Forever
Flight Of The Newborn
101 bpm • A min • 07:23 • -12.58db
17% Popularity • 46% Danceability • 73% Energy • 6% Liveness
20% Instrumentalness • 64% Positiveness
17% Popularity • 46% Danceability • 73% Energy • 6% Liveness
20% Instrumentalness • 64% Positiveness
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Daniel lork
Bring
101 bpm • D# min • 02:23 • -23.5db
11% Popularity • 68% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
11% Popularity • 68% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
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Charles Mingus
Canon
101 bpm • A# Maj • 05:29 • -19.27db
17% Popularity • 36% Danceability • 15% Energy • 11% Liveness
61% Instrumentalness • 15% Positiveness
17% Popularity • 36% Danceability • 15% Energy • 11% Liveness
61% Instrumentalness • 15% Positiveness
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James Blood Ulmer
Double Trouble
107 bpm • D min • 04:56 • -7.37db
1% Popularity • 55% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 55% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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The Lounge Lizards
Incident On South Street
107 bpm • F# Maj • 03:25 • -13.74db
19% Popularity • 42% Danceability • 64% Energy • 6% Liveness
66% Instrumentalness • 62% Positiveness
19% Popularity • 42% Danceability • 64% Energy • 6% Liveness
66% Instrumentalness • 62% Positiveness
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Takahiro Inoue
Table Funk
107 bpm • D Maj • 04:21 • -11db
8% Popularity • 87% Danceability • 57% Energy • 3% Liveness
69% Instrumentalness • 51% Positiveness
8% Popularity • 87% Danceability • 57% Energy • 3% Liveness
69% Instrumentalness • 51% Positiveness
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Shovin' Sunshine
More Than a Day
107 bpm • D Maj • 04:25 • -9.6db
14% Popularity • 49% Danceability • 47% Energy • 7% Liveness
4% Instrumentalness • 48% Positiveness
14% Popularity • 49% Danceability • 47% Energy • 7% Liveness
4% Instrumentalness • 48% Positiveness
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John Lurie
Manny & Lo
107 bpm • A Maj • 06:07 • -12.65db
10% Popularity • 54% Danceability • 54% Energy • 9% Liveness
44% Instrumentalness • 44% Positiveness
10% Popularity • 54% Danceability • 54% Energy • 9% Liveness
44% Instrumentalness • 44% Positiveness
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Bernard "Pretty" Purdie
Montego Bay
107 bpm • G Maj • 05:44 • -16.8db
12% Popularity • 74% Danceability • 36% Energy • 9% Liveness
82% Instrumentalness • 96% Positiveness
12% Popularity • 74% Danceability • 36% Energy • 9% Liveness
82% Instrumentalness • 96% Positiveness
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James Blood Ulmer
O Gentle One
101 bpm • E min • 06:06 • -7.1db
2% Popularity • 52% Danceability • 78% Energy • 14% Liveness
64% Instrumentalness • 74% Positiveness
2% Popularity • 52% Danceability • 78% Energy • 14% Liveness
64% Instrumentalness • 74% Positiveness
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Art Ensemble Of Chicago
Funky AECO
101 bpm • C# Maj • 07:39 • -15db
16% Popularity • 65% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
16% Popularity • 65% Danceability • 44% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
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Pharoah Sanders
The Creator Has A Master Plan - Edit
108 bpm • A# Maj • 09:08 • -12.74db
9% Popularity • 30% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 30% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Don Cherry
Mahakali
100 bpm • E min • 09:48 • -8.28db
14% Popularity • 36% Danceability • 74% Energy • 11% Liveness
60% Instrumentalness • 16% Positiveness
14% Popularity • 36% Danceability • 74% Energy • 11% Liveness
60% Instrumentalness • 16% Positiveness
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John Lurie
Wah Wah
107 bpm • G# Maj • 02:03 • -11.48db
23% Popularity • 75% Danceability • 24% Energy • 9% Liveness
60% Instrumentalness • 72% Positiveness
23% Popularity • 75% Danceability • 24% Energy • 9% Liveness
60% Instrumentalness • 72% Positiveness
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Tony Williams
Touch Me
100 bpm • F Maj • 01:23 • -23.63db
31% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 83% Positiveness
31% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 83% Positiveness
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Billy Cobham
Moon Germs
108 bpm • A# min • 04:57 • -10.71db
18% Popularity • 53% Danceability • 61% Energy • 19% Liveness
87% Instrumentalness • 81% Positiveness
18% Popularity • 53% Danceability • 61% Energy • 19% Liveness
87% Instrumentalness • 81% Positiveness
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Art Ensemble Of Chicago
Walking In The Moonlight
100 bpm • F Maj • 04:07 • -18.88db
11% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
11% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
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John Zorn
Zechriel
108 bpm • F min • 07:53 • -16.13db
11% Popularity • 70% Danceability • 11% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
11% Popularity • 70% Danceability • 11% Energy • 11% Liveness
48% Instrumentalness • 42% Positiveness
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J.J. Cale
Hard Times - Live
100 bpm • D min • 08:47 • -18.05db
18% Popularity • 69% Danceability • 36% Energy • 65% Liveness
83% Instrumentalness • 70% Positiveness
18% Popularity • 69% Danceability • 36% Energy • 65% Liveness
83% Instrumentalness • 70% Positiveness
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Dylan&Brian
Song Inside
108 bpm • D Maj • 03:52 • -26.69db
8% Popularity • 55% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
8% Popularity • 55% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Last Exit
Discharge
108 bpm • G min • 03:24 • -11.68db
13% Popularity • 25% Danceability • 94% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 25% Danceability • 94% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Billy Cobham
Spanish Moss - A Sound Portrait
108 bpm • F# Maj • 04:11 • -20.16db
22% Popularity • 52% Danceability • 60% Energy • 48% Liveness
76% Instrumentalness • 35% Positiveness
22% Popularity • 52% Danceability • 60% Energy • 48% Liveness
76% Instrumentalness • 35% Positiveness
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James Blood Ulmer
ARENA: LIGHTS OUT
108 bpm • A min • 01:43 • -19.99db
2% Popularity • 27% Danceability • 6% Energy • 20% Liveness
47% Instrumentalness • 11% Positiveness
2% Popularity • 27% Danceability • 6% Energy • 20% Liveness
47% Instrumentalness • 11% Positiveness
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Ginger Baker
Brain Damage
108 bpm • G Maj • 04:49 • -16.56db
9% Popularity • 48% Danceability • 78% Energy • 10% Liveness
81% Instrumentalness • 75% Positiveness
9% Popularity • 48% Danceability • 78% Energy • 10% Liveness
81% Instrumentalness • 75% Positiveness
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Miroslav Vitous
Freedom Jazz Dance
109 bpm • B min • 10:51 • -13.22db
11% Popularity • 37% Danceability • 67% Energy • 8% Liveness
41% Instrumentalness • 62% Positiveness
11% Popularity • 37% Danceability • 67% Energy • 8% Liveness
41% Instrumentalness • 62% Positiveness
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Dylan&Brian
Song Inside
109 bpm • D Maj • 03:51 • -26.08db
11% Popularity • 51% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
11% Popularity • 51% Danceability • 8% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
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Ornette Coleman
Ramblin'
99 bpm • D Maj • 06:36 • -16db
22% Popularity • 52% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 26% Positiveness
22% Popularity • 52% Danceability • 19% Energy • 26% Liveness
80% Instrumentalness • 26% Positiveness
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Billy Cobham
Lunarputians
109 bpm • G Maj • 02:33 • -13.15db
32% Popularity • 67% Danceability • 59% Energy • 4% Liveness
77% Instrumentalness • 80% Positiveness
32% Popularity • 67% Danceability • 59% Energy • 4% Liveness
77% Instrumentalness • 80% Positiveness
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James Blood Ulmer
Election
100 bpm • A Maj • 03:26 • -8.84db
4% Popularity • 29% Danceability • 74% Energy • 12% Liveness
80% Instrumentalness • 41% Positiveness
4% Popularity • 29% Danceability • 74% Energy • 12% Liveness
80% Instrumentalness • 41% Positiveness
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Carla Bley
Sing Me Softly Of The Blues
109 bpm • D Maj • 07:42 • -14.15db
28% Popularity • 62% Danceability • 55% Energy • 84% Liveness
82% Instrumentalness • 56% Positiveness
28% Popularity • 62% Danceability • 55% Energy • 84% Liveness
82% Instrumentalness • 56% Positiveness
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Annette Peacock
Blood
109 bpm • C Maj • 02:01 • -12.93db
14% Popularity • 57% Danceability • 11% Energy • 12% Liveness
44% Instrumentalness • 26% Positiveness
14% Popularity • 57% Danceability • 11% Energy • 12% Liveness
44% Instrumentalness • 26% Positiveness
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William Parker
Black Cherry
99 bpm • C# Maj • 02:42 • -11.09db
14% Popularity • 50% Danceability • 46% Energy • 15% Liveness
96% Instrumentalness • 79% Positiveness
14% Popularity • 50% Danceability • 46% Energy • 15% Liveness
96% Instrumentalness • 79% Positiveness
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Don Cherry
Art Deco
109 bpm • F Maj • 02:52 • -16.95db
22% Popularity • 48% Danceability • 19% Energy • 5% Liveness
36% Instrumentalness • 23% Positiveness
22% Popularity • 48% Danceability • 19% Energy • 5% Liveness
36% Instrumentalness • 23% Positiveness
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Nucleus
Lullaby For A Lonely Child
99 bpm • A# min • 04:21 • -18.62db
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
20% Instrumentalness • 6% Positiveness
13% Popularity • 44% Danceability • 24% Energy • 9% Liveness
20% Instrumentalness • 6% Positiveness
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Albert Ayler
Holy Family
99 bpm • F Maj • 02:12 • -18.42db
26% Popularity • 32% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 63% Positiveness
26% Popularity • 32% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 63% Positiveness
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Embryo
A Place To Go
110 bpm • G min • 04:08 • -12.87db
11% Popularity • 43% Danceability • 72% Energy • 15% Liveness
72% Instrumentalness • 78% Positiveness
11% Popularity • 43% Danceability • 72% Energy • 15% Liveness
72% Instrumentalness • 78% Positiveness
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Shovin' Sunshine
Death Jazz
99 bpm • E min • 03:02 • -11.52db
22% Popularity • 54% Danceability • 48% Energy • 22% Liveness
17% Instrumentalness • 43% Positiveness
22% Popularity • 54% Danceability • 48% Energy • 22% Liveness
17% Instrumentalness • 43% Positiveness
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John Lurie
Helium Balloon
99 bpm • B min • 01:39 • -14.5db
21% Popularity • 90% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
21% Popularity • 90% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
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Talented News
Wooden Instruction
110 bpm • E min • 01:09 • -8.83db
17% Popularity • 67% Danceability • 71% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
17% Popularity • 67% Danceability • 71% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
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Nucleus
Sun Child
99 bpm • F Maj • 05:19 • -12.84db
12% Popularity • 35% Danceability • 49% Energy • 7% Liveness
82% Instrumentalness • 77% Positiveness
12% Popularity • 35% Danceability • 49% Energy • 7% Liveness
82% Instrumentalness • 77% Positiveness
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Volker Kriegel
Circus Gambet
98 bpm • C Maj • 04:41 • -17.52db
8% Popularity • 61% Danceability • 54% Energy • 12% Liveness
72% Instrumentalness • 91% Positiveness
8% Popularity • 61% Danceability • 54% Energy • 12% Liveness
72% Instrumentalness • 91% Positiveness
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MasterBTS Productions
Rainbow
110 bpm • C min • 01:55 • -9.22db
27% Popularity • 84% Danceability • 49% Energy • 12% Liveness
86% Instrumentalness • 96% Positiveness
27% Popularity • 84% Danceability • 49% Energy • 12% Liveness
86% Instrumentalness • 96% Positiveness
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James Blood Ulmer
My Woman
98 bpm • D Maj • 04:36 • -6.08db
2% Popularity • 45% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
2% Popularity • 45% Danceability • 72% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
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Nat Adderley
You, Baby
110 bpm • D min • 02:49 • -20.47db
11% Popularity • 55% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
11% Popularity • 55% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
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Robert Quintua
Sax Box
110 bpm • C Maj • 01:25 • -18.61db
11% Popularity • 77% Danceability • 11% Energy • 32% Liveness
4% Instrumentalness • 67% Positiveness
11% Popularity • 77% Danceability • 11% Energy • 32% Liveness
4% Instrumentalness • 67% Positiveness
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Ian Carr
Bedrock Deadlock
110 bpm • F Maj • 06:57 • -13.12db
8% Popularity • 45% Danceability • 49% Energy • 12% Liveness
88% Instrumentalness • 45% Positiveness
8% Popularity • 45% Danceability • 49% Energy • 12% Liveness
88% Instrumentalness • 45% Positiveness
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Bill Dixon
Valentina Di Sera
110 bpm • D Maj • 03:07 • -17.87db
8% Popularity • 40% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
8% Popularity • 40% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Nucleus
Song For The Bearded Lady
110 bpm • F min • 07:24 • -12.62db
16% Popularity • 38% Danceability • 52% Energy • 9% Liveness
62% Instrumentalness • 79% Positiveness
16% Popularity • 38% Danceability • 52% Energy • 9% Liveness
62% Instrumentalness • 79% Positiveness
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James Blood Ulmer
ARENA: CHURCH
98 bpm • E min • 02:29 • -21.14db
4% Popularity • 25% Danceability • 9% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
4% Popularity • 25% Danceability • 9% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Shovin' Sunshine
Can You See Them
111 bpm • C Maj • 05:10 • -13.51db
14% Popularity • 52% Danceability • 26% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
14% Popularity • 52% Danceability • 26% Energy • 12% Liveness
82% Instrumentalness • 32% Positiveness
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Manu Codjia
Phase I
98 bpm • C Maj • 02:09 • -18.82db
25% Popularity • 46% Danceability • 6% Energy • 9% Liveness
60% Instrumentalness • 24% Positiveness
25% Popularity • 46% Danceability • 6% Energy • 9% Liveness
60% Instrumentalness • 24% Positiveness
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Marc Ribot
El Gaucho Rojo
98 bpm • E min • 05:55 • -8db
19% Popularity • 65% Danceability • 65% Energy • 20% Liveness
84% Instrumentalness • 60% Positiveness
19% Popularity • 65% Danceability • 65% Energy • 20% Liveness
84% Instrumentalness • 60% Positiveness
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Albert Ayler
Bells
111 bpm • C Maj • 03:09 • -9.13db
11% Popularity • 42% Danceability • 67% Energy • 21% Liveness
88% Instrumentalness • 80% Positiveness
11% Popularity • 42% Danceability • 67% Energy • 21% Liveness
88% Instrumentalness • 80% Positiveness
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Odyssey The Band
Water Tree
111 bpm • A min • 05:29 • -7.93db
1% Popularity • 59% Danceability • 73% Energy • 18% Liveness
51% Instrumentalness • 96% Positiveness
1% Popularity • 59% Danceability • 73% Energy • 18% Liveness
51% Instrumentalness • 96% Positiveness
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James Blood Ulmer
Revealing
98 bpm • D Maj • 08:20 • -14.65db
1% Popularity • 43% Danceability • 42% Energy • 10% Liveness
6% Instrumentalness • 41% Positiveness
1% Popularity • 43% Danceability • 42% Energy • 10% Liveness
6% Instrumentalness • 41% Positiveness
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Shovin' Sunshine
Death Jazz
98 bpm • G Maj • 08:54 • -9.49db
15% Popularity • 49% Danceability • 52% Energy • 8% Liveness
22% Instrumentalness • 55% Positiveness
15% Popularity • 49% Danceability • 52% Energy • 8% Liveness
22% Instrumentalness • 55% Positiveness
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The Lounge Lizards
One Big Yes
111 bpm • C min • 06:23 • -12.49db
19% Popularity • 43% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
19% Popularity • 43% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
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Nucleus
Twisted Track
111 bpm • E Maj • 05:18 • -14.34db
17% Popularity • 36% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
17% Popularity • 36% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Ian Carr
Suspension
111 bpm • F min • 06:15 • -16.56db
8% Popularity • 57% Danceability • 20% Energy • 18% Liveness
80% Instrumentalness • 16% Positiveness
8% Popularity • 57% Danceability • 20% Energy • 18% Liveness
80% Instrumentalness • 16% Positiveness
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Miroslav Vitous
Mountain in the Clouds
111 bpm • G Maj • 01:51 • -17db
17% Popularity • 34% Danceability • 50% Energy • 12% Liveness
19% Instrumentalness • 77% Positiveness
17% Popularity • 34% Danceability • 50% Energy • 12% Liveness
19% Instrumentalness • 77% Positiveness
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James Blood Ulmer
As It Is
111 bpm • A Maj • 05:25 • -6.5db
2% Popularity • 50% Danceability • 87% Energy • 9% Liveness
80% Instrumentalness • 80% Positiveness
2% Popularity • 50% Danceability • 87% Energy • 9% Liveness
80% Instrumentalness • 80% Positiveness
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John Zorn
Uluwati
97 bpm • C Maj • 03:37 • -8.65db
9% Popularity • 35% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
9% Popularity • 35% Danceability • 46% Energy • 10% Liveness
87% Instrumentalness • 54% Positiveness
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GuRzUnZ
Gobstopper (Remaster)
97 bpm • C Maj • 01:47 • -12.84db
10% Popularity • 30% Danceability • 42% Energy • 34% Liveness
46% Instrumentalness • 32% Positiveness
10% Popularity • 30% Danceability • 42% Energy • 34% Liveness
46% Instrumentalness • 32% Positiveness
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Joe Zawinul
A Soul of a Village, Pt. II
97 bpm • F# Maj • 04:15 • -11.4db
9% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Henry Threadgill Very Very Circus
Hope A Hope A
97 bpm • G# min • 07:40 • -11.92db
11% Popularity • 41% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 41% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Albert Mangelsdorff
Goma
97 bpm • D min • 01:10 • -26.73db
19% Popularity • 52% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
19% Popularity • 52% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Solar Plexus
Bouillabaisse
112 bpm • A Maj • 06:55 • -11.96db
9% Popularity • 37% Danceability • 48% Energy • 10% Liveness
57% Instrumentalness • 49% Positiveness
9% Popularity • 37% Danceability • 48% Energy • 10% Liveness
57% Instrumentalness • 49% Positiveness
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Carla Bley
Funnybird Song
97 bpm • F Maj • 03:03 • -15.02db
19% Popularity • 66% Danceability • 73% Energy • 12% Liveness
86% Instrumentalness • 95% Positiveness
19% Popularity • 66% Danceability • 73% Energy • 12% Liveness
86% Instrumentalness • 95% Positiveness
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Don Cherry
Buddha's Blues
97 bpm • G Maj • 03:38 • -7.4db
14% Popularity • 61% Danceability • 84% Energy • 7% Liveness
73% Instrumentalness • 96% Positiveness
14% Popularity • 61% Danceability • 84% Energy • 7% Liveness
73% Instrumentalness • 96% Positiveness
