Songs like Cigarettes And Chocolate Milk by Rufus Wainwright
Based on a tempo of (+/- 10%) and a similar genre
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Emmy The Great
Dinosaur Sex
98 bpm • G Maj • 05:37 • -13.66db
8% Popularity • 43% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
8% Popularity • 43% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 12% Positiveness
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Rufus Wainwright
Cigarettes And Chocolate Milk - Reprise
98 bpm • E Maj • 03:59 • -9db
18% Popularity • 62% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 62% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Anaïs Mitchell
Young Man In America
98 bpm • A# min • 05:30 • -9db
25% Popularity • 61% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 61% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Ron Sexsmith
Gold In Them Hills
98 bpm • D Maj • 03:34 • -9.42db
39% Popularity • 28% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 28% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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R.E.M.
At My Most Beautiful
98 bpm • F Maj • 03:35 • -13db
46% Popularity • 58% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
46% Popularity • 58% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 22% Positiveness
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Neko Case
That Teenage Feeling
98 bpm • C Maj • 02:42 • -4.67db
34% Popularity • 46% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 46% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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John Grant
Queen of Denmark
98 bpm • C Maj • 04:48 • -9.2db
33% Popularity • 38% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 38% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Rufus Wainwright
Cigarettes And Chocolate Milk
98 bpm • E Maj • 04:40 • -9.94db
38% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Jaymay
Autumn Fallin'
98 bpm • C Maj • 02:46 • -11.8db
20% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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stories
Cigarettes and Chocolate Milk
98 bpm • F# Maj • 04:47 • -12.35db
18% Popularity • 40% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 40% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Elvis Perkins
All the Night Without Love
98 bpm • E min • 03:11 • -9.29db
20% Popularity • 42% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 42% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Iron & Wine
On Your Wings
97 bpm • D min • 03:53 • -16.02db
35% Popularity • 82% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 80% Positiveness
35% Popularity • 82% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 80% Positiveness
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The Magnetic Fields
The Book of Love
99 bpm • G Maj • 02:42 • -13.29db
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Karen O
Worried Shoes
99 bpm • C min • 04:12 • -15db
33% Popularity • 35% Danceability • 16% Energy • 12% Liveness
67% Instrumentalness • 6% Positiveness
33% Popularity • 35% Danceability • 16% Energy • 12% Liveness
67% Instrumentalness • 6% Positiveness
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Rufus Wainwright
Tiergarten
99 bpm • B Maj • 03:24 • -10.87db
26% Popularity • 57% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 57% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Beirut
Goshen
99 bpm • B Maj • 03:20 • -10db
38% Popularity • 29% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
38% Popularity • 29% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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The Leisure Society
Save It for Someone Who Cares
100 bpm • F# Maj • 04:01 • -10.86db
20% Popularity • 57% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 57% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Suzanne Vega
New York Is a Woman
97 bpm • C# Maj • 02:58 • -10.62db
22% Popularity • 43% Danceability • 28% Energy • 9% Liveness
9% Instrumentalness • 37% Positiveness
22% Popularity • 43% Danceability • 28% Energy • 9% Liveness
9% Instrumentalness • 37% Positiveness
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The Magnetic Fields
Absolutely Cuckoo
99 bpm • B Maj • 01:34 • -10db
52% Popularity • 46% Danceability • 42% Energy • 17% Liveness
88% Instrumentalness • 89% Positiveness
52% Popularity • 46% Danceability • 42% Energy • 17% Liveness
88% Instrumentalness • 89% Positiveness
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Oren Lavie
Locked in a Room
96 bpm • D Maj • 04:40 • -10db
20% Popularity • 40% Danceability • 38% Energy • 9% Liveness
8% Instrumentalness • 20% Positiveness
20% Popularity • 40% Danceability • 38% Energy • 9% Liveness
8% Instrumentalness • 20% Positiveness
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Rufus Wainwright
Imaginary Love
97 bpm • C# Maj • 03:28 • -8.05db
22% Popularity • 40% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 40% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Elliott Smith
Son Of Sam
96 bpm • A Maj • 03:04 • -6.24db
54% Popularity • 52% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 52% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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Clare & The Reasons
All the Wine
96 bpm • A min • 02:08 • -15.62db
21% Popularity • 82% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 82% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Basia Bulat
The Pilgriming Vine
96 bpm • A Maj • 04:36 • -6.29db
18% Popularity • 46% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 46% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Magnetic Fields
Nothing Matters When We're Dancing
97 bpm • F Maj • 02:27 • -9.04db
40% Popularity • 47% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 47% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Ani DiFranco
Little Plastic Castle
96 bpm • D Maj • 04:04 • -10db
37% Popularity • 63% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 63% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Laura Marling
Sophia
96 bpm • A Maj • 04:51 • -9.73db
31% Popularity • 36% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 36% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Rufus Wainwright
Oh What A World
100 bpm • F Maj • 04:23 • -8.55db
42% Popularity • 44% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 44% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Nick Drake
Black Eyed Dog
101 bpm • G Maj • 03:27 • -16db
40% Popularity • 65% Danceability • 18% Energy • 13% Liveness
20% Instrumentalness • 25% Positiveness
40% Popularity • 65% Danceability • 18% Energy • 13% Liveness
20% Instrumentalness • 25% Positiveness
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Joni Mitchell
A Case of You
101 bpm • C# Maj • 04:23 • -9.9db
58% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
58% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Simon & Garfunkel
Bleecker Street
101 bpm • E Maj • 02:43 • -16.22db
55% Popularity • 41% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 48% Positiveness
55% Popularity • 41% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 48% Positiveness
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DeVotchKa
Girl
95 bpm • A# min • 03:16 • -6.42db
12% Popularity • 36% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 36% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Ron Sexsmith
Heart With No Companion
95 bpm • C# Maj • 03:09 • -13.21db
25% Popularity • 63% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 63% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Rufus Wainwright
Grey Gardens
95 bpm • C Maj • 03:04 • -6.01db
22% Popularity • 54% Danceability • 64% Energy • 76% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 54% Danceability • 64% Energy • 76% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Ritter
The Temptation of Adam
101 bpm • E Maj • 04:12 • -15db
33% Popularity • 43% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 43% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Stephen Trask
Origin of Love
95 bpm • D Maj • 06:03 • -10.08db
37% Popularity • 37% Danceability • 50% Energy • 13% Liveness
5% Instrumentalness • 18% Positiveness
37% Popularity • 37% Danceability • 50% Energy • 13% Liveness
5% Instrumentalness • 18% Positiveness
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Ben Folds Five
Mess
95 bpm • G min • 04:02 • -9db
31% Popularity • 40% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 40% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Bishop Allen
Butterfly Nets
101 bpm • C Maj • 03:11 • -11.46db
20% Popularity • 52% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 52% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Ron Sexsmith
Words We Never Use
95 bpm • D Maj • 03:03 • -12.94db
26% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 57% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The Leisure Society
Love's Enormous Wings
94 bpm • C min • 02:31 • -11.2db
31% Popularity • 73% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 73% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jesca Hoop
Murder of Birds
94 bpm • G# Maj • 04:28 • -11db
18% Popularity • 47% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 47% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Sondre Lerche
Track You Down
94 bpm • A Maj • 04:38 • -7.66db
10% Popularity • 61% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 61% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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The National
Fake Empire
102 bpm • C Maj • 03:25 • -6.79db
59% Popularity • 32% Danceability • 77% Energy • 7% Liveness
91% Instrumentalness • 31% Positiveness
59% Popularity • 32% Danceability • 77% Energy • 7% Liveness
91% Instrumentalness • 31% Positiveness
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Neutral Milk Hotel
In the Aeroplane Over the Sea
94 bpm • G Maj • 03:22 • -5.12db
66% Popularity • 27% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 27% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Simon & Garfunkel
Kathy's Song
102 bpm • F# Maj • 03:17 • -16.67db
57% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Nellie McKay
Sari - Explicit Album Version
94 bpm • E min • 03:25 • -6.7db
20% Popularity • 78% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 78% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Iron & Wine
Such Great Heights
94 bpm • F# Maj • 04:11 • -10.64db
59% Popularity • 61% Danceability • 28% Energy • 40% Liveness
91% Instrumentalness • 55% Positiveness
59% Popularity • 61% Danceability • 28% Energy • 40% Liveness
91% Instrumentalness • 55% Positiveness
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Ron Sexsmith
Just My Heart Talkin'
102 bpm • D# Maj • 02:22 • -10.65db
19% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 55% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Paul Simon
Duncan
94 bpm • G Maj • 04:43 • -13.69db
43% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 44% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Fionn Regan
Be Good or Be Gone
94 bpm • G# Maj • 03:19 • -12.51db
38% Popularity • 60% Danceability • 28% Energy • 11% Liveness
19% Instrumentalness • 43% Positiveness
38% Popularity • 60% Danceability • 28% Energy • 11% Liveness
19% Instrumentalness • 43% Positiveness
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Simon & Garfunkel
April Come She Will
102 bpm • A Maj • 01:49 • -16.24db
69% Popularity • 49% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 49% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Laura Marling
Rambling Man
94 bpm • F Maj • 03:16 • -8.89db
45% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jr. James & the Late Guitar
I'm Into Something Good
103 bpm • A Maj • 03:26 • -9.39db
11% Popularity • 58% Danceability • 64% Energy • 37% Liveness
80% Instrumentalness • 70% Positiveness
11% Popularity • 58% Danceability • 64% Energy • 37% Liveness
80% Instrumentalness • 70% Positiveness
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Crooked Fingers
Sleep All Summer
103 bpm • A Maj • 04:42 • -11.08db
28% Popularity • 41% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
28% Popularity • 41% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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My Brightest Diamond
I Have Never Loved Someone
93 bpm • C Maj • 03:39 • -14.84db
30% Popularity • 16% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
30% Popularity • 16% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 9% Positiveness
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Nellie McKay
Respectable
93 bpm • G min • 04:06 • -7.06db
8% Popularity • 47% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 47% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Nico
These Days
93 bpm • F Maj • 03:30 • -17.64db
67% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
67% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
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Johnny Flynn
The Wrote & The Writ
93 bpm • E Maj • 04:07 • -10db
49% Popularity • 59% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 59% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Badly Drawn Boy
The Shining
93 bpm • E Maj • 05:18 • -14db
45% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
45% Popularity • 42% Danceability • 20% Energy • 14% Liveness
3% Instrumentalness • 18% Positiveness
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The Shins
Saint Simon - 2023 Remaster
93 bpm • D# Maj • 04:24 • -5.76db
44% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 60% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Rufus Wainwright
Foolish Love
104 bpm • D# Maj • 05:45 • -10.56db
27% Popularity • 30% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 30% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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The Divine Comedy
Gin Soaked Boy
93 bpm • F Maj • 05:01 • -8db
34% Popularity • 57% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 57% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Laura Marling
Tap At My Window
93 bpm • D# Maj • 02:47 • -12db
35% Popularity • 38% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 38% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Jenny Lewis
Happy
92 bpm • E Maj • 04:16 • -11.41db
13% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 36% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kings of Convenience
Homesick
92 bpm • C# Maj • 03:13 • -9db
52% Popularity • 44% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
52% Popularity • 44% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Arcade Fire
Crown of Love
104 bpm • D# Maj • 04:42 • -6.51db
46% Popularity • 32% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 32% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 29% Positiveness
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Anaïs Mitchell
Way Down Hadestown
92 bpm • C min • 03:32 • -4.74db
31% Popularity • 59% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 59% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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The Divine Comedy
The Happy Goth
104 bpm • F# min • 03:36 • -7.84db
25% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Rufus Wainwright
When Most I Wink (Sonnet 43)
105 bpm • A Maj • 04:55 • -16.28db
7% Popularity • 24% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Beirut
East Harlem
92 bpm • G Maj • 03:58 • -8db
44% Popularity • 50% Danceability • 64% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
44% Popularity • 50% Danceability • 64% Energy • 10% Liveness
3% Instrumentalness • 69% Positiveness
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Kings of Convenience
I Don't Know What I Can Save You From
92 bpm • D# Maj • 04:37 • -16db
47% Popularity • 62% Danceability • 28% Energy • 12% Liveness
77% Instrumentalness • 70% Positiveness
47% Popularity • 62% Danceability • 28% Energy • 12% Liveness
77% Instrumentalness • 70% Positiveness
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Simon & Garfunkel
The Dangling Conversation
92 bpm • A# Maj • 02:38 • -13.12db
48% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 44% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Father John Misty
Funtimes in Babylon
105 bpm • E Maj • 03:39 • -8db
47% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 56% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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The Shins
Red Rabbits
105 bpm • G# Maj • 04:29 • -8.47db
37% Popularity • 57% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 57% Danceability • 37% Energy • 70% Liveness
0% Instrumentalness • 33% Positiveness
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Dawn Landes
Straight Lines
92 bpm • F# Maj • 02:57 • -8.9db
31% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sparklehorse
Wish You Were Here
105 bpm • D Maj • 06:58 • -16db
36% Popularity • 79% Danceability • 13% Energy • 22% Liveness
79% Instrumentalness • 9% Positiveness
36% Popularity • 79% Danceability • 13% Energy • 22% Liveness
79% Instrumentalness • 9% Positiveness
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Sufjan Stevens
The Henney Buggy Band
105 bpm • F# min • 03:16 • -7.89db
26% Popularity • 69% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 69% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Simon & Garfunkel
Blues Run the Game - Studio Outtake - 19...
92 bpm • B Maj • 02:51 • -19db
53% Popularity • 52% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 52% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Laura Marling
I Was An Eagle
91 bpm • C Maj • 04:21 • -13.85db
34% Popularity • 34% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 34% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Magnetic Fields
All My Little Words
105 bpm • G# Maj • 02:46 • -8db
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
54% Popularity • 48% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 40% Positiveness
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Rufus Wainwright
Complainte De La Butte
91 bpm • F Maj • 03:07 • -11.86db
36% Popularity • 25% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 25% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Erin McKeown
La Petite Mort
106 bpm • G# min • 03:01 • -7.99db
28% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 72% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Damien Rice
Amie
106 bpm • D Maj • 04:36 • -9.37db
40% Popularity • 26% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 26% Danceability • 39% Energy • 54% Liveness
0% Instrumentalness • 17% Positiveness
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Simon & Garfunkel
Wednesday Morning, 3 A.M.
106 bpm • F Maj • 02:13 • -17db
56% Popularity • 50% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 50% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jaymay
Gray Or Blue
106 bpm • B Maj • 03:25 • -13.86db
35% Popularity • 75% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 75% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Martha Wainwright
I Am a Diamond
106 bpm • A Maj • 04:28 • -12.36db
11% Popularity • 30% Danceability • 18% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 30% Danceability • 18% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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Rufus Wainwright
Do I Disappoint You
106 bpm • B Maj • 04:39 • -7.03db
19% Popularity • 45% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 45% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Nick Drake
One Of These Things First
90 bpm • E Maj • 04:50 • -18.45db
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
57% Popularity • 60% Danceability • 37% Energy • 10% Liveness
35% Instrumentalness • 67% Positiveness
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Tori Amos
Wednesday (2023 Remaster)
106 bpm • G min • 02:29 • -13.42db
36% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 55% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The New Pornographers
The Bleeding Heart Show
90 bpm • F Maj • 04:27 • -5.54db
39% Popularity • 22% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 22% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Iron & Wine
Sunset Soon Forgotten
90 bpm • A Maj • 03:19 • -11.65db
42% Popularity • 46% Danceability • 41% Energy • 12% Liveness
65% Instrumentalness • 71% Positiveness
42% Popularity • 46% Danceability • 41% Energy • 12% Liveness
65% Instrumentalness • 71% Positiveness
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M. Ward
Story Of An Artist
90 bpm • D# Maj • 04:20 • -14.43db
1% Popularity • 48% Danceability • 22% Energy • 12% Liveness
10% Instrumentalness • 46% Positiveness
1% Popularity • 48% Danceability • 22% Energy • 12% Liveness
10% Instrumentalness • 46% Positiveness
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Jenny Lewis
It Wasn't Me
108 bpm • G Maj • 04:12 • -13.54db
12% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Elliott Smith
Somebody That I Used To Know
108 bpm • C# Maj • 02:09 • -14.79db
58% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
58% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Villagers
To Be Counted Among Men
108 bpm • F Maj • 04:43 • -17.33db
19% Popularity • 59% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 59% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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The New Pornographers
Myriad Harbour
108 bpm • G Maj • 04:00 • -6db
40% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 68% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Fionn Regan
The Underwood Typewriter
109 bpm • F min • 03:01 • -10.14db
26% Popularity • 60% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 60% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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M. Ward
Chinese Translation
108 bpm • D Maj • 03:58 • -9db
56% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
56% Popularity • 55% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
