Songs like Cima: "Surge, propera, amica mea" by Philippe Jaroussky
Based on a tempo of (+/- 10%) and a similar genre
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Philippe Jaroussky
Cima: "Surge, propera, amica mea"
64 bpm • C Maj • 03:37 • -23.54db
11% Popularity • 26% Danceability • 5% Energy • 10% Liveness
51% Instrumentalness • 13% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 10% Liveness
51% Instrumentalness • 13% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: VI. Vidit suum ...
64 bpm • E min • 03:03 • -21.33db
28% Popularity • 11% Danceability • 6% Energy • 16% Liveness
37% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 6% Energy • 16% Liveness
37% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Miserere in C Minor Psalm 50, ZWV. 57
64 bpm • B Maj • 03:53 • -18db
14% Popularity • 15% Danceability • 13% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
14% Popularity • 15% Danceability • 13% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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Barbara Strozzi
Strozzi: Cantate, ariette e duetti, Op. ...
64 bpm • D# min • 05:59 • -23.57db
19% Popularity • 21% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 21% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Nicola Porpora
Porpora: Semiramide riconosciuta, Act 2:...
65 bpm • F# Maj • 07:59 • -23db
10% Popularity • 33% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
10% Popularity • 33% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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John Dowland
Dowland: "Flow My Tears"
63 bpm • G# min • 04:04 • -19.57db
16% Popularity • 41% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 41% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Johann Adolf Hasse
Hasse: Demofoonte, Act 3: "Misero pargol...
65 bpm • D Maj • 05:18 • -16.65db
13% Popularity • 24% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 24% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Michel Richard Delalande
Miserere: II. Amplius lava me - Tibi sol...
62 bpm • B min • 02:30 • -17.02db
11% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Jan Dismas Zelenka
Miserere in C Minor Psalm 50, ZWV. 57
64 bpm • B min • 02:19 • -17db
32% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
32% Popularity • 26% Danceability • 17% Energy • 10% Liveness
77% Instrumentalness • 16% Positiveness
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Emanuele d'Astorga
Stabat mater in C Major: Stabat mater
62 bpm • B min • 05:22 • -24.07db
7% Popularity • 11% Danceability • 8% Energy • 35% Liveness
4% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 8% Energy • 35% Liveness
4% Instrumentalness • 4% Positiveness
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Nicola Porpora
Porpora: Ifigenia in Aulide: Le limpid'o...
65 bpm • E Maj • 09:43 • -20.92db
6% Popularity • 17% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 6% Positiveness
6% Popularity • 17% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 6% Positiveness
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Philipp Heinrich Erlebach
Erlebach: Kommt, ihr Stunden, macht mich...
67 bpm • G min • 08:21 • -19.44db
6% Popularity • 22% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 22% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Johann Bach
Weint nicht um meinen Tod
67 bpm • C min • 06:25 • -25.46db
22% Popularity • 16% Danceability • 4% Energy • 12% Liveness
13% Instrumentalness • 10% Positiveness
22% Popularity • 16% Danceability • 4% Energy • 12% Liveness
13% Instrumentalness • 10% Positiveness
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Alessandro Scarlatti
Scarlatti,A: La Giuditta: "Dormi, o fulm...
67 bpm • C# Maj • 05:53 • -24.35db
20% Popularity • 22% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
20% Popularity • 22% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Traditional
Suda sangue
61 bpm • E Maj • 01:55 • -19.26db
12% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Thomas Arne
"Where The Bee Sucks"
68 bpm • F# Maj • 02:20 • -25db
14% Popularity • 53% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 53% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Antonio Vivaldi
Vivaldi: Filiae Mestae Jerusalem, RV 638...
68 bpm • C Maj • 01:02 • -23.34db
10% Popularity • 41% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 41% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: V. Sanctum et ter...
60 bpm • D Maj • 03:52 • -20.22db
20% Popularity • 25% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 25% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Die Torrente in ...
68 bpm • B min • 04:15 • -25.14db
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318, Act 2: "Pos...
68 bpm • C# min • 08:42 • -18db
10% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Andreas Scholl
Virgo Virginum
68 bpm • E min • 02:33 • -15.97db
19% Popularity • 29% Danceability • 8% Energy • 14% Liveness
39% Instrumentalness • 8% Positiveness
19% Popularity • 29% Danceability • 8% Energy • 14% Liveness
39% Instrumentalness • 8% Positiveness
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Agostino Steffani
Steffani: Niobe, regina di Tebe, Act 1: ...
69 bpm • A# Maj • 01:50 • -18.57db
1% Popularity • 41% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
1% Popularity • 41% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Antonio Vivaldi
Vivaldi: Filiae Mestae Jerusalem, RV 638...
69 bpm • A# Maj • 01:57 • -22.07db
10% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Deo gratias
60 bpm • C Maj • 06:02 • -26.32db
26% Popularity • 11% Danceability • 13% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 13% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
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Anonymus
Anonymous / Foggia: O quam clemens et pi...
69 bpm • D min • 05:44 • -21.34db
17% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Claudio Monteverdi
Vespers of 1610: Deus in adiutorium meum...
68 bpm • D Maj • 02:04 • -16.22db
20% Popularity • 27% Danceability • 14% Energy • 5% Liveness
26% Instrumentalness • 9% Positiveness
20% Popularity • 27% Danceability • 14% Energy • 5% Liveness
26% Instrumentalness • 9% Positiveness
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Andreas Scholl
Marco Rosano: Requiem
59 bpm • A# Maj • 05:12 • -14.64db
24% Popularity • 16% Danceability • 22% Energy • 13% Liveness
37% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 22% Energy • 13% Liveness
37% Instrumentalness • 3% Positiveness
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Reynaldo Hahn
Poème de Théophile de Viau: À Chloris
59 bpm • D# Maj • 02:48 • -22db
29% Popularity • 31% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
La fida ninfa, RV 714, Act II, Scene 3: ...
69 bpm • E min • 09:07 • -18db
10% Popularity • 27% Danceability • 15% Energy • 10% Liveness
9% Instrumentalness • 7% Positiveness
10% Popularity • 27% Danceability • 15% Energy • 10% Liveness
9% Instrumentalness • 7% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: VII. Sicut erat
69 bpm • B Maj • 02:46 • -13db
20% Popularity • 37% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 37% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Étienne Moulinié
Moulinié: Non speri pietÃ
70 bpm • E min • 02:26 • -14.73db
17% Popularity • 60% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 60% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Claudio Monteverdi
Vespers of 1610, Magnificat (Low): Glori...
68 bpm • D min • 02:36 • -28db
9% Popularity • 20% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Ich weiss, dass mein Erlöser lebet, SWV...
70 bpm • C# Maj • 04:29 • -18.23db
10% Popularity • 12% Danceability • 18% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 18% Energy • 10% Liveness
25% Instrumentalness • 7% Positiveness
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John Dowland
Dowland / Transcr. Garcia: A Musicall Ba...
59 bpm • G min • 03:47 • -22.13db
11% Popularity • 25% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 25% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Francesco Cavalli
Cavalli: L'Ormindo, Act 2: "Che città " ...
70 bpm • G Maj • 03:19 • -15.09db
10% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 53% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 9. Sancta Mater
70 bpm • A Maj • 05:06 • -21db
15% Popularity • 15% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Henry Purcell
Evening Hymn, Z.193 (arr. Silas Wolston)
70 bpm • C# Maj • 04:51 • -25.58db
5% Popularity • 18% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
5% Popularity • 18% Danceability • 3% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
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Andreas Scholl
O Quam Tristis
58 bpm • F# min • 02:54 • -14db
37% Popularity • 12% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 12% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Jean-Baptiste Lully
Lully : Ballet des Muses : "Trop indiscr...
71 bpm • F min • 05:06 • -21.53db
39% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
39% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Cantata "Christ lag in Todesbanden", BWV...
58 bpm • E min • 03:52 • -21.27db
21% Popularity • 11% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Philippe Jaroussky
O intemerata (Il secondo libro de motett...
71 bpm • F Maj • 03:09 • -18db
15% Popularity • 30% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 30% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: VIII. Fac ut ar...
71 bpm • F# min • 02:06 • -12.98db
29% Popularity • 41% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 41% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Anonymus
Anonymus: Chiaccona a 4 in C Major
71 bpm • C Maj • 04:29 • -21.19db
8% Popularity • 27% Danceability • 11% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
8% Popularity • 27% Danceability • 11% Energy • 10% Liveness
74% Instrumentalness • 20% Positiveness
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Andreas Scholl
Pro Peccatis
58 bpm • D min • 02:26 • -11.86db
30% Popularity • 21% Danceability • 15% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 15% Energy • 9% Liveness
23% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Motets: De ore prudentis
71 bpm • D min • 01:52 • -19.5db
32% Popularity • 27% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 27% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Johann Christian Bach
Bach, JC: Adriano in Siria, T. 211: "Car...
71 bpm • C Maj • 13:08 • -20.46db
6% Popularity • 18% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
6% Popularity • 18% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Philippe Jaroussky
Vulnerasti cor meum (Armoniae cantiones ...
71 bpm • F Maj • 02:57 • -21db
15% Popularity • 19% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Laudate pueri Dominum: VI. Gl...
71 bpm • D Maj • 03:09 • -18.44db
22% Popularity • 15% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626, Act III: "Thy H...
71 bpm • B min • 04:37 • -21.6db
12% Popularity • 24% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 24% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Air a...
72 bpm • C# Maj • 07:11 • -20.41db
12% Popularity • 28% Danceability • 13% Energy • 6% Liveness
37% Instrumentalness • 5% Positiveness
12% Popularity • 28% Danceability • 13% Energy • 6% Liveness
37% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: VII....
72 bpm • G# min • 06:09 • -28db
10% Popularity • 11% Danceability • 9% Energy • 15% Liveness
3% Instrumentalness • 5% Positiveness
10% Popularity • 11% Danceability • 9% Energy • 15% Liveness
3% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Bach, JS: Mass in B Minor, BWV 232: Agnu...
72 bpm • F# min • 05:27 • -27db
11% Popularity • 10% Danceability • 3% Energy • 11% Liveness
31% Instrumentalness • 5% Positiveness
11% Popularity • 10% Danceability • 3% Energy • 11% Liveness
31% Instrumentalness • 5% Positiveness
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François Couperin
Couperin, F: Troisième leçon de ténè...
72 bpm • C# Maj • 01:39 • -24db
13% Popularity • 26% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 26% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Giovanni Battista Pergolesi
Salve Regina in C minor (1736): 5. O cle...
71 bpm • E min • 01:40 • -21db
24% Popularity • 16% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 16% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Melchior d'Ardespin
Steffani: Niobe, regina di Tebe, Act 2: ...
72 bpm • A# Maj • 01:53 • -19.22db
0% Popularity • 35% Danceability • 20% Energy • 19% Liveness
83% Instrumentalness • 57% Positiveness
0% Popularity • 35% Danceability • 20% Energy • 19% Liveness
83% Instrumentalness • 57% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Air: ...
72 bpm • F# Maj • 08:18 • -29.67db
32% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
32% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
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Claude Debussy
Debussy: Fêtes galantes, FL. 86, Book I...
73 bpm • G min • 03:00 • -22.91db
4% Popularity • 24% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 24% Danceability • 4% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
L'Orfeo, Atto secondo: III. Ahi, caso ac...
73 bpm • G Maj • 03:50 • -22.39db
15% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 29% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Philippe Jaroussky
Cara Sposa - Live
56 bpm • E min • 04:44 • -10.04db
15% Popularity • 23% Danceability • 40% Energy • 71% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 23% Danceability • 40% Energy • 71% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: I. Stabat mater dol...
71 bpm • E min • 04:24 • -22.41db
11% Popularity • 9% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Andreas Scholl
Sancta Mater
73 bpm • D Maj • 03:38 • -16.41db
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Dixit Dominus, HWV 232: De torrente in v...
73 bpm • B min • 04:22 • -27db
11% Popularity • 14% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 3% Positiveness
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William Christie
Purcell : King Arthur : Act 5 "Our nativ...
73 bpm • F Maj • 01:05 • -16.1db
16% Popularity • 55% Danceability • 21% Energy • 28% Liveness
1% Instrumentalness • 83% Positiveness
16% Popularity • 55% Danceability • 21% Energy • 28% Liveness
1% Instrumentalness • 83% Positiveness
► Preview
Gabriel Fauré
Fauré: 4 Mélodies, Op. 51: III. Spleen
73 bpm • C# min • 02:06 • -20.37db
12% Popularity • 24% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
12% Popularity • 24% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Dietrich Buxtehude
Jesu, meines Lebens Leben, BuxWV 62
56 bpm • D min • 06:57 • -21db
27% Popularity • 31% Danceability • 10% Energy • 15% Liveness
24% Instrumentalness • 8% Positiveness
27% Popularity • 31% Danceability • 10% Energy • 15% Liveness
24% Instrumentalness • 8% Positiveness
► Preview
Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: XII. Quando Cor...
73 bpm • A min • 04:27 • -19.26db
30% Popularity • 15% Danceability • 4% Energy • 12% Liveness
33% Instrumentalness • 4% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 12% Liveness
33% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: "Komm, süsser Tod, komm, sel'...
74 bpm • C Maj • 02:28 • -19.96db
12% Popularity • 26% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 26% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Agostino Steffani
Steffani: Niobe, regina di Tebe, Act 1: ...
74 bpm • A# min • 03:01 • -20.37db
1% Popularity • 14% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
1% Popularity • 14% Danceability • 4% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Clarae stellae, scintillate, RV...
74 bpm • C Maj • 05:24 • -20.14db
10% Popularity • 31% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 31% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
74 bpm • F# min • 10:29 • -20.65db
7% Popularity • 15% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 8% Positiveness
7% Popularity • 15% Danceability • 9% Energy • 12% Liveness
35% Instrumentalness • 8% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: IV. Ad lat...
74 bpm • C# min • 08:13 • -22.74db
9% Popularity • 15% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Giovanni Battista Pergolesi
Fac ut ardeat cor meum
73 bpm • F# min • 02:01 • -13db
4% Popularity • 38% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
4% Popularity • 38% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Johann Theile
Theile: Gott, hilf mir
74 bpm • C min • 06:09 • -18.27db
5% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Agostino Steffani
Steffani: Niobe, regina di Tebe, Act 1: ...
74 bpm • C min • 02:15 • -19.59db
0% Popularity • 30% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 30% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 148
74 bpm • C Maj • 06:32 • -27db
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
Stabat Mater in F Minor, RV 621: I. Stab...
74 bpm • E min • 03:49 • -22.24db
12% Popularity • 20% Danceability • 5% Energy • 6% Liveness
24% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 5% Energy • 6% Liveness
24% Instrumentalness • 4% Positiveness
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Barbara Strozzi
Strozzi: Ariette a voce sola, Op. 6: XVI...
75 bpm • A Maj • 02:38 • -13.71db
8% Popularity • 40% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 40% Danceability • 13% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Philippe Jaroussky
Salve Regina (Motetti a una, due vocie c...
75 bpm • G min • 03:53 • -15.6db
20% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 2. Cujus animam
75 bpm • G Maj • 02:04 • -21.29db
18% Popularity • 25% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 25% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Agostino Steffani
Steffani: Niobe, regina di Tebe, Act 1: ...
74 bpm • D min • 01:41 • -21.92db
0% Popularity • 40% Danceability • 6% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 40% Danceability • 6% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Michel Richard Delalande
Deitatis Majestatem: I. Deitatis Majesta...
75 bpm • C min • 04:39 • -20db
9% Popularity • 9% Danceability • 16% Energy • 35% Liveness
93% Instrumentalness • 10% Positiveness
9% Popularity • 9% Danceability • 16% Energy • 35% Liveness
93% Instrumentalness • 10% Positiveness
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Antonio Caldara
Stabat Mater: VIII. Virgo virginum
75 bpm • D Maj • 01:28 • -24.09db
31% Popularity • 17% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
75 bpm • G# min • 04:02 • -24.36db
11% Popularity • 19% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 19% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
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Francesco Mancini
Mancini: Quanto mai saria più bello: "I...
75 bpm • B min • 01:07 • -21.74db
10% Popularity • 37% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 37% Danceability • 4% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Nicola Porpora
Polifemo, Act III Scene V: Alto giove
76 bpm • D# min • 09:17 • -16db
9% Popularity • 20% Danceability • 24% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 24% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
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Agostino Steffani
Stabat Mater: Fac ut portem Christi mort...
75 bpm • C min • 01:03 • -15.41db
30% Popularity • 31% Danceability • 29% Energy • 18% Liveness
52% Instrumentalness • 8% Positiveness
30% Popularity • 31% Danceability • 29% Energy • 18% Liveness
52% Instrumentalness • 8% Positiveness
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Andrea Bernasconi
Bernasconi: L'Olimpiade, Act 2: "Siam na...
76 bpm • B Maj • 06:58 • -13.52db
19% Popularity • 44% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
19% Popularity • 44% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVb. Ad la...
76 bpm • C# min • 01:05 • -24.71db
21% Popularity • 32% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 32% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Claudio Monteverdi
Vespers of 1610: Dixit Dominus
76 bpm • A min • 07:07 • -19.34db
17% Popularity • 14% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
17% Popularity • 14% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Francesco Cavalli
Cavalli: Eritrea, Act 1: "O luci belle" ...
76 bpm • A min • 02:29 • -17.73db
8% Popularity • 35% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
8% Popularity • 35% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Philippe Jaroussky
Inno Ave Maria Stella (Il Secondo libro ...
76 bpm • A min • 03:40 • -27.95db
8% Popularity • 12% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
8% Popularity • 12% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 17% Positiveness
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Franz Schubert
Schubert / Transcr. Jacques: Erlkönig, ...
76 bpm • E min • 04:09 • -18.47db
10% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 41% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Introït et ...
77 bpm • A# Maj • 06:34 • -24.16db
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
15% Popularity • 9% Danceability • 3% Energy • 12% Liveness
76% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Gluck: Orfeo ed Euridice, Wq. 30, Act 3:...
77 bpm • F# min • 02:56 • -17.77db
5% Popularity • 44% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
5% Popularity • 44% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: II. ...
76 bpm • A# min • 07:21 • -19.28db
14% Popularity • 15% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 15% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Bernardo Pasquini
Sant'Agnese: Vaga rosa (Aria)
77 bpm • C# min • 03:34 • -26.56db
12% Popularity • 30% Danceability • 4% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
12% Popularity • 30% Danceability • 4% Energy • 13% Liveness
12% Instrumentalness • 28% Positiveness
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Agostino Steffani
Stabat Mater: Quis est homo qui non fler...
77 bpm • G min • 02:48 • -21db
13% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 14% Energy • 11% Liveness
24% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Bach, JS: Cantata No. 170, "Vergnügte R...
77 bpm • G# Maj • 06:13 • -16.24db
16% Popularity • 18% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
16% Popularity • 18% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
