Songs like Cinderella - Acoustic by Catherine McGrath
Based on a tempo of (+/- 10%) and a similar genre
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Leaving Austin
Outta My Head
145 bpm • B Maj • 03:45 • -4.64db
12% Popularity • 49% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 49% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Lizzy Cameron
Even Then
145 bpm • E Maj • 03:28 • -8db
12% Popularity • 44% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 44% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Catherine McGrath
Cinderella - Acoustic
145 bpm • G Maj • 03:10 • -6.62db
10% Popularity • 60% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 60% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Tenille Arts
Cold Feet
146 bpm • C# Maj • 03:29 • -7.71db
27% Popularity • 47% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 47% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Logan Brill
Giving Up
146 bpm • G Maj • 03:39 • -6.56db
13% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Jana Kramer
Whiskey - Acoustic
144 bpm • C Maj • 03:36 • -8db
20% Popularity • 59% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 59% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Spencer Crandall
Let It Happen
144 bpm • A Maj • 03:20 • -5.8db
20% Popularity • 55% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 55% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Country Cole
Fall Like Rain
146 bpm • G# Maj • 03:37 • -5db
9% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 63% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Catherine McGrath
Cinderella
145 bpm • G Maj • 03:09 • -4.98db
13% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Jeffrey East
Still Crazy
144 bpm • G Maj • 02:40 • -6.9db
8% Popularity • 76% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 76% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Corey Kent White
She Ain't Perfect
144 bpm • F# Maj • 03:13 • -7.47db
25% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Devin Dawson
Secondhand Hurt
144 bpm • B Maj • 04:01 • -6.43db
27% Popularity • 56% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 56% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Gavin DeGraw
Harder To Believe
146 bpm • A# Maj • 04:04 • -4.95db
25% Popularity • 53% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 53% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Thompson Square
You Make It Look So Good
144 bpm • C# Maj • 03:24 • -3.33db
24% Popularity • 50% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 50% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Catherine McGrath
Next New Year
146 bpm • G Maj • 03:33 • -5.75db
17% Popularity • 37% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
17% Popularity • 37% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Haley & Michaels
High Note
144 bpm • C Maj • 03:26 • -2db
14% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Tenille Arts
Moment of Weakness
144 bpm • A Maj • 03:28 • -6db
28% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 53% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Rascal Flatts
I Know You Won't
144 bpm • F Maj • 03:52 • -5.61db
22% Popularity • 35% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 35% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Carly Pearce
I Need A Ride Home
144 bpm • C# Maj • 03:30 • -7db
34% Popularity • 54% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 54% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kris Allen
It’s Always You
144 bpm • E Maj • 04:01 • -8.92db
30% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 60% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Mae Valley
Turns Out
143 bpm • C# Maj • 03:01 • -4.6db
13% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sara Evans
Infinite Love
148 bpm • E Maj • 03:11 • -5db
29% Popularity • 44% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 44% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Danielle Bradbery
Laying Low
148 bpm • F Maj • 02:52 • -8.25db
26% Popularity • 41% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 41% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Leaving Thomas
Waiting Kind of Girl
148 bpm • D# Maj • 03:14 • -4.91db
9% Popularity • 62% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 62% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Stevenson Everett
Things You Hate, Things I Love (Acoustic...
148 bpm • E Maj • 03:26 • -8.74db
32% Popularity • 61% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 61% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Megan & Liz
White T-Shirt
148 bpm • G# Maj • 03:50 • -6.05db
10% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 55% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan Griffin
Woulda Left Me Too
148 bpm • E Maj • 03:43 • -9db
36% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Sara Evans
A Little Bit Stronger - Acoustic Version
147 bpm • D# Maj • 04:38 • -7.61db
20% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 65% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Brandy Clark
Love Can Go to Hell
148 bpm • C Maj • 03:57 • -5.26db
27% Popularity • 60% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 60% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jamie Lynn Spears
Big Bad World
148 bpm • D# Maj • 03:22 • -5.56db
16% Popularity • 54% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 54% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Lindsay Ell
Standing Here
148 bpm • E Maj • 03:07 • -3.46db
9% Popularity • 47% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 47% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Cassadee Pope
If My Heart Had A Heart
142 bpm • C# Maj • 03:21 • -6db
30% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 59% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Brett Young
Back On The Wagon
148 bpm • F Maj • 03:33 • -6db
38% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
38% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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American Young
Slow Ride
142 bpm • C# min • 02:49 • -7.6db
10% Popularity • 75% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 75% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Sara Evans
Not Over You
142 bpm • B min • 03:52 • -4.4db
32% Popularity • 56% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 56% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Jilian Linklater
Magnet
148 bpm • F# Maj • 04:20 • -6db
12% Popularity • 44% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 44% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Taylor Hicks
Six Strings and Diamond Rings
142 bpm • B Maj • 03:41 • -7db
11% Popularity • 37% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 37% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jade Helliwell
Drive
142 bpm • C# min • 03:24 • -4.69db
17% Popularity • 63% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 63% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Jay Ollero
Next Time
142 bpm • B Maj • 03:31 • -8.25db
20% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 67% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Jess Moskaluke
Cruise
142 bpm • G Maj • 03:21 • -6.33db
9% Popularity • 67% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 67% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Kree Harrison
The Time I've Wasted
141 bpm • A# Maj • 03:48 • -6.77db
13% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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American Young
Soldier's Wife (Don't Want You To Go)
141 bpm • C# Maj • 03:32 • -6.15db
8% Popularity • 54% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 54% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Catherine McGrath
Wild - Acoustic
150 bpm • F# Maj • 04:09 • -4.89db
21% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 44% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Sammy Arriaga
Cold in Miami (Acoustic Version)
150 bpm • E Maj • 03:20 • -5.58db
9% Popularity • 58% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 58% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Josh Kelley
The Rock Who Found A Rollin' Stone
150 bpm • E Maj • 03:42 • -10.87db
14% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Megan & Liz
All the Way
150 bpm • G# Maj • 04:03 • -5.1db
10% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Aaron Parker
I Took a Pill in Ibiza
150 bpm • E Maj • 04:37 • -6.88db
16% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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![Soldier's Wife (Don't Want You To Go) [Unplugged] cover art](https://i.scdn.co/image/ab67616d00001e02d4882e2681e837367056d9b6)
American Young
Soldier's Wife (Don't Want You To Go) [U...
141 bpm • C# Maj • 03:32 • -10.53db
17% Popularity • 50% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 50% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Sophia Scott
Closure
150 bpm • G Maj • 03:28 • -4.04db
25% Popularity • 55% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
25% Popularity • 55% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Hayley Orrantia
Give Me Back Sunday
150 bpm • C# Maj • 03:56 • -2.77db
13% Popularity • 52% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 52% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Tyler Hilton
Indian Summer
150 bpm • G Maj • 03:47 • -8db
20% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 57% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Haley & Michaels
Drinking About You
150 bpm • F Maj • 03:00 • -3db
8% Popularity • 49% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 49% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The McClymonts
Endless
150 bpm • C Maj • 03:48 • -5.91db
17% Popularity • 52% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 52% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Brett Hite
By My Side
140 bpm • G min • 04:34 • -10db
19% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 71% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Carrie Underwood
Like I'll Never Love You Again
140 bpm • A# Maj • 03:36 • -6.12db
38% Popularity • 49% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 49% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Tim McGraw
Love Me to Lie
140 bpm • F# min • 03:50 • -7.6db
24% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Green River Ordinance
She Is in the Air
140 bpm • B Maj • 03:59 • -9db
23% Popularity • 54% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 54% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Sara Evans
Rain and Fire
140 bpm • G Maj • 03:38 • -6.65db
11% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Cassadee Pope
Kisses At Airports
140 bpm • F Maj • 03:23 • -6.11db
19% Popularity • 54% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 54% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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American Young
Love Is War - Radio Mix
140 bpm • A# Maj • 03:04 • -7.71db
23% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 59% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Caitlyn Smith
Do You Think About Me
140 bpm • F# Maj • 03:32 • -7.39db
25% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 64% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sinead Burgess
Damaged Goods
140 bpm • F Maj • 03:27 • -13.89db
12% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 52% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sierra Black
Make It Easy
140 bpm • G Maj • 03:23 • -5db
24% Popularity • 44% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 44% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Sara Evans
Like the Way You Love Me
140 bpm • A Maj • 03:04 • -5.71db
15% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 53% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Emily James
Paper Heart
139 bpm • C Maj • 04:15 • -10.77db
16% Popularity • 41% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 41% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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American Young
Love Is War
140 bpm • A# Maj • 03:09 • -10.05db
24% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Brandy Clark
Three Kids No Husband
152 bpm • A# Maj • 03:14 • -4.69db
22% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 60% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Cam
Mayday
152 bpm • C# min • 03:36 • -5.92db
40% Popularity • 52% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
40% Popularity • 52% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Tim McGraw
Speak to a Girl
152 bpm • C# Maj • 03:52 • -7db
44% Popularity • 47% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 47% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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Sara Evans
I Don't Trust Myself
140 bpm • C# Maj • 03:34 • -7.08db
12% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 55% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Carly Pearce
Color
152 bpm • D Maj • 02:46 • -3.74db
27% Popularity • 53% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 53% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Cassadee Pope
Over You - The Voice Performance
152 bpm • G# Maj • 03:36 • -6.02db
31% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 44% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Lucy Angel
I'd Be Lyin'
152 bpm • G Maj • 04:15 • -4.34db
13% Popularity • 46% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 46% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Cam
Half Broke Heart
152 bpm • B Maj • 03:03 • -3.43db
33% Popularity • 70% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 70% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 95% Positiveness
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Jade Helliwell
Stormchaser
152 bpm • C# min • 02:56 • -4.27db
19% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 58% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Nicole Serrano
What I Really Wanna Say
138 bpm • G# Maj • 03:40 • -10db
21% Popularity • 56% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 56% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Tim McGraw
Sleeping in the Stars
138 bpm • G Maj • 04:00 • -7.29db
28% Popularity • 48% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 48% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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The McClymonts
Unsaveable
138 bpm • G min • 04:20 • -4.62db
11% Popularity • 51% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 51% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Haze
Riot
137 bpm • F Maj • 03:09 • -9.17db
21% Popularity • 46% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
21% Popularity • 46% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Faith Hill
Boy
137 bpm • F# Maj • 03:32 • -7.33db
11% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 64% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sugarland
Tuesday's Broken
137 bpm • F Maj • 03:14 • -6.73db
25% Popularity • 42% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 42% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Warren
Oh My My
154 bpm • G Maj • 03:51 • -4db
20% Popularity • 48% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 48% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Hayley Orrantia
Love Sick
154 bpm • F# Maj • 03:30 • -2.4db
15% Popularity • 47% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 47% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Cam
Cold in California
154 bpm • B Maj • 03:10 • -7db
25% Popularity • 49% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 49% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Trent Harmon
Chandelier
137 bpm • F# Maj • 03:36 • -10.68db
11% Popularity • 36% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 36% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Caitlyn Smith
Grown Woman
154 bpm • A Maj • 03:11 • -5.66db
14% Popularity • 57% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 57% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Kristian Bush
Sending You a Sunset
154 bpm • E Maj • 03:56 • -5.7db
7% Popularity • 52% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 52% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Ruthie Collins
Get Drunk and Cry
136 bpm • E Maj • 03:34 • -6.85db
9% Popularity • 55% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 55% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Tyler Brown Williams
Walking My Way
154 bpm • F# Maj • 03:32 • -10db
16% Popularity • 58% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 58% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Charles Kelley
Your Love
136 bpm • F Maj • 04:15 • -4.74db
12% Popularity • 56% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 56% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Una Healy
The Waiting Game
136 bpm • C Maj • 03:31 • -4.49db
11% Popularity • 60% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 60% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Little Big Town
The Breaker
136 bpm • G# Maj • 02:51 • -7.07db
24% Popularity • 63% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 63% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Smithfield
Hey Whiskey
136 bpm • G Maj • 03:30 • -4.8db
34% Popularity • 46% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 46% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Chord Overstreet
Homeland
155 bpm • G# Maj • 03:42 • -10db
32% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 49% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Jessica Mitchell
Maybe It's Me
136 bpm • F Maj • 04:00 • -7.64db
14% Popularity • 51% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 51% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Paul McDonald
First Loves (Demo)
136 bpm • C Maj • 03:33 • -10db
23% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Una Healy
Please Don't Tell Me
136 bpm • E Maj • 03:18 • -7.93db
9% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Ingrid Andress
More Hearts Than Mine - The Rosebank Aco...
155 bpm • C Maj • 03:34 • -8.47db
31% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 45% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
