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Cinderella Dracula
Songs like
Cinderella Dracula
by
Tired Lion
Based on a tempo of (+/- 10%) and a similar genre
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Ruby Fields
The Unguarded Moment - triple j Like a V...
134 bpm • C Maj • 04:38 • -9.68db
36% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Tired Lion
Cinderella Dracula
134 bpm • G Maj • 02:49 • -5.83db
29% Popularity • 49% Danceability • 58% Energy • 19% Liveness
48% Instrumentalness • 36% Positiveness
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Ball Park Music
I Am A Dog
134 bpm • D Maj • 03:36 • -5.87db
23% Popularity • 31% Danceability • 85% Energy • 59% Liveness
0% Instrumentalness • 28% Positiveness
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The Hard Aches
Loser
134 bpm • G Maj • 02:10 • -5.51db
30% Popularity • 57% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Eliza & The Delusionals
Cigarette
134 bpm • C min • 02:54 • -3.13db
15% Popularity • 58% Danceability • 78% Energy • 8% Liveness
3% Instrumentalness • 81% Positiveness
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Sly Withers
Closer
134 bpm • D Maj • 04:01 • -5.05db
37% Popularity • 44% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Ceres
91, Your House
134 bpm • D Maj • 03:46 • -7.11db
17% Popularity • 56% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Pist Idiots
Roundhouse
134 bpm • B min • 03:23 • -3.14db
26% Popularity • 37% Danceability • 99% Energy • 34% Liveness
1% Instrumentalness • 44% Positiveness
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Ruby Fields
R.E.G.O
135 bpm • D Maj • 02:59 • -3.57db
31% Popularity • 44% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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The Buoys
Frequently
133 bpm • E min • 03:15 • -4.16db
20% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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The Hard Aches
Die Young, Die Happy
135 bpm • G Maj • 03:06 • -8.4db
18% Popularity • 74% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Sly Withers
Firing Line
134 bpm • C# Maj • 03:53 • -6.08db
15% Popularity • 42% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Middle Kids
Mistake
135 bpm • D Maj • 03:32 • -2.83db
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Debbies
What Do I Know
135 bpm • C Maj • 02:30 • -4.3db
30% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Camp Cope
Flesh and Electricity
133 bpm • A Maj • 03:57 • -7.76db
22% Popularity • 53% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Football Club
One Dollar Coffee
133 bpm • C Maj • 02:55 • -5.39db
10% Popularity • 66% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Carla Geneve
Greg's Discount Chemist
133 bpm • G Maj • 03:29 • -5.41db
29% Popularity • 70% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Eliza & The Delusionals
Deep End
135 bpm • B min • 03:34 • -3.32db
14% Popularity • 46% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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These New South Whales
Meat Hook
135 bpm • G Maj • 02:10 • -2db
32% Popularity • 55% Danceability • 98% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Debbies
Majority of My Time
133 bpm • D Maj • 02:50 • -5.19db
18% Popularity • 55% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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The Pretty Littles
Weekend Away
133 bpm • C min • 03:05 • -5.3db
21% Popularity • 52% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Skegss
Fun
135 bpm • B Maj • 03:38 • -5.47db
32% Popularity • 49% Danceability • 80% Energy • 13% Liveness
93% Instrumentalness • 78% Positiveness
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Football Club
Girlcrush
136 bpm • G Maj • 03:56 • -6.71db
18% Popularity • 32% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Maddy Jane
Not Human At All
132 bpm • C# min • 03:15 • -5.31db
12% Popularity • 31% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Hard Aches
(We All Die)
132 bpm • A Maj • 01:37 • -6.24db
25% Popularity • 68% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Debbies
Comfort Zone
133 bpm • C# Maj • 02:20 • -4.23db
25% Popularity • 56% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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The Pretty Littles
Dangerman
136 bpm • E Maj • 02:21 • -2.67db
22% Popularity • 50% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Tired Lion
Japan
136 bpm • D Maj • 03:23 • -5.88db
21% Popularity • 55% Danceability • 81% Energy • 37% Liveness
86% Instrumentalness • 32% Positiveness
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Ruby Fields
Dingo
132 bpm • D min • 05:27 • -5.79db
31% Popularity • 55% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Football Club
Lucky
132 bpm • D Maj • 03:58 • -7.5db
16% Popularity • 55% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Pandamic
Archer
132 bpm • B Maj • 02:43 • -5.46db
13% Popularity • 59% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Camp Cope
The Face of God
132 bpm • D Maj • 03:50 • -8.12db
21% Popularity • 62% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Horror My Friend
Turned Loose
137 bpm • B min • 03:16 • -6.53db
20% Popularity • 36% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Hard Aches
I Get Like This
137 bpm • G Maj • 03:17 • -5.04db
34% Popularity • 70% Danceability • 83% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Tired Lion
Camp
131 bpm • D Maj • 02:49 • -6.15db
18% Popularity • 54% Danceability • 84% Energy • 19% Liveness
2% Instrumentalness • 48% Positiveness
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Football Club
I Had A Really Nice Time Tonight
137 bpm • G Maj • 03:08 • -8.86db
21% Popularity • 64% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Ceres
Me & You
131 bpm • C Maj • 03:43 • -4.32db
19% Popularity • 32% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Ruby Fields
I Want
131 bpm • E min • 04:03 • -4.43db
37% Popularity • 50% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Camp Cope
West Side Story
137 bpm • E min • 05:32 • -7.71db
21% Popularity • 34% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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The Hard Aches
Glad That You're Gone
137 bpm • G Maj • 03:18 • -3.42db
28% Popularity • 50% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Alex Lahey
Lotto In Reverse
131 bpm • A min • 04:00 • -4.97db
17% Popularity • 56% Danceability • 91% Energy • 17% Liveness
1% Instrumentalness • 51% Positiveness
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Voiid
Silly Girl
131 bpm • F Maj • 03:09 • -7.33db
25% Popularity • 48% Danceability • 77% Energy • 14% Liveness
75% Instrumentalness • 68% Positiveness
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Ali Barter
Light Them On Fire
131 bpm • E Maj • 04:17 • -5.63db
12% Popularity • 50% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Ball Park Music
Whipping Boy
137 bpm • C# Maj • 02:48 • -5.79db
25% Popularity • 23% Danceability • 71% Energy • 8% Liveness
56% Instrumentalness • 38% Positiveness
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The Grates
Milk Eyes
138 bpm • E Maj • 03:29 • -3.38db
12% Popularity • 60% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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The Gooch Palms
Marfa Lights
138 bpm • F# Maj • 03:59 • -5.79db
8% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Alex Lahey
Let’s Go Out
131 bpm • C Maj • 03:10 • -2.87db
25% Popularity • 54% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Maddy Jane
The Other Day
138 bpm • A min • 03:38 • -4.59db
8% Popularity • 55% Danceability • 84% Energy • 15% Liveness
3% Instrumentalness • 91% Positiveness
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Eliza & The Delusionals
Salt
138 bpm • C# min • 02:45 • -3.16db
14% Popularity • 49% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 53% Positiveness
► Preview
The Hard Aches
I Freak Out
138 bpm • E Maj • 02:28 • -5.07db
19% Popularity • 48% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Football Club
Do It Yourself!
138 bpm • G Maj • 03:35 • -7.46db
12% Popularity • 58% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Tired Lion
With Or Without
130 bpm • A# Maj • 03:30 • -5.12db
26% Popularity • 47% Danceability • 76% Energy • 14% Liveness
15% Instrumentalness • 33% Positiveness
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West Thebarton
Set It Straight
130 bpm • D Maj • 04:20 • -3.05db
12% Popularity • 49% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Luca Brasi
Tangled; Content
130 bpm • B Maj • 03:13 • -3.84db
27% Popularity • 59% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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INHEAVEN
Treats
130 bpm • F# min • 03:34 • -5db
18% Popularity • 46% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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The Hard Aches
Warm Blooded
130 bpm • D Maj • 03:02 • -5.9db
17% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ceres
Choke
139 bpm • E Maj • 04:30 • -9.85db
16% Popularity • 30% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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Verge Collection
Class of '09
139 bpm • G Maj • 03:09 • -6db
28% Popularity • 55% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Sly Withers
Pleb
129 bpm • E Maj • 02:55 • -4.84db
17% Popularity • 45% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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White Blanks
Get Better
140 bpm • E Maj • 04:00 • -11db
31% Popularity • 34% Danceability • 72% Energy • 16% Liveness
82% Instrumentalness • 48% Positiveness
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Polish Club
Divided
140 bpm • F Maj • 03:28 • -4.42db
27% Popularity • 26% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Pist Idiots
Sweet Headache
140 bpm • C Maj • 03:53 • -4db
31% Popularity • 40% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Children Collide
My Eagle
140 bpm • D Maj • 02:49 • -3.4db
30% Popularity • 53% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Eliza & The Delusionals
Half Empty Girl
140 bpm • C# min • 04:05 • -3.78db
17% Popularity • 37% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Tired Lion
Lie To Me
140 bpm • G Maj • 02:07 • -4.23db
25% Popularity • 42% Danceability • 90% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
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TOWNS
Sun
140 bpm • A Maj • 03:57 • -4.87db
12% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Alex Lahey
Let’s Call It A Day
128 bpm • F Maj • 04:19 • -4.57db
11% Popularity • 44% Danceability • 86% Energy • 17% Liveness
3% Instrumentalness • 50% Positiveness
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The Buoys
Lie To Me Again
128 bpm • A# Maj • 04:09 • -5.22db
40% Popularity • 59% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Oscar the Wild
Hey
128 bpm • G Maj • 03:18 • -5.6db
12% Popularity • 64% Danceability • 71% Energy • 34% Liveness
8% Instrumentalness • 43% Positiveness
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Bec Stevens
They Don't Build Cars Like This Anymore
128 bpm • D Maj • 03:46 • -7.72db
10% Popularity • 39% Danceability • 87% Energy • 37% Liveness
3% Instrumentalness • 25% Positiveness
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Tired Lion
Breakfast For Pathetics
140 bpm • G Maj • 03:07 • -4.74db
19% Popularity • 50% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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Skegss
Smogged Out
128 bpm • A Maj • 02:54 • -10.42db
43% Popularity • 57% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Luca Brasi
Treading Water
140 bpm • B min • 03:23 • -4.05db
11% Popularity • 47% Danceability • 98% Energy • 11% Liveness
2% Instrumentalness • 62% Positiveness
► Preview
The Hard Aches
Pheromones
140 bpm • G# min • 03:10 • -6.47db
22% Popularity • 46% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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CLEWS
Museum
141 bpm • C Maj • 02:37 • -5.88db
21% Popularity • 36% Danceability • 90% Energy • 20% Liveness
1% Instrumentalness • 39% Positiveness
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Voiid
Vile
141 bpm • E Maj • 03:30 • -3.05db
15% Popularity • 25% Danceability • 85% Energy • 60% Liveness
0% Instrumentalness • 40% Positiveness
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Football Club
Ivy
141 bpm • G Maj • 05:07 • -10.31db
29% Popularity • 40% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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TOTTY
SIGH
127 bpm • G Maj • 03:33 • -6.75db
25% Popularity • 41% Danceability • 70% Energy • 12% Liveness
8% Instrumentalness • 5% Positiveness
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dave the band
Eggiwegs
127 bpm • A Maj • 04:06 • -6.01db
14% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Hard Aches
St Helens
141 bpm • E Maj • 02:59 • -6.43db
29% Popularity • 71% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Ball Park Music
Exactly How You Are
141 bpm • A Maj • 03:36 • -5.66db
45% Popularity • 44% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Ali Barter
The Captain
127 bpm • A# min • 04:02 • -8db
15% Popularity • 52% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Maddy Jane
Thank You and Sorry
127 bpm • C Maj • 03:11 • -6db
26% Popularity • 61% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Football Club
This Isn't Who I Am
142 bpm • F Maj • 03:20 • -6.45db
21% Popularity • 55% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 78% Positiveness
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Verge Collection
So Vain
142 bpm • G# Maj • 01:51 • -6.89db
33% Popularity • 53% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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The Hard Aches
Wide and Wired
127 bpm • D Maj • 03:16 • -5.79db
24% Popularity • 54% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Dear Seattle
A Modest Mind
142 bpm • G Maj • 03:02 • -3.89db
19% Popularity • 48% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Alex Lahey
I Don’t Get Invited To Parties Anymore
142 bpm • A Maj • 04:08 • -7.1db
12% Popularity • 57% Danceability • 74% Energy • 62% Liveness
0% Instrumentalness • 35% Positiveness
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Luca Brasi
The Cascade Blues
142 bpm • C Maj • 03:27 • -5.35db
21% Popularity • 36% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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West Thebarton
Basics
142 bpm • F# min • 01:35 • -3.37db
22% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Verge Collection
Eye Opener
126 bpm • C# Maj • 03:12 • -7.24db
24% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Skegss
New York California
126 bpm • G Maj • 03:46 • -4.99db
33% Popularity • 60% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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CLEWS
Crushed
126 bpm • F min • 03:40 • -5db
23% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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The Hard Aches
Gut Full
126 bpm • C Maj • 02:52 • -4.68db
18% Popularity • 49% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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The Sleepyheads
Never Forget You're Here For Them
126 bpm • B Maj • 04:11 • -6.3db
12% Popularity • 52% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Ceres
Laundry Echo
143 bpm • C Maj • 02:26 • -7.74db
12% Popularity • 47% Danceability • 55% Energy • 11% Liveness
5% Instrumentalness • 7% Positiveness
► Preview
Ruby Fields
Climate
143 bpm • D Maj • 03:09 • -4.88db
34% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Teen Jesus and the Jean Teasers
See You In A Bit (I Still Care)
143 bpm • F Maj • 04:07 • -6.3db
27% Popularity • 45% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Sloan Peterson
Rats
143 bpm • F# min • 03:23 • -5.36db
15% Popularity • 47% Danceability • 95% Energy • 12% Liveness
28% Instrumentalness • 25% Positiveness
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The Hard Aches
Happy
126 bpm • C# Maj • 03:02 • -5db
24% Popularity • 63% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Cinderella Dracula