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Cinderella Runs
Songs like
Cinderella Runs
by
Stephen Sondheim
Based on a tempo of (+/- 10%) and a similar genre
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Stephen Sondheim
Cinderella Runs
79 bpm • F Maj • 00:53 • -12.09db
28% Popularity • 31% Danceability • 29% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Christopher Willis
Score: "That's for stealin' my gal."
79 bpm • A# min • 00:59 • -22.91db
11% Popularity • 14% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Merwin Foard as Pilot
Fathoms Below
79 bpm • D Maj • 02:34 • -16db
34% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Lynn Ahrens
Alone in The Universe (Reprise) - Origin...
80 bpm • G Maj • 01:06 • -19.65db
28% Popularity • 30% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Stephen Sondheim
Green Finch and Linnet Bird
79 bpm • A# Maj • 03:02 • -14.53db
17% Popularity • 29% Danceability • 25% Energy • 67% Liveness
0% Instrumentalness • 11% Positiveness
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Phillipa Soo
On The Steps Of The Palace
78 bpm • D Maj • 02:26 • -11.72db
40% Popularity • 59% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Annaleigh Ashford
Wait
80 bpm • C# Maj • 02:19 • -15.1db
39% Popularity • 39% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Robert Elhai
Simba Confronts Scar
78 bpm • D# Maj • 02:25 • -8.51db
34% Popularity • 56% Danceability • 70% Energy • 10% Liveness
66% Instrumentalness • 50% Positiveness
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Fiddler on the Roof 2016 Broadway Cast
Wedding Dance
80 bpm • C Maj • 05:14 • -6.73db
21% Popularity • 42% Danceability • 46% Energy • 38% Liveness
73% Instrumentalness • 38% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Stephen Sondheim
Searching for Cinderella
79 bpm • F# Maj • 01:06 • -12.61db
26% Popularity • 30% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Brian D'Arcy James
No More
80 bpm • A# Maj • 04:13 • -12.76db
31% Popularity • 35% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Joe Dixon, The Prince of Egypt Original Cast Ensemble
One Weak Link
78 bpm • A# Maj • 01:31 • -12.48db
29% Popularity • 47% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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J.A.C. Redford
Escape from Snyder
80 bpm • A Maj • 02:07 • -19.25db
25% Popularity • 30% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
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Charles Strouse
Annie: Annie
80 bpm • C# Maj • 01:35 • -12.68db
22% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Stephen Sondheim
Parlor Songs
78 bpm • D# Maj • 03:35 • -15.62db
21% Popularity • 51% Danceability • 39% Energy • 38% Liveness
0% Instrumentalness • 42% Positiveness
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David Haig as George Banks
Good For Nothing / Being Mrs Banks (repr...
80 bpm • C# Maj • 04:06 • -18.9db
20% Popularity • 40% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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New Broadway Cast of Merrily We Roll Along
Overture
80 bpm • A# Maj • 04:34 • -7.27db
34% Popularity • 46% Danceability • 48% Energy • 7% Liveness
60% Instrumentalness • 30% Positiveness
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Derek Klena
Dreamer in Disguise - Reprise
80 bpm • F Maj • 01:48 • -13.86db
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Fred Lassen
Prelude
80 bpm • D Maj • 00:48 • -15.96db
38% Popularity • 18% Danceability • 4% Energy • 38% Liveness
90% Instrumentalness • 14% Positiveness
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Sally Dexter
London Bridge
78 bpm • G Maj • 04:00 • -19db
17% Popularity • 24% Danceability • 22% Energy • 22% Liveness
2% Instrumentalness • 7% Positiveness
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Stephen Sondheim
Granny's Cottage
80 bpm • A Maj • 01:36 • -28.94db
28% Popularity • 11% Danceability • 12% Energy • 16% Liveness
87% Instrumentalness • 3% Positiveness
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'Come From Away' Company
Something's Missing
80 bpm • G Maj • 05:36 • -9.6db
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sierra Boggess as Ariel
If Only (Quartet)
81 bpm • A Maj • 04:55 • -19db
37% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Roger Bart
The Clocktower/For the Dreamers (reprise...
81 bpm • G# Maj • 06:06 • -11.37db
27% Popularity • 30% Danceability • 46% Energy • 39% Liveness
77% Instrumentalness • 10% Positiveness
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Christophe Beck
Fantasmas del pasado de Arendelle
81 bpm • G# Maj • 02:58 • -22.15db
12% Popularity • 9% Danceability • 11% Energy • 5% Liveness
42% Instrumentalness • 3% Positiveness
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Gaten Matarazzo
Not While I'm Around
77 bpm • G Maj • 03:26 • -11.43db
31% Popularity • 37% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Carrie: The Musical Ensemble
Prom Arrival
77 bpm • C Maj • 01:59 • -7.04db
25% Popularity • 59% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Sierra Boggess as Ariel
The World Above
77 bpm • F# Maj • 01:34 • -22.22db
35% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Leonard Bernstein
West Side Story: Act II: The Rumble
77 bpm • G min • 02:43 • -12.82db
28% Popularity • 42% Danceability • 48% Energy • 37% Liveness
60% Instrumentalness • 26% Positiveness
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John Riddle
Hans of the Southern Isles (Reprise)
81 bpm • C Maj • 02:16 • -8.53db
39% Popularity • 36% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Charles Strouse
Parents (Bonus Track)
77 bpm • C min • 02:12 • -22db
12% Popularity • 54% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Stephen Sondheim
The Forbidden Tower
81 bpm • E Maj • 02:19 • -19.87db
29% Popularity • 31% Danceability • 18% Energy • 33% Liveness
83% Instrumentalness • 5% Positiveness
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Gregory Bradley
Oliver's Escape
81 bpm • C# min • 00:56 • -20.94db
19% Popularity • 47% Danceability • 24% Energy • 30% Liveness
45% Instrumentalness • 27% Positiveness
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The Outatime Orchestra
Don't Drive 88!
81 bpm • C# Maj • 01:13 • -9.04db
31% Popularity • 41% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
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Annaleigh Ashford
By the Sea
77 bpm • A Maj • 03:36 • -11.86db
43% Popularity • 63% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Peter Friedman
A Shtetl Iz Amereke
81 bpm • C Maj • 01:16 • -8.95db
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
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Adam Chanler-Berat
Everybody's Got the Right (Finale)
77 bpm • F# Maj • 02:24 • -10.33db
13% Popularity • 60% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Mindi Dickstein
Sometimes When You Dream - Reprise
81 bpm • D Maj • 00:57 • -10db
23% Popularity • 36% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Guys and Dolls Orchestra (1992)
Runyonland
81 bpm • G# Maj • 02:57 • -17db
27% Popularity • 34% Danceability • 24% Energy • 25% Liveness
68% Instrumentalness • 56% Positiveness
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David Patrick Kelly
Cinderella At The Grave
81 bpm • F Maj • 01:21 • -13.88db
32% Popularity • 41% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Milly Shapiro featuring Samantha Sturm
Story 1: Once Upon a Time…
82 bpm • A min • 03:43 • -11db
24% Popularity • 49% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Sutton Foster
This Is Our Story
82 bpm • A Maj • 03:17 • -6.05db
38% Popularity • 55% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Overture
82 bpm • E Maj • 01:44 • -10.18db
17% Popularity • 57% Danceability • 44% Energy • 6% Liveness
70% Instrumentalness • 77% Positiveness
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Leonard Bernstein
West Side Story, Act 1: Maria from West ...
82 bpm • G# Maj • 02:21 • -16.76db
17% Popularity • 30% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Lawrence Clayton
On a Stormy Night
82 bpm • C min • 01:03 • -24.86db
18% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Patti Murin
Colder by the Minute
76 bpm • G# Maj • 04:01 • -7.87db
35% Popularity • 29% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Sutton Foster
This Is How A Dream Comes True
76 bpm • D min • 03:11 • -10db
37% Popularity • 43% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Chefs - The Little Mermaid Original Broadway Cast
Les Poissons (Reprise)
82 bpm • A# Maj • 01:56 • -14.62db
27% Popularity • 45% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Denée Benton
Sunday Morning
82 bpm • G# min • 02:05 • -9.24db
33% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
29% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Janine LaManna
The One Feather Tail Of Miss Gertrude Mc...
82 bpm • C Maj • 01:16 • -16.14db
34% Popularity • 38% Danceability • 4% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Marc Shaiman
Race to Big Ben
82 bpm • B min • 04:55 • -12.96db
23% Popularity • 23% Danceability • 46% Energy • 18% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Stephen Sondheim
It Takes Two - Instrumental Version
76 bpm • D Maj • 02:30 • -16.57db
9% Popularity • 25% Danceability • 14% Energy • 7% Liveness
82% Instrumentalness • 40% Positiveness
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'Come From Away' Company
Darkness And Trees - Reprise
82 bpm • E min • 01:44 • -9.78db
39% Popularity • 54% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
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J.A.C. Redford
Rooftop
83 bpm • D Maj • 03:13 • -21.13db
25% Popularity • 13% Danceability • 13% Energy • 34% Liveness
73% Instrumentalness • 4% Positiveness
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Sean Palmer as Prince Eric
One Step Closer
83 bpm • D Maj • 04:22 • -20.5db
31% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Jeanine Tesori
"Thanks for the Care Package..."
83 bpm • C# Maj • 03:33 • -21.47db
20% Popularity • 68% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Aaron Tveit
The Death Of Gavroche
83 bpm • C min • 02:45 • -18.04db
35% Popularity • 57% Danceability • 20% Energy • 74% Liveness
0% Instrumentalness • 13% Positiveness
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Stephen Sondheim
"Who Cares!"
76 bpm • A# Maj • 00:30 • -31.97db
28% Popularity • 12% Danceability • 2% Energy • 30% Liveness
81% Instrumentalness • 5% Positiveness
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Danny Burstein
Tevye's Monologue
75 bpm • F# Maj • 02:31 • -10.5db
21% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Oliver Wallace
The Palace at Evening / A Dress For The ...
75 bpm • C# min • 02:56 • -17.2db
12% Popularity • 15% Danceability • 15% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Tom Bosley
No Matter What
83 bpm • D# Maj • 03:06 • -22.26db
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Marc Shaiman
Chase Through the Bank
83 bpm • F Maj • 01:11 • -18.19db
31% Popularity • 17% Danceability • 14% Energy • 13% Liveness
34% Instrumentalness • 6% Positiveness
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Stephen Sondheim
Almost Midnight
83 bpm • C Maj • 01:07 • -18.81db
25% Popularity • 23% Danceability • 20% Energy • 8% Liveness
46% Instrumentalness • 4% Positiveness
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Brittain Ashford
Sonya & Natasha
83 bpm • C min • 04:12 • -8.61db
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Greg Hildreth
In Summer
83 bpm • F Maj • 01:58 • -10.21db
33% Popularity • 46% Danceability • 31% Energy • 50% Liveness
0% Instrumentalness • 68% Positiveness
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Barbara Rosenblat
Scene: A Train Platform in Yorkshire / T...
83 bpm • D# min • 03:08 • -18.32db
22% Popularity • 50% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Josh Groban
Epiphany
84 bpm • C min • 03:07 • -8.26db
32% Popularity • 42% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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J.A.C. Redford
Fightin' Irish: Strike Action
84 bpm • G Maj • 01:50 • -16.79db
26% Popularity • 42% Danceability • 46% Energy • 31% Liveness
97% Instrumentalness • 52% Positiveness
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Stephen Sondheim
The Giant Attack
75 bpm • F# min • 02:11 • -10.48db
24% Popularity • 36% Danceability • 44% Energy • 9% Liveness
26% Instrumentalness • 9% Positiveness
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Brandon Uranowitz
Making a Home
84 bpm • G min • 03:07 • -10.26db
37% Popularity • 27% Danceability • 26% Energy • 52% Liveness
0% Instrumentalness • 29% Positiveness
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J. Robert Spencer
He's Not Here
84 bpm • D# Maj • 01:15 • -23.69db
32% Popularity • 32% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Douglas Hodge
Strike That, Reverse It
84 bpm • C# Maj • 05:28 • -7.65db
23% Popularity • 63% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 75% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Ramin Karimloo
Still
84 bpm • F min • 02:36 • -10.59db
41% Popularity • 29% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 7% Positiveness
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Stephen Sondheim
Last Midnight - Instrumental
75 bpm • C# Maj • 03:47 • -13.28db
23% Popularity • 12% Danceability • 36% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
► Preview
Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
34% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Christine Ebersole
Save Your Applause 'Til The End
84 bpm • D min • 02:57 • -5.25db
22% Popularity • 45% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
► Preview
Mindi Dickstein
Overture
74 bpm • A min • 00:54 • -8.65db
23% Popularity • 53% Danceability • 42% Energy • 12% Liveness
81% Instrumentalness • 29% Positiveness
► Preview
D. Sabella
A Little Bit of Good
85 bpm • D# Maj • 03:14 • -13.63db
28% Popularity • 41% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Stephen Sondheim
Back Into the Woods
75 bpm • D Maj • 00:49 • -33.55db
24% Popularity • 27% Danceability • 7% Energy • 31% Liveness
50% Instrumentalness • 9% Positiveness
► Preview
Patina Miller
Witch's Lament
84 bpm • A min • 02:18 • -13.12db
32% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Stephen Schwartz
A Sentimental Man
74 bpm • B Maj • 01:16 • -15db
33% Popularity • 35% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
36% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
24% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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André De Shields
Why We Build the Wall ("Behind closed do...
85 bpm • D min • 00:57 • -11.71db
24% Popularity • 41% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Stephen Sondheim
The Slipper Fits
85 bpm • B Maj • 01:12 • -20.22db
26% Popularity • 20% Danceability • 18% Energy • 37% Liveness
73% Instrumentalness • 6% Positiveness
► Preview
Oklahoma! 1998 National Theatre Cast Recording Orchestra
Ballet
85 bpm • G# Maj • 10:56 • -15.06db
15% Popularity • 23% Danceability • 19% Energy • 23% Liveness
47% Instrumentalness • 9% Positiveness
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Cinderella Runs