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Circles
Songs like
Circles
by
The Cadillac Three
Based on a tempo of (+/- 10%) and a similar genre
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Canaan Smith
Mason Jars & Fireflies
120 bpm • B min • 03:07 • -5.65db
35% Popularity • 61% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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The Cadillac Three
The Jam - + FUZZ
120 bpm • A min • 02:53 • -6.56db
17% Popularity • 63% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 83% Positiveness
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Tucker Beathard
You On
120 bpm • G# Maj • 03:14 • -6.18db
23% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Pony Bradshaw
Bad Teeth
120 bpm • F# min • 03:57 • -7.95db
38% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Boy Named Banjo
Heart Attack
120 bpm • C Maj • 02:42 • -4.8db
24% Popularity • 51% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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The Reklaws
Wish You Were Beer
120 bpm • A Maj • 03:46 • -7.29db
42% Popularity • 70% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Miranda Lambert
They've Closed Down the Honky Tonks
120 bpm • E Maj • 03:46 • -13.3db
26% Popularity • 57% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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The Cadillac Three
American Slang
120 bpm • D Maj • 03:06 • -5.96db
32% Popularity • 60% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Muscadine Bloodline
Enemy
120 bpm • C# Maj • 03:26 • -8.3db
51% Popularity • 67% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Texas Hill
Darkest Sky
120 bpm • E Maj • 03:02 • -8.95db
21% Popularity • 75% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Boy Named Banjo
Feel For You
120 bpm • E min • 03:15 • -5.74db
46% Popularity • 56% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Red Shahan
Culberson County
121 bpm • B Maj • 03:59 • -8.43db
34% Popularity • 53% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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49 Winchester
So Damn Sweet
119 bpm • A Maj • 04:14 • -6.43db
42% Popularity • 44% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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The Cadillac Three
The Jam
120 bpm • C Maj • 03:10 • -6db
36% Popularity • 66% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Them Dirty Roses
Molly
121 bpm • G Maj • 03:37 • -5db
44% Popularity • 63% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Randy Houser
Evangeline
119 bpm • E Maj • 03:54 • -7.53db
25% Popularity • 61% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Kenny Chesney
Ends of the Earth
121 bpm • E Maj • 04:24 • -10.52db
42% Popularity • 64% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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The Steel Woods
I Need You
121 bpm • G Maj • 07:09 • -6.46db
39% Popularity • 50% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Kip Moore
Crazy One More Time - Revisited
119 bpm • F Maj • 03:51 • -7.41db
40% Popularity • 67% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Cadillac Three
Circles
120 bpm • C min • 03:14 • -6.43db
40% Popularity • 77% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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The Wilder Blue
Feelin' the Miles
121 bpm • D Maj • 04:17 • -11.26db
32% Popularity • 72% Danceability • 43% Energy • 15% Liveness
23% Instrumentalness • 64% Positiveness
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Chris Stapleton
When I'm With You
121 bpm • G Maj • 03:43 • -10.46db
52% Popularity • 51% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Jarrod Morris
West of East
118 bpm • C Maj • 03:13 • -11.52db
37% Popularity • 60% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Sam Williams
Carnival Heart - from Cirque du Soleil S...
122 bpm • A# Maj • 04:32 • -7.43db
29% Popularity • 45% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Kip Moore
Payin' Hard
122 bpm • C Maj • 02:48 • -8.38db
31% Popularity • 57% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Muscadine Bloodline
Mind of Its Own
118 bpm • F# Maj • 02:59 • -5.52db
51% Popularity • 70% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Cadillac Three
Love Me Like Liquor
120 bpm • C Maj • 03:07 • -6.96db
33% Popularity • 62% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Taylor McCall
The Hounds
118 bpm • E min • 04:04 • -8.12db
46% Popularity • 62% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Cody Jinks
Watch the World Die
122 bpm • A Maj • 03:54 • -5.59db
40% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Gavin Adcock
Sober
122 bpm • C# Maj • 03:13 • -10.33db
51% Popularity • 67% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Brandon Lay
For My Money
118 bpm • F# min • 03:10 • -7.16db
35% Popularity • 78% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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BRELAND
Strawberry Wine - Spotify Singles
122 bpm • A Maj • 04:20 • -8.27db
39% Popularity • 60% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Ian Munsick
Dreams
122 bpm • D Maj • 03:09 • -5.81db
44% Popularity • 62% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Ashland Craft
Highway Like Me
118 bpm • E Maj • 04:30 • -5.7db
25% Popularity • 28% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Whiskey Myers
Heavy on Me
122 bpm • G Maj • 04:37 • -9.27db
42% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Kendell Marvel
Gypsy Woman
123 bpm • G# min • 03:33 • -9.54db
29% Popularity • 68% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Kody West
Love Me Too
117 bpm • E Maj • 04:11 • -5.24db
45% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Zac Brown Band
Paradise Lost on Me
117 bpm • F# Maj • 02:24 • -4.54db
45% Popularity • 74% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Ian Munsick
Weakness
123 bpm • C Maj • 03:34 • -8.55db
44% Popularity • 72% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Scott Stevens
Neon on Ya
117 bpm • C# Maj • 03:37 • -7.62db
27% Popularity • 47% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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John Anderson
Tuesday I’ll Be Gone
123 bpm • F Maj • 03:44 • -7.36db
31% Popularity • 48% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Brett Eldredge
When The Party's Over - Live
124 bpm • F# Maj • 03:20 • -11.43db
36% Popularity • 42% Danceability • 29% Energy • 29% Liveness
0% Instrumentalness • 12% Positiveness
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The Cadillac Three
Party Like You
116 bpm • G Maj • 03:07 • -3.65db
46% Popularity • 60% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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The Steel Woods
Run on Ahead
124 bpm • E Maj • 04:41 • -9.84db
20% Popularity • 59% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Corey Smith
Where I Wish I Was - Acoustic
116 bpm • F Maj • 03:49 • -12.85db
37% Popularity • 62% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Dillon Carmichael
Son Of A (Acoustic)
124 bpm • C Maj • 03:16 • -8.18db
15% Popularity • 72% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Sam Williams
Weatherman
124 bpm • A Maj • 03:34 • -5.24db
49% Popularity • 52% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Cody Jinks
Mamma Song - Unplugged
124 bpm • A# Maj • 04:19 • -7.54db
27% Popularity • 60% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Cadillac Three
This Accent
124 bpm • G Maj • 03:54 • -5.5db
17% Popularity • 60% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Muscadine Bloodline
Burn It at Both Ends
124 bpm • F# Maj • 03:21 • -10.28db
34% Popularity • 64% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Zac Brown Band
You and Islands
124 bpm • A Maj • 03:50 • -5.34db
43% Popularity • 65% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Dillon Carmichael
Son Of A
124 bpm • C Maj • 03:13 • -7.54db
46% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Reckless Kelly
I Only See You with My Eyes Closed
124 bpm • C Maj • 04:00 • -7.95db
18% Popularity • 51% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Brett Eldredge
Hideaway
124 bpm • G# Maj • 02:43 • -5.57db
42% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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The Cadillac Three
Slide
124 bpm • C Maj • 02:35 • -5.69db
31% Popularity • 66% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Muscadine Bloodline
Enemy
116 bpm • C# Maj • 03:53 • -10.35db
22% Popularity • 80% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Elvie Shane
County Roads
116 bpm • G# Maj • 03:11 • -3.1db
54% Popularity • 65% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Thieving Birds
My Sweet Baby
124 bpm • G Maj • 03:06 • -12.61db
42% Popularity • 62% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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A Thousand Horses
Livin' my Best Life
116 bpm • G Maj • 03:05 • -3.59db
33% Popularity • 58% Danceability • 94% Energy • 27% Liveness
1% Instrumentalness • 75% Positiveness
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Tanner Usrey
With You
125 bpm • G Maj • 04:26 • -7.36db
30% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Vegabonds
Partyin' with Strangers
125 bpm • A Maj • 03:59 • -5.63db
26% Popularity • 46% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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The Cadillac Three
Turn The Radio On
125 bpm • A Maj • 02:44 • -6.71db
21% Popularity • 83% Danceability • 65% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
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Paul Cauthen
Angel
125 bpm • C Maj • 04:18 • -9.69db
23% Popularity • 70% Danceability • 54% Energy • 11% Liveness
3% Instrumentalness • 49% Positiveness
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Jackson Dean
Other Than Me
125 bpm • G Maj • 04:00 • -5.13db
36% Popularity • 59% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Cody Jinks
Hurt You
115 bpm • E Maj • 02:56 • -5.75db
51% Popularity • 61% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Bishop Gunn
Makin' it
125 bpm • C Maj • 04:14 • -8.02db
36% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Ben Fuller
Me & Katelyn
115 bpm • A Maj • 03:11 • -10.4db
29% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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A Thousand Horses
A Song to Remember
115 bpm • C# min • 03:11 • -6.37db
38% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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James Otto
Night Moves - Acoustic Version
114 bpm • C Maj • 06:27 • -7.19db
31% Popularity • 54% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Stapleton
Whiskey Sunrise
114 bpm • G Maj • 03:22 • -6.99db
54% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Ryan Beaver
Rum & Roses
126 bpm • D Maj • 04:39 • -6.35db
20% Popularity • 46% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Bishop Gunn
Gypsy Cadillac
115 bpm • D min • 04:23 • -8.71db
26% Popularity • 42% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Casper McWade
Don't Follow
126 bpm • D Maj • 03:54 • -10.05db
31% Popularity • 37% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Zach Bryan
Right Now the Best
114 bpm • C Maj • 03:10 • -2.48db
58% Popularity • 49% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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American Young
Seminole Wind
126 bpm • C Maj • 03:36 • -7db
19% Popularity • 60% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ryan Hurd
To a T - Stripped
114 bpm • A Maj • 03:18 • -6.79db
46% Popularity • 60% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Mark Jones & Twenty Paces
I Wanna Dance with Somebody
114 bpm • B Maj • 03:11 • -7.3db
36% Popularity • 71% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Ross Ellis
Buy and Buy
114 bpm • B Maj • 03:47 • -5.99db
39% Popularity • 66% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Prophets and Outlaws
Little Bit of Love
114 bpm • D# Maj • 03:39 • -6.53db
15% Popularity • 69% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Ray Fulcher
Anything Like You Dance - Stripped
114 bpm • B Maj • 03:19 • -3.86db
27% Popularity • 76% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Noah Thompson
Stay
114 bpm • F# min • 03:45 • -6.49db
48% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Drake White
Waitin’ On The Whiskey To Work
114 bpm • E Maj • 03:59 • -13.11db
34% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Stapleton
Amanda
126 bpm • A Maj • 03:02 • -9.2db
57% Popularity • 60% Danceability • 32% Energy • 55% Liveness
0% Instrumentalness • 35% Positiveness
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Kyle Daniel
That Somebody Ain't Me
126 bpm • F# Maj • 03:29 • -11.78db
20% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ian Munsick
Dreams - Stripped
114 bpm • D Maj • 03:31 • -6db
32% Popularity • 59% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Cody Jinks
Wish You Were Here
127 bpm • C# Maj • 05:16 • -5.23db
48% Popularity • 41% Danceability • 68% Energy • 12% Liveness
4% Instrumentalness • 27% Positiveness
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Jason Eady
Cry Pretty
127 bpm • G Maj • 04:36 • -8.44db
30% Popularity • 68% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Reckless Kelly
Thinkin' 'Bout You All Night
127 bpm • D Maj • 03:59 • -9.39db
27% Popularity • 60% Danceability • 51% Energy • 13% Liveness
5% Instrumentalness • 34% Positiveness
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Whiskey Myers
Glitter Ain't Gold
127 bpm • A Maj • 03:36 • -4.8db
48% Popularity • 55% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Uncle Lucius
The Light
127 bpm • D Maj • 03:00 • -7.1db
41% Popularity • 64% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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The Jompson Brothers
Barely Alive
113 bpm • B min • 04:50 • -7.34db
43% Popularity • 47% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Rob Baird
Waiting on Time
113 bpm • G# Maj • 04:23 • -5.72db
11% Popularity • 54% Danceability • 69% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Southall
Stickin' n Movin'
113 bpm • F# min • 03:51 • -7.61db
39% Popularity • 64% Danceability • 73% Energy • 23% Liveness
1% Instrumentalness • 62% Positiveness
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Tucker Beathard
How Gone Will I Go
113 bpm • G min • 04:47 • -5db
34% Popularity • 64% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Dillon Carmichael
I Do For You
113 bpm • D Maj • 02:54 • -5.19db
36% Popularity • 66% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Adam Doleac
Puzzle of Us (Acoustic)
128 bpm • C# Maj • 04:26 • -4db
29% Popularity • 69% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Drake White
Makin’ Me Look Good Again
128 bpm • A# Maj • 03:58 • -6.14db
54% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Ryan Wilcox & The Sunday Shakes
Always Been My Girl
113 bpm • G# Maj • 04:14 • -8.74db
23% Popularity • 70% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Zac Brown Band
Cover Me Up - Recorded at Spotify Studio...
128 bpm • C# Maj • 04:47 • -10.02db
48% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Meloy
Washington Street
128 bpm • G min • 03:41 • -11.49db
63% Popularity • 57% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Circles