Songs like City at Sleep by Jennifer Damiano
Based on a tempo of (+/- 10%) and a similar genre
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Jennifer Damiano
City at Sleep
99 bpm • G# Maj • 04:20 • -8.84db
17% Popularity • 65% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 65% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Julie Atherton
When I Was Nineteen
99 bpm • A Maj • 03:24 • -8db
12% Popularity • 63% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 63% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Barrett Wilbert Weed
Fight for Me
99 bpm • D# Maj • 02:35 • -9db
56% Popularity • 34% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
56% Popularity • 34% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Phillipa Soo
Burn
100 bpm • D Maj • 03:45 • -9.13db
69% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
69% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Kate Shindle
The Mad Hatter
98 bpm • E min • 03:02 • -10.23db
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Steven Booth
Open Road
100 bpm • F Maj • 02:59 • -9db
13% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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'In The Heights' Original Broadway Company
Blackout
100 bpm • G min • 03:57 • -5.49db
42% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 59% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Amber Gray
Charming
100 bpm • D min • 04:40 • -14.35db
19% Popularity • 83% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 83% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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John Sanders
Night Will Come
100 bpm • F min • 03:45 • -14.5db
30% Popularity • 42% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 42% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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F. Michael Haynie
Dear Lucy
98 bpm • G# Maj • 03:42 • -10db
13% Popularity • 64% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 64% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Leslie Kritzer
No Reason
98 bpm • F# Maj • 03:11 • -5.6db
50% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Steven Booth
Some Kinda Time
98 bpm • F# min • 04:03 • -5db
32% Popularity • 68% Danceability • 82% Energy • 53% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 68% Danceability • 82% Energy • 53% Liveness
0% Instrumentalness • 69% Positiveness
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Alice Ripley
Wish I Were Here
97 bpm • B min • 03:06 • -8.31db
32% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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SIX
I Don't Need Your Love
98 bpm • F Maj • 06:07 • -8.57db
57% Popularity • 54% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 54% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Hailey Kilgore
Discovering Daniel / Pray
97 bpm • E min • 06:52 • -11.76db
27% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Dahan
Where Are We Going?
101 bpm • F# min • 02:51 • -7.74db
22% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Anna Kendrick
Goodbye Until Tomorrow / I Could Never R...
97 bpm • F Maj • 08:06 • -8.98db
36% Popularity • 33% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 33% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Renée Elise Goldsberry
The Schuyler Sisters
101 bpm • D Maj • 03:06 • -6.25db
70% Popularity • 74% Danceability • 73% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
70% Popularity • 74% Danceability • 73% Energy • 63% Liveness
0% Instrumentalness • 79% Positiveness
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J. Robert Spencer
A Light in the Dark
101 bpm • G Maj • 02:45 • -13.93db
31% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jeremy Jordan
Santa Fe
96 bpm • G Maj • 03:12 • -11.7db
54% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Platt
For Forever
96 bpm • F Maj • 05:01 • -7.67db
58% Popularity • 37% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
58% Popularity • 37% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jewelle Blackman
When the Chips are Down
96 bpm • F min • 02:14 • -6.14db
51% Popularity • 80% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
51% Popularity • 80% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Leslie Grace
When You're Home
102 bpm • F# min • 05:23 • -8.11db
44% Popularity • 60% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
44% Popularity • 60% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Deidre Goodwin
At the Ballet
102 bpm • D Maj • 05:49 • -10.89db
35% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Alice Ripley
Who's Crazy / My Psychopharmacologist an...
96 bpm • G min • 05:02 • -12db
36% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Neil Bartram
Nothing Without You
102 bpm • C Maj • 06:36 • -10db
22% Popularity • 32% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 32% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Ben Platt
If I Could Tell Her
96 bpm • E Maj • 04:08 • -8.25db
59% Popularity • 58% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 58% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Mandy Gonzalez
When You're Home
102 bpm • A Maj • 05:20 • -7db
39% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Adam Chanler-Berat
Circles in the Sand
96 bpm • G Maj • 02:53 • -8.33db
14% Popularity • 48% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 48% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Working: A Musical (Original London Cast)
All the Livelong Day
102 bpm • B Maj • 03:37 • -11.21db
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Alan Zachary
Safer
102 bpm • G# Maj • 03:17 • -5.32db
34% Popularity • 44% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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36 Questions
A Better Version
96 bpm • D# Maj • 05:31 • -13.37db
33% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 57% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ben Platt
Words Fail
96 bpm • C Maj • 05:51 • -9.49db
52% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Alice Ripley
You Don't Know
102 bpm • C Maj • 01:30 • -6.86db
36% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Kooman & Dimond
Beautiful Mistake
96 bpm • B Maj • 03:45 • -10.1db
18% Popularity • 69% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 69% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Sutton Foster
Flight
102 bpm • D Maj • 04:11 • -9.78db
29% Popularity • 32% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 32% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Kristin Chenoweth
My New Philosophy
103 bpm • A Maj • 02:56 • -12.27db
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
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Jeanine Tesori
Telephone Wire
103 bpm • G Maj • 04:28 • -14.49db
31% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Matt Sax
Poison
103 bpm • G Maj • 02:13 • -9.65db
10% Popularity • 70% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 70% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Alice Ripley
You Don't Know - Reprise
103 bpm • A min • 01:27 • -7.8db
29% Popularity • 70% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 70% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Jessie Mueller
Everything Changes
103 bpm • C# Maj • 03:02 • -7.96db
44% Popularity • 34% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 34% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kirk McDonald
Funeral: There Is a Fountain / It Don't ...
103 bpm • A# Maj • 05:57 • -10.33db
20% Popularity • 35% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 35% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Lauren Samuels
Someone You'd Be Proud Of
95 bpm • A Maj • 03:37 • -7.41db
21% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Amber Gray
How Long?
95 bpm • D min • 03:41 • -11.91db
47% Popularity • 39% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 39% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Angela Polk
Hailey Daisy
95 bpm • C min • 03:07 • -7db
9% Popularity • 74% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 74% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Matt Dahan
Enlightenment
103 bpm • D Maj • 03:21 • -8.24db
25% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jeanine Tesori
It All Comes Back (Opening)
95 bpm • F Maj • 05:05 • -12db
27% Popularity • 46% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 46% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 23% Positiveness
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Mandy Gonzalez
When You're Home - Radio Edit
95 bpm • A Maj • 03:19 • -5.84db
28% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 48% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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George Salazar
Broadway, Here I Come!
104 bpm • A Maj • 04:40 • -14db
27% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 54% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Mykal Kilgore
The Steam Train
94 bpm • G# Maj • 04:42 • -4.54db
20% Popularity • 67% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 67% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Claybourne Elder
Never Wish War on a People
95 bpm • C# min • 04:02 • -9db
11% Popularity • 72% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 72% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Dahan
Impress Me
104 bpm • A Maj • 05:43 • -7.62db
24% Popularity • 65% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 65% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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"Dear Evan Hansen" August 2018 Broadway Cast
Part Of Me - Bonus Track
94 bpm • G# min • 05:06 • -5db
24% Popularity • 41% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 41% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Hadestown Original Broadway Company
Chant
94 bpm • G# min • 06:31 • -7db
37% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 57% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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'Twelfth Night' Company
Word On The Street
104 bpm • C Maj • 01:04 • -7.84db
19% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Benj Pasek
Hometown Hero's Ticker Tape Parade
94 bpm • F min • 03:17 • -4.31db
29% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Uzo Aduba
Anna
95 bpm • B min • 05:03 • -7.73db
14% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 68% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Stephanie J. Block, Megan Hilty and Allison Janney
I Just Might
94 bpm • A Maj • 03:56 • -9.86db
33% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Killer Instinct
94 bpm • A Maj • 02:58 • -6.15db
47% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Hadestown Original Broadway Company
Chant (Reprise)
94 bpm • A Maj • 04:01 • -7db
32% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 67% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Alex Brightman
A Little Bit
105 bpm • C Maj • 04:08 • -9.88db
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Once On This Island Storytellers
Why We Tell the Story
105 bpm • A Maj • 03:40 • -11.45db
26% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Victoria Platt
We're Not Children Anymore
94 bpm • C min • 04:20 • -9.48db
9% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Megan McGinnis
Things I Didn't Know
93 bpm • F# Maj • 03:12 • -11db
21% Popularity • 49% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 49% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Caissie Levy
Monster
93 bpm • C Maj • 03:42 • -6.92db
35% Popularity • 42% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 42% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Josh Groban
Pierre
93 bpm • E min • 04:04 • -7.1db
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Barrett Wilbert Weed
A Cautionary Tale
105 bpm • D min • 01:36 • -4.21db
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
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J. Jonathan-David
I Wanna Be Great
94 bpm • G min • 03:58 • -7.21db
9% Popularity • 63% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 63% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Jeanine Tesori
Come to the Fun Home
93 bpm • G Maj • 02:56 • -10.35db
29% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Paul Alexander Nolan
Charity
105 bpm • E Maj • 02:44 • -8.8db
22% Popularity • 39% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 39% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Fra Fee
The Turning Of The Key
105 bpm • A Maj • 04:12 • -9.85db
17% Popularity • 40% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 40% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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J. Robert Spencer
I've Been
93 bpm • C# Maj • 02:44 • -8.33db
33% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 46% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Amber Gray
Livin' it Up on Top
105 bpm • C Maj • 05:29 • -5.57db
52% Popularity • 54% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 54% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Reeve Carney
I Just Can't Walk Away (Say It Now)
93 bpm • B Maj • 03:23 • -7.36db
13% Popularity • 51% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 51% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Darren Ritchie
One Knight
106 bpm • F# Maj • 04:00 • -12.97db
27% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Caroline Bowman
Decontaminate Me
93 bpm • E Maj • 01:41 • -7.77db
9% Popularity • 57% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 57% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Kate Baldwin
A Sorta Love Song
106 bpm • G Maj • 03:36 • -11db
8% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jeremy Jordan
Moving Too Fast
106 bpm • F Maj • 04:04 • -7.72db
45% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 56% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Prologue
106 bpm • E min • 04:21 • -8.85db
44% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Priscilla Lopez
Enough
106 bpm • C# Maj • 02:38 • -6.68db
36% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Lisa Brescia
I'll Be Here
106 bpm • C Maj • 05:25 • -15.95db
32% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Barrett Doss
If I Had My Time Again
92 bpm • B min • 04:59 • -6db
24% Popularity • 35% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 35% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Jeremy Roberts
Deep In The Darkest Night
106 bpm • D Maj • 02:41 • -6.66db
21% Popularity • 62% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 62% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Reeve Carney
Wedding Song
92 bpm • G Maj • 03:33 • -6.24db
53% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
53% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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André De Shields
Road to Hell (Reprise)
106 bpm • A# Maj • 05:05 • -10.4db
28% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Carner & Gregor
Dancing in Pairs
106 bpm • C Maj • 03:29 • -15db
10% Popularity • 51% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 51% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Emma Hunton
No More Fear
92 bpm • A Maj • 03:04 • -6db
29% Popularity • 57% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 57% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Hailey Kilgore
Forever Yours
92 bpm • D min • 04:45 • -12.43db
30% Popularity • 30% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 30% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Leslie Odom Jr.
Last Man
92 bpm • F# min • 03:41 • -8db
23% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Christopher Jackson
Benny's Dispatch
92 bpm • A Maj • 02:17 • -8.25db
43% Popularity • 77% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 77% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Alice Ripley
Better Than Before
92 bpm • C Maj • 04:28 • -13.61db
29% Popularity • 48% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 48% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Lynne Shankel
A Million Miles from Heaven
107 bpm • G min • 03:12 • -4.71db
13% Popularity • 56% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 56% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Julia Murney
Maybe I Like It This Way
107 bpm • D# min • 02:59 • -9.77db
26% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Kenita R. Miller
Ti Moune
92 bpm • A# Maj • 04:31 • -16.03db
24% Popularity • 40% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 40% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Mary Kate Wiles
The Coldest Goodbye
91 bpm • G min • 01:22 • -17db
33% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kooman & Dimond
Lucy's Laugh
91 bpm • A# Maj • 04:54 • -12.38db
16% Popularity • 30% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 30% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Erika Henningsen
It Roars
107 bpm • A# Maj • 03:31 • -5db
51% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
51% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness