Songs like City Girls by J.J. Cale
Based on a tempo of (+/- 10%) and a similar genre
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Ann Peebles
Slipped, Tripped and Fell in Love
119 bpm • A min • 02:28 • -7.12db
46% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Canned Heat
Let's Work Together
119 bpm • C Maj • 03:13 • -12db
56% Popularity • 75% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 75% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Howlin' Wolf
Spoonful
119 bpm • C Maj • 02:50 • -13.62db
57% Popularity • 82% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 82% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Crosby, Stills, Nash & Young
Woodstock
119 bpm • E min • 03:53 • -12.4db
48% Popularity • 46% Danceability • 54% Energy • 17% Liveness
1% Instrumentalness • 56% Positiveness
48% Popularity • 46% Danceability • 54% Energy • 17% Liveness
1% Instrumentalness • 56% Positiveness
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Al Green
Take Me to the River
119 bpm • A Maj • 03:45 • -11.12db
62% Popularity • 79% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
62% Popularity • 79% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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RodrÃguez
Inner City Blues
119 bpm • F# Maj • 03:26 • -7db
53% Popularity • 56% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 56% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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It's a Beautiful Day
White Bird
119 bpm • F Maj • 06:12 • -11.36db
41% Popularity • 47% Danceability • 49% Energy • 6% Liveness
4% Instrumentalness • 57% Positiveness
41% Popularity • 47% Danceability • 49% Energy • 6% Liveness
4% Instrumentalness • 57% Positiveness
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Canned Heat
Let's Work Together
119 bpm • C Maj • 02:50 • -12.38db
52% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Howlin' Wolf
Killing Floor
119 bpm • A Maj • 02:52 • -9.78db
51% Popularity • 72% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 72% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Buffalo Springfield
On the Way Home
119 bpm • F Maj • 02:30 • -12db
50% Popularity • 66% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 66% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Tommy Bolin
Savannah Woman
119 bpm • F Maj • 02:47 • -6.44db
36% Popularity • 54% Danceability • 70% Energy • 12% Liveness
3% Instrumentalness • 82% Positiveness
36% Popularity • 54% Danceability • 70% Energy • 12% Liveness
3% Instrumentalness • 82% Positiveness
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Jesse Colin Young
Ridgetop
119 bpm • D Maj • 07:02 • -5.74db
37% Popularity • 65% Danceability • 82% Energy • 22% Liveness
4% Instrumentalness • 78% Positiveness
37% Popularity • 65% Danceability • 82% Energy • 22% Liveness
4% Instrumentalness • 78% Positiveness
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Kevin Ayers
Stranger in Blue Suede Shoes - 1999 Rema...
119 bpm • A Maj • 03:24 • -7db
35% Popularity • 72% Danceability • 85% Energy • 59% Liveness
79% Instrumentalness • 83% Positiveness
35% Popularity • 72% Danceability • 85% Energy • 59% Liveness
79% Instrumentalness • 83% Positiveness
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Crosby, Stills, Nash & Young
Carry On
119 bpm • C# Maj • 04:25 • -12db
57% Popularity • 46% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 46% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Jefferson Airplane
High Flying Bird
118 bpm • F# min • 02:33 • -10db
49% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Stevie Ray Vaughan
Lenny
118 bpm • G# Maj • 04:57 • -17.9db
54% Popularity • 51% Danceability • 17% Energy • 14% Liveness
46% Instrumentalness • 32% Positiveness
54% Popularity • 51% Danceability • 17% Energy • 14% Liveness
46% Instrumentalness • 32% Positiveness
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Lightnin' Hopkins
Shaggy Dog
120 bpm • D# Maj • 02:44 • -8.87db
29% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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RodrÃguez
This Is Not a Song, It's an Outburst: Or...
120 bpm • E Maj • 02:06 • -6.49db
51% Popularity • 62% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 62% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Dan Hicks & His Hot Licks
I Scare Myself
120 bpm • C Maj • 05:18 • -17db
33% Popularity • 43% Danceability • 20% Energy • 11% Liveness
17% Instrumentalness • 51% Positiveness
33% Popularity • 43% Danceability • 20% Energy • 11% Liveness
17% Instrumentalness • 51% Positiveness
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Freddie King
Stumble
118 bpm • E Maj • 03:36 • -9.76db
49% Popularity • 68% Danceability • 61% Energy • 16% Liveness
32% Instrumentalness • 86% Positiveness
49% Popularity • 68% Danceability • 61% Energy • 16% Liveness
32% Instrumentalness • 86% Positiveness
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Ten Years After
I'd Love to Change the World - 2004 Rema...
118 bpm • A min • 03:44 • -12db
68% Popularity • 38% Danceability • 52% Energy • 11% Liveness
19% Instrumentalness • 37% Positiveness
68% Popularity • 38% Danceability • 52% Energy • 11% Liveness
19% Instrumentalness • 37% Positiveness
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Fenton Robinson
Somebody Loan Me A Dime - Remastered
118 bpm • D# Maj • 02:56 • -3.44db
57% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
57% Popularity • 56% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Graham Nash
Military Madness
120 bpm • C Maj • 02:56 • -11db
37% Popularity • 58% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 58% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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J.J. Cale
Mama Don't
120 bpm • B min • 03:48 • -14.67db
44% Popularity • 57% Danceability • 66% Energy • 11% Liveness
12% Instrumentalness • 93% Positiveness
44% Popularity • 57% Danceability • 66% Energy • 11% Liveness
12% Instrumentalness • 93% Positiveness
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Tom Waits
New Coat Of Paint
118 bpm • B Maj • 03:22 • -6.72db
45% Popularity • 72% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 72% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Buffalo Springfield
Four Days Gone
118 bpm • D min • 02:57 • -10.52db
35% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Derek & The Dominos
I Looked Away
118 bpm • C Maj • 03:04 • -9.13db
49% Popularity • 50% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 50% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Tim Buckley
Move with Me
121 bpm • A Maj • 04:52 • -9.23db
29% Popularity • 65% Danceability • 79% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
29% Popularity • 65% Danceability • 79% Energy • 36% Liveness
1% Instrumentalness • 82% Positiveness
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Robert Cray
Phone Booth
121 bpm • G Maj • 03:32 • -13.49db
39% Popularity • 82% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 73% Positiveness
39% Popularity • 82% Danceability • 59% Energy • 9% Liveness
2% Instrumentalness • 73% Positiveness
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J.J. Cale
Don't Go To Strangers
118 bpm • D min • 02:23 • -20.73db
65% Popularity • 79% Danceability • 22% Energy • 11% Liveness
23% Instrumentalness • 88% Positiveness
65% Popularity • 79% Danceability • 22% Energy • 11% Liveness
23% Instrumentalness • 88% Positiveness
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Dire Straits
Six Blade Knife
117 bpm • A min • 04:12 • -13.83db
64% Popularity • 90% Danceability • 41% Energy • 8% Liveness
34% Instrumentalness • 86% Positiveness
64% Popularity • 90% Danceability • 41% Energy • 8% Liveness
34% Instrumentalness • 86% Positiveness
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Ray Bonneville
Tomorrow's Yesterday
117 bpm • B min • 03:19 • -13db
32% Popularity • 78% Danceability • 40% Energy • 14% Liveness
3% Instrumentalness • 70% Positiveness
32% Popularity • 78% Danceability • 40% Energy • 14% Liveness
3% Instrumentalness • 70% Positiveness
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Jean-Jacques Milteau
Beaumont Lafayette
121 bpm • D min • 02:49 • -8.1db
29% Popularity • 73% Danceability • 62% Energy • 13% Liveness
50% Instrumentalness • 65% Positiveness
29% Popularity • 73% Danceability • 62% Energy • 13% Liveness
50% Instrumentalness • 65% Positiveness
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Frank Zappa
Camarillo Brillo
121 bpm • C# min • 03:59 • -10.45db
48% Popularity • 72% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 72% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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RodrÃguez
Climb Up On My Music
117 bpm • D min • 04:54 • -6db
45% Popularity • 47% Danceability • 79% Energy • 9% Liveness
3% Instrumentalness • 87% Positiveness
45% Popularity • 47% Danceability • 79% Energy • 9% Liveness
3% Instrumentalness • 87% Positiveness
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J.J. Cale
Crying Eyes
117 bpm • F# Maj • 03:14 • -19db
41% Popularity • 79% Danceability • 30% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
41% Popularity • 79% Danceability • 30% Energy • 13% Liveness
82% Instrumentalness • 61% Positiveness
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Dire Straits
Water Of Love
121 bpm • G Maj • 05:25 • -12.96db
63% Popularity • 82% Danceability • 55% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
63% Popularity • 82% Danceability • 55% Energy • 19% Liveness
1% Instrumentalness • 94% Positiveness
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Tim Buckley
Buzzin' Fly
121 bpm • F Maj • 06:04 • -13db
41% Popularity • 46% Danceability • 32% Energy • 20% Liveness
3% Instrumentalness • 42% Positiveness
41% Popularity • 46% Danceability • 32% Energy • 20% Liveness
3% Instrumentalness • 42% Positiveness
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The Animals
It's All over Now, Baby Blue
117 bpm • D Maj • 04:42 • -9.61db
56% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
56% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Pops Staples
Friendship
117 bpm • A Maj • 04:06 • -14.84db
37% Popularity • 91% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 91% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Bo Diddley
Ooh Baby
117 bpm • E Maj • 03:49 • -8db
35% Popularity • 75% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 75% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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The Fabulous Thunderbirds
Scratch My Back
121 bpm • E Maj • 03:52 • -7.18db
52% Popularity • 78% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 86% Positiveness
52% Popularity • 78% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 86% Positiveness
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Eilen Jewell
Where They Never Say Your Name
121 bpm • D min • 02:32 • -7.18db
36% Popularity • 69% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 69% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Nick Lowe
She's Got Soul
117 bpm • E Maj • 02:23 • -9.13db
38% Popularity • 73% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 62% Positiveness
38% Popularity • 73% Danceability • 49% Energy • 11% Liveness
2% Instrumentalness • 62% Positiveness
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Steve Forbert
Cellophane City
117 bpm • F Maj • 05:36 • -16.25db
31% Popularity • 63% Danceability • 38% Energy • 14% Liveness
4% Instrumentalness • 72% Positiveness
31% Popularity • 63% Danceability • 38% Energy • 14% Liveness
4% Instrumentalness • 72% Positiveness
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Freddie King
I'm Tore Down
117 bpm • D Maj • 04:13 • -11db
51% Popularity • 64% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
51% Popularity • 64% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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The Hombres
Let It Out (Let It All Hang Out)
121 bpm • A Maj • 02:03 • -9.72db
43% Popularity • 74% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 74% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Buffalo Springfield
Sit Down I Think I Love You
116 bpm • B Maj • 02:33 • -14.49db
47% Popularity • 64% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 64% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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J.J. Cale
Travelin' Light
122 bpm • C# min • 02:50 • -16db
51% Popularity • 72% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 78% Positiveness
51% Popularity • 72% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 78% Positiveness
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RodrÃguez
Rich Folks Hoax
122 bpm • E min • 03:05 • -4.92db
57% Popularity • 60% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 60% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Little Feat
On Your Way Down
122 bpm • F min • 05:34 • -16db
39% Popularity • 63% Danceability • 41% Energy • 6% Liveness
62% Instrumentalness • 73% Positiveness
39% Popularity • 63% Danceability • 41% Energy • 6% Liveness
62% Instrumentalness • 73% Positiveness
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Slim Harpo
Baby, Scratch My Back
122 bpm • F Maj • 02:54 • -9.21db
37% Popularity • 81% Danceability • 49% Energy • 7% Liveness
79% Instrumentalness • 94% Positiveness
37% Popularity • 81% Danceability • 49% Energy • 7% Liveness
79% Instrumentalness • 94% Positiveness
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Captain Beefheart & His Magic Band
Sure 'Nuff 'n' Yes, I Do
116 bpm • G# Maj • 02:14 • -9.61db
43% Popularity • 46% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 46% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Buffalo Springfield
Bluebird
122 bpm • G Maj • 04:35 • -10.85db
42% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 48% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Tom Waits
Downtown Train - 2023 Remaster
116 bpm • D# Maj • 03:52 • -15.85db
53% Popularity • 65% Danceability • 36% Energy • 9% Liveness
11% Instrumentalness • 70% Positiveness
53% Popularity • 65% Danceability • 36% Energy • 9% Liveness
11% Instrumentalness • 70% Positiveness
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Eric Clapton
Hard to Thrill
116 bpm • A min • 05:10 • -8.89db
41% Popularity • 63% Danceability • 47% Energy • 12% Liveness
14% Instrumentalness • 51% Positiveness
41% Popularity • 63% Danceability • 47% Energy • 12% Liveness
14% Instrumentalness • 51% Positiveness
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Nina Simone
Backlash Blues
116 bpm • A# Maj • 02:28 • -5.36db
48% Popularity • 67% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 67% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Quicksilver Messenger Service
Fresh Air - Remastered
116 bpm • F# min • 05:19 • -5.41db
42% Popularity • 45% Danceability • 76% Energy • 14% Liveness
34% Instrumentalness • 57% Positiveness
42% Popularity • 45% Danceability • 76% Energy • 14% Liveness
34% Instrumentalness • 57% Positiveness
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J.J. Cale
Hold On
115 bpm • E min • 01:58 • -18.35db
37% Popularity • 64% Danceability • 23% Energy • 36% Liveness
1% Instrumentalness • 15% Positiveness
37% Popularity • 64% Danceability • 23% Energy • 36% Liveness
1% Instrumentalness • 15% Positiveness
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Little Feat
Roll Um Easy
115 bpm • E Maj • 02:31 • -16.46db
52% Popularity • 69% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 69% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Slim Harpo
Mohair Sam - Single Version
115 bpm • A# min • 02:32 • -11.74db
40% Popularity • 84% Danceability • 49% Energy • 3% Liveness
2% Instrumentalness • 96% Positiveness
40% Popularity • 84% Danceability • 49% Energy • 3% Liveness
2% Instrumentalness • 96% Positiveness
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Freddie King
Palace Of The King
115 bpm • C# min • 03:40 • -9db
42% Popularity • 66% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
42% Popularity • 66% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Bruce Springsteen
The Fever - Studio Outtake - 1973
115 bpm • E min • 07:35 • -8.99db
33% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 50% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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R.L. Burnside
It's Bad You Know
115 bpm • C Maj • 04:58 • -9.53db
43% Popularity • 81% Danceability • 75% Energy • 11% Liveness
5% Instrumentalness • 74% Positiveness
43% Popularity • 81% Danceability • 75% Energy • 11% Liveness
5% Instrumentalness • 74% Positiveness
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J.J. Cale
I'd Like To Love You Baby
115 bpm • A Maj • 02:50 • -19.26db
43% Popularity • 79% Danceability • 31% Energy • 10% Liveness
55% Instrumentalness • 93% Positiveness
43% Popularity • 79% Danceability • 31% Energy • 10% Liveness
55% Instrumentalness • 93% Positiveness
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Christone "Kingfish" Ingram
Been Here Before
123 bpm • A Maj • 05:54 • -9db
46% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 68% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Slim Harpo
Te Ni Nee Ni Nu - Single Version
123 bpm • A Maj • 02:06 • -10.09db
43% Popularity • 72% Danceability • 65% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
43% Popularity • 72% Danceability • 65% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
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Crosby, Stills, Nash & Young
Helpless
115 bpm • D Maj • 03:37 • -13.61db
48% Popularity • 54% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
48% Popularity • 54% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 37% Positiveness
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Stevie Ray Vaughan
Little Wing
115 bpm • C# Maj • 06:48 • -14.2db
59% Popularity • 48% Danceability • 38% Energy • 7% Liveness
75% Instrumentalness • 52% Positiveness
59% Popularity • 48% Danceability • 38% Energy • 7% Liveness
75% Instrumentalness • 52% Positiveness
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Ray Bonneville
Good Times
123 bpm • G# Maj • 03:55 • -9.99db
37% Popularity • 72% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
37% Popularity • 72% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Boz Scaggs
I'll Be Long Gone
114 bpm • A min • 04:15 • -11db
33% Popularity • 37% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 37% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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B.B. King
Lucille
114 bpm • D# Maj • 10:16 • -9.54db
49% Popularity • 60% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 60% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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J.J. Cale
River Runs Deep
114 bpm • E min • 02:42 • -19.91db
44% Popularity • 85% Danceability • 22% Energy • 11% Liveness
18% Instrumentalness • 92% Positiveness
44% Popularity • 85% Danceability • 22% Energy • 11% Liveness
18% Instrumentalness • 92% Positiveness
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Sonny Boy Williamson II
Help Me
114 bpm • F min • 03:08 • -10db
61% Popularity • 74% Danceability • 44% Energy • 61% Liveness
2% Instrumentalness • 77% Positiveness
61% Popularity • 74% Danceability • 44% Energy • 61% Liveness
2% Instrumentalness • 77% Positiveness
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Sopwith Camel
Dancin' Wizard
114 bpm • F Maj • 03:03 • -20.23db
24% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Neville Brothers
The Ballad Of Hollis Brown
114 bpm • C min • 05:47 • -23.38db
23% Popularity • 60% Danceability • 16% Energy • 10% Liveness
34% Instrumentalness • 78% Positiveness
23% Popularity • 60% Danceability • 16% Energy • 10% Liveness
34% Instrumentalness • 78% Positiveness
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Levon Helm
When I Go Away
124 bpm • G# Maj • 04:32 • -6db
44% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 64% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Karen Dalton
In My Own Dream
114 bpm • G Maj • 04:18 • -9.02db
13% Popularity • 62% Danceability • 51% Energy • 11% Liveness
53% Instrumentalness • 42% Positiveness
13% Popularity • 62% Danceability • 51% Energy • 11% Liveness
53% Instrumentalness • 42% Positiveness
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Crosby, Stills & Nash
Guinnevere - 2005 Remaster
114 bpm • B min • 04:37 • -20db
42% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
42% Popularity • 47% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Frazey Ford
September Fields
114 bpm • C Maj • 03:27 • -10db
68% Popularity • 68% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
68% Popularity • 68% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
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Ted Hawkins
Bring It Home Daddy
125 bpm • B Maj • 03:04 • -12.71db
38% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 70% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Little
Trouble
125 bpm • G Maj • 02:17 • -8.11db
39% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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RodrÃguez
I Wonder
114 bpm • A Maj • 02:34 • -6.69db
61% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
61% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Little Feat
Long Distance Love
114 bpm • G Maj • 02:43 • -12db
50% Popularity • 79% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 79% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Bragg
When The Roses Bloom Again
113 bpm • C Maj • 04:07 • -9db
54% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
54% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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J.J. Cale
You Got Something
113 bpm • C Maj • 04:00 • -15.63db
36% Popularity • 79% Danceability • 31% Energy • 11% Liveness
22% Instrumentalness • 85% Positiveness
36% Popularity • 79% Danceability • 31% Energy • 11% Liveness
22% Instrumentalness • 85% Positiveness
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Canned Heat
My Mistake
113 bpm • E min • 03:21 • -15db
38% Popularity • 55% Danceability • 33% Energy • 7% Liveness
11% Instrumentalness • 54% Positiveness
38% Popularity • 55% Danceability • 33% Energy • 7% Liveness
11% Instrumentalness • 54% Positiveness
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Tim Buckley
Hong Kong Bar
125 bpm • D Maj • 06:57 • -15.4db
21% Popularity • 75% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
21% Popularity • 75% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 34% Positiveness
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Stevie Ray Vaughan
Tin Pan Alley (AKA Roughest Place in Tow...
113 bpm • F# min • 09:11 • -19.44db
54% Popularity • 58% Danceability • 10% Energy • 23% Liveness
29% Instrumentalness • 17% Positiveness
54% Popularity • 58% Danceability • 10% Energy • 23% Liveness
29% Instrumentalness • 17% Positiveness
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Graham Nash
On the Line
113 bpm • A Maj • 02:36 • -10db
31% Popularity • 63% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 63% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Jesse Colin Young
Morning Sun
126 bpm • B Maj • 04:04 • -6db
41% Popularity • 68% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
41% Popularity • 68% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 96% Positiveness
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Slim Harpo
I'm A King Bee
113 bpm • A# min • 03:02 • -7db
49% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
49% Popularity • 71% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Keb' Mo'
Am I Wrong
113 bpm • C Maj • 02:18 • -10db
51% Popularity • 88% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 88% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Corey Harris
Fish Ain't Bitin'
126 bpm • G Maj • 03:28 • -15db
31% Popularity • 89% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 89% Danceability • 23% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Dire Straits
Lions
113 bpm • B min • 05:03 • -12db
51% Popularity • 88% Danceability • 47% Energy • 20% Liveness
46% Instrumentalness • 80% Positiveness
51% Popularity • 88% Danceability • 47% Energy • 20% Liveness
46% Instrumentalness • 80% Positiveness
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Ray Bonneville
Goin' by Feel
112 bpm • F min • 03:51 • -11.48db
28% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 69% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Bobby Womack
California Dreamin'
112 bpm • F# min • 03:20 • -13.16db
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
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Calvin Russell
A crack in time
112 bpm • C Maj • 04:35 • -10.6db
48% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 67% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
