Songs like Clair De Lune Opus 46/2 by Gabriel Fauré
Based on a tempo of (+/- 10%) and a similar genre
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Gabriel Fauré
Requiem, Op. 48: 3. Sanctus
143 bpm • D# Maj • 03:03 • -27.04db
13% Popularity • 14% Danceability • 2% Energy • 22% Liveness
96% Instrumentalness • 6% Positiveness
13% Popularity • 14% Danceability • 2% Energy • 22% Liveness
96% Instrumentalness • 6% Positiveness
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George Frideric Handel
Scipione, HWV 20, Act II, Scene VIII: Ar...
142 bpm • C# Maj • 04:57 • -21db
8% Popularity • 50% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 48% Positiveness
8% Popularity • 50% Danceability • 17% Energy • 11% Liveness
6% Instrumentalness • 48% Positiveness
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Georges Bizet
Adieux de l'hĂ´tesse arabe
145 bpm • A min • 04:59 • -21.54db
7% Popularity • 31% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 31% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
145 bpm • G Maj • 05:14 • -24.21db
11% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Vesperae solennes de confessore,...
146 bpm • C Maj • 04:13 • -30.68db
11% Popularity • 17% Danceability • 2% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 2% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
146 bpm • E Maj • 04:56 • -31.07db
10% Popularity • 23% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 23% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Clair De Lune Opus 46/2
143 bpm • C min • 02:47 • -23db
19% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Gioachino Rossini
Rossini: Stabat Mater: I. Stabat Mater d...
139 bpm • G min • 09:27 • -20.46db
19% Popularity • 18% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Anton Bruckner
Mass No. 2 In E Minor, WAB 27: VI. Agnus...
139 bpm • E min • 06:10 • -25db
12% Popularity • 15% Danceability • 3% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 3% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Robert Schumann
Liederkreis, Op. 39: I. In der Fremde
138 bpm • B min • 02:03 • -29.78db
18% Popularity • 20% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: VI. Vidit suum
138 bpm • F min • 03:31 • -28db
33% Popularity • 17% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Requiem: I. Requiem
137 bpm • A Maj • 08:51 • -20.44db
1% Popularity • 15% Danceability • 10% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 10% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem in D Minor, Op. 48: Sanctus
146 bpm • D# Maj • 03:32 • -23.55db
13% Popularity • 15% Danceability • 4% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Rusalka, Op. 114 / Act 1: Hou, hou, hou,...
149 bpm • A Maj • 04:35 • -18.83db
20% Popularity • 31% Danceability • 17% Energy • 54% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 31% Danceability • 17% Energy • 54% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
32% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
32% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Robert Schumann
Frauenliebe und -leben Op. 42: 1. Seit i...
138 bpm • A# Maj • 02:25 • -32db
15% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
137 bpm • C# Maj • 05:20 • -30.74db
21% Popularity • 18% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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Reynaldo Hahn
L’heure Exquise
150 bpm • D Maj • 02:26 • -31db
18% Popularity • 26% Danceability • 1% Energy • 7% Liveness
44% Instrumentalness • 7% Positiveness
18% Popularity • 26% Danceability • 1% Energy • 7% Liveness
44% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: V. Agnus Dei
140 bpm • F Maj • 06:08 • -20.75db
17% Popularity • 14% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
135 bpm • E Maj • 03:23 • -22db
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
In furore, R.626: I. In furore iustissim...
134 bpm • C min • 05:10 • -14.15db
18% Popularity • 42% Danceability • 30% Energy • 34% Liveness
2% Instrumentalness • 27% Positiveness
18% Popularity • 42% Danceability • 30% Energy • 34% Liveness
2% Instrumentalness • 27% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
134 bpm • F Maj • 09:59 • -22.21db
17% Popularity • 16% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
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Gustav Mahler
RĂĽckert-Lieder: Ich bin der Welt abhand...
134 bpm • D# Maj • 05:36 • -25db
7% Popularity • 19% Danceability • 5% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 5% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act III: Wie Todesa...
133 bpm • G Maj • 05:40 • -38db
8% Popularity • 19% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (version for choir and or...
139 bpm • F# min • 07:05 • -31.97db
12% Popularity • 15% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 3% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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George Frideric Handel
Alcina, HWV 34, Act I, Scene 15: Tornami...
133 bpm • A Maj • 04:50 • -17.47db
10% Popularity • 41% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 41% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Christoph Willibald Gluck
Paride ed Elena / Act 1: "O del mio dolc...
133 bpm • E min • 03:14 • -23db
12% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
24% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
24% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Gustav Mahler
Winterlied
133 bpm • C# min • 03:24 • -21.77db
12% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 35% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
A Chloris
133 bpm • E Maj • 03:00 • -18.56db
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
30% Popularity • 35% Danceability • 8% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: V. Agnus Dei
139 bpm • D min • 06:29 • -26db
13% Popularity • 14% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 3% Energy • 11% Liveness
49% Instrumentalness • 3% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Stabat Mater: 10. Amen
131 bpm • G min • 05:58 • -17db
15% Popularity • 21% Danceability • 30% Energy • 26% Liveness
95% Instrumentalness • 13% Positiveness
15% Popularity • 21% Danceability • 30% Energy • 26% Liveness
95% Instrumentalness • 13% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: VII. Eia Mater
131 bpm • E min • 02:26 • -19.86db
26% Popularity • 33% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 33% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Teresa Berganza
La maja dolorosa II
131 bpm • A min • 02:23 • -24db
9% Popularity • 33% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 33% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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AntonĂn Dvořák
Stabat Mater, Op. 58, B.71: 3. "Eia mate...
131 bpm • C min • 07:04 • -17.69db
9% Popularity • 18% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
9% Popularity • 18% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In Paradis...
147 bpm • D Maj • 03:27 • -29.15db
33% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Robert Schumann
Frauenliebe und -leben Op. 42: 2. Er, de...
131 bpm • D# Maj • 03:01 • -21db
13% Popularity • 36% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
13% Popularity • 36% Danceability • 9% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Ernest Chausson
Le colibri Op.2 N°7
130 bpm • C# Maj • 03:15 • -23db
21% Popularity • 29% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
21% Popularity • 29% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 6% Positiveness
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Francis Poulenc
Gloria, FP 144: III. Domine Deus
130 bpm • G Maj • 04:35 • -24.74db
22% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Cesar Hernandez
Messa da Requiem: VII Requiem aeternam
130 bpm • D# min • 02:58 • -30db
33% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
33% Popularity • 21% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 3% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
28% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
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Gabriel Fauré
Messe basse: I. Kyrie
137 bpm • G# Maj • 02:10 • -27.63db
9% Popularity • 15% Danceability • 6% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater en fa mineur pour soprano, ...
129 bpm • A# min • 05:11 • -18.55db
10% Popularity • 22% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Hector Berlioz
Les nuits d'été, Op. 7: 1. Villanelle
129 bpm • A# Maj • 02:12 • -28db
14% Popularity • 41% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
14% Popularity • 41% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
24% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Antonio Salieri
Cublai, gran Khan dei Tartari: Fra i bar...
128 bpm • G Maj • 03:37 • -18.13db
14% Popularity • 41% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 41% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Gabriel Fauré
Fauré: 2 Mélodies, Op. 1: No. 2, Mai
136 bpm • F Maj • 02:33 • -17.95db
6% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
6% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Antonio Vivaldi
Laudate pueri in G Major, RV 601 "Salmo ...
128 bpm • G# Maj • 03:30 • -22db
25% Popularity • 32% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
25% Popularity • 32% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 47 Ari...
128 bpm • B min • 04:31 • -20.98db
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
17% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Hector Berlioz
Nocturne Ă deux voix (H.31)
128 bpm • G# Maj • 02:30 • -24db
8% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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LĂ©o Delibes
Les filles de Cadix
161 bpm • E min • 03:12 • -22db
10% Popularity • 41% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 41% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Gabriel Fauré
Madrigal, Op. 35
134 bpm • D min • 03:23 • -32.18db
13% Popularity • 17% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Strauss
4 Lieder, Op. 27, TrV 170: IV. Morgen!
127 bpm • G Maj • 03:30 • -29.78db
25% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 27% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Josef MysliveÄŤek
Mozart: "Ridente la calma", K. 152
127 bpm • F Maj • 03:47 • -21db
15% Popularity • 39% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 39% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Canzonetta spagnuola "En medio a mis col...
127 bpm • A Maj • 04:09 • -21db
3% Popularity • 49% Danceability • 21% Energy • 67% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 49% Danceability • 21% Energy • 67% Liveness
0% Instrumentalness • 37% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Der Engel
126 bpm • G Maj • 03:11 • -18.84db
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: I. Introitus
131 bpm • D min • 01:44 • -27.11db
25% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
25% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Claude Debussy
Nuit d'Ă©toiles
126 bpm • G min • 03:04 • -20db
10% Popularity • 35% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
10% Popularity • 35% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Alcina, HWV 34 / Act II: Ah, mio cor
126 bpm • B min • 10:48 • -20.41db
16% Popularity • 34% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
16% Popularity • 34% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Antonio Vivaldi
In furore iustissimae irae, RV 626: IV. ...
125 bpm • B min • 01:41 • -19db
34% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
34% Popularity • 64% Danceability • 20% Energy • 11% Liveness
11% Instrumentalness • 69% Positiveness
► Preview
Robert Schumann
Myrthen, Op. 25: No. 24. Du bist wie ein...
125 bpm • G# Maj • 01:53 • -27db
21% Popularity • 36% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
21% Popularity • 36% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
125 bpm • G Maj • 04:11 • -31db
21% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 29% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48, N. 97: Libera Me (Ed. M...
131 bpm • D min • 04:48 • -21.63db
9% Popularity • 18% Danceability • 13% Energy • 17% Liveness
69% Instrumentalness • 6% Positiveness
9% Popularity • 18% Danceability • 13% Energy • 17% Liveness
69% Instrumentalness • 6% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand, Beli...
164 bpm • F# min • 04:49 • -24db
7% Popularity • 16% Danceability • 3% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
7% Popularity • 16% Danceability • 3% Energy • 12% Liveness
4% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Serse, HWV 40, Act I Scene 1: Aria. Ombr...
163 bpm • F Maj • 02:30 • -20db
11% Popularity • 19% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tannhauser, Act III: Begluckt darf nun d...
164 bpm • D# Maj • 03:49 • -23db
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
LĂ©o Delibes
Delibes: Lakmé, Act 2: Scène et légen...
124 bpm • A Maj • 08:26 • -22.14db
14% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 36% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
Puccini : Messa di Gloria : I Kyrie
123 bpm • G# Maj • 05:09 • -21.64db
18% Popularity • 17% Danceability • 14% Energy • 34% Liveness
84% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 14% Energy • 34% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Fauré: Pavane, Op. 50
130 bpm • F# min • 06:47 • -23db
21% Popularity • 17% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
21% Popularity • 17% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Zaide, K. 344/336b, Act 1 Scene ...
166 bpm • G Maj • 06:21 • -22.48db
42% Popularity • 23% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
42% Popularity • 23% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: II. Vanum
167 bpm • F Maj • 01:15 • -22.46db
33% Popularity • 25% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 25% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 1, Ball...
122 bpm • G Maj • 01:56 • -19db
21% Popularity • 39% Danceability • 32% Energy • 58% Liveness
56% Instrumentalness • 38% Positiveness
21% Popularity • 39% Danceability • 32% Energy • 58% Liveness
56% Instrumentalness • 38% Positiveness
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LĂ©o Delibes
Lakmé / Act 2: "Où va la jeune Indoue"...
168 bpm • D min • 08:38 • -15db
18% Popularity • 34% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 5% Positiveness
18% Popularity • 34% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Fauré: 3 Songs, Op. 7: No. 1, Après un...
166 bpm • G min • 02:43 • -16.74db
24% Popularity • 25% Danceability • 8% Energy • 6% Liveness
16% Instrumentalness • 5% Positiveness
24% Popularity • 25% Danceability • 8% Energy • 6% Liveness
16% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588: Act 1: "Faccia ...
167 bpm • G# min • 03:34 • -27db
12% Popularity • 12% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Manon Lescaut / Act II: "In quelle trine...
168 bpm • A# min • 02:47 • -17.47db
38% Popularity • 18% Danceability • 11% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 11% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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George Frideric Handel
Semele / Act 2: Oh sleep, why dost thou ...
168 bpm • D# Maj • 03:15 • -22db
17% Popularity • 21% Danceability • 6% Energy • 11% Liveness
15% Instrumentalness • 17% Positiveness
17% Popularity • 21% Danceability • 6% Energy • 11% Liveness
15% Instrumentalness • 17% Positiveness
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Gioachino Rossini
Rossini: Tancredi, Act 1: "Oh patria!......
168 bpm • F Maj • 08:55 • -24.99db
31% Popularity • 28% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 28% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Credo RV 592 Crucifixus
169 bpm • E min • 02:51 • -20db
34% Popularity • 16% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Piano Quartet No. 1 in C Minor, Op. 15: ...
169 bpm • D# Maj • 05:46 • -27db
14% Popularity • 28% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
14% Popularity • 28% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "With drooping ...
169 bpm • G min • 04:45 • -26db
18% Popularity • 14% Danceability • 4% Energy • 9% Liveness
3% Instrumentalness • 5% Positiveness
18% Popularity • 14% Danceability • 4% Energy • 9% Liveness
3% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
La Clemenza Di Tito - S'altro Che Lagrim...
170 bpm • D Maj • 02:33 • -21.92db
11% Popularity • 21% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 21% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 7% Positiveness
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Claude Debussy
Romance "L'âme évaporée"
171 bpm • B min • 01:54 • -24db
24% Popularity • 25% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 25% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Robert Schumann
Frauenliebe und -leben Op. 42: 4. Du Rin...
170 bpm • D# Maj • 02:47 • -29db
12% Popularity • 20% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 20% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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George Frideric Handel
Apollo e Dafne, HWV 122: Aria: Felicissi...
172 bpm • F# Maj • 05:18 • -20.87db
33% Popularity • 19% Danceability • 10% Energy • 18% Liveness
4% Instrumentalness • 27% Positiveness
33% Popularity • 19% Danceability • 10% Energy • 18% Liveness
4% Instrumentalness • 27% Positiveness
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Gabriel Fauré
Les Djinns, Op. 12
171 bpm • A# min • 04:19 • -23.31db
11% Popularity • 17% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
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Henry Purcell
Dido and Aeneas, Z.626 / Act 3: "When I ...
172 bpm • F# min • 07:26 • -27db
18% Popularity • 13% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 2% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Hector Berlioz
Tristia, Op. 18: 2. La mort d'Ophélie. ...
172 bpm • A# Maj • 07:03 • -26.25db
7% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Juditha Triumphans, RV 644, Pt. 1: O qua...
173 bpm • G min • 01:38 • -16db
40% Popularity • 22% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 23% Positiveness
40% Popularity • 22% Danceability • 16% Energy • 16% Liveness
58% Instrumentalness • 23% Positiveness
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Henri Duparc
L'invitation au voyage
174 bpm • A Maj • 03:56 • -19db
12% Popularity • 21% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Il pianto di Maria: "Giunta l'ora fatal"...
174 bpm • B min • 03:35 • -29db
10% Popularity • 8% Danceability • 3% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
10% Popularity • 8% Danceability • 3% Energy • 12% Liveness
3% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Les Berceaux opus 23/1
171 bpm • G# Maj • 02:16 • -21.84db
13% Popularity • 21% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 21% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Purcell
Dido and Aeneas / Act III: "Thy Hand, Be...
174 bpm • B min • 04:21 • -25.56db
18% Popularity • 16% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 13% Liveness
1% Instrumentalness • 3% Positiveness
