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Clarinet Concerto No. 7 in E Flat Major (Darmstäd...
Songs like
Clarinet Concerto No. 7 in E Flat Major (Darmstädter No. 1): 3. Rondeau
by
Carl Stamitz
Based on a tempo of (+/- 10%) and a similar genre
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Carl Stamitz
Divertimento in D Major, Op. 34, No. 2: ...
143 bpm • A Maj • 03:12 • -19.26db
0% Popularity • 53% Danceability • 12% Energy • 7% Liveness
8% Instrumentalness • 87% Positiveness
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Nicolaus Esterhazy Sinfonia
Symphony No. 7 in A major, Op. 92: II. A...
143 bpm • E min • 08:12 • -24db
39% Popularity • 22% Danceability • 2% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Franz Ignaz Beck
Symphony in C Major, Op. 1, No. 6, (Call...
143 bpm • G Maj • 02:05 • -19db
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75% Instrumentalness • 49% Positiveness
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Franz Schubert
Symphony No. 2 in B-Flat Major, D. 125: ...
144 bpm • F Maj • 07:32 • -18.79db
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81% Instrumentalness • 33% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: V. Rigaudon (Vers...
144 bpm • G Maj • 04:16 • -20.49db
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79% Instrumentalness • 20% Positiveness
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Carl Maria von Weber
Grand Duo Concertant, Op. 48, J. 204: II...
144 bpm • D# Maj • 05:41 • -20.23db
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93% Instrumentalness • 32% Positiveness
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Carl Stamitz
Clarinet Concerto No. 7 in E Flat Major ...
143 bpm • D# Maj • 05:37 • -17.93db
14% Popularity • 45% Danceability • 16% Energy • 10% Liveness
34% Instrumentalness • 56% Positiveness
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Johann Nepomuk Hummel
Hummel: Trumpet Concerto In E Flat - Iii...
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93% Instrumentalness • 72% Positiveness
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51% Instrumentalness • 5% Positiveness
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Antonio Vivaldi
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22% Instrumentalness • 79% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: 1. Präludium (Al...
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Carl Stamitz
Clarinet Concerto No. 3 in B-Flat Major:...
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41% Instrumentalness • 29% Positiveness
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75% Instrumentalness • 30% Positiveness
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Haydn: Trumpet Concerto In E Flat - Iii ...
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88% Instrumentalness • 42% Positiveness
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86% Instrumentalness • 20% Positiveness
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Bernhard Henrik Crusell
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80% Instrumentalness • 40% Positiveness
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Carl Stamitz
Divertimento in D Major, Op. 34, No. 2: ...
142 bpm • A Maj • 02:10 • -16.51db
0% Popularity • 65% Danceability • 19% Energy • 7% Liveness
6% Instrumentalness • 94% Positiveness
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Carnival Overture, Op. 92
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72% Instrumentalness • 19% Positiveness
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65% Instrumentalness • 71% Positiveness
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71% Instrumentalness • 27% Positiveness
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54% Instrumentalness • 37% Positiveness
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61% Instrumentalness • 37% Positiveness
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84% Instrumentalness • 33% Positiveness
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58% Instrumentalness • 59% Positiveness
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40% Instrumentalness • 93% Positiveness
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33% Instrumentalness • 91% Positiveness
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91% Instrumentalness • 13% Positiveness
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89% Instrumentalness • 10% Positiveness
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Louis Spohr
Clarinet Concerto No. 1 in C minor, Op. ...
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5% Popularity • 17% Danceability • 0% Energy • 6% Liveness
54% Instrumentalness • 16% Positiveness
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89% Instrumentalness • 60% Positiveness
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94% Instrumentalness • 16% Positiveness
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1% Instrumentalness • 29% Positiveness
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3% Instrumentalness • 28% Positiveness
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Carl Maria von Weber
Clarinet Concerto No. 1 in F Minor, Op. ...
137 bpm • F min • 07:42 • -18.68db
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54% Instrumentalness • 18% Positiveness
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Aaron Copland
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67% Instrumentalness • 34% Positiveness
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89% Instrumentalness • 40% Positiveness
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26% Instrumentalness • 40% Positiveness
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Carl Stamitz
Clarinet Concerto No. 3 in B-Flat Major:...
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1% Popularity • 32% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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80% Instrumentalness • 45% Positiveness
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39% Instrumentalness • 4% Positiveness
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88% Instrumentalness • 6% Positiveness
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136 bpm • A# Maj • 02:21 • -26db
11% Popularity • 22% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
Clarinet Concerto No. 1 in F Minor, Op. ...
136 bpm • F Maj • 05:50 • -18.2db
13% Popularity • 41% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
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Carl Stamitz
Divertimento in E-Flat Major, Op. 34, No...
146 bpm • A# Maj • 03:20 • -18.24db
0% Popularity • 51% Danceability • 14% Energy • 9% Liveness
42% Instrumentalness • 80% Positiveness
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0% Popularity • 19% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 6% Positiveness
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41% Instrumentalness • 54% Positiveness
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136 bpm • D min • 06:53 • -14.93db
19% Popularity • 42% Danceability • 27% Energy • 7% Liveness
57% Instrumentalness • 36% Positiveness
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Hummel: Trumpet Concerto In E Flat - I A...
136 bpm • A# Maj • 09:28 • -17db
25% Popularity • 39% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 36% Positiveness
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3% Popularity • 55% Danceability • 6% Energy • 10% Liveness
53% Instrumentalness • 22% Positiveness
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5% Popularity • 36% Danceability • 8% Energy • 9% Liveness
12% Instrumentalness • 41% Positiveness
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17% Popularity • 41% Danceability • 28% Energy • 15% Liveness
23% Instrumentalness • 54% Positiveness
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43% Popularity • 23% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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6% Instrumentalness • 23% Positiveness
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92% Instrumentalness • 45% Positiveness
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23% Popularity • 19% Danceability • 13% Energy • 13% Liveness
50% Instrumentalness • 4% Positiveness
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148 bpm • B min • 06:48 • -21.14db
6% Popularity • 36% Danceability • 5% Energy • 8% Liveness
42% Instrumentalness • 20% Positiveness
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135 bpm • C Maj • 05:52 • -22db
18% Popularity • 37% Danceability • 10% Energy • 9% Liveness
77% Instrumentalness • 36% Positiveness
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George Frideric Handel
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151 bpm • E Maj • 02:08 • -17.98db
36% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
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89% Instrumentalness • 60% Positiveness
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134 bpm • D# Maj • 10:28 • -17db
8% Popularity • 33% Danceability • 20% Energy • 9% Liveness
62% Instrumentalness • 31% Positiveness
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50% Instrumentalness • 60% Positiveness
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Carl Stamitz
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138 bpm • G Maj • 03:22 • -21.44db
4% Popularity • 62% Danceability • 11% Energy • 16% Liveness
59% Instrumentalness • 90% Positiveness
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Anonymous
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89% Instrumentalness • 14% Positiveness
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55% Instrumentalness • 19% Positiveness
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31% Popularity • 35% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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30% Popularity • 59% Danceability • 20% Energy • 33% Liveness
73% Instrumentalness • 51% Positiveness
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153 bpm • G# Maj • 03:58 • -18.42db
30% Popularity • 42% Danceability • 31% Energy • 10% Liveness
86% Instrumentalness • 70% Positiveness
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8% Popularity • 40% Danceability • 8% Energy • 7% Liveness
40% Instrumentalness • 40% Positiveness
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Georg Philipp Telemann
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134 bpm • A Maj • 02:38 • -18.56db
3% Popularity • 51% Danceability • 23% Energy • 23% Liveness
94% Instrumentalness • 78% Positiveness
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Carl Philipp Emanuel Bach
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133 bpm • G Maj • 10:39 • -20.98db
12% Popularity • 50% Danceability • 17% Energy • 14% Liveness
73% Instrumentalness • 55% Positiveness
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Joseph Haydn
Haydn: Piano Concerto in D Major, Hob. X...
153 bpm • D Maj • 07:25 • -24.66db
14% Popularity • 33% Danceability • 7% Energy • 23% Liveness
87% Instrumentalness • 28% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 6 Allegre...
133 bpm • F# min • 03:07 • -23.76db
11% Popularity • 23% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Peter Warlock
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133 bpm • D min • 01:36 • -19db
34% Popularity • 60% Danceability • 19% Energy • 11% Liveness
96% Instrumentalness • 60% Positiveness
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Carl Stamitz
Divertimento in C Major, Op. 34, No. 4: ...
149 bpm • G Maj • 03:01 • -20.75db
0% Popularity • 49% Danceability • 12% Energy • 6% Liveness
83% Instrumentalness • 94% Positiveness
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Maurice Ravel
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133 bpm • E min • 09:39 • -19.74db
17% Popularity • 40% Danceability • 16% Energy • 8% Liveness
61% Instrumentalness • 20% Positiveness
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Mikhail Glinka
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154 bpm • E min • 05:16 • -24db
26% Popularity • 27% Danceability • 14% Energy • 52% Liveness
85% Instrumentalness • 30% Positiveness
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François Couperin
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133 bpm • F Maj • 02:27 • -19db
21% Popularity • 41% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
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Felix Mendelssohn
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12% Popularity • 20% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 4% Positiveness
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Johann Christian Bach
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23% Popularity • 18% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Carl Stamitz
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137 bpm • A# Maj • 03:48 • -17.86db
0% Popularity • 45% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 64% Positiveness
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George Frideric Handel
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132 bpm • C# Maj • 03:43 • -16.46db
40% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
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Franz Danzi
Concertino in B Flat Major, Op. 47 for C...
132 bpm • F Maj • 06:43 • -17.82db
3% Popularity • 35% Danceability • 12% Energy • 11% Liveness
82% Instrumentalness • 28% Positiveness
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Franz Schubert
Symphony No. 4 in C Minor, D. 417, "Trag...
132 bpm • C# Maj • 09:09 • -28.68db
3% Popularity • 18% Danceability • 1% Energy • 9% Liveness
75% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 85: No. 4 Andante...
133 bpm • D Maj • 02:30 • -21.93db
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92% Instrumentalness • 6% Positiveness
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Johann Christian Bach
Amadis de Gaule, W. G39: Act II Scene V:...
132 bpm • E Maj • 02:25 • -21.08db
25% Popularity • 46% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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Carl Stamitz
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1% Popularity • 37% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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George Frideric Handel
Handel: Solomon, HWV 67, Act 3: Sinfonia...
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28% Popularity • 54% Danceability • 47% Energy • 37% Liveness
77% Instrumentalness • 86% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
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58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
44% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Clarinet Concerto No. 7 in E Flat Major (Darmstäd...