Songs like Clarinet Marmalade by Bix Beiderbecke
Based on a tempo of (+/- 10%) and a similar genre
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Eddie Cantor
Charleston
125 bpm • A# Maj • 03:02 • -13db
26% Popularity • 76% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 92% Positiveness
26% Popularity • 76% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 92% Positiveness
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Bix Beiderbecke
Clarinet Marmalade
125 bpm • F Maj • 03:12 • -10db
32% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
32% Popularity • 78% Danceability • 45% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Fletcher Henderson
Stockholm Stomp
125 bpm • C Maj • 02:59 • -9db
18% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
18% Popularity • 78% Danceability • 49% Energy • 25% Liveness
90% Instrumentalness • 97% Positiveness
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John Kirby
Rehearsin' for a Nervous Breakdown
126 bpm • G# Maj • 02:43 • -7.47db
7% Popularity • 73% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 70% Positiveness
7% Popularity • 73% Danceability • 54% Energy • 7% Liveness
84% Instrumentalness • 70% Positiveness
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Frankie Trumbauer
Wringin' An' Twistin' (With Warm Up)
126 bpm • C Maj • 03:05 • -15.9db
8% Popularity • 64% Danceability • 18% Energy • 32% Liveness
78% Instrumentalness • 61% Positiveness
8% Popularity • 64% Danceability • 18% Energy • 32% Liveness
78% Instrumentalness • 61% Positiveness
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Slim Gaillard
Atomic Cocktail - Alternate Take
124 bpm • F Maj • 02:43 • -14db
17% Popularity • 75% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 75% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Louis Armstrong And The All-Stars
High Society
126 bpm • C min • 03:59 • -13.55db
24% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
24% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
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June Christy
Shoo Fly Pie and Apple Pan Dow
124 bpm • G# Maj • 02:38 • -9db
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 65% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Jimmy Dorsey
A You'Re Adorable
124 bpm • A min • 02:29 • -8db
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
32% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Kid Ory's Creole Jazz Band
Savoy Blues
126 bpm • G min • 03:03 • -9db
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 45% Energy • 6% Liveness
88% Instrumentalness • 78% Positiveness
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Charlie Barnet
The Last Jump
124 bpm • A# Maj • 02:43 • -6.89db
18% Popularity • 64% Danceability • 71% Energy • 7% Liveness
60% Instrumentalness • 94% Positiveness
18% Popularity • 64% Danceability • 71% Energy • 7% Liveness
60% Instrumentalness • 94% Positiveness
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Johnny Dodds
New Orleans Stomp
126 bpm • F Maj • 02:43 • -12.19db
20% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
20% Popularity • 84% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 97% Positiveness
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Earl Hines
G.T. Stomp
126 bpm • G# Maj • 02:45 • -10.89db
21% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
21% Popularity • 80% Danceability • 46% Energy • 10% Liveness
86% Instrumentalness • 68% Positiveness
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Bennie Moten
Moten Stomp
124 bpm • E Maj • 02:58 • -9db
14% Popularity • 78% Danceability • 67% Energy • 23% Liveness
84% Instrumentalness • 96% Positiveness
14% Popularity • 78% Danceability • 67% Energy • 23% Liveness
84% Instrumentalness • 96% Positiveness
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Glenn Miller & The Army Air Force Band
Mission To Moscow - Remastered 2001
126 bpm • C# Maj • 02:34 • -11.01db
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
16% Popularity • 80% Danceability • 55% Energy • 9% Liveness
55% Instrumentalness • 52% Positiveness
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Bobby Hackett
That's A Plenty
124 bpm • G min • 04:32 • -11.1db
15% Popularity • 67% Danceability • 50% Energy • 10% Liveness
93% Instrumentalness • 89% Positiveness
15% Popularity • 67% Danceability • 50% Energy • 10% Liveness
93% Instrumentalness • 89% Positiveness
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Slim Gaillard
Atomic Cocktail
123 bpm • F Maj • 02:41 • -13db
41% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
41% Popularity • 79% Danceability • 27% Energy • 10% Liveness
64% Instrumentalness • 53% Positiveness
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Bix Beiderbecke
Clarinet Marmalade
124 bpm • F Maj • 03:18 • -10.03db
3% Popularity • 78% Danceability • 48% Energy • 6% Liveness
91% Instrumentalness • 96% Positiveness
3% Popularity • 78% Danceability • 48% Energy • 6% Liveness
91% Instrumentalness • 96% Positiveness
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Duke Ellington & His Cotton Club Orchestra
Jubilee Stomp
123 bpm • F min • 02:46 • -9db
21% Popularity • 66% Danceability • 41% Energy • 12% Liveness
71% Instrumentalness • 88% Positiveness
21% Popularity • 66% Danceability • 41% Energy • 12% Liveness
71% Instrumentalness • 88% Positiveness
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Fletcher Henderson
Fidgety Feet
123 bpm • D# Maj • 02:53 • -9db
22% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
22% Popularity • 68% Danceability • 53% Energy • 25% Liveness
84% Instrumentalness • 96% Positiveness
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Illinois Jacquet
Port Of Rico (07-22-52)
127 bpm • C Maj • 02:44 • -11.14db
30% Popularity • 77% Danceability • 25% Energy • 9% Liveness
8% Instrumentalness • 62% Positiveness
30% Popularity • 77% Danceability • 25% Energy • 9% Liveness
8% Instrumentalness • 62% Positiveness
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Hot Swing Sextet
Bunny
122 bpm • C Maj • 03:18 • -9.25db
30% Popularity • 87% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 46% Positiveness
30% Popularity • 87% Danceability • 28% Energy • 8% Liveness
83% Instrumentalness • 46% Positiveness
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Eddie Condon
My Melancholy Baby
128 bpm • C min • 02:48 • -14.48db
30% Popularity • 64% Danceability • 15% Energy • 20% Liveness
89% Instrumentalness • 69% Positiveness
30% Popularity • 64% Danceability • 15% Energy • 20% Liveness
89% Instrumentalness • 69% Positiveness
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Bix Beiderbecke
Oh Baby
122 bpm • F Maj • 02:16 • -11.95db
6% Popularity • 64% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
6% Popularity • 64% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Johnny Dodds
Clarinet Wobble
122 bpm • F Maj • 02:35 • -8.93db
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
24% Popularity • 68% Danceability • 27% Energy • 15% Liveness
65% Instrumentalness • 75% Positiveness
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Fletcher Henderson
Shanghai Shuffle
129 bpm • F# Maj • 02:58 • -10db
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
22% Popularity • 72% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 93% Positiveness
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Les Brown
The Claw
129 bpm • G# Maj • 03:27 • -18db
4% Popularity • 62% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
4% Popularity • 62% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Bourbon Street Jazzband
Tin Roof Blues
122 bpm • A# Maj • 05:06 • -13.58db
22% Popularity • 63% Danceability • 28% Energy • 12% Liveness
21% Instrumentalness • 74% Positiveness
22% Popularity • 63% Danceability • 28% Energy • 12% Liveness
21% Instrumentalness • 74% Positiveness
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Guy Lombardo & His Royal Canadians
A Sail Boat in the Moonlight
129 bpm • C Maj • 02:50 • -17.31db
27% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
27% Popularity • 46% Danceability • 12% Energy • 30% Liveness
7% Instrumentalness • 60% Positiveness
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Bix Beiderbecke
Wringin' And Twistin'
128 bpm • C Maj • 02:53 • -15.42db
16% Popularity • 67% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 74% Positiveness
16% Popularity • 67% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 74% Positiveness
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Lester Lanin
Just One Of Those Things - Society
121 bpm • D min • 02:12 • -14.52db
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
31% Popularity • 80% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 86% Positiveness
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The Charleston Chasers
After You've Gone
121 bpm • A# Maj • 02:42 • -15.2db
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
19% Popularity • 84% Danceability • 43% Energy • 20% Liveness
80% Instrumentalness • 96% Positiveness
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Jelly Roll Morton
Black Bottom Stomp - 2002 Remastered
129 bpm • C min • 03:12 • -12.89db
32% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
32% Popularity • 60% Danceability • 48% Energy • 34% Liveness
82% Instrumentalness • 84% Positiveness
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The Dukes Of Dixieland
Bourbon Street Parade
121 bpm • C min • 02:34 • -11.71db
27% Popularity • 70% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 70% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 90% Positiveness
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Una Mae Carlisle
Blitzkrieg Baby
129 bpm • C min • 03:21 • -14.39db
19% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 81% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Bix Beiderbecke
Humpty Dumpty
129 bpm • C Maj • 03:05 • -12.63db
5% Popularity • 65% Danceability • 29% Energy • 33% Liveness
67% Instrumentalness • 49% Positiveness
5% Popularity • 65% Danceability • 29% Energy • 33% Liveness
67% Instrumentalness • 49% Positiveness
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Jonah Jones
Night Train - Remastered
121 bpm • G# Maj • 02:30 • -10.98db
25% Popularity • 73% Danceability • 29% Energy • 9% Liveness
54% Instrumentalness • 81% Positiveness
25% Popularity • 73% Danceability • 29% Energy • 9% Liveness
54% Instrumentalness • 81% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
121 bpm • D# Maj • 02:51 • -17.39db
14% Popularity • 71% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 67% Positiveness
14% Popularity • 71% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 67% Positiveness
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Charlie Barnet & His Orchestra
Southern Fried
129 bpm • A# Maj • 03:24 • -9.23db
30% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
30% Popularity • 70% Danceability • 30% Energy • 10% Liveness
77% Instrumentalness • 65% Positiveness
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The Dukes Of Dixieland
South Rampart Street Parade
129 bpm • G# Maj • 02:33 • -13.3db
13% Popularity • 69% Danceability • 39% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
13% Popularity • 69% Danceability • 39% Energy • 7% Liveness
6% Instrumentalness • 96% Positiveness
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Benny Goodman Quartet
Tea for Two - 1996 Remastered
129 bpm • G# Maj • 03:05 • -10db
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
33% Popularity • 77% Danceability • 49% Energy • 7% Liveness
23% Instrumentalness • 84% Positiveness
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Bix Beiderbecke
My Pretty Girl
129 bpm • G Maj • 02:41 • -8.88db
10% Popularity • 62% Danceability • 57% Energy • 11% Liveness
87% Instrumentalness • 96% Positiveness
10% Popularity • 62% Danceability • 57% Energy • 11% Liveness
87% Instrumentalness • 96% Positiveness
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Woody Herman & His Orchestra
Who Dat up Dere?
130 bpm • D min • 03:09 • -14.31db
21% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 69% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Eddie Cantor
If You Knew Susie (Like I Know Susie)
120 bpm • D Maj • 02:51 • -14.63db
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 86% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Charlie Barnet
Shake, Rattle 'N Roll (Afternoon of a Mo...
130 bpm • G# Maj • 03:27 • -12db
21% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
21% Popularity • 80% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
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Fletcher Henderson
Hot And Anxious
131 bpm • A# Maj • 03:19 • -10.05db
21% Popularity • 72% Danceability • 20% Energy • 13% Liveness
52% Instrumentalness • 68% Positiveness
21% Popularity • 72% Danceability • 20% Energy • 13% Liveness
52% Instrumentalness • 68% Positiveness
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Joe Venuti
Wild Cat
120 bpm • A# Maj • 02:58 • -12.88db
8% Popularity • 75% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 75% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Stan Kenton & His Orchestra
Artistry In Rhythm
119 bpm • F min • 03:18 • -9.73db
12% Popularity • 49% Danceability • 38% Energy • 42% Liveness
85% Instrumentalness • 36% Positiveness
12% Popularity • 49% Danceability • 38% Energy • 42% Liveness
85% Instrumentalness • 36% Positiveness
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Glenn Miller & The Army Air Force Band
Londonderry Air (Danny Boy)/Shoo-Shoo Ba...
119 bpm • G# Maj • 08:49 • -14.23db
14% Popularity • 34% Danceability • 22% Energy • 40% Liveness
4% Instrumentalness • 18% Positiveness
14% Popularity • 34% Danceability • 22% Energy • 40% Liveness
4% Instrumentalness • 18% Positiveness
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Eddie Condon
(You're Some) Pretty Doll
119 bpm • G min • 02:50 • -14.09db
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
28% Popularity • 64% Danceability • 22% Energy • 35% Liveness
94% Instrumentalness • 61% Positiveness
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Charlie Barnet & His Orchestra
Scotch and Soda
131 bpm • D# Maj • 02:46 • -10db
22% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 44% Energy • 16% Liveness
89% Instrumentalness • 96% Positiveness
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Bix Beiderbecke
Singin' the Blues 'Til My Daddy Comes Ho...
131 bpm • C min • 03:06 • -13.93db
10% Popularity • 69% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 79% Positiveness
10% Popularity • 69% Danceability • 20% Energy • 7% Liveness
92% Instrumentalness • 79% Positiveness
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Sid Peltyn and His Orchestra
Play Me a Frigid Air
119 bpm • F Maj • 02:41 • -11.9db
15% Popularity • 74% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
15% Popularity • 74% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
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Turk Murphy
When My Sugar Walks Down The Street
119 bpm • C Maj • 02:44 • -13.4db
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 70% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 92% Positiveness
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Mills Blue Rhythm Band
Let's Have a Jubilee
132 bpm • F min • 02:52 • -12.34db
12% Popularity • 75% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 85% Positiveness
12% Popularity • 75% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 85% Positiveness
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Charlie Barnet
Shake Rattle and Roll
132 bpm • F min • 03:24 • -7.71db
25% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
25% Popularity • 70% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 87% Positiveness
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Jonah Jones Sextet
Stars Fell on Alabama
119 bpm • G min • 02:53 • -10.09db
31% Popularity • 55% Danceability • 23% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
31% Popularity • 55% Danceability • 23% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
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Count Basie Orchestra
Whirly-Bird
132 bpm • G# Maj • 03:52 • -10.58db
36% Popularity • 50% Danceability • 54% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
36% Popularity • 50% Danceability • 54% Energy • 12% Liveness
76% Instrumentalness • 85% Positiveness
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Bix Beiderbecke
Cryin' All Day
132 bpm • C min • 03:08 • -15db
14% Popularity • 65% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
14% Popularity • 65% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 68% Positiveness
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The Veterinary Street Jazz Band
Snag it
118 bpm • D# Maj • 04:32 • -16.49db
23% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
23% Popularity • 76% Danceability • 29% Energy • 6% Liveness
89% Instrumentalness • 77% Positiveness
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Johnny Dodds
Blue Piano Stomp
132 bpm • D# Maj • 03:10 • -14.72db
17% Popularity • 56% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
17% Popularity • 56% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 74% Positiveness
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Charlie Barnet & His Orchestra
Wild Mab Of Fish Pond
132 bpm • A# Maj • 03:15 • -6.51db
24% Popularity • 63% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 82% Positiveness
24% Popularity • 63% Danceability • 38% Energy • 9% Liveness
62% Instrumentalness • 82% Positiveness
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Louis Armstrong & His Hot Seven
Twelfth Street Rag
118 bpm • D# Maj • 03:02 • -8.71db
9% Popularity • 74% Danceability • 25% Energy • 10% Liveness
67% Instrumentalness • 92% Positiveness
9% Popularity • 74% Danceability • 25% Energy • 10% Liveness
67% Instrumentalness • 92% Positiveness
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Cab Calloway & His Orchestra
Manhattan Jam
133 bpm • G# Maj • 02:33 • -10.63db
11% Popularity • 75% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 96% Positiveness
11% Popularity • 75% Danceability • 52% Energy • 9% Liveness
90% Instrumentalness • 96% Positiveness
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Bix Beiderbecke
I'm Coming Virginia
132 bpm • A# Maj • 03:09 • -11.08db
27% Popularity • 69% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 50% Positiveness
27% Popularity • 69% Danceability • 31% Energy • 13% Liveness
90% Instrumentalness • 50% Positiveness
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The Missourians
Market Street Stomp
133 bpm • C Maj • 03:26 • -10db
12% Popularity • 74% Danceability • 58% Energy • 18% Liveness
86% Instrumentalness • 90% Positiveness
12% Popularity • 74% Danceability • 58% Energy • 18% Liveness
86% Instrumentalness • 90% Positiveness
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Johnny Dodds
Perdido Street Blues
132 bpm • F Maj • 03:08 • -11.96db
16% Popularity • 58% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 43% Positiveness
16% Popularity • 58% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 43% Positiveness
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Tommy Dorsey Orchestra
Dry Bones
118 bpm • A# Maj • 03:37 • -11.83db
16% Popularity • 57% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 71% Positiveness
16% Popularity • 57% Danceability • 31% Energy • 9% Liveness
90% Instrumentalness • 71% Positiveness
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Louis Armstrong & His Hot Five
Fireworks
117 bpm • G# Maj • 03:07 • -9.77db
16% Popularity • 80% Danceability • 40% Energy • 7% Liveness
84% Instrumentalness • 87% Positiveness
16% Popularity • 80% Danceability • 40% Energy • 7% Liveness
84% Instrumentalness • 87% Positiveness
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Bunny Berigan
Devil's Holiday
133 bpm • F min • 02:41 • -12.23db
8% Popularity • 59% Danceability • 73% Energy • 65% Liveness
73% Instrumentalness • 30% Positiveness
8% Popularity • 59% Danceability • 73% Energy • 65% Liveness
73% Instrumentalness • 30% Positiveness
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Bix Beiderbecke
Singin' The Blues
132 bpm • C min • 03:00 • -12db
39% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
39% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
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Sam Lanin and The Ipana Troubadours
Jig Walk
117 bpm • D# Maj • 02:40 • -11.94db
16% Popularity • 89% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
16% Popularity • 89% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 90% Positiveness
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Johnny Dodds
Little Bits
118 bpm • C Maj • 02:59 • -6.56db
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
20% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
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Isham Jones And His Orchestra
The Original Charleston
117 bpm • D min • 02:44 • -11db
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 19% Liveness
92% Instrumentalness • 74% Positiveness
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Cliff Edwards
Good Little Bad Little You
117 bpm • C Maj • 02:39 • -11db
28% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 84% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Woody Herman & His Orchestra
Caldonia
134 bpm • G# Maj • 03:01 • -11db
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 63% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Bix Beiderbecke
Barnacle Bill the Sailor
133 bpm • G# Maj • 02:48 • -14.24db
4% Popularity • 74% Danceability • 58% Energy • 6% Liveness
3% Instrumentalness • 50% Positiveness
4% Popularity • 74% Danceability • 58% Energy • 6% Liveness
3% Instrumentalness • 50% Positiveness
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Charlie Barnet & His Orchestra
Swing Street Strut
116 bpm • G min • 02:47 • -10.63db
16% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
16% Popularity • 70% Danceability • 52% Energy • 36% Liveness
39% Instrumentalness • 72% Positiveness
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New Orleans Rhythm Kings
Maple Leaf
117 bpm • G Maj • 02:34 • -6.72db
9% Popularity • 52% Danceability • 63% Energy • 25% Liveness
88% Instrumentalness • 92% Positiveness
9% Popularity • 52% Danceability • 63% Energy • 25% Liveness
88% Instrumentalness • 92% Positiveness
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Casa Loma Orchestra
Casa Loma Stomp
134 bpm • F# Maj • 03:04 • -21.11db
11% Popularity • 68% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 93% Positiveness
11% Popularity • 68% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 93% Positiveness
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Muggsy Spanier
At The Jazz Band Ball
116 bpm • C Maj • 02:51 • -11db
16% Popularity • 65% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
16% Popularity • 65% Danceability • 63% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
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Duke Ellington & His Jungle Band
Runnin' Wild
135 bpm • A# Maj • 02:40 • -10.06db
14% Popularity • 67% Danceability • 55% Energy • 19% Liveness
86% Instrumentalness • 89% Positiveness
14% Popularity • 67% Danceability • 55% Energy • 19% Liveness
86% Instrumentalness • 89% Positiveness
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Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
8% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
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Woody Herman & His Orchestra
Yardbird Shuffle
135 bpm • F Maj • 02:40 • -13.09db
22% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
22% Popularity • 80% Danceability • 23% Energy • 6% Liveness
78% Instrumentalness • 67% Positiveness
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Jimmie Lunceford
Organ Grinder's Swing
116 bpm • F# Maj • 02:41 • -12db
18% Popularity • 62% Danceability • 13% Energy • 15% Liveness
15% Instrumentalness • 37% Positiveness
18% Popularity • 62% Danceability • 13% Energy • 15% Liveness
15% Instrumentalness • 37% Positiveness
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Benny Goodman Septet
7 Come 11
116 bpm • C# Maj • 02:46 • -16db
20% Popularity • 70% Danceability • 45% Energy • 19% Liveness
82% Instrumentalness • 92% Positiveness
20% Popularity • 70% Danceability • 45% Energy • 19% Liveness
82% Instrumentalness • 92% Positiveness
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Johnny Dodds
Bucktown Stomp
115 bpm • E min • 03:14 • -12.11db
11% Popularity • 56% Danceability • 34% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
11% Popularity • 56% Danceability • 34% Energy • 27% Liveness
90% Instrumentalness • 69% Positiveness
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Ben Webster
Hotter Than 'Ell
135 bpm • F# Maj • 02:57 • -8.76db
14% Popularity • 58% Danceability • 49% Energy • 15% Liveness
60% Instrumentalness • 53% Positiveness
14% Popularity • 58% Danceability • 49% Energy • 15% Liveness
60% Instrumentalness • 53% Positiveness
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Fletcher Henderson
Variety Stomp
115 bpm • G# Maj • 03:08 • -7db
5% Popularity • 76% Danceability • 51% Energy • 26% Liveness
93% Instrumentalness • 93% Positiveness
5% Popularity • 76% Danceability • 51% Energy • 26% Liveness
93% Instrumentalness • 93% Positiveness
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Woody Herman & His Orchestra
The Northwest Passage
136 bpm • D# Maj • 03:04 • -8.08db
18% Popularity • 49% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
18% Popularity • 49% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 61% Positiveness
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Hot Sugar Band
Harlem Swing
136 bpm • C min • 03:05 • -7.3db
34% Popularity • 61% Danceability • 39% Energy • 10% Liveness
49% Instrumentalness • 72% Positiveness
34% Popularity • 61% Danceability • 39% Energy • 10% Liveness
49% Instrumentalness • 72% Positiveness
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Zez Confrey
Kitten on the Keys
115 bpm • F Maj • 03:11 • -22.48db
14% Popularity • 49% Danceability • 24% Energy • 17% Liveness
90% Instrumentalness • 84% Positiveness
14% Popularity • 49% Danceability • 24% Energy • 17% Liveness
90% Instrumentalness • 84% Positiveness
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The Dry Throat Fellows
Red Hot Band
114 bpm • F Maj • 03:18 • -14db
13% Popularity • 67% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 90% Positiveness
13% Popularity • 67% Danceability • 40% Energy • 10% Liveness
7% Instrumentalness • 90% Positiveness
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Fletcher Henderson & His Orchestra
Copenhagen
114 bpm • A# Maj • 02:50 • -11db
9% Popularity • 67% Danceability • 46% Energy • 71% Liveness
60% Instrumentalness • 66% Positiveness
9% Popularity • 67% Danceability • 46% Energy • 71% Liveness
60% Instrumentalness • 66% Positiveness
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Ed Lang & His Orchestra
Bugle Call Rag
114 bpm • A# Maj • 03:01 • -10.25db
9% Popularity • 80% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 92% Positiveness
9% Popularity • 80% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 92% Positiveness
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Woody Herman & His Orchestra
Woodsheddin' with Woody
136 bpm • C# Maj • 02:09 • -8.03db
15% Popularity • 54% Danceability • 66% Energy • 38% Liveness
10% Instrumentalness • 70% Positiveness
15% Popularity • 54% Danceability • 66% Energy • 38% Liveness
10% Instrumentalness • 70% Positiveness
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Bix Beiderbecke And His Orchestra
I'll Be a Friend "With Pleasure"
137 bpm • G Maj • 03:06 • -12.63db
1% Popularity • 51% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 44% Positiveness
1% Popularity • 51% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 44% Positiveness
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Bunny Berigan
In the Dark
114 bpm • A min • 02:47 • -11.13db
12% Popularity • 54% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 55% Positiveness
12% Popularity • 54% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 55% Positiveness
