Songs like Clary's Theme by Atli Örvarsson
Based on a tempo of (+/- 10%) and a similar genre
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Steven Price
Power vs Teamwork
95 bpm • C# min • 08:20 • -18db
15% Popularity • 26% Danceability • 37% Energy • 14% Liveness
78% Instrumentalness • 6% Positiveness
15% Popularity • 26% Danceability • 37% Energy • 14% Liveness
78% Instrumentalness • 6% Positiveness
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Atli Örvarsson
Clary's Theme
95 bpm • D min • 03:22 • -18db
26% Popularity • 14% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Harald Kloser
Hall's Plan
95 bpm • D# Maj • 00:53 • -26.62db
38% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
38% Popularity • 12% Danceability • 5% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
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Trevor Rabin
Finding Charlotte
95 bpm • F min • 01:05 • -16db
41% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
41% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
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Mark Isham
The Nevers
94 bpm • F min • 01:39 • -15.49db
32% Popularity • 33% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 13% Positiveness
32% Popularity • 33% Danceability • 36% Energy • 13% Liveness
96% Instrumentalness • 13% Positiveness
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Joby Talbot
Fairground
94 bpm • C# min • 01:31 • -15db
29% Popularity • 34% Danceability • 20% Energy • 10% Liveness
7% Instrumentalness • 5% Positiveness
29% Popularity • 34% Danceability • 20% Energy • 10% Liveness
7% Instrumentalness • 5% Positiveness
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Rohan Stevenson
Hiding Excalibur
96 bpm • E min • 02:05 • -15db
32% Popularity • 15% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
32% Popularity • 15% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Atli Örvarsson
Mortal Instruments - The Opening
95 bpm • D min • 03:31 • -19db
13% Popularity • 23% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 23% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Mychael Danna
See You Again
96 bpm • E Maj • 05:41 • -18.69db
20% Popularity • 13% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 13% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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James Horner
Briseis and Achilles
94 bpm • G min • 05:19 • -37.82db
30% Popularity • 11% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 0% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Kerry Muzzey
The Looking Glass
94 bpm • G min • 03:20 • -13.3db
9% Popularity • 21% Danceability • 19% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 19% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
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L'Orchestre d'Academie
Beauty & The Beast - Film Trailer Music
93 bpm • G Maj • 03:16 • -23.2db
17% Popularity • 20% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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John Ottman
Operation Terminated
93 bpm • F min • 01:15 • -28.48db
26% Popularity • 16% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 3% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Atli Örvarsson
You're a Morgenstern
97 bpm • D min • 04:02 • -17.27db
10% Popularity • 18% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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James Horner
Pure spirits of the forest
97 bpm • C Maj • 08:49 • -32db
49% Popularity • 13% Danceability • 2% Energy • 14% Liveness
19% Instrumentalness • 4% Positiveness
49% Popularity • 13% Danceability • 2% Energy • 14% Liveness
19% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Seglass Ni Tonday
97 bpm • G min • 06:27 • -17.76db
33% Popularity • 14% Danceability • 27% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
33% Popularity • 14% Danceability • 27% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
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Fernando Velázquez
McMichael
93 bpm • G Maj • 01:05 • -21db
37% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
37% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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John Ottman
Logo Mania
98 bpm • D min • 01:00 • -12.56db
30% Popularity • 45% Danceability • 59% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
30% Popularity • 45% Danceability • 59% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
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Atli Örvarsson
Your Secret is Safe
97 bpm • F Maj • 02:52 • -20.42db
18% Popularity • 13% Danceability • 12% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 12% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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X-Ray Dog
The Vision
92 bpm • A min • 01:50 • -11.3db
27% Popularity • 24% Danceability • 25% Energy • 17% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 25% Energy • 17% Liveness
93% Instrumentalness • 4% Positiveness
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Anne Dudley
The Carnmore Copper Company
92 bpm • F# min • 03:07 • -13.63db
10% Popularity • 17% Danceability • 18% Energy • 21% Liveness
83% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 18% Energy • 21% Liveness
83% Instrumentalness • 6% Positiveness
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David Hirschfelder
You Moved!
92 bpm • A# Maj • 06:30 • -17.49db
22% Popularity • 11% Danceability • 18% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 18% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
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Nathan Barr
Main Title
92 bpm • C min • 01:15 • -10.19db
32% Popularity • 21% Danceability • 57% Energy • 27% Liveness
97% Instrumentalness • 9% Positiveness
32% Popularity • 21% Danceability • 57% Energy • 27% Liveness
97% Instrumentalness • 9% Positiveness
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Atli Örvarsson
Business Is Good
97 bpm • C# Maj • 02:11 • -9.79db
13% Popularity • 46% Danceability • 67% Energy • 25% Liveness
37% Instrumentalness • 7% Positiveness
13% Popularity • 46% Danceability • 67% Energy • 25% Liveness
37% Instrumentalness • 7% Positiveness
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Trevor Rabin
National Treasure Suite
98 bpm • A# min • 03:17 • -17.57db
38% Popularity • 63% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
38% Popularity • 63% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
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Roque Baños
The Story Is Told
92 bpm • G# Maj • 06:41 • -24db
29% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 11% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Steve Jablonsky
Izzy
92 bpm • E min • 04:00 • -24.26db
33% Popularity • 36% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
33% Popularity • 36% Danceability • 10% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Stephen Warbeck
The World in the Room
99 bpm • A# Maj • 01:37 • -22.65db
42% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
42% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
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Felix Erskine
Running Blind
99 bpm • C Maj • 02:06 • -17.76db
15% Popularity • 16% Danceability • 47% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 47% Energy • 14% Liveness
61% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Sherwood Forest
91 bpm • A min • 02:19 • -21db
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Rohan Stevenson
Finale - The Sword in the Stone
91 bpm • A# min • 07:13 • -17.74db
26% Popularity • 13% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
26% Popularity • 13% Danceability • 14% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Roque Baños
Abandon Ship
92 bpm • F min • 06:09 • -15.38db
32% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 31% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Craig Armstrong
Opening
91 bpm • D min • 04:39 • -15.73db
53% Popularity • 14% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
53% Popularity • 14% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 7% Positiveness
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James Horner
Closing Credits
91 bpm • A Maj • 08:23 • -27db
13% Popularity • 10% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Malfoy's Mission
100 bpm • B Maj • 02:53 • -29.09db
43% Popularity • 22% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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John Debney
Eliza's Theme
100 bpm • C min • 01:31 • -21.11db
28% Popularity • 15% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
28% Popularity • 15% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Two Steps from Hell
Talia's Theme
100 bpm • D min • 03:16 • -16.72db
30% Popularity • 33% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
30% Popularity • 33% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Thomas Bergersen
Nero
100 bpm • A min • 03:27 • -11.47db
43% Popularity • 43% Danceability • 31% Energy • 21% Liveness
91% Instrumentalness • 8% Positiveness
43% Popularity • 43% Danceability • 31% Energy • 21% Liveness
91% Instrumentalness • 8% Positiveness
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Steven Price
Ophelia
100 bpm • B min • 03:52 • -13.55db
32% Popularity • 42% Danceability • 38% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
32% Popularity • 42% Danceability • 38% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
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James Horner
Climbing up "Iknimaya - The Path to Heav...
90 bpm • A Maj • 03:18 • -22.69db
47% Popularity • 10% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 10% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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X-Ray Dog Music
Acts of Courage
100 bpm • C# min • 02:41 • -9.25db
30% Popularity • 30% Danceability • 44% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
30% Popularity • 30% Danceability • 44% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Rhaeide
Beauty and the Beast - Prologue
100 bpm • C min • 02:22 • -17db
31% Popularity • 57% Danceability • 15% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
31% Popularity • 57% Danceability • 15% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
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Atli Örvarsson
The Angel Rune
100 bpm • F Maj • 04:06 • -13.93db
10% Popularity • 19% Danceability • 48% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
10% Popularity • 19% Danceability • 48% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Harald Kloser
You Came For Me
90 bpm • F Maj • 02:06 • -19db
37% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
37% Popularity • 10% Danceability • 15% Energy • 15% Liveness
98% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Pact Sworn in Blood
100 bpm • E min • 02:52 • -19db
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
51% Popularity • 14% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
47% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
47% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Roque Baños
El Collar
90 bpm • F# min • 03:35 • -28db
23% Popularity • 14% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
23% Popularity • 14% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Clinton Shorter
When I Sail
101 bpm • D min • 01:26 • -14.42db
45% Popularity • 15% Danceability • 18% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
45% Popularity • 15% Danceability • 18% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
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Atli Örvarsson
J.C.
90 bpm • C# Maj • 02:39 • -15.39db
8% Popularity • 24% Danceability • 40% Energy • 11% Liveness
64% Instrumentalness • 3% Positiveness
8% Popularity • 24% Danceability • 40% Energy • 11% Liveness
64% Instrumentalness • 3% Positiveness
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James Horner
Jake enters his avatar world
101 bpm • G Maj • 05:24 • -26db
37% Popularity • 22% Danceability • 8% Energy • 14% Liveness
52% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 8% Energy • 14% Liveness
52% Instrumentalness • 4% Positiveness
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Michael Giacchino
Labor Of Love
89 bpm • D Maj • 02:51 • -18.46db
34% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Harry & Hermione
90 bpm • C Maj • 02:52 • -29.09db
56% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Sacrifice
89 bpm • D min • 06:46 • -18.58db
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Clinton Shorter
A Lifetime of Losing
89 bpm • A# Maj • 01:35 • -24.95db
39% Popularity • 10% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
39% Popularity • 10% Danceability • 11% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Mike Higham
Miss Peregrine's Home for Peculiar Child...
89 bpm • D Maj • 02:46 • -16.23db
26% Popularity • 24% Danceability • 26% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
26% Popularity • 24% Danceability • 26% Energy • 6% Liveness
91% Instrumentalness • 6% Positiveness
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Harald Kloser
The End
102 bpm • F Maj • 03:18 • -15db
34% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Geoff Zanelli
My Name Is Barbossa
89 bpm • F Maj • 05:33 • -10.54db
50% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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John Debney
Elephant Waterfall
88 bpm • A min • 03:26 • -16.67db
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 24% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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John Williams
The Reunion
102 bpm • E Maj • 03:55 • -27db
31% Popularity • 14% Danceability • 3% Energy • 17% Liveness
92% Instrumentalness • 3% Positiveness
31% Popularity • 14% Danceability • 3% Energy • 17% Liveness
92% Instrumentalness • 3% Positiveness
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Atli Örvarsson
Beyond The Territories
103 bpm • A min • 04:33 • -22.01db
10% Popularity • 17% Danceability • 18% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 18% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
This Is Neverland - Finding Neverland/So...
88 bpm • A min • 04:01 • -17.11db
28% Popularity • 20% Danceability • 15% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 35% Liveness
71% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Mychael Danna
Back to the World
88 bpm • C min • 08:20 • -27db
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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James Horner
I See You
87 bpm • A Maj • 04:40 • -17.15db
35% Popularity • 18% Danceability • 18% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 18% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Steven Price
The Ocean Returns The Favour
103 bpm • E min • 02:20 • -15db
38% Popularity • 40% Danceability • 36% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
38% Popularity • 40% Danceability • 36% Energy • 9% Liveness
66% Instrumentalness • 8% Positiveness
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Thomas Wander
Edward's Theme
87 bpm • C min • 01:33 • -25.77db
39% Popularity • 23% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
39% Popularity • 23% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Atli Örvarsson
Wormwood
87 bpm • D Maj • 01:09 • -20db
15% Popularity • 17% Danceability • 45% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 45% Energy • 10% Liveness
99% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Drink Of Despair
87 bpm • D min • 02:44 • -26.06db
39% Popularity • 16% Danceability • 13% Energy • 33% Liveness
85% Instrumentalness • 3% Positiveness
39% Popularity • 16% Danceability • 13% Energy • 33% Liveness
85% Instrumentalness • 3% Positiveness
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Carter Burwell
Follow Your Feet
87 bpm • D Maj • 03:09 • -27db
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
22% Popularity • 12% Danceability • 3% Energy • 14% Liveness
95% Instrumentalness • 8% Positiveness
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James Horner
The Car Chase
87 bpm • A# min • 02:24 • -20.68db
37% Popularity • 17% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
37% Popularity • 17% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Hans Zimmer
Black Smoke
104 bpm • D Maj • 05:44 • -17.99db
23% Popularity • 30% Danceability • 48% Energy • 32% Liveness
83% Instrumentalness • 5% Positiveness
23% Popularity • 30% Danceability • 48% Energy • 32% Liveness
83% Instrumentalness • 5% Positiveness
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John Ottman
How Could You Leave Us
87 bpm • D min • 05:47 • -19db
24% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
24% Popularity • 12% Danceability • 8% Energy • 11% Liveness
67% Instrumentalness • 3% Positiveness
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Christian Henson
Back Where It All Began
86 bpm • E min • 01:39 • -19.54db
30% Popularity • 21% Danceability • 14% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 14% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Mark Isham
To Lead
86 bpm • D Maj • 03:40 • -13db
19% Popularity • 16% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
19% Popularity • 16% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Pinar Toprak
Dreams
86 bpm • A min • 01:03 • -18db
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
57% Popularity • 23% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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James Horner
Real Or Imagined?
105 bpm • D Maj • 05:45 • -27.03db
26% Popularity • 15% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 15% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
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Atli Örvarsson
The Fairy Tale
105 bpm • F min • 02:53 • -9db
9% Popularity • 18% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 44% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Nicholas Hooper
Death of Sirius
105 bpm • C min • 03:56 • -19.29db
38% Popularity • 19% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 32% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Christian Henson
Sea Horses
85 bpm • E min • 02:27 • -20.02db
31% Popularity • 32% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
31% Popularity • 32% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Stephen Warbeck
The Shells
85 bpm • G min • 02:18 • -18.67db
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
44% Popularity • 9% Danceability • 10% Energy • 20% Liveness
91% Instrumentalness • 4% Positiveness
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Pinar Toprak
Captain Marvel
105 bpm • C Maj • 02:15 • -14.81db
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Steven Price
A Game of Strategy
85 bpm • B min • 03:17 • -18db
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
33% Popularity • 27% Danceability • 37% Energy • 14% Liveness
96% Instrumentalness • 20% Positiveness
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Atli Örvarsson
Close The Dome
105 bpm • A# min • 02:54 • -13.01db
10% Popularity • 44% Danceability • 52% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
10% Popularity • 44% Danceability • 52% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Craig Armstrong
You Kept My Letters
85 bpm • D min • 01:22 • -23.93db
32% Popularity • 10% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 10% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Amelia Warner
Lost In Darkness And Distance
106 bpm • F Maj • 00:59 • -14.68db
41% Popularity • 19% Danceability • 26% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
41% Popularity • 19% Danceability • 26% Energy • 7% Liveness
98% Instrumentalness • 4% Positiveness
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Two Steps from Hell
Undying Love (Choir - Extended Mix)
85 bpm • D# min • 02:52 • -9.88db
33% Popularity • 22% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 22% Danceability • 39% Energy • 13% Liveness
90% Instrumentalness • 5% Positiveness
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John Ottman
Like a Fire
85 bpm • G min • 04:24 • -14.1db
23% Popularity • 10% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Lancelot Leaves
85 bpm • A# min • 01:55 • -20.15db
38% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
38% Popularity • 9% Danceability • 6% Energy • 10% Liveness
50% Instrumentalness • 3% Positiveness
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Atli Örvarsson
Testudo
85 bpm • F Maj • 02:47 • -18db
17% Popularity • 14% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Clinton Shorter
Heading Home
85 bpm • D min • 01:14 • -17.33db
34% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
34% Popularity • 27% Danceability • 18% Energy • 18% Liveness
88% Instrumentalness • 9% Positiveness
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Craig Armstrong
Dream Violin
85 bpm • C Maj • 03:23 • -17.17db
29% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Mark Isham
Reunited for Eternity
85 bpm • A# min • 01:28 • -21.48db
13% Popularity • 12% Danceability • 4% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 4% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Two Steps from Hell
Calamity
84 bpm • C# Maj • 01:40 • -10.43db
23% Popularity • 17% Danceability • 30% Energy • 11% Liveness
64% Instrumentalness • 5% Positiveness
23% Popularity • 17% Danceability • 30% Energy • 11% Liveness
64% Instrumentalness • 5% Positiveness
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Atli Örvarsson
Magnus Bane
106 bpm • D min • 02:50 • -23.37db
11% Popularity • 20% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
