Songs like Claudia's Theme - Version Five by Lennie Niehaus
Based on a tempo of (+/- 10%) and a similar genre
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Angelo Badalamenti
The Straight Story: Rose's Theme
119 bpm • F Maj • 05:18 • -21.61db
26% Popularity • 20% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Five
119 bpm • F Maj • 01:02 • -22.88db
34% Popularity • 30% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
34% Popularity • 30% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Bill Perkins
Cross Walk
120 bpm • F Maj • 02:52 • -12.58db
4% Popularity • 76% Danceability • 30% Energy • 7% Liveness
89% Instrumentalness • 94% Positiveness
4% Popularity • 76% Danceability • 30% Energy • 7% Liveness
89% Instrumentalness • 94% Positiveness
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Carlos Rafael Rivera
Alice
118 bpm • B min • 02:58 • -23db
22% Popularity • 28% Danceability • 8% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
22% Popularity • 28% Danceability • 8% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
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Jaristo
Big Fran's Baby
118 bpm • A# Maj • 02:40 • -20.49db
7% Popularity • 59% Danceability • 20% Energy • 19% Liveness
88% Instrumentalness • 78% Positiveness
7% Popularity • 59% Danceability • 20% Energy • 19% Liveness
88% Instrumentalness • 78% Positiveness
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Walter Murphy
Leaving For New York
118 bpm • F Maj • 01:12 • -12.54db
7% Popularity • 36% Danceability • 37% Energy • 9% Liveness
99% Instrumentalness • 21% Positiveness
7% Popularity • 36% Danceability • 37% Energy • 9% Liveness
99% Instrumentalness • 21% Positiveness
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Matthieu Gonet
Madame
120 bpm • C Maj • 02:37 • -17db
12% Popularity • 36% Danceability • 14% Energy • 11% Liveness
76% Instrumentalness • 12% Positiveness
12% Popularity • 36% Danceability • 14% Energy • 11% Liveness
76% Instrumentalness • 12% Positiveness
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Lennie Niehaus
Washington Post March
119 bpm • A# Maj • 02:39 • -12.77db
5% Popularity • 62% Danceability • 60% Energy • 9% Liveness
51% Instrumentalness • 80% Positiveness
5% Popularity • 62% Danceability • 60% Energy • 9% Liveness
51% Instrumentalness • 80% Positiveness
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Basil Poledouris
Relationship Montage
120 bpm • G Maj • 03:38 • -20.71db
10% Popularity • 48% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
10% Popularity • 48% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Jérôme Lemonnier
Le Miroir des choses
120 bpm • F Maj • 05:20 • -13.46db
18% Popularity • 23% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
18% Popularity • 23% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Nicholas Britell
Billie Jean King
120 bpm • F min • 01:00 • -15.11db
14% Popularity • 58% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 58% Danceability • 34% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Jan Returns
120 bpm • A Maj • 07:32 • -19db
12% Popularity • 25% Danceability • 15% Energy • 6% Liveness
91% Instrumentalness • 7% Positiveness
12% Popularity • 25% Danceability • 15% Energy • 6% Liveness
91% Instrumentalness • 7% Positiveness
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Clint Eastwood
It's Nice Viewing
120 bpm • C Maj • 00:57 • -27db
44% Popularity • 28% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
44% Popularity • 28% Danceability • 1% Energy • 9% Liveness
62% Instrumentalness • 9% Positiveness
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Lennie Niehaus
The Thunderer
120 bpm • A# Maj • 02:47 • -12.25db
3% Popularity • 67% Danceability • 73% Energy • 7% Liveness
8% Instrumentalness • 72% Positiveness
3% Popularity • 67% Danceability • 73% Energy • 7% Liveness
8% Instrumentalness • 72% Positiveness
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Brice Davoli
Castle In The Sky
120 bpm • C# Maj • 03:38 • -13.16db
37% Popularity • 25% Danceability • 32% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
37% Popularity • 25% Danceability • 32% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
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Nicola Piovani
Piovani / Arr Cacciola: La vita e bella:...
120 bpm • A Maj • 04:25 • -15.77db
13% Popularity • 25% Danceability • 23% Energy • 11% Liveness
11% Instrumentalness • 10% Positiveness
13% Popularity • 25% Danceability • 23% Energy • 11% Liveness
11% Instrumentalness • 10% Positiveness
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Burt Bacharach
The Sundance Kid
118 bpm • E min • 02:14 • -17.22db
30% Popularity • 66% Danceability • 24% Energy • 23% Liveness
90% Instrumentalness • 72% Positiveness
30% Popularity • 66% Danceability • 24% Energy • 23% Liveness
90% Instrumentalness • 72% Positiveness
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Jan A.P. Kaczmarek
Neverland - Piano Variation In Blue - Fi...
121 bpm • C Maj • 04:29 • -22.6db
37% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
37% Popularity • 34% Danceability • 8% Energy • 22% Liveness
92% Instrumentalness • 14% Positiveness
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Rachel Portman
Positano
121 bpm • C Maj • 01:44 • -14.36db
11% Popularity • 18% Danceability • 24% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 24% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
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Franco Piersanti
Noir I Derivazione
117 bpm • A min • 05:52 • -15.97db
11% Popularity • 42% Danceability • 14% Energy • 12% Liveness
77% Instrumentalness • 18% Positiveness
11% Popularity • 42% Danceability • 14% Energy • 12% Liveness
77% Instrumentalness • 18% Positiveness
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Paolo Buonvino
Father and Daugther
121 bpm • C Maj • 05:10 • -17.83db
25% Popularity • 31% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 31% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Nicola Piovani
Ginger e Fred (Main Theme)
121 bpm • D min • 02:49 • -12.93db
21% Popularity • 31% Danceability • 29% Energy • 15% Liveness
80% Instrumentalness • 22% Positiveness
21% Popularity • 31% Danceability • 29% Energy • 15% Liveness
80% Instrumentalness • 22% Positiveness
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Alexandra Harwood
The Guernsey Literary And Potato Peel Pi...
116 bpm • G Maj • 05:36 • -16.44db
22% Popularity • 21% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
22% Popularity • 21% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Peter Best
Overture from Crocodile Dundee
121 bpm • A Maj • 03:22 • -15.05db
19% Popularity • 49% Danceability • 31% Energy • 34% Liveness
82% Instrumentalness • 42% Positiveness
19% Popularity • 49% Danceability • 31% Energy • 34% Liveness
82% Instrumentalness • 42% Positiveness
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Rachel Portman
The Duchess
116 bpm • G Maj • 01:41 • -18db
40% Popularity • 32% Danceability • 17% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
40% Popularity • 32% Danceability • 17% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
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Event
Closing Theme
116 bpm • F Maj • 04:00 • -15db
22% Popularity • 52% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
22% Popularity • 52% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
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Orchestra Sinfonica Di Milano
Prelude - Excerpt from Blow Out
116 bpm • G min • 03:05 • -15.87db
20% Popularity • 30% Danceability • 13% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 30% Danceability • 13% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
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Smoking Lights
Cast Away Main Title - Theme from Cast A...
122 bpm • A min • 02:33 • -8db
17% Popularity • 50% Danceability • 38% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
17% Popularity • 50% Danceability • 38% Energy • 10% Liveness
16% Instrumentalness • 11% Positiveness
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FELIX MEAGHER
First Kiss
116 bpm • G Maj • 04:22 • -12.53db
19% Popularity • 39% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
19% Popularity • 39% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Guy Farley
Love Theme
116 bpm • C# Maj • 02:45 • -29db
44% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Roque Baños
I'll Never Be the Same
116 bpm • F min • 02:36 • -12.98db
13% Popularity • 46% Danceability • 43% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
13% Popularity • 46% Danceability • 43% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Ernest Gold
Theme of Exodus
116 bpm • B min • 02:29 • -12.95db
32% Popularity • 20% Danceability • 20% Energy • 30% Liveness
91% Instrumentalness • 25% Positiveness
32% Popularity • 20% Danceability • 20% Energy • 30% Liveness
91% Instrumentalness • 25% Positiveness
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Luis Bacalov
La Corsa (2nd Version)
122 bpm • C Maj • 02:20 • -10db
33% Popularity • 19% Danceability • 38% Energy • 31% Liveness
87% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 38% Energy • 31% Liveness
87% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: The Logue Method (Mozart: The Ma...
122 bpm • A Maj • 03:45 • -21.38db
19% Popularity • 33% Danceability • 9% Energy • 14% Liveness
59% Instrumentalness • 25% Positiveness
19% Popularity • 33% Danceability • 9% Energy • 14% Liveness
59% Instrumentalness • 25% Positiveness
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Rachel Portman
End Titles
122 bpm • E min • 02:08 • -20db
44% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
44% Popularity • 18% Danceability • 17% Energy • 21% Liveness
90% Instrumentalness • 7% Positiveness
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Richard Rodney Bennett
Rodney Bennett: Music for the Sydney Lum...
122 bpm • C# Maj • 02:12 • -14db
9% Popularity • 35% Danceability • 26% Energy • 21% Liveness
94% Instrumentalness • 13% Positiveness
9% Popularity • 35% Danceability • 26% Energy • 21% Liveness
94% Instrumentalness • 13% Positiveness
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Martin Phipps
Watching
122 bpm • A# min • 02:54 • -25db
10% Popularity • 17% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Christophe Beck
Ode To San Lorenzo
122 bpm • F# Maj • 01:34 • -15.39db
18% Popularity • 49% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 49% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Lennie Niehaus
Day By Day
122 bpm • D min • 03:41 • -13.77db
0% Popularity • 48% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
0% Popularity • 48% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 28% Positiveness
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Kyle Eastwood
Eastwood Overture
122 bpm • G Maj • 04:15 • -11.28db
14% Popularity • 24% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 24% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Lennie Niehaus Quintet + One
Betwixtt & Between
116 bpm • F min • 05:04 • -8.92db
1% Popularity • 64% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
1% Popularity • 64% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Clint Eastwood
Deep In Thought
115 bpm • F Maj • 01:53 • -22db
32% Popularity • 25% Danceability • 6% Energy • 9% Liveness
42% Instrumentalness • 10% Positiveness
32% Popularity • 25% Danceability • 6% Energy • 9% Liveness
42% Instrumentalness • 10% Positiveness
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Mike Lang
Montage Blues
123 bpm • C Maj • 01:58 • -8.75db
5% Popularity • 69% Danceability • 72% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
5% Popularity • 69% Danceability • 72% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
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Pino Donaggio
Main Title From Carrie
115 bpm • C min • 02:05 • -25.1db
21% Popularity • 17% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 13% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Lennie Niehaus
Christy's Dance
115 bpm • A# Maj • 03:42 • -14.96db
11% Popularity • 55% Danceability • 14% Energy • 11% Liveness
69% Instrumentalness • 31% Positiveness
11% Popularity • 55% Danceability • 14% Energy • 11% Liveness
69% Instrumentalness • 31% Positiveness
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Joe Kraemer
Finale and Curtain Call
123 bpm • G min • 06:13 • -14db
22% Popularity • 36% Danceability • 21% Energy • 2% Liveness
84% Instrumentalness • 11% Positiveness
22% Popularity • 36% Danceability • 21% Energy • 2% Liveness
84% Instrumentalness • 11% Positiveness
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Daniel Pemberton
Signori Toileto Italiano
123 bpm • A min • 02:37 • -10.19db
24% Popularity • 82% Danceability • 55% Energy • 13% Liveness
15% Instrumentalness • 52% Positiveness
24% Popularity • 82% Danceability • 55% Energy • 13% Liveness
15% Instrumentalness • 52% Positiveness
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Nicola Piovani
Nel pancione della TV
115 bpm • F Maj • 05:36 • -15.4db
4% Popularity • 33% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 31% Positiveness
4% Popularity • 33% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 31% Positiveness
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Francis Lai
Générique (de "Bilitis")
115 bpm • C# Maj • 03:26 • -25.37db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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The Intermezzo Orchestra
St Elmos Fire (Main Theme)
124 bpm • G# Maj • 03:34 • -15.64db
14% Popularity • 71% Danceability • 29% Energy • 11% Liveness
67% Instrumentalness • 27% Positiveness
14% Popularity • 71% Danceability • 29% Energy • 11% Liveness
67% Instrumentalness • 27% Positiveness
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Clint Eastwood
Mystic River-Main Title
115 bpm • F Maj • 01:55 • -19db
13% Popularity • 50% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 23% Positiveness
13% Popularity • 50% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 23% Positiveness
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City of Prague Orchestra
Life is Beautiful
124 bpm • A Maj • 04:05 • -10.86db
11% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
11% Popularity • 26% Danceability • 28% Energy • 9% Liveness
84% Instrumentalness • 14% Positiveness
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Alex Heffes
Main Titles
124 bpm • C min • 02:02 • -17.79db
36% Popularity • 25% Danceability • 21% Energy • 36% Liveness
86% Instrumentalness • 7% Positiveness
36% Popularity • 25% Danceability • 21% Energy • 36% Liveness
86% Instrumentalness • 7% Positiveness
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Nicola Piovani
Caro Diario: Medici
124 bpm • F Maj • 02:04 • -29.53db
44% Popularity • 39% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
44% Popularity • 39% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Carlos Rafael Rivera
Atascadero (Denouement)
114 bpm • A min • 06:38 • -20.08db
24% Popularity • 19% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Barrington Pheloung
End Titles
124 bpm • G Maj • 01:35 • -18.03db
19% Popularity • 18% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 18% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Philippe Sarde
Thème de Gino
124 bpm • E min • 01:20 • -13.1db
47% Popularity • 21% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
47% Popularity • 21% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Dario Marianelli
Winston And George
114 bpm • F# Maj • 03:15 • -24db
19% Popularity • 67% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
19% Popularity • 67% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
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Guy Farley
You Can't Change Destiny
114 bpm • C min • 01:34 • -22.34db
40% Popularity • 18% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
40% Popularity • 18% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Patrick Doyle
Estella
125 bpm • F Maj • 03:37 • -22.5db
19% Popularity • 36% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
19% Popularity • 36% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Lennie Niehaus Quintet + One
Christy`s Dance
114 bpm • A# Maj • 04:28 • -8.53db
0% Popularity • 49% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 49% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Rael Jones
I am Free
113 bpm • E min • 04:55 • -21.48db
28% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
28% Popularity • 19% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 5% Positiveness
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Bear McCreary
The Professor and the Madman
113 bpm • A# Maj • 04:50 • -12.82db
17% Popularity • 18% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Howard Shore
Precedent
113 bpm • A min • 04:04 • -23.01db
23% Popularity • 17% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Six
113 bpm • C# min • 01:02 • -29.42db
36% Popularity • 23% Danceability • 0% Energy • 15% Liveness
79% Instrumentalness • 20% Positiveness
36% Popularity • 23% Danceability • 0% Energy • 15% Liveness
79% Instrumentalness • 20% Positiveness
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Nicola Piovani
La vita è bella
125 bpm • A Maj • 04:51 • -15.58db
49% Popularity • 39% Danceability • 14% Energy • 9% Liveness
28% Instrumentalness • 15% Positiveness
49% Popularity • 39% Danceability • 14% Energy • 9% Liveness
28% Instrumentalness • 15% Positiveness
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Michael Giacchino
The Break Of Dawn
113 bpm • F Maj • 01:49 • -21.92db
23% Popularity • 34% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 19% Positiveness
23% Popularity • 34% Danceability • 3% Energy • 9% Liveness
83% Instrumentalness • 19% Positiveness
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Geoffrey Burgon
Going to Brideshead
126 bpm • D Maj • 03:02 • -23.42db
25% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
25% Popularity • 22% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Rolfe Kent
The world is amazed - Main Title Theme
112 bpm • F Maj • 01:47 • -13.41db
11% Popularity • 35% Danceability • 40% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
11% Popularity • 35% Danceability • 40% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Jan A.P. Kaczmarek
At Home
126 bpm • A min • 01:35 • -30.8db
44% Popularity • 44% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 45% Positiveness
44% Popularity • 44% Danceability • 0% Energy • 6% Liveness
94% Instrumentalness • 45% Positiveness
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Luis Bacalov
A ciascuno il suo
126 bpm • A min • 02:39 • -20.8db
26% Popularity • 17% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
26% Popularity • 17% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Lennie Niehaus
Bill Clips Bob
127 bpm • F# min • 02:07 • -25.08db
8% Popularity • 20% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
8% Popularity • 20% Danceability • 9% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Kyle Eastwood
Bridges of Madison County "Doe Eyes Them...
112 bpm • F Maj • 05:37 • -14.71db
13% Popularity • 26% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
13% Popularity • 26% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Geoffrey Burgon
Brideshead Revisited Theme
112 bpm • C Maj • 02:07 • -15db
36% Popularity • 21% Danceability • 19% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 19% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Andrea Guerra
Il dolore di una cittÃ
112 bpm • C min • 01:19 • -26.05db
52% Popularity • 17% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
52% Popularity • 17% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Christopher Gunning
The Hollow
111 bpm • F# min • 03:19 • -21.8db
21% Popularity • 17% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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John Powell
There's Been a Mistake
127 bpm • F# min • 02:25 • -24.67db
14% Popularity • 18% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 9% Positiveness
14% Popularity • 18% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 9% Positiveness
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Luis Bacalov
I Suoni dell'isola
110 bpm • A Maj • 02:31 • -13db
39% Popularity • 35% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
39% Popularity • 35% Danceability • 27% Energy • 10% Liveness
5% Instrumentalness • 26% Positiveness
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Bob Cobert
Main Title: Love Theme From "The Winds o...
110 bpm • D min • 02:23 • -12db
18% Popularity • 19% Danceability • 39% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 39% Energy • 28% Liveness
94% Instrumentalness • 4% Positiveness
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Philippe Rombi
Le piano d'Isabelle
110 bpm • F min • 01:12 • -28db
40% Popularity • 34% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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George Martin
The Bond Suite
128 bpm • C Maj • 08:37 • -11.86db
17% Popularity • 34% Danceability • 42% Energy • 34% Liveness
86% Instrumentalness • 16% Positiveness
17% Popularity • 34% Danceability • 42% Energy • 34% Liveness
86% Instrumentalness • 16% Positiveness
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Randy Edelman
Bruce And Linda
110 bpm • E Maj • 02:41 • -16.97db
29% Popularity • 19% Danceability • 20% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 20% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
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Lennie Niehaus
Give It To Him
129 bpm • C# Maj • 01:12 • -25.67db
7% Popularity • 16% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
7% Popularity • 16% Danceability • 7% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
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Franco Piersanti
Hieroglyphics
110 bpm • F# min • 06:22 • -19db
12% Popularity • 25% Danceability • 13% Energy • 19% Liveness
88% Instrumentalness • 3% Positiveness
12% Popularity • 25% Danceability • 13% Energy • 19% Liveness
88% Instrumentalness • 3% Positiveness
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Nicola Piovani
La vita è bella: La vita è bella
129 bpm • D Maj • 02:38 • -14.34db
39% Popularity • 26% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
39% Popularity • 26% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Andrea Guerra
Tema romantico solitario
129 bpm • C Maj • 01:04 • -21.24db
46% Popularity • 56% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
46% Popularity • 56% Danceability • 12% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
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Angelo Badalamenti
The Comfort Of Strangers: The Other Side...
129 bpm • A min • 07:19 • -15.73db
10% Popularity • 19% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
10% Popularity • 19% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 5% Positiveness
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Craig Armstrong
Saddest Part Of Day
110 bpm • C Maj • 01:13 • -21.57db
50% Popularity • 17% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
50% Popularity • 17% Danceability • 11% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Fernando Velázquez
The Impossible Main Titles
110 bpm • G Maj • 05:11 • -12db
25% Popularity • 16% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
25% Popularity • 16% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Burning Pictures
109 bpm • G min • 04:51 • -16.2db
20% Popularity • 16% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 13% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Emilio Kauderer & Federico Jusid
Passion
130 bpm • D min • 01:12 • -9.67db
23% Popularity • 26% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
23% Popularity • 26% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Andrea Guerra
Cenerentola - Main Title
129 bpm • C Maj • 00:56 • -17.97db
42% Popularity • 51% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
42% Popularity • 51% Danceability • 23% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
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Rael Jones
Getting Used to It
130 bpm • A min • 01:57 • -32.09db
31% Popularity • 26% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
31% Popularity • 26% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Craig Armstrong
Snowden Moscow Variation
130 bpm • C Maj • 03:39 • -15db
17% Popularity • 21% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
17% Popularity • 21% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Nicola Piovani
Soli
109 bpm • C Maj • 02:32 • -20db
44% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
44% Popularity • 26% Danceability • 6% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Philip Glass
The Search
130 bpm • F Maj • 03:00 • -20.7db
11% Popularity • 43% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
11% Popularity • 43% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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John Powell
Car Ferry
130 bpm • E min • 01:34 • -18.76db
9% Popularity • 69% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
9% Popularity • 69% Danceability • 30% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Andrea Guerra
Una luce nell'anima
109 bpm • E min • 01:57 • -26.42db
47% Popularity • 22% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
47% Popularity • 22% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
