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Clean House
Songs like
Clean House
by
Sarah Schachner
Based on a tempo of (+/- 10%) and a similar genre
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Wilbert Roget, II
Berga
169 bpm • D min • 02:22 • -21.76db
25% Popularity • 9% Danceability • 13% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Sarah Schachner
Strong Alone, Stronger Together
170 bpm • A Maj • 03:56 • -15.09db
21% Popularity • 20% Danceability • 56% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Brad Derrick
Magnus Smiles on Suran
169 bpm • C Maj • 05:13 • -16db
44% Popularity • 9% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Walter Mair
Reactor
170 bpm • A# min • 04:16 • -12.8db
26% Popularity • 49% Danceability • 67% Energy • 34% Liveness
76% Instrumentalness • 19% Positiveness
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Steve Jablonsky
Ender's War
170 bpm • G# Maj • 03:26 • -19.26db
49% Popularity • 27% Danceability • 21% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Fiddlewold
Feral
171 bpm • G# Maj • 02:38 • -9.14db
26% Popularity • 38% Danceability • 65% Energy • 11% Liveness
90% Instrumentalness • 9% Positiveness
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Kevin Kiner
Soldiers Are Here
171 bpm • D min • 04:51 • -9.25db
27% Popularity • 11% Danceability • 52% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Sarah Schachner
Clean House
171 bpm • A# Maj • 03:14 • -19.58db
26% Popularity • 8% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Robin Carolan
Cut the Thread of Fate
166 bpm • A# min • 01:13 • -18db
42% Popularity • 9% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Walter Mair
Together As One
170 bpm • C Maj • 01:39 • -10.75db
23% Popularity • 36% Danceability • 85% Energy • 10% Liveness
72% Instrumentalness • 31% Positiveness
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Greg Edmonson
Marco Polo
165 bpm • C Maj • 01:31 • -13db
29% Popularity • 11% Danceability • 36% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Mikolai Stroinski
The Wolf And The Swallow
174 bpm • D min • 02:36 • -16.6db
43% Popularity • 8% Danceability • 25% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Sonya Belousova
The Curse of the Black Sun
175 bpm • A min • 06:50 • -19.87db
21% Popularity • 8% Danceability • 22% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
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Sarah Schachner
Farah
172 bpm • D Maj • 03:16 • -15.67db
29% Popularity • 10% Danceability • 28% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Krzysztof Wierzynkiewicz
A Quiet Corner
175 bpm • A min • 03:14 • -13.97db
37% Popularity • 9% Danceability • 26% Energy • 13% Liveness
11% Instrumentalness • 5% Positiveness
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Justin E. Bell
Hope (Title Theme)
175 bpm • D min • 07:45 • -13db
38% Popularity • 8% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jamie Christopherson
Caravans Crossing
176 bpm • F# min • 02:05 • -15db
45% Popularity • 16% Danceability • 40% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Inon Zur
The Commonwealth
176 bpm • A Maj • 04:10 • -23.23db
38% Popularity • 9% Danceability • 20% Energy • 8% Liveness
39% Instrumentalness • 4% Positiveness
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Cliff Martinez
Welcome to Kyrat
176 bpm • E min • 03:41 • -18.21db
18% Popularity • 45% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Sarah Schachner
Naru and Sarii
175 bpm • G# Maj • 00:58 • -24.42db
43% Popularity • 16% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Brian D'Oliveira
There'll Always Be Another Monster
162 bpm • G min • 02:44 • -13.2db
28% Popularity • 12% Danceability • 46% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Nathan Whitehead
Riding NOMAD
162 bpm • D Maj • 03:23 • -16.65db
23% Popularity • 45% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Mikolai Stroinski
Bonnie At Morn - Instrumental
178 bpm • D min • 02:28 • -13.66db
48% Popularity • 9% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Wilbert Roget, II
Welcome to the Bloody First
177 bpm • F# min • 03:33 • -18.82db
28% Popularity • 18% Danceability • 15% Energy • 10% Liveness
77% Instrumentalness • 6% Positiveness
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Neal Acree
Times Change
161 bpm • C# Maj • 04:19 • -9.61db
35% Popularity • 23% Danceability • 51% Energy • 65% Liveness
96% Instrumentalness • 9% Positiveness
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Sarah Schachner
Rooftop
176 bpm • G# Maj • 03:19 • -14.68db
27% Popularity • 34% Danceability • 41% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Sacrifice of Tradition
160 bpm • C min • 04:29 • -10.53db
38% Popularity • 14% Danceability • 57% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Funcom Soundtrack
The Sons of Nordheim
160 bpm • D Maj • 02:11 • -13.71db
24% Popularity • 38% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Jeff van Dyck
Good Death
160 bpm • G Maj • 02:38 • -7.66db
33% Popularity • 63% Danceability • 89% Energy • 15% Liveness
90% Instrumentalness • 35% Positiveness
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John Paesano
Stick
160 bpm • G Maj • 02:11 • -15.13db
22% Popularity • 39% Danceability • 56% Energy • 11% Liveness
79% Instrumentalness • 26% Positiveness
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Oleksa Lozowchuk
Echo of You
160 bpm • E min • 04:02 • -17.24db
31% Popularity • 12% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Sarah Schachner
The Wolf's Den
160 bpm • D Maj • 04:18 • -12.34db
23% Popularity • 45% Danceability • 62% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Shigeru Umebayashi
Tsushima Suite: II. Shurai
179 bpm • C min • 08:54 • -12.64db
32% Popularity • 21% Danceability • 47% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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J.D. Spears
For the Glory of Agatha!
160 bpm • C Maj • 03:09 • -12.51db
18% Popularity • 29% Danceability • 50% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
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Hampus Naeselius
Where Heroes Come to Die
179 bpm • A Maj • 03:51 • -15.33db
37% Popularity • 9% Danceability • 50% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Funcom Soundtrack
Adrift on an Ocean of Sand
180 bpm • A Maj • 03:22 • -10.97db
26% Popularity • 33% Danceability • 48% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Inon Zur
Rebuild, Renew
180 bpm • D# Maj • 06:11 • -24db
37% Popularity • 8% Danceability • 8% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
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Sarah Schachner
Execute Authority
179 bpm • E min • 01:59 • -17.13db
22% Popularity • 13% Danceability • 37% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Ilan Eshkeri
The Last of Clan Adachi
159 bpm • G min • 03:12 • -13.91db
31% Popularity • 45% Danceability • 67% Energy • 26% Liveness
88% Instrumentalness • 39% Positiveness
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Stephen Barton
Welcome to the Marauder Corps
180 bpm • D min • 02:00 • -12db
30% Popularity • 22% Danceability • 46% Energy • 16% Liveness
93% Instrumentalness • 31% Positiveness
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Craig Stuart Garfinkle
The Battle Rages
180 bpm • F min • 01:23 • -10db
37% Popularity • 36% Danceability • 71% Energy • 34% Liveness
96% Instrumentalness • 86% Positiveness
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Jeff van Dyck
Mobilize
180 bpm • D Maj • 01:53 • -11.87db
29% Popularity • 50% Danceability • 71% Energy • 6% Liveness
88% Instrumentalness • 23% Positiveness
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Daniel Pemberton
Fireball
181 bpm • D Maj • 02:03 • -15.16db
28% Popularity • 28% Danceability • 46% Energy • 7% Liveness
89% Instrumentalness • 6% Positiveness
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Sarah Schachner
The Cruel Delight
179 bpm • G Maj • 02:06 • -12.39db
20% Popularity • 41% Danceability • 53% Energy • 18% Liveness
94% Instrumentalness • 16% Positiveness
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Chad Cannon
The Legacy of Kazumasa Sakai
181 bpm • C min • 01:30 • -12.87db
24% Popularity • 10% Danceability • 45% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Daniel Licht
Epilogue Karnaca
157 bpm • D min • 01:41 • -22.33db
44% Popularity • 35% Danceability • 26% Energy • 7% Liveness
93% Instrumentalness • 7% Positiveness
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Adam Skorupa
The Path Of A Kingslayer
157 bpm • C min • 01:26 • -11db
30% Popularity • 47% Danceability • 93% Energy • 16% Liveness
86% Instrumentalness • 24% Positiveness
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Walter Mair
Payload
156 bpm • D Maj • 03:11 • -11.88db
22% Popularity • 55% Danceability • 64% Energy • 20% Liveness
86% Instrumentalness • 10% Positiveness
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David Buckley
The Hunted
156 bpm • D Maj • 02:01 • -20.73db
25% Popularity • 44% Danceability • 34% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Sarah Schachner
Until Sunrise
180 bpm • A Maj • 02:07 • -18.04db
22% Popularity • 16% Danceability • 26% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Hans Zimmer
Opening Titles
156 bpm • D Maj • 03:25 • -14db
50% Popularity • 31% Danceability • 40% Energy • 11% Liveness
77% Instrumentalness • 10% Positiveness
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Oleksa Lozowchuk
Guardian of the Deep
155 bpm • E min • 03:17 • -15.1db
33% Popularity • 46% Danceability • 73% Energy • 18% Liveness
84% Instrumentalness • 30% Positiveness
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Joris de Man
The Good News - Part 1 - Motherland
152 bpm • C min • 03:46 • -20db
31% Popularity • 30% Danceability • 29% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Audiomachine
Time to Save the World
152 bpm • C min • 03:02 • -9.08db
26% Popularity • 48% Danceability • 69% Energy • 13% Liveness
67% Instrumentalness • 41% Positiveness
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David Buckley
Ghost Stories
184 bpm • C min • 01:46 • -13.49db
26% Popularity • 7% Danceability • 21% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Sarah Schachner
Prison Break
155 bpm • F Maj • 03:15 • -12.52db
24% Popularity • 40% Danceability • 46% Energy • 21% Liveness
90% Instrumentalness • 10% Positiveness
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Greg Edmonson
Museum Bust
151 bpm • G min • 04:46 • -13.92db
22% Popularity • 36% Danceability • 58% Energy • 35% Liveness
86% Instrumentalness • 14% Positiveness
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David Vanacore
Striking a Balance
151 bpm • C# Maj • 01:31 • -17.24db
4% Popularity • 42% Danceability • 53% Energy • 15% Liveness
56% Instrumentalness • 48% Positiveness
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Samuel Kim
Darkness Within
150 bpm • D Maj • 02:28 • -8.2db
39% Popularity • 18% Danceability • 59% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Cris Velasco
Titus
150 bpm • G# Maj • 02:59 • -15.18db
33% Popularity • 34% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 5% Positiveness
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Glenn Stafford
Return to Arms
150 bpm • C# min • 03:52 • -14db
30% Popularity • 22% Danceability • 41% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Sarah Schachner
Going Dark
180 bpm • C min • 03:23 • -18db
30% Popularity • 7% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Hans Zimmer
Breach
192 bpm • D Maj • 03:22 • -20db
37% Popularity • 44% Danceability • 35% Energy • 11% Liveness
80% Instrumentalness • 5% Positiveness
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Immediate
Person of Interest
150 bpm • C# Maj • 02:23 • -11.68db
31% Popularity • 50% Danceability • 88% Energy • 9% Liveness
91% Instrumentalness • 31% Positiveness
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Zac Tiessen
Battle Plan
148 bpm • C# Maj • 02:09 • -13.96db
32% Popularity • 57% Danceability • 45% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
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Jeremy Soule
Watch the Skies
148 bpm • G# Maj • 02:20 • -12.28db
44% Popularity • 49% Danceability • 61% Energy • 21% Liveness
94% Instrumentalness • 15% Positiveness
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Doug Bossi
Great Frozen Adventure
148 bpm • D Maj • 01:30 • -20.41db
4% Popularity • 56% Danceability • 32% Energy • 42% Liveness
69% Instrumentalness • 40% Positiveness
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Sarah Schachner
Hindsight
156 bpm • D Maj • 04:21 • -17.53db
25% Popularity • 25% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Robin Carolan
Óðinn
148 bpm • E Maj • 01:01 • -18.53db
43% Popularity • 17% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Stephen Barton
Peace and Order by Force
196 bpm • C Maj • 03:33 • -14db
20% Popularity • 18% Danceability • 65% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Jeff van Dyck
Roman Intro
145 bpm • A Maj • 01:23 • -10.3db
25% Popularity • 62% Danceability • 79% Energy • 22% Liveness
84% Instrumentalness • 83% Positiveness
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Luis Humanoide
Republic Commando
145 bpm • C# Maj • 02:57 • -22.93db
34% Popularity • 17% Danceability • 24% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Doug Bossi
Mysteries Abroad
196 bpm • E min • 01:43 • -18.15db
2% Popularity • 53% Danceability • 42% Energy • 10% Liveness
82% Instrumentalness • 22% Positiveness
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Kevin Riepl
War of Shadows
145 bpm • G min • 02:21 • -12.54db
26% Popularity • 43% Danceability • 66% Energy • 13% Liveness
87% Instrumentalness • 33% Positiveness
► Preview
Sarah Schachner
Strike
156 bpm • D Maj • 05:44 • -15db
31% Popularity • 18% Danceability • 34% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Tilman Sillescu
A Storm of Fire
205 bpm • D# min • 02:16 • -6.86db
19% Popularity • 36% Danceability • 75% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Sarah Schachner
Thrill of the Chase
150 bpm • G# Maj • 00:54 • -19.97db
25% Popularity • 45% Danceability • 38% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
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Sarah Schachner
Collateral
150 bpm • G Maj • 03:45 • -9.16db
27% Popularity • 51% Danceability • 76% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Clean House