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Clean You Up
Songs like
Clean You Up - From "Fifty Shades Of Grey" Score
by
Danny Elfman
Based on a tempo of (+/- 10%) and a similar genre
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Danny Elfman
Announcement
90 bpm • C Maj • 01:45 • -19.59db
18% Popularity • 41% Danceability • 11% Energy • 52% Liveness
44% Instrumentalness • 5% Positiveness
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Anne Dudley
The Longest Walk
90 bpm • G min • 02:42 • -14.91db
21% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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thenewno2
Breaking The Ice
90 bpm • G Maj • 04:00 • -18.34db
17% Popularity • 34% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Steven Price
Arkham Asylum
90 bpm • D Maj • 03:23 • -16.89db
7% Popularity • 22% Danceability • 25% Energy • 6% Liveness
94% Instrumentalness • 3% Positiveness
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Adam Crystal
Flesh And Bone: Dakini: Movement III
90 bpm • F min • 03:51 • -18.15db
11% Popularity • 12% Danceability • 18% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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Ciaran Hope
Mother Teresa
90 bpm • B min • 02:55 • -30.91db
18% Popularity • 11% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Danny Elfman
Clean You Up
90 bpm • F Maj • 02:43 • -24db
17% Popularity • 40% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Ludwig Göransson
First Flight
90 bpm • G# Maj • 01:17 • -11.59db
13% Popularity • 43% Danceability • 19% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Peter Gregson
What Happened
89 bpm • C min • 02:06 • -22.41db
28% Popularity • 36% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 19% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
89 bpm • A min • 03:10 • -25db
16% Popularity • 16% Danceability • 11% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Rob Lane
Slow Motion Dance
91 bpm • F# Maj • 01:33 • -26.29db
20% Popularity • 19% Danceability • 5% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Alan Silvestri
"Best Day Ever"
91 bpm • G Maj • 01:51 • -22db
31% Popularity • 21% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Tina Guo
Main Theme from "Schindler's List"
92 bpm • D min • 04:38 • -26.17db
11% Popularity • 17% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 9% Positiveness
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Trevor Morris
Behold The Great King Of England
88 bpm • G Maj • 02:50 • -20db
17% Popularity • 20% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Danny Elfman
Jack Attack
88 bpm • G Maj • 01:58 • -20.05db
14% Popularity • 16% Danceability • 8% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Mike Higham
Bedtime Stories
92 bpm • G# Maj • 02:11 • -20.92db
25% Popularity • 29% Danceability • 9% Energy • 36% Liveness
94% Instrumentalness • 10% Positiveness
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Thomas Newman
Phantom Witness
92 bpm • F Maj • 01:49 • -21db
18% Popularity • 23% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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John Powell
His and Hers
92 bpm • A Maj • 02:45 • -18.93db
14% Popularity • 50% Danceability • 55% Energy • 10% Liveness
80% Instrumentalness • 31% Positiveness
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Conrad Pope
Such Stuff That Dreams Are Made of
88 bpm • E Maj • 03:37 • -23.98db
18% Popularity • 9% Danceability • 5% Energy • 12% Liveness
76% Instrumentalness • 5% Positiveness
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Fernando Velázquez
McMichael
93 bpm • G Maj • 01:05 • -21db
36% Popularity • 19% Danceability • 6% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
49% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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Gabriel Yared
The Outer Banks
87 bpm • A# Maj • 02:30 • -18.66db
15% Popularity • 16% Danceability • 12% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Michael Yezerski
Only the Dead See the End of War
87 bpm • F Maj • 04:41 • -18.39db
7% Popularity • 9% Danceability • 17% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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John Lunn
My Boys
87 bpm • C min • 02:16 • -11.99db
10% Popularity • 28% Danceability • 42% Energy • 11% Liveness
90% Instrumentalness • 21% Positiveness
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Danny Elfman
Lost
87 bpm • B min • 02:21 • -20.85db
11% Popularity • 10% Danceability • 11% Energy • 37% Liveness
90% Instrumentalness • 8% Positiveness
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Ruth Barrett
The Royal Birth
87 bpm • F Maj • 02:13 • -13.42db
23% Popularity • 20% Danceability • 10% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Jeff Beal
Someone We Own
87 bpm • D min • 02:06 • -17.42db
23% Popularity • 40% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 10% Positiveness
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Dario Marianelli
Three Rooms
87 bpm • A# Maj • 04:21 • -18.2db
7% Popularity • 16% Danceability • 7% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Lorne Balfe
Girl Rising
86 bpm • C min • 05:00 • -7.69db
12% Popularity • 9% Danceability • 38% Energy • 14% Liveness
36% Instrumentalness • 4% Positiveness
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Randy Edelman
Exposed Heart
86 bpm • E Maj • 01:45 • -22.62db
19% Popularity • 13% Danceability • 7% Energy • 18% Liveness
85% Instrumentalness • 10% Positiveness
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Danny Elfman
1st Sex
93 bpm • G Maj • 00:56 • -26.38db
28% Popularity • 23% Danceability • 8% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
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Alan Silvestri
Trust
94 bpm • G Maj • 03:07 • -20.45db
9% Popularity • 31% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Paolo Buonvino
The Truth
86 bpm • G Maj • 05:05 • -13.12db
27% Popularity • 30% Danceability • 43% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
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Joby Talbot
Fairground
94 bpm • C# min • 01:31 • -15db
29% Popularity • 34% Danceability • 20% Energy • 10% Liveness
7% Instrumentalness • 5% Positiveness
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Chris Bacon
Bradley And Norman
94 bpm • C Maj • 02:44 • -26.87db
13% Popularity • 12% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 4% Positiveness
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Dan Redfeld
THE TWILIGHT SAGA-NEW MOON: New Moon
86 bpm • A min • 03:24 • -18.03db
9% Popularity • 25% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 15% Positiveness
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Danny Elfman
Bathroom Encounter
86 bpm • G Maj • 02:35 • -25.42db
14% Popularity • 19% Danceability • 9% Energy • 26% Liveness
61% Instrumentalness • 4% Positiveness
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Alan Silvestri
Infinity War
86 bpm • A min • 02:35 • -16.53db
43% Popularity • 15% Danceability • 27% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Paolo Buonvino
Never Give Up
85 bpm • A min • 01:19 • -18db
22% Popularity • 32% Danceability • 18% Energy • 5% Liveness
93% Instrumentalness • 11% Positiveness
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Justin Timberlake
So
95 bpm • C Maj • 02:05 • -23.42db
27% Popularity • 30% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Elliott Wheeler
Gunn's Lectures Books
95 bpm • A# min • 04:06 • -20db
14% Popularity • 27% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Thomas Newman
Donna Lucia
85 bpm • E min • 02:02 • -28.48db
30% Popularity • 9% Danceability • 5% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Danny Elfman
Welcome Home
94 bpm • A min • 02:39 • -26.38db
19% Popularity • 23% Danceability • 5% Energy • 18% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Fernando Velázquez
Credits
85 bpm • C min • 04:11 • -13db
24% Popularity • 20% Danceability • 25% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Éric Serra
I Feel Everything
85 bpm • D min • 02:09 • -27.65db
26% Popularity • 18% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Alan Silvestri
Suite from Forrest Gump
85 bpm • F Maj • 06:34 • -18.36db
47% Popularity • 11% Danceability • 10% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Trevor Morris
The Execution Ballet
84 bpm • F Maj • 04:36 • -14.62db
19% Popularity • 8% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 3% Positiveness
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Thomas Bergersen
The Human Experience - Theme
84 bpm • C Maj • 02:48 • -16.27db
27% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
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Danny Elfman
Makeover
95 bpm • F Maj • 02:21 • -19.41db
9% Popularity • 81% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 78% Positiveness
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Tina Guo
Passacaglia
96 bpm • E Maj • 05:08 • -11.1db
16% Popularity • 36% Danceability • 23% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
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Mychael Danna
See You Again
96 bpm • E Maj • 05:41 • -18.69db
18% Popularity • 13% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Trevor Yuile
Cosima's Treatment
96 bpm • C Maj • 01:44 • -13.95db
7% Popularity • 62% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 39% Positiveness
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Tree Adams
Skaikru Heroic Theme
96 bpm • A# Maj • 03:48 • -16.76db
7% Popularity • 21% Danceability • 52% Energy • 8% Liveness
76% Instrumentalness • 15% Positiveness
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Atli Örvarsson
The Hug
84 bpm • G Maj • 02:11 • -26db
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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David Arnold
Appledore
84 bpm • C Maj • 03:38 • -23.07db
17% Popularity • 25% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Anne Dudley
The Crossroads
84 bpm • D min • 02:05 • -17db
17% Popularity • 9% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Fernando Velázquez
I'm Here
84 bpm • C Maj • 03:02 • -15.69db
23% Popularity • 16% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
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Justin Timberlake
One of Those Stories
97 bpm • A Maj • 02:43 • -18.95db
28% Popularity • 13% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
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Danny Elfman
Nightmare
84 bpm • F# Maj • 01:55 • -19.65db
17% Popularity • 17% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
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Atli Örvarsson
You're a Morgenstern
97 bpm • D min • 04:02 • -17.27db
9% Popularity • 18% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Danny Bensi and Saunder Jurriaans
Pearson
97 bpm • A min • 02:19 • -31.13db
9% Popularity • 29% Danceability • 1% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Anne Dudley
Parole Denied
84 bpm • G min • 01:55 • -17.51db
9% Popularity • 10% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Cesar Benito
Misión: Escapar
83 bpm • C Maj • 05:34 • -18.13db
13% Popularity • 15% Danceability • 21% Energy • 13% Liveness
91% Instrumentalness • 3% Positiveness
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Nicholas Britell
Finding Home
97 bpm • F min • 02:22 • -32.83db
10% Popularity • 21% Danceability • 2% Energy • 33% Liveness
92% Instrumentalness • 4% Positiveness
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Danny Elfman
Anna Wakes
84 bpm • G# Maj • 01:40 • -28.42db
21% Popularity • 24% Danceability • 3% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Atli Örvarsson
Your Secret is Safe
97 bpm • F Maj • 02:52 • -20.42db
17% Popularity • 13% Danceability • 12% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Trevor Yuile
Kira's Cue
97 bpm • G Maj • 01:46 • -27.93db
9% Popularity • 18% Danceability • 6% Energy • 30% Liveness
20% Instrumentalness • 12% Positiveness
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Anne Dudley
The Shutters
97 bpm • D# Maj • 03:33 • -18.74db
16% Popularity • 12% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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John Ottman
Just a Dream
83 bpm • G min • 01:15 • -42.45db
31% Popularity • 21% Danceability • 0% Energy • 12% Liveness
99% Instrumentalness • 7% Positiveness
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David Buckley
Partner Vote Sting
98 bpm • D min • 02:50 • -15.89db
8% Popularity • 25% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Maurizio Malagnini
You Are Mine
83 bpm • F# min • 02:01 • -26.02db
8% Popularity • 12% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Only The Beginning of The Adventure
83 bpm • G# Maj • 05:32 • -18.08db
53% Popularity • 19% Danceability • 17% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Thomas Newman
Denis
83 bpm • G Maj • 01:55 • -32.54db
9% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Javier Navarrete
My Mother
83 bpm • G Maj • 02:31 • -22.47db
11% Popularity • 28% Danceability • 12% Energy • 10% Liveness
87% Instrumentalness • 12% Positiveness
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Jeff Beal
Expect Landfall
98 bpm • C# Maj • 05:07 • -14.65db
10% Popularity • 31% Danceability • 40% Energy • 13% Liveness
89% Instrumentalness • 49% Positiveness
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Max Richter
Never did run smooth
98 bpm • D# min • 01:40 • -25.4db
14% Popularity • 56% Danceability • 10% Energy • 25% Liveness
84% Instrumentalness • 4% Positiveness
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Maurizio Malagnini
The Final Kiss
98 bpm • A Maj • 02:44 • -16.87db
12% Popularity • 14% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Lucas Vidal
Flashforward
83 bpm • A min • 04:26 • -15.6db
9% Popularity • 8% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Gates of Tomorrow
83 bpm • F# Maj • 02:14 • -14.66db
11% Popularity • 15% Danceability • 30% Energy • 13% Liveness
78% Instrumentalness • 10% Positiveness
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Rael Jones
Memory of a Happy Day
82 bpm • G min • 01:28 • -15.84db
23% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
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Michael Giacchino
Jupiter Ascending - 1st Movement
83 bpm • C min • 04:12 • -15.75db
9% Popularity • 12% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The World in the Room
99 bpm • A# Maj • 01:37 • -22.65db
39% Popularity • 15% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 6% Positiveness
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Royal Philharmonic Orchestra
The Curious Case of Benjamin Button: Pos...
82 bpm • B Maj • 04:52 • -21.58db
11% Popularity • 13% Danceability • 6% Energy • 11% Liveness
51% Instrumentalness • 8% Positiveness
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Danny Elfman
Going For Coffee
82 bpm • G# Maj • 01:32 • -21.38db
15% Popularity • 32% Danceability • 6% Energy • 14% Liveness
78% Instrumentalness • 9% Positiveness
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Bear McCreary
Lucrezia
82 bpm • E min • 02:34 • -22.52db
11% Popularity • 12% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Lorne Balfe
Fate and Hope
82 bpm • D min • 03:57 • -15.95db
25% Popularity • 32% Danceability • 23% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
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David Buckley
Peter the Penitent
99 bpm • A min • 02:28 • -24.78db
7% Popularity • 14% Danceability • 10% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Anne Dudley
Truth and Consequence
82 bpm • G Maj • 04:35 • -20.3db
8% Popularity • 8% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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John Lunn
Birth Marriage Death
82 bpm • F Maj • 03:51 • -11.13db
13% Popularity • 10% Danceability • 28% Energy • 8% Liveness
74% Instrumentalness • 5% Positiveness
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Dan Redfeld
Twilight: The Lion Fell In Love With The...
99 bpm • A Maj • 03:19 • -29db
33% Popularity • 21% Danceability • 3% Energy • 9% Liveness
76% Instrumentalness • 6% Positiveness
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Ludwig Göransson
Cliff Jump
99 bpm • G# Maj • 01:06 • -17.7db
13% Popularity • 21% Danceability • 27% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Tree Adams
Clexa Theme
82 bpm • C Maj • 07:04 • -21.58db
21% Popularity • 10% Danceability • 12% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Never Say No
82 bpm • A min • 02:39 • -21.34db
21% Popularity • 17% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Anne Dudley
Little Psycho
82 bpm • G min • 01:49 • -18.11db
15% Popularity • 25% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Jeff Beal
House Of Cards Main Title Season 2
99 bpm • A min • 03:18 • -16db
29% Popularity • 42% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Atli Örvarsson
Valentine
81 bpm • C min • 03:52 • -16.23db
8% Popularity • 20% Danceability • 32% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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John Debney
Eliza's Theme
100 bpm • C min • 01:31 • -21.11db
31% Popularity • 15% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Harry Gregson-Williams
The Wardrobe
81 bpm • C# min • 02:54 • -26.4db
52% Popularity • 8% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Danny Elfman
Ana's Theme
100 bpm • B min • 01:23 • -29.33db
21% Popularity • 33% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Jon Ekstrand
Welcome to the ISS
100 bpm • C# min • 04:31 • -22.64db
9% Popularity • 33% Danceability • 20% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Clean You Up