Songs like Clemency, Scene 2: No-one can walk far in this heat by James MacMillan
Based on a tempo of (+/- 10%) and a similar genre
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Louis Vierne
Messe solennelle pour deux orgues et cho...
69 bpm • E Maj • 02:16 • -17db
13% Popularity • 16% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 29% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Herbert Sumsion
Nunc dimittis in A Major
69 bpm • F# min • 03:05 • -24.02db
7% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
7% Popularity • 9% Danceability • 9% Energy • 14% Liveness
91% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Pueri concinite
69 bpm • G Maj • 01:53 • -22db
27% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
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James MacMillan
Ave Maria
69 bpm • B min • 04:30 • -19.9db
4% Popularity • 8% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
4% Popularity • 8% Danceability • 20% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Eric Whitacre
Eric Whitacre: Lux aurumque
69 bpm • C# min • 03:48 • -26db
10% Popularity • 23% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
10% Popularity • 23% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Joanna Marsh
Evening Prayer
69 bpm • A# min • 03:42 • -21.71db
22% Popularity • 19% Danceability • 14% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 14% Energy • 13% Liveness
48% Instrumentalness • 4% Positiveness
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Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: V. G...
69 bpm • C Maj • 08:02 • -18.35db
11% Popularity • 7% Danceability • 22% Energy • 31% Liveness
97% Instrumentalness • 7% Positiveness
11% Popularity • 7% Danceability • 22% Energy • 31% Liveness
97% Instrumentalness • 7% Positiveness
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Veljo Tormis
La Kanteletar: I. Herkä neito
69 bpm • F# Maj • 02:11 • -35.53db
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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James MacMillan
Christus vincit
69 bpm • D Maj • 06:11 • -20.67db
3% Popularity • 18% Danceability • 10% Energy • 18% Liveness
60% Instrumentalness • 3% Positiveness
3% Popularity • 18% Danceability • 10% Energy • 18% Liveness
60% Instrumentalness • 3% Positiveness
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Sjaella
Abendliedchen
68 bpm • C Maj • 01:42 • -24.31db
36% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Thomas Morley
Fyer Fyer
70 bpm • F Maj • 02:50 • -18db
9% Popularity • 17% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 31% Positiveness
9% Popularity • 17% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 31% Positiveness
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Louis Vierne
Messe Solennelle, Op. 16 - Kyrie
70 bpm • C# min • 05:54 • -14.16db
12% Popularity • 6% Danceability • 18% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
12% Popularity • 6% Danceability • 18% Energy • 9% Liveness
77% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Northern Lights
68 bpm • C# min • 04:26 • -30db
36% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Diptych: I. The Lord's Prayer
68 bpm • C Maj • 04:51 • -34.51db
14% Popularity • 6% Danceability • 2% Energy • 8% Liveness
60% Instrumentalness • 3% Positiveness
14% Popularity • 6% Danceability • 2% Energy • 8% Liveness
60% Instrumentalness • 3% Positiveness
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James MacMillan
The Culham Motets: II. I Saw Water Flowi...
70 bpm • G Maj • 08:48 • -29.21db
4% Popularity • 6% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
4% Popularity • 6% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Johannes Brahms
O Schöne Nacht, Op. 92, No. 1
70 bpm • E Maj • 03:29 • -18.59db
16% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
16% Popularity • 16% Danceability • 11% Energy • 10% Liveness
76% Instrumentalness • 13% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: II. I See Thy Brid...
70 bpm • G# min • 02:40 • -26db
11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Adoramus te, Christe, LV 1083
70 bpm • F Maj • 01:43 • -29db
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23, Act V Scene 10: Pinse...
68 bpm • E min • 01:15 • -37.42db
17% Popularity • 13% Danceability • 0% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 0% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
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Saint Ambrose
Aeterna Christi munera et martyrum victo...
70 bpm • C Maj • 01:32 • -31db
36% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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James MacMillan
O Radiant Dawn
68 bpm • C min • 03:59 • -17db
7% Popularity • 13% Danceability • 20% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 20% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Benjamin Britten
Benjamin Britten: A Hymn to the Virgin
71 bpm • A min • 03:21 • -25.89db
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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The Concordia Choir
When Jesus Wept
71 bpm • E min • 01:45 • -30db
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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John Stainer
The Crucifixion: III. Processional to Ca...
67 bpm • A min • 10:24 • -18.95db
7% Popularity • 11% Danceability • 8% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
7% Popularity • 11% Danceability • 8% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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James Whitbourn
Luminosity: V. Castle of Diamonds
67 bpm • A min • 01:21 • -28.74db
36% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
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James MacMillan
Factus Est Repente
70 bpm • C Maj • 02:34 • -19.06db
3% Popularity • 9% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
3% Popularity • 9% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
The Benediction
71 bpm • C Maj • 01:49 • -21.59db
17% Popularity • 23% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
17% Popularity • 23% Danceability • 18% Energy • 16% Liveness
87% Instrumentalness • 10% Positiveness
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Kim André Arnesen
The Gift I'll Leave You
71 bpm • C# Maj • 05:46 • -26.81db
12% Popularity • 12% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Benjamin Britten
Suite on English Folk Tunes: "A Time The...
67 bpm • D# Maj • 02:28 • -21.61db
1% Popularity • 19% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
1% Popularity • 19% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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James MacMillan
Who Shall Separate Us?
70 bpm • E Maj • 03:04 • -26.14db
5% Popularity • 15% Danceability • 4% Energy • 9% Liveness
16% Instrumentalness • 4% Positiveness
5% Popularity • 15% Danceability • 4% Energy • 9% Liveness
16% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Gibbons: The Silver Swan
71 bpm • E Maj • 01:42 • -28.06db
33% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 7% Danceability • 4% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Frank La Rocca
Mass of the Americas: I. El cantico del ...
72 bpm • A Maj • 02:51 • -21.74db
12% Popularity • 18% Danceability • 15% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
12% Popularity • 18% Danceability • 15% Energy • 29% Liveness
93% Instrumentalness • 7% Positiveness
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Claudio Dall'Albero
Missa ‘De Angelis’: II. Gloria
72 bpm • B min • 07:34 • -27.77db
8% Popularity • 8% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Grayston Ives
Listen sweet Dove
72 bpm • D# Maj • 03:01 • -23db
8% Popularity • 9% Danceability • 14% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 14% Energy • 13% Liveness
32% Instrumentalness • 4% Positiveness
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Henry Purcell
Miserere mei, Z. 109
66 bpm • A min • 01:22 • -25.22db
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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James MacMillan
Oboe Concerto: II. Largo
67 bpm • D min • 10:28 • -18.93db
2% Popularity • 12% Danceability • 12% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
2% Popularity • 12% Danceability • 12% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Confirma hoc Deus
66 bpm • A Maj • 01:29 • -24.14db
40% Popularity • 22% Danceability • 11% Energy • 5% Liveness
93% Instrumentalness • 9% Positiveness
40% Popularity • 22% Danceability • 11% Energy • 5% Liveness
93% Instrumentalness • 9% Positiveness
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Georgy Sviridov
Holy God (Sviatyï Boje)
66 bpm • D# min • 04:12 • -25.93db
14% Popularity • 19% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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Eric Whitacre
Whitacre: Lux Aurumque
72 bpm • C# min • 04:15 • -28.43db
41% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
41% Popularity • 8% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 2% Positiveness
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Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
66 bpm • D# Maj • 03:56 • -24db
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
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Sjaella
Alleluja
66 bpm • D Maj • 04:54 • -24db
13% Popularity • 12% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Come, Let Us Worship
66 bpm • C# Maj • 01:43 • -19.41db
15% Popularity • 18% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
15% Popularity • 18% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 10% Positiveness
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Valentin Silvestrov
Alleluia: III. Night
72 bpm • E min • 03:30 • -35db
24% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 1% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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James MacMillan
Ave maris stella
66 bpm • D Maj • 04:35 • -27.07db
7% Popularity • 19% Danceability • 2% Energy • 5% Liveness
32% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 2% Energy • 5% Liveness
32% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Allegri: Miserere - 05. Auditui Meo Dabi...
66 bpm • A Maj • 01:11 • -26db
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Daniel Elder
3 Nocturnes: No. 1. Ballade to the Moon
66 bpm • E Maj • 05:07 • -28.32db
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
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Benedict Sheehan
Liturgy of St. John Chrysostom: No. 9, C...
73 bpm • C Maj • 08:05 • -22.03db
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Cyrillus Kreek
Taaveti laul 141, "Issand, ma huuan Su p...
73 bpm • B min • 02:26 • -29.13db
16% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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KNOXVILLETRACKZ
HFTEPX
65 bpm • D min • 01:04 • -47.34db
7% Popularity • 12% Danceability • 0% Energy • 9% Liveness
100% Instrumentalness • 32% Positiveness
7% Popularity • 12% Danceability • 0% Energy • 9% Liveness
100% Instrumentalness • 32% Positiveness
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James MacMillan
St John Passion: Part I, I. The Arrest o...
73 bpm • F Maj • 10:20 • -24.27db
2% Popularity • 11% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 11% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Hear my Prayer, O Lord, Z. 15
65 bpm • C Maj • 02:36 • -24.53db
31% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Choral Arts Initiative
In the Middle
65 bpm • A# Maj • 05:12 • -22db
8% Popularity • 14% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
8% Popularity • 14% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
► Preview
Louis Vierne
Messe solennelle, Op. 16: I. Kyrie
73 bpm • C# min • 05:37 • -20.81db
10% Popularity • 7% Danceability • 14% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 14% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Matthew Harris
Shakespeare Songs, Book 1: I. Hark! hark...
73 bpm • F min • 01:25 • -25.88db
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
Child of Song
73 bpm • C min • 04:51 • -32.13db
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Michael McGlynn
Where All Roses Go
73 bpm • B min • 04:58 • -22db
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Paul Hindemith
6 Chansons: No. 5. En hiver
65 bpm • F min • 01:19 • -24.48db
20% Popularity • 25% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 25% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
T. Tertius Noble
Evening Service in B Minor, Op. 6: II. N...
65 bpm • E min • 02:58 • -22db
12% Popularity • 16% Danceability • 18% Energy • 14% Liveness
24% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 18% Energy • 14% Liveness
24% Instrumentalness • 3% Positiveness
► Preview
Louis Vierne
Messe solennelle pour deux orgues et cho...
73 bpm • C# min • 05:37 • -18db
16% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
16% Popularity • 7% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Eric Whitacre
Whitacre: Five Hebrew Love Songs: Temun�...
73 bpm • G Maj • 01:45 • -29.53db
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 5% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Orlande de Lassus
Alleluia laus et gloria, IOL 8
65 bpm • A# Maj • 00:56 • -23.01db
39% Popularity • 26% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
39% Popularity • 26% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
► Preview
Friedrich Wilhelm Kücken
Der letzte Traum
65 bpm • G# Maj • 05:02 • -26.58db
10% Popularity • 9% Danceability • 6% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 6% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
Pie Jesu
74 bpm • D Maj • 04:16 • -33db
26% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
26% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
John Stainer
The Crucifixion: IX. Chorus – God so l...
74 bpm • D Maj • 03:49 • -24.2db
9% Popularity • 9% Danceability • 9% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 9% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Alexander Glazunov
Plotipu usnuv (Having Fallen Asleep)
74 bpm • C Maj • 01:48 • -30db
11% Popularity • 12% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 12% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Victor Kalinnikov
Svete tikhii (Gentle light)
74 bpm • F Maj • 02:58 • -25.1db
16% Popularity • 16% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Octarium
If Ye Love Me - Tallis
64 bpm • F# Maj • 02:36 • -30.98db
14% Popularity • 8% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 2, Until the Daybre...
74 bpm • F min • 02:32 • -36.49db
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
9% Popularity • 7% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
James MacMillan
Advent Antiphon
74 bpm • B min • 05:40 • -23.21db
3% Popularity • 11% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
3% Popularity • 11% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Ronald Corp
I Carry Your Heart
74 bpm • F Maj • 04:25 • -27.99db
10% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 7% Energy • 16% Liveness
20% Instrumentalness • 4% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 4. Hot sun,...
74 bpm • B Maj • 03:11 • -20db
11% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
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Atlanta Master Chorale
There Will Come Soft Rains
74 bpm • G Maj • 05:45 • -28.38db
21% Popularity • 8% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Christopher Tye
Laudate Nomen
64 bpm • G Maj • 01:17 • -23.02db
25% Popularity • 38% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 38% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Girl Choristers
グレゴリオ聖歌による4つのモ...
64 bpm • G min • 02:24 • -27.61db
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
9% Popularity • 24% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
64 bpm • C Maj • 01:10 • -18.12db
31% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Fanny Mendelssohn
Neue Liebe, neues Leben (Arr. Rouger for...
75 bpm • A# Maj • 02:21 • -25.41db
8% Popularity • 30% Danceability • 5% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 30% Danceability • 5% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Millikin University Choir
Exsultate
75 bpm • D min • 03:15 • -20.51db
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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James MacMillan
St Anne’s Mass: IV. Agnus Dei
64 bpm • F Maj • 01:24 • -31.41db
28% Popularity • 19% Danceability • 4% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
28% Popularity • 19% Danceability • 4% Energy • 9% Liveness
16% Instrumentalness • 6% Positiveness
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Heinrich Schütz
Geistliche Chormusik, Op. 11: No. 4, Ver...
75 bpm • G# min • 02:13 • -19.96db
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
19% Popularity • 14% Danceability • 10% Energy • 9% Liveness
25% Instrumentalness • 8% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
75 bpm • F Maj • 01:54 • -28.71db
10% Popularity • 20% Danceability • 3% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 3% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
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Sjaella
Morgengesang
75 bpm • F# Maj • 03:25 • -24db
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: I. I Am The Resurrecti...
75 bpm • D min • 01:04 • -21.24db
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 9% Energy • 19% Liveness
2% Instrumentalness • 4% Positiveness
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Robert Schumann
Romanzen, Book 2, Op. 91: No. 5. Der Ble...
75 bpm • G min • 04:12 • -35.33db
11% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
11% Popularity • 14% Danceability • 1% Energy • 6% Liveness
66% Instrumentalness • 3% Positiveness
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Matthew Harris
Shakespeare Songs, Book 2: II. Tell me w...
63 bpm • B min • 01:47 • -28.71db
11% Popularity • 26% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 8% Positiveness
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Pavel Chesnokov
Come, Let Us Worship, Op. 8, No. 2
63 bpm • D Maj • 01:47 • -20db
11% Popularity • 21% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: III. Credo
75 bpm • A min • 05:44 • -22db
13% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
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James MacMillan
From Galloway - arr. Sean Shibe for Guit...
75 bpm • C Maj • 02:53 • -29.35db
5% Popularity • 29% Danceability • 1% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
5% Popularity • 29% Danceability • 1% Energy • 9% Liveness
85% Instrumentalness • 15% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
15% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Gabrieli String Quartet
Libera Me (The Priory School) - 2024 Dig...
63 bpm • B min • 04:13 • -33.92db
11% Popularity • 6% Danceability • 1% Energy • 12% Liveness
56% Instrumentalness • 3% Positiveness
11% Popularity • 6% Danceability • 1% Energy • 12% Liveness
56% Instrumentalness • 3% Positiveness
