Songs like Clever - Intimate by Andrew Swarbrick
Based on a tempo of (+/- 10%) and a similar genre
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Graham Foote
Puppies - Intimate
120 bpm • C Maj • 01:06 • -21.55db
0% Popularity • 82% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 77% Positiveness
0% Popularity • 82% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 77% Positiveness
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Howard Harper-Barnes
Jocelyn's Dream
120 bpm • F Maj • 02:03 • -14.14db
9% Popularity • 65% Danceability • 42% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
9% Popularity • 65% Danceability • 42% Energy • 12% Liveness
96% Instrumentalness • 78% Positiveness
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Lance Conrad
In This Together - Shorter Version
120 bpm • A min • 01:00 • -8.72db
25% Popularity • 34% Danceability • 46% Energy • 13% Liveness
98% Instrumentalness • 20% Positiveness
25% Popularity • 34% Danceability • 46% Energy • 13% Liveness
98% Instrumentalness • 20% Positiveness
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Elisabeth Skornik
In Perfect Time
120 bpm • G# Maj • 02:30 • -16.24db
18% Popularity • 96% Danceability • 32% Energy • 9% Liveness
97% Instrumentalness • 68% Positiveness
18% Popularity • 96% Danceability • 32% Energy • 9% Liveness
97% Instrumentalness • 68% Positiveness
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Bryce Dessner
Hiver 54
120 bpm • F min • 08:45 • -15.53db
8% Popularity • 42% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
8% Popularity • 42% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Andrew Swarbrick
Joy Of Spring
120 bpm • A Maj • 01:59 • -13.15db
0% Popularity • 66% Danceability • 33% Energy • 13% Liveness
97% Instrumentalness • 90% Positiveness
0% Popularity • 66% Danceability • 33% Energy • 13% Liveness
97% Instrumentalness • 90% Positiveness
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Graham Foote
Prey - Ambient
120 bpm • C Maj • 01:08 • -24.34db
0% Popularity • 45% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 45% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Sansjens
Longonot
120 bpm • C Maj • 02:57 • -14.93db
16% Popularity • 52% Danceability • 33% Energy • 13% Liveness
84% Instrumentalness • 24% Positiveness
16% Popularity • 52% Danceability • 33% Energy • 13% Liveness
84% Instrumentalness • 24% Positiveness
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Remo Anzovino
Beyond Image
120 bpm • G Maj • 03:22 • -17db
11% Popularity • 28% Danceability • 40% Energy • 10% Liveness
82% Instrumentalness • 15% Positiveness
11% Popularity • 28% Danceability • 40% Energy • 10% Liveness
82% Instrumentalness • 15% Positiveness
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Alexander Dick
What Happened
120 bpm • A# min • 04:47 • -14.06db
8% Popularity • 59% Danceability • 21% Energy • 10% Liveness
83% Instrumentalness • 36% Positiveness
8% Popularity • 59% Danceability • 21% Energy • 10% Liveness
83% Instrumentalness • 36% Positiveness
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Zanzi Music Composer
The Future Bride
120 bpm • C Maj • 03:30 • -16.21db
1% Popularity • 44% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
1% Popularity • 44% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Andrew Swarbrick
Cute - Ambient
120 bpm • G Maj • 01:05 • -23.09db
0% Popularity • 76% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
0% Popularity • 76% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Chris Wirsig
The Family That Haunts Together
120 bpm • E min • 02:50 • -23db
19% Popularity • 22% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
19% Popularity • 22% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Myraz
relaxing piano song
120 bpm • B Maj • 01:29 • -16.71db
32% Popularity • 54% Danceability • 38% Energy • 19% Liveness
89% Instrumentalness • 16% Positiveness
32% Popularity • 54% Danceability • 38% Energy • 19% Liveness
89% Instrumentalness • 16% Positiveness
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Howard Harper-Barnes
Forever to Run
120 bpm • G min • 02:34 • -15db
22% Popularity • 48% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 34% Positiveness
22% Popularity • 48% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 34% Positiveness
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Volker Bertelmann
Functioning
120 bpm • G Maj • 02:48 • -22.67db
8% Popularity • 23% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Denis Maksimov
Time Flow
120 bpm • F min • 01:56 • -17.9db
10% Popularity • 60% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
10% Popularity • 60% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 12% Positiveness
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Andrew Swarbrick
Country Show
120 bpm • G Maj • 02:00 • -12.64db
0% Popularity • 68% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 89% Positiveness
0% Popularity • 68% Danceability • 32% Energy • 12% Liveness
96% Instrumentalness • 89% Positiveness
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Allen Grey
Once Upon a Star
120 bpm • F Maj • 02:18 • -18.8db
9% Popularity • 57% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
9% Popularity • 57% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Graham Foote
Puppies - Ambient
120 bpm • G Maj • 01:04 • -16.97db
0% Popularity • 80% Danceability • 27% Energy • 10% Liveness
93% Instrumentalness • 95% Positiveness
0% Popularity • 80% Danceability • 27% Energy • 10% Liveness
93% Instrumentalness • 95% Positiveness
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Robert Charles Corley
I am Hers and She is Mine Alternative En...
120 bpm • F# min • 04:51 • -15.91db
26% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Volker Bertelmann
End Credits
120 bpm • E min • 01:57 • -24.81db
15% Popularity • 42% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
15% Popularity • 42% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Gunnar Ingi Guðmundsson
Fjörðurinn
120 bpm • G min • 02:31 • -15.72db
11% Popularity • 17% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
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Andrew Swarbrick
Paranormal - Cinematic
120 bpm • E Maj • 01:07 • -15.21db
0% Popularity • 31% Danceability • 26% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
0% Popularity • 31% Danceability • 26% Energy • 9% Liveness
63% Instrumentalness • 4% Positiveness
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Twinkl Educational Publishing Music
Safe And Sound
120 bpm • C Maj • 03:25 • -28.99db
10% Popularity • 17% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
10% Popularity • 17% Danceability • 1% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
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Graham Foote
Puppies - Cinematic
120 bpm • G Maj • 01:07 • -20.52db
0% Popularity • 84% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
0% Popularity • 84% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
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Peter Nevland & Co.
Tapestry of Heaven - Psalm 19
121 bpm • A Maj • 03:21 • -9.43db
0% Popularity • 39% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 39% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Volker Bertelmann
Reunion Epilogue
120 bpm • G min • 01:27 • -15.39db
12% Popularity • 38% Danceability • 31% Energy • 17% Liveness
81% Instrumentalness • 5% Positiveness
12% Popularity • 38% Danceability • 31% Energy • 17% Liveness
81% Instrumentalness • 5% Positiveness
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Sara Herbert
The Beautiful River
121 bpm • D min • 03:16 • -15.58db
9% Popularity • 33% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 33% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Andrew Swarbrick
Cute - Cinematic
120 bpm • G Maj • 01:06 • -21.74db
0% Popularity • 84% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
0% Popularity • 84% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Twinkl Educational Publishing Music
Slowly Drifting
120 bpm • C Maj • 04:24 • -31.23db
10% Popularity • 17% Danceability • 0% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 0% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Graham Foote
Prey - Intimate
119 bpm • E Maj • 01:04 • -18.8db
0% Popularity • 22% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
0% Popularity • 22% Danceability • 17% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Mychael Danna
Sunrises and Sunsets
119 bpm • C min • 04:15 • -24.47db
9% Popularity • 22% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 4% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Ernesto Vallini
A Thing for Yesterday
118 bpm • D min • 02:21 • -21.81db
9% Popularity • 19% Danceability • 12% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
9% Popularity • 19% Danceability • 12% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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David Celeste
Planting the Seeds
121 bpm • F Maj • 03:44 • -19.88db
13% Popularity • 23% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 23% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Andrew Swarbrick
Orange
120 bpm • B min • 02:22 • -20.57db
0% Popularity • 40% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 9% Positiveness
0% Popularity • 40% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 9% Positiveness
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Francesco Cataldo
Pure Love - Orchestral
122 bpm • F Maj • 02:18 • -16.84db
16% Popularity • 42% Danceability • 29% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
16% Popularity • 42% Danceability • 29% Energy • 12% Liveness
97% Instrumentalness • 7% Positiveness
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Marcin Kuczewski
The Clouds
122 bpm • B Maj • 02:29 • -15.88db
9% Popularity • 44% Danceability • 11% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 44% Danceability • 11% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
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AKIRA HONDA
Shadow's Grasp
118 bpm • G# min • 05:27 • -18.09db
16% Popularity • 31% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 52% Positiveness
16% Popularity • 31% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 52% Positiveness
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Frederic Sans
Lord
122 bpm • G Maj • 01:59 • -12.96db
9% Popularity • 85% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 96% Positiveness
9% Popularity • 85% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 96% Positiveness
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Arrow Fire
Cinema
122 bpm • F Maj • 04:07 • -13.87db
15% Popularity • 47% Danceability • 46% Energy • 12% Liveness
16% Instrumentalness • 22% Positiveness
15% Popularity • 47% Danceability • 46% Energy • 12% Liveness
16% Instrumentalness • 22% Positiveness
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Andrew Swarbrick
Ethereal Beauty
120 bpm • A min • 02:32 • -14.43db
3% Popularity • 44% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
3% Popularity • 44% Danceability • 24% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Matthew Nicholson
Along The Shore
122 bpm • C# min • 02:06 • -20.2db
19% Popularity • 28% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
19% Popularity • 28% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Burkhard Dallwitz
Elly Wakes
118 bpm • G Maj • 01:23 • -15.89db
23% Popularity • 39% Danceability • 19% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
23% Popularity • 39% Danceability • 19% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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AKIRA HONDA
Rising Tides, Changing Climates
118 bpm • G Maj • 05:12 • -27.9db
16% Popularity • 71% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
16% Popularity • 71% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 21% Positiveness
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EDO ZENITH
Hasta Pronto
123 bpm • G Maj • 02:09 • -18.09db
11% Popularity • 22% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
11% Popularity • 22% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Morgan Kibby
Rising
117 bpm • A Maj • 01:33 • -23.02db
9% Popularity • 27% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
9% Popularity • 27% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 17% Positiveness
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Andrew Swarbrick
Cute - Intimate
120 bpm • G Maj • 01:04 • -21.7db
0% Popularity • 93% Danceability • 8% Energy • 9% Liveness
75% Instrumentalness • 48% Positiveness
0% Popularity • 93% Danceability • 8% Energy • 9% Liveness
75% Instrumentalness • 48% Positiveness
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Sven Faulconer
The Future
123 bpm • A# Maj • 02:26 • -17.1db
8% Popularity • 19% Danceability • 23% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 23% Energy • 17% Liveness
90% Instrumentalness • 4% Positiveness
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Adrien Bekerman
Petrouchka
123 bpm • A min • 02:19 • -17.58db
19% Popularity • 19% Danceability • 17% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 17% Energy • 10% Liveness
68% Instrumentalness • 4% Positiveness
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David Schweitzer
I Welcome You
123 bpm • F Maj • 02:06 • -18.68db
8% Popularity • 33% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
8% Popularity • 33% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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EDO ZENITH
Strisciando
123 bpm • G Maj • 02:09 • -18.09db
11% Popularity • 22% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
11% Popularity • 22% Danceability • 44% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Luke Richards
Imagine The Spectacular
124 bpm • G min • 03:21 • -12.87db
19% Popularity • 22% Danceability • 40% Energy • 19% Liveness
19% Instrumentalness • 6% Positiveness
19% Popularity • 22% Danceability • 40% Energy • 19% Liveness
19% Instrumentalness • 6% Positiveness
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Andrew Swarbrick
Rift
120 bpm • E Maj • 02:21 • -17.64db
2% Popularity • 22% Danceability • 30% Energy • 10% Liveness
69% Instrumentalness • 10% Positiveness
2% Popularity • 22% Danceability • 30% Energy • 10% Liveness
69% Instrumentalness • 10% Positiveness
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Nono
Mantra
124 bpm • F Maj • 03:44 • -19.96db
10% Popularity • 17% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
10% Popularity • 17% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Rendi nurabubakar
Exiting Dance - Instrumental
116 bpm • F# Maj • 01:49 • -17.46db
14% Popularity • 46% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 57% Positiveness
14% Popularity • 46% Danceability • 17% Energy • 10% Liveness
90% Instrumentalness • 57% Positiveness
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Alex Baranowski
Stolen Bikes
116 bpm • F# min • 01:00 • -14.16db
16% Popularity • 17% Danceability • 22% Energy • 25% Liveness
95% Instrumentalness • 18% Positiveness
16% Popularity • 17% Danceability • 22% Energy • 25% Liveness
95% Instrumentalness • 18% Positiveness
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Jordan Gagne
Way Home
124 bpm • G# Maj • 02:39 • -18.56db
9% Popularity • 17% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Kerry Muzzey
Every Picture Tells a Story
116 bpm • G min • 05:17 • -16.54db
10% Popularity • 18% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Serene Aurora
Sweet Promises
116 bpm • B Maj • 02:26 • -15.01db
10% Popularity • 50% Danceability • 28% Energy • 18% Liveness
92% Instrumentalness • 38% Positiveness
10% Popularity • 50% Danceability • 28% Energy • 18% Liveness
92% Instrumentalness • 38% Positiveness
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Thomas Howe
Freedom Reigns
116 bpm • F Maj • 02:04 • -12.62db
12% Popularity • 49% Danceability • 41% Energy • 16% Liveness
98% Instrumentalness • 44% Positiveness
12% Popularity • 49% Danceability • 41% Energy • 16% Liveness
98% Instrumentalness • 44% Positiveness
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Andrew Swarbrick
Vegetable Garden
125 bpm • D Maj • 01:57 • -12.65db
0% Popularity • 78% Danceability • 35% Energy • 14% Liveness
80% Instrumentalness • 96% Positiveness
0% Popularity • 78% Danceability • 35% Energy • 14% Liveness
80% Instrumentalness • 96% Positiveness
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Zanzi Music Composer
On the Horizon
116 bpm • A min • 04:05 • -13.36db
1% Popularity • 46% Danceability • 34% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
1% Popularity • 46% Danceability • 34% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Rob Ramsey
Dusk/Dawn
115 bpm • D# Maj • 04:14 • -12.97db
15% Popularity • 21% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Michael Vignola
Infinity
115 bpm • C min • 02:24 • -18.93db
26% Popularity • 26% Danceability • 11% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 11% Energy • 15% Liveness
93% Instrumentalness • 4% Positiveness
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OBVIOUS SOUL
NOTHING COULD STOP US
125 bpm • F Maj • 01:06 • -19.02db
17% Popularity • 64% Danceability • 42% Energy • 15% Liveness
80% Instrumentalness • 96% Positiveness
17% Popularity • 64% Danceability • 42% Energy • 15% Liveness
80% Instrumentalness • 96% Positiveness
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Paul Mottram
Mountain Spirit
125 bpm • C Maj • 02:44 • -12.52db
8% Popularity • 74% Danceability • 48% Energy • 33% Liveness
95% Instrumentalness • 93% Positiveness
8% Popularity • 74% Danceability • 48% Energy • 33% Liveness
95% Instrumentalness • 93% Positiveness
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Cavendish Music
Flight of the Eagle
125 bpm • G Maj • 02:30 • -14.38db
14% Popularity • 40% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
14% Popularity • 40% Danceability • 32% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Sven Faulconer
The Elephant Whisperers
125 bpm • A# Maj • 02:10 • -19.12db
10% Popularity • 22% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Chris Wirsig
River Rescue
115 bpm • G min • 01:31 • -14.69db
14% Popularity • 63% Danceability • 36% Energy • 11% Liveness
98% Instrumentalness • 63% Positiveness
14% Popularity • 63% Danceability • 36% Energy • 11% Liveness
98% Instrumentalness • 63% Positiveness
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Elias Stroder
Nocturnal Reflections
115 bpm • D Maj • 01:28 • -31.08db
32% Popularity • 37% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 37% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Mychael Danna
Innocent Of This Crime
125 bpm • D min • 01:12 • -22.56db
11% Popularity • 26% Danceability • 7% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 7% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Jessica Jones
Conclusion
115 bpm • E min • 02:53 • -12.71db
10% Popularity • 47% Danceability • 46% Energy • 11% Liveness
49% Instrumentalness • 29% Positiveness
10% Popularity • 47% Danceability • 46% Energy • 11% Liveness
49% Instrumentalness • 29% Positiveness
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Lama House
A Pilgrim's Tale
115 bpm • D min • 02:39 • -13.57db
11% Popularity • 46% Danceability • 35% Energy • 20% Liveness
90% Instrumentalness • 8% Positiveness
11% Popularity • 46% Danceability • 35% Energy • 20% Liveness
90% Instrumentalness • 8% Positiveness
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Romain Trouillet
La guerre est là
126 bpm • A min • 01:46 • -19.6db
11% Popularity • 34% Danceability • 14% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
11% Popularity • 34% Danceability • 14% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Melodrama
Sad To Inspiring
115 bpm • A min • 01:12 • -16db
11% Popularity • 63% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 51% Positiveness
11% Popularity • 63% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 51% Positiveness
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Joe Kirby
Ascending Always
126 bpm • A min • 02:48 • -16.47db
8% Popularity • 42% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
8% Popularity • 42% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Osly
soul expression
126 bpm • E min • 02:38 • -14.49db
13% Popularity • 42% Danceability • 18% Energy • 6% Liveness
97% Instrumentalness • 7% Positiveness
13% Popularity • 42% Danceability • 18% Energy • 6% Liveness
97% Instrumentalness • 7% Positiveness
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Laurent Aknin
Bad News Coming
126 bpm • E Maj • 01:16 • -25.76db
18% Popularity • 50% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 50% Danceability • 6% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Danny Bensi and Saunder Jurriaans
Finished Waiting
114 bpm • D Maj • 05:20 • -22.47db
8% Popularity • 25% Danceability • 7% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
8% Popularity • 25% Danceability • 7% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Paul Mottram
All The World
113 bpm • C Maj • 02:22 • -11.35db
12% Popularity • 36% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
12% Popularity • 36% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 22% Positiveness
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Andrew Swarbrick
Setting Up The Tents
127 bpm • G Maj • 02:09 • -13.28db
0% Popularity • 72% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 57% Positiveness
0% Popularity • 72% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 57% Positiveness
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Julie Cooper
Falling In Air
113 bpm • G min • 03:08 • -14.7db
7% Popularity • 24% Danceability • 17% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 17% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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sounds industry
煌き
113 bpm • D# min • 02:41 • -17db
9% Popularity • 51% Danceability • 18% Energy • 17% Liveness
69% Instrumentalness • 13% Positiveness
9% Popularity • 51% Danceability • 18% Energy • 17% Liveness
69% Instrumentalness • 13% Positiveness
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Jeff Russo
Welcome to Oslo
113 bpm • D Maj • 02:28 • -20.82db
15% Popularity • 29% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
15% Popularity • 29% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Danny Bensi and Saunder Jurriaans
Owl
114 bpm • D Maj • 02:00 • -17.47db
8% Popularity • 50% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
8% Popularity • 50% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 15% Positiveness
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Farrel Fathurahman
A Song for the Homing Pigeons
127 bpm • G min • 01:16 • -17.78db
14% Popularity • 17% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Whitesand
Journey Through The Storm
113 bpm • C# Maj • 05:19 • -19.18db
8% Popularity • 17% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Andrew Swarbrick
War Of Wills
113 bpm • D Maj • 02:56 • -15.64db
1% Popularity • 19% Danceability • 23% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
1% Popularity • 19% Danceability • 23% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Laurent Perez Del Mar
La lettre
113 bpm • A min • 01:35 • -14.25db
21% Popularity • 34% Danceability • 35% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
21% Popularity • 34% Danceability • 35% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Alessandro Ligi
Bachmeier
113 bpm • E min • 02:44 • -21.43db
22% Popularity • 36% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
22% Popularity • 36% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 11% Positiveness
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Danny Bensi and Saunder Jurriaans
Piano
127 bpm • A min • 01:20 • -37.5db
22% Popularity • 20% Danceability • 0% Energy • 8% Liveness
45% Instrumentalness • 8% Positiveness
22% Popularity • 20% Danceability • 0% Energy • 8% Liveness
45% Instrumentalness • 8% Positiveness
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Anne Nikitin
He Loved Us
113 bpm • A min • 02:17 • -18.5db
13% Popularity • 23% Danceability • 16% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
13% Popularity • 23% Danceability • 16% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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AKIRA HONDA
Crimson Rebellion
128 bpm • F# min • 05:30 • -23.98db
16% Popularity • 72% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 55% Positiveness
16% Popularity • 72% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 55% Positiveness
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Serene Aurora
Dawn's Radiance
128 bpm • E min • 01:55 • -14.47db
10% Popularity • 50% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 88% Positiveness
10% Popularity • 50% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 88% Positiveness
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Romeo
Forgotten Kingdom
112 bpm • E min • 01:39 • -15.32db
12% Popularity • 33% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 7% Positiveness
12% Popularity • 33% Danceability • 15% Energy • 13% Liveness
97% Instrumentalness • 7% Positiveness
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Aleksey Chistilin
Pictures from the Past
128 bpm • F# min • 03:20 • -13.85db
30% Popularity • 44% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
30% Popularity • 44% Danceability • 37% Energy • 11% Liveness
96% Instrumentalness • 14% Positiveness
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Mathieu Lamboley
Au port
128 bpm • E min • 01:20 • -18.23db
12% Popularity • 39% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
12% Popularity • 39% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
