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Close Every Door
Songs like
Close Every Door
by
Andrew Lloyd Webber
Based on a tempo of (+/- 10%) and a similar genre
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Once On This Island Storytellers
We Dance
90 bpm • A# Maj • 05:32 • -12.32db
31% Popularity • 60% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Andrew Lloyd Webber
Who's The Thief?
90 bpm • G Maj • 02:06 • -18.25db
31% Popularity • 41% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 5% Positiveness
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Robert Westenberg
Lily's Eyes
90 bpm • E min • 03:09 • -13.56db
32% Popularity • 23% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Strickland
You'll Be In My Heart (Reprise) - Broadw...
89 bpm • G# Maj • 02:16 • -14.55db
19% Popularity • 47% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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"Calendar Girls" Original London Cast
Yorkshire
91 bpm • F# Maj • 07:23 • -6.78db
21% Popularity • 42% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Peter Allen
Don't Cry Out Loud - The Boy From Oz/Ori...
91 bpm • C Maj • 02:15 • -8.95db
11% Popularity • 30% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Corey Cott
Gigi
91 bpm • F Maj • 03:12 • -9.54db
12% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Andrew Lloyd Webber
Close Every Door
90 bpm • F min • 03:47 • -17.12db
14% Popularity • 17% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Christine Andreas
You Are My Home
89 bpm • B Maj • 03:33 • -11.76db
23% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Original Cast of Billy Elliot
The Stars Look Down
89 bpm • A# Maj • 07:30 • -13db
30% Popularity • 44% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Charles Strouse
Annie: Maybe
91 bpm • A# Maj • 02:37 • -13.32db
37% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
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Matt Cavenaugh
Maria
89 bpm • D# Maj • 03:02 • -13.31db
33% Popularity • 26% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Randy Graff
You Can Always Count on Me
91 bpm • A# Maj • 04:30 • -16.63db
19% Popularity • 65% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Andrew Lloyd Webber
Finale: Any Dream Will Do / Give Me My C...
90 bpm • A Maj • 03:35 • -16db
10% Popularity • 24% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Stephen Schwartz
Popular
89 bpm • C Maj • 03:44 • -12.85db
54% Popularity • 71% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Laura Benanti
Vanilla Ice Cream
89 bpm • D Maj • 02:57 • -8.7db
31% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Janet Metz
Times Like This
89 bpm • B Maj • 03:35 • -16db
15% Popularity • 44% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Carolee Carmello
Once Upon a Dream - Lisa
92 bpm • B Maj • 02:50 • -18.08db
26% Popularity • 22% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
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Ruthie Henshall
Now That I've Seen Her
92 bpm • E Maj • 02:21 • -17.01db
20% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Andrew Lloyd Webber
Too Much In Love To Care
89 bpm • F Maj • 06:12 • -10.5db
20% Popularity • 30% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Jessie Mueller
What's The Use Of Wond'rin'?
88 bpm • C# Maj • 03:19 • -15db
25% Popularity • 30% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lindsay Mendez
Nothing Short of Wonderful
88 bpm • B Maj • 02:40 • -7.58db
32% Popularity • 45% Danceability • 54% Energy • 66% Liveness
0% Instrumentalness • 62% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat'
Those Canaan Days
88 bpm • F min • 03:16 • -15db
13% Popularity • 35% Danceability • 21% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew Lloyd Webber
Close Every Door To Me
92 bpm • F min • 03:49 • -12.24db
40% Popularity • 18% Danceability • 20% Energy • 15% Liveness
2% Instrumentalness • 16% Positiveness
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Margo Seibert
Raining - Rocky Broadway Cast Recording
92 bpm • G Maj • 04:06 • -11db
27% Popularity • 33% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Allie Trimm
What It Means to Be a Friend
88 bpm • A Maj • 03:17 • -6.59db
30% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Sara Ramirez
Find Your Grail - Original Broadway Cast...
92 bpm • E Maj • 03:26 • -3.96db
34% Popularity • 26% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Jodi Benson
Disneyland
88 bpm • C Maj • 03:05 • -11.69db
17% Popularity • 30% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Stephen Schwartz
Defying Gravity
88 bpm • F# Maj • 05:53 • -8.28db
58% Popularity • 33% Danceability • 38% Energy • 3% Liveness
0% Instrumentalness • 24% Positiveness
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Tam Mutu
Watch the Moon
88 bpm • D# Maj • 03:10 • -13.83db
9% Popularity • 22% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Liza Minnelli
Colored Lights
88 bpm • A min • 05:37 • -15db
12% Popularity • 35% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Andrew Lloyd Webber
Prologue
88 bpm • B Maj • 01:39 • -26.55db
36% Popularity • 21% Danceability • 4% Energy • 11% Liveness
8% Instrumentalness • 25% Positiveness
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Roger Rees
Love Who You Love
88 bpm • B Maj • 02:47 • -20db
14% Popularity • 31% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Stephanie Lawrence
Marilyn Monroe 3
93 bpm • D Maj • 04:30 • -21.03db
23% Popularity • 37% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Wanda Richert
42nd Street
87 bpm • C Maj • 07:24 • -15db
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Patrick Wilson
You Are Never Away
87 bpm • A min • 01:45 • -12db
13% Popularity • 24% Danceability • 32% Energy • 16% Liveness
1% Instrumentalness • 39% Positiveness
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The 2020 Les Misérables Staged Concert Company
One Day More - Live
87 bpm • A Maj • 03:57 • -11db
22% Popularity • 24% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew Lloyd Webber
I Believe My Heart
87 bpm • A# Maj • 03:54 • -13.59db
8% Popularity • 21% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Tim Rice
Waltz For Eva And Che - Original Cast Re...
93 bpm • A# Maj • 03:45 • -14.96db
20% Popularity • 58% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Jimmy Roberts
Shouldn't I Be Less In Love With You?
87 bpm • C Maj • 02:50 • -13db
15% Popularity • 35% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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The Original Broadway Cast Of 'Curtains'
Thinking Of Him
86 bpm • C# Maj • 01:49 • -20db
26% Popularity • 39% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew Lloyd Webber
Waltz For Eva And Che
93 bpm • A# Maj • 04:01 • -7.46db
21% Popularity • 46% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Carolyn Maitland
Children of the Wind
86 bpm • G Maj • 02:55 • -9.9db
18% Popularity • 33% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Pascal
Written In The Stars
94 bpm • C# Maj • 03:17 • -9.44db
33% Popularity • 41% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Stephanie J. Block, Megan Hilty and Allison Janney
I Just Might
94 bpm • A Maj • 03:56 • -9.86db
33% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
34% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Lloyd Webber
Rainbow High - Original Cast Recording/1...
93 bpm • G min • 02:17 • -13db
25% Popularity • 42% Danceability • 36% Energy • 50% Liveness
0% Instrumentalness • 54% Positiveness
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George Stiles
There's Always Tomorrow
95 bpm • D Maj • 03:34 • -7.4db
15% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Aileen Quinn
Finale from "Annie"
85 bpm • G Maj • 04:36 • -15.11db
32% Popularity • 34% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Carrie Hope Fletcher
I Dreamed a Dream - Live
85 bpm • D# Maj • 04:09 • -15.86db
37% Popularity • 22% Danceability • 13% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
29% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Alison Fraser
Hold On
85 bpm • G# min • 03:03 • -12db
24% Popularity • 39% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Andrew Lloyd Webber
Close Every Door
87 bpm • G min • 03:47 • -19.52db
41% Popularity • 15% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Gavin Creel
What Do I Need with Love
95 bpm • G min • 03:03 • -13.72db
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Aileen Quinn
Dumb Dog
95 bpm • A Maj • 00:54 • -21db
38% Popularity • 40% Danceability • 5% Energy • 4% Liveness
0% Instrumentalness • 34% Positiveness
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Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
34% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Jake Epstein
Take Good Care of My Baby
96 bpm • G Maj • 01:38 • -5.74db
29% Popularity • 78% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 72% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
33% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Andrew Lloyd Webber
Too Much In Love To Care
86 bpm • F Maj • 05:25 • -14.27db
13% Popularity • 26% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Dee Hoty
Can You Find It in Your Heart?
84 bpm • C# Maj • 02:28 • -19.73db
27% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Carolee Carmello
In His Eyes
84 bpm • A# Maj • 04:13 • -11.52db
29% Popularity • 25% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Jonathan Pryce
Reviewing the Situation - Reprise
83 bpm • F min • 01:03 • -17.08db
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Rosemary Ashe
Dirty Laundry
97 bpm • C# Maj • 04:51 • -13db
16% Popularity • 60% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
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Andrew Lloyd Webber
Growltiger's Last Stand / The Ballad Of ...
96 bpm • F min • 11:41 • -9.3db
23% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tom Bosley
No Matter What
83 bpm • D# Maj • 03:06 • -22.26db
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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The Original Broadway Cast Of School Of Rock
Horace Green Alma Mater
97 bpm • C Maj • 02:47 • -8.25db
31% Popularity • 45% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Original Cast of Billy Elliot
Deep Into The Ground
83 bpm • D# Maj • 03:35 • -16.4db
27% Popularity • 61% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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"Les Misérables Original London Cast" Ensemble
Finale
83 bpm • G# Maj • 04:45 • -14db
35% Popularity • 24% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew Lloyd Webber
Once Upon Another Time
97 bpm • A Maj • 02:50 • -15.48db
28% Popularity • 27% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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John Owen-Jones
Bring Him Home - Live
83 bpm • A Maj • 04:15 • -14.13db
33% Popularity • 21% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Brian Stokes Mitchell
Make Them Hear You
83 bpm • E Maj • 02:47 • -12.83db
14% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Sally Dexter
It's a Fine Life - Reprise
98 bpm • C Maj • 01:38 • -15.52db
24% Popularity • 73% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Sherman Edwards
1776: Sit Down, John
98 bpm • G# Maj • 01:57 • -11db
27% Popularity • 60% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
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David Burt
Do You Hear The People Sing?
83 bpm • C Maj • 02:16 • -7.93db
45% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Andrew Lloyd Webber
Joseph All The Time
98 bpm • F Maj • 00:59 • -17.52db
31% Popularity • 40% Danceability • 18% Energy • 42% Liveness
0% Instrumentalness • 50% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
37% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Jenn Gambatese
Love Me Tender
99 bpm • C Maj • 01:22 • -14.04db
22% Popularity • 52% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Original Off-Broadway Cast of Zombie Prom
Easy to Say
99 bpm • D Maj • 05:16 • -14.47db
13% Popularity • 40% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Susan Egan
A Change In Me
99 bpm • G# Maj • 03:49 • -18db
26% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Aileen Quinn
Maybe (Reprise)
82 bpm • C Maj • 01:37 • -21.89db
32% Popularity • 28% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Andrew Lloyd Webber
Macavity: The Mystery Cat
84 bpm • G Maj • 06:57 • -14.31db
30% Popularity • 50% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Tammy Blanchard
Suddenly Seymour
99 bpm • G Maj • 03:45 • -9.78db
44% Popularity • 37% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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The 'Les Misérables 2010' Company
One Day More - Live
82 bpm • D Maj • 03:40 • -8.94db
38% Popularity • 26% Danceability • 46% Energy • 74% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Original Cast of Billy Elliot
Once We Were Kings
99 bpm • F Maj • 04:14 • -9.75db
32% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Liz Callaway
The Story Goes On (Baby)
81 bpm • C Maj • 04:23 • -9.1db
10% Popularity • 26% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Christy Altomare
Journey to the Past
81 bpm • D# Maj • 03:16 • -10db
55% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Andrew Lloyd Webber
The Journey To The Heaviside Layer
97 bpm • D# Maj • 02:43 • -9.79db
26% Popularity • 35% Danceability • 35% Energy • 61% Liveness
5% Instrumentalness • 12% Positiveness
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Santino Fontana
"Me, Who Am I?"
100 bpm • G min • 02:24 • -6.43db
32% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Matt Rawle
Martin Guerre
81 bpm • D Maj • 02:55 • -15.12db
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Nicholas Barasch
Somewhere
81 bpm • D# Maj • 06:49 • -16db
23% Popularity • 34% Danceability • 5% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
37% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Liz Callaway
The Story Goes On
81 bpm • C Maj • 04:32 • -11.49db
14% Popularity • 27% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Andrew Lloyd Webber
The Ad-Dressing Of Cats
97 bpm • B Maj • 04:22 • -12.4db
24% Popularity • 34% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Close Every Door