Songs like Close for Comfort by Georgia Ruth
Based on a tempo of (+/- 10%) and a similar genre
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Rónán Ó Snodaigh
Tá'n T'ádh Liom
131 bpm • D Maj • 04:34 • -15.47db
31% Popularity • 49% Danceability • 29% Energy • 7% Liveness
40% Instrumentalness • 50% Positiveness
31% Popularity • 49% Danceability • 29% Energy • 7% Liveness
40% Instrumentalness • 50% Positiveness
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Georgia Ruth
The Doldrums
131 bpm • C Maj • 03:31 • -14.14db
4% Popularity • 35% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
4% Popularity • 35% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Jenny Sturgeon
The Plateau
131 bpm • D Maj • 03:02 • -17.32db
16% Popularity • 46% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 46% Danceability • 15% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Tasmanian Symphony Orchestra
Long Since Learned
131 bpm • D Maj • 03:26 • -13.86db
12% Popularity • 26% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 26% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Gentle Good
The Fisherman
132 bpm • F Maj • 05:11 • -11.41db
16% Popularity • 45% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
16% Popularity • 45% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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Clare Sands
Awe na Mná (Praise the Women)
130 bpm • G Maj • 03:39 • -9.87db
9% Popularity • 36% Danceability • 58% Energy • 28% Liveness
24% Instrumentalness • 12% Positiveness
9% Popularity • 36% Danceability • 58% Energy • 28% Liveness
24% Instrumentalness • 12% Positiveness
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Rónán Ó Snodaigh
Tá'n t'Áth Liom
131 bpm • D Maj • 04:27 • -13.76db
18% Popularity • 53% Danceability • 24% Energy • 8% Liveness
26% Instrumentalness • 48% Positiveness
18% Popularity • 53% Danceability • 24% Energy • 8% Liveness
26% Instrumentalness • 48% Positiveness
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Juni Habel
When We Awake
132 bpm • E Maj • 06:35 • -11.93db
9% Popularity • 31% Danceability • 27% Energy • 8% Liveness
48% Instrumentalness • 6% Positiveness
9% Popularity • 31% Danceability • 27% Energy • 8% Liveness
48% Instrumentalness • 6% Positiveness
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Georgia Ruth
Close for Comfort
131 bpm • G# Maj • 03:31 • -8.92db
7% Popularity • 53% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 54% Positiveness
7% Popularity • 53% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 54% Positiveness
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The Unthanks
The Month of January (Uncle Rat)
132 bpm • D Maj • 04:38 • -14.41db
10% Popularity • 40% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
10% Popularity • 40% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Ailbhe Reddy
Late Bloomer
130 bpm • C# min • 03:27 • -11.92db
13% Popularity • 57% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 57% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Sletta
Somewhere
130 bpm • A# Maj • 03:43 • -17.25db
16% Popularity • 41% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 41% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Pictish Trail
Slow Memories
130 bpm • G min • 03:49 • -9.62db
8% Popularity • 46% Danceability • 35% Energy • 10% Liveness
11% Instrumentalness • 21% Positiveness
8% Popularity • 46% Danceability • 35% Energy • 10% Liveness
11% Instrumentalness • 21% Positiveness
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Lady Maisery
hyperballad
130 bpm • G# Maj • 03:29 • -11.35db
17% Popularity • 68% Danceability • 25% Energy • 3% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 68% Danceability • 25% Energy • 3% Liveness
0% Instrumentalness • 12% Positiveness
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Nadine Khouri
Song of a Caged Bird
130 bpm • G# min • 04:12 • -9.12db
9% Popularity • 62% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 62% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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The Unthanks
My Singing Bird
132 bpm • C Maj • 07:05 • -15db
10% Popularity • 22% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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N’famady Kouyaté
Gadael y Dref
130 bpm • E min • 03:49 • -9.04db
9% Popularity • 69% Danceability • 58% Energy • 29% Liveness
2% Instrumentalness • 41% Positiveness
9% Popularity • 69% Danceability • 58% Energy • 29% Liveness
2% Instrumentalness • 41% Positiveness
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Rónán Ó Snodaigh
Yan Tyan
132 bpm • E Maj • 05:41 • -12.84db
10% Popularity • 64% Danceability • 37% Energy • 30% Liveness
6% Instrumentalness • 55% Positiveness
10% Popularity • 64% Danceability • 37% Energy • 30% Liveness
6% Instrumentalness • 55% Positiveness
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Dilettante
Unaware
130 bpm • C# Maj • 03:22 • -10.75db
16% Popularity • 51% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 51% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
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Mishra
Rolling English Road
130 bpm • D Maj • 04:10 • -11.53db
10% Popularity • 79% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 79% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Georgia Ruth
Good Milk
132 bpm • G Maj • 04:34 • -15.16db
2% Popularity • 50% Danceability • 29% Energy • 32% Liveness
39% Instrumentalness • 17% Positiveness
2% Popularity • 50% Danceability • 29% Energy • 32% Liveness
39% Instrumentalness • 17% Positiveness
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The Unthanks
The Old News
130 bpm • B min • 03:56 • -12.8db
17% Popularity • 37% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 37% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Amy May Ellis
Rain From The East
132 bpm • F Maj • 03:37 • -15.77db
10% Popularity • 41% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 41% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Laura Veirs
Ring Song
130 bpm • B min • 03:12 • -17db
8% Popularity • 61% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 41% Positiveness
8% Popularity • 61% Danceability • 22% Energy • 11% Liveness
22% Instrumentalness • 41% Positiveness
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Cara Dillon
Clear the Path
130 bpm • D min • 04:15 • -13.62db
24% Popularity • 32% Danceability • 19% Energy • 16% Liveness
3% Instrumentalness • 6% Positiveness
24% Popularity • 32% Danceability • 19% Energy • 16% Liveness
3% Instrumentalness • 6% Positiveness
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Saint Saviour
Animal, I
133 bpm • G Maj • 02:48 • -10.68db
16% Popularity • 62% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
16% Popularity • 62% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Cerys Hafana
The Bitter Withy
129 bpm • E min • 04:49 • -12.89db
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Liv Monaghan
Living Beat
129 bpm • C Maj • 04:51 • -11.42db
22% Popularity • 48% Danceability • 39% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
22% Popularity • 48% Danceability • 39% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Melin Melyn
Jelly Vs Blomonj
133 bpm • B Maj • 03:08 • -11.28db
9% Popularity • 44% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 44% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Outliers
The Longest Day
134 bpm • G Maj • 03:25 • -17.74db
13% Popularity • 42% Danceability • 34% Energy • 66% Liveness
1% Instrumentalness • 15% Positiveness
13% Popularity • 42% Danceability • 34% Energy • 66% Liveness
1% Instrumentalness • 15% Positiveness
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Gwenno
An Stevel Nowydh
128 bpm • C# min • 04:47 • -6.85db
20% Popularity • 68% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 80% Positiveness
20% Popularity • 68% Danceability • 67% Energy • 33% Liveness
1% Instrumentalness • 80% Positiveness
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Clara Mann
Thread
134 bpm • B Maj • 03:47 • -11.97db
6% Popularity • 39% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
6% Popularity • 39% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Lisa O'Neill
Bobby D
134 bpm • C min • 03:09 • -8.5db
11% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Unthanks
The Bay of Fundy
128 bpm • F# Maj • 04:29 • -13.22db
19% Popularity • 49% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 49% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Cat Power
A Pair Of Brown Eyes
128 bpm • G Maj • 03:42 • -13.65db
23% Popularity • 43% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 43% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Katy J Pearson
Willow's Song
135 bpm • B min • 04:33 • -6.68db
19% Popularity • 65% Danceability • 69% Energy • 8% Liveness
3% Instrumentalness • 85% Positiveness
19% Popularity • 65% Danceability • 69% Energy • 8% Liveness
3% Instrumentalness • 85% Positiveness
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Georgia Ruth
When I Was Blue
135 bpm • F Maj • 04:28 • -16.28db
3% Popularity • 65% Danceability • 22% Energy • 9% Liveness
23% Instrumentalness • 16% Positiveness
3% Popularity • 65% Danceability • 22% Energy • 9% Liveness
23% Instrumentalness • 16% Positiveness
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Amy May Ellis
Wild Geese
135 bpm • E Maj • 03:28 • -15.8db
14% Popularity • 72% Danceability • 33% Energy • 12% Liveness
21% Instrumentalness • 66% Positiveness
14% Popularity • 72% Danceability • 33% Energy • 12% Liveness
21% Instrumentalness • 66% Positiveness
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Jessie Buckley & Bernard Butler
Seven Red Rose Tattoos
127 bpm • G Maj • 05:00 • -22.2db
16% Popularity • 36% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 36% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Martha Zan
Completely Ours
135 bpm • G min • 02:55 • -13.19db
12% Popularity • 66% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 66% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Jenny Sturgeon
The Group
136 bpm • B Maj • 04:59 • -15.27db
10% Popularity • 40% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 40% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Anna Mieke
For a Time
127 bpm • G# min • 04:25 • -11.39db
20% Popularity • 47% Danceability • 40% Energy • 11% Liveness
16% Instrumentalness • 26% Positiveness
20% Popularity • 47% Danceability • 40% Energy • 11% Liveness
16% Instrumentalness • 26% Positiveness
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Colorama
Dere Mewn
136 bpm • G Maj • 02:39 • -12.17db
15% Popularity • 68% Danceability • 37% Energy • 13% Liveness
10% Instrumentalness • 35% Positiveness
15% Popularity • 68% Danceability • 37% Energy • 13% Liveness
10% Instrumentalness • 35% Positiveness
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The Rheingans Sisters
The Yellow of the Flowers
136 bpm • G Maj • 05:05 • -16.35db
13% Popularity • 38% Danceability • 14% Energy • 7% Liveness
30% Instrumentalness • 4% Positiveness
13% Popularity • 38% Danceability • 14% Energy • 7% Liveness
30% Instrumentalness • 4% Positiveness
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Ellie Ann
Deep Waters
136 bpm • B min • 04:05 • -15.95db
0% Popularity • 66% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
0% Popularity • 66% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Catbug
Kingfisher
136 bpm • C Maj • 02:31 • -16.42db
12% Popularity • 62% Danceability • 14% Energy • 11% Liveness
12% Instrumentalness • 70% Positiveness
12% Popularity • 62% Danceability • 14% Energy • 11% Liveness
12% Instrumentalness • 70% Positiveness
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Laura Jean
Folk Festival
136 bpm • C Maj • 03:57 • -9.25db
7% Popularity • 61% Danceability • 56% Energy • 9% Liveness
55% Instrumentalness • 49% Positiveness
7% Popularity • 61% Danceability • 56% Energy • 9% Liveness
55% Instrumentalness • 49% Positiveness
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We Met In June
Alice
126 bpm • B min • 03:18 • -8.2db
16% Popularity • 58% Danceability • 76% Energy • 38% Liveness
1% Instrumentalness • 54% Positiveness
16% Popularity • 58% Danceability • 76% Energy • 38% Liveness
1% Instrumentalness • 54% Positiveness
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Rachel Sermanni
Swallow Me
126 bpm • F# Maj • 03:40 • -15.23db
17% Popularity • 50% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 50% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Pina Palau
We've Got No Time At All
136 bpm • B Maj • 04:50 • -6.71db
20% Popularity • 41% Danceability • 51% Energy • 10% Liveness
7% Instrumentalness • 10% Positiveness
20% Popularity • 41% Danceability • 51% Energy • 10% Liveness
7% Instrumentalness • 10% Positiveness
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Susan O'Neill
Now You See It
126 bpm • C Maj • 03:30 • -8.44db
26% Popularity • 52% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 52% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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The Breath
Little One
126 bpm • E Maj • 03:57 • -10.51db
22% Popularity • 57% Danceability • 42% Energy • 10% Liveness
35% Instrumentalness • 23% Positiveness
22% Popularity • 57% Danceability • 42% Energy • 10% Liveness
35% Instrumentalness • 23% Positiveness
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Lisa O'Neill
John Joe Reilly
136 bpm • A Maj • 03:28 • -7.82db
25% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 48% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Anna Mieke
Red Sun
136 bpm • C Maj • 05:33 • -20.44db
14% Popularity • 34% Danceability • 16% Energy • 10% Liveness
69% Instrumentalness • 6% Positiveness
14% Popularity • 34% Danceability • 16% Energy • 10% Liveness
69% Instrumentalness • 6% Positiveness
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Lea Valentina
Blessed by the stars
126 bpm • A# min • 04:10 • -16.41db
16% Popularity • 51% Danceability • 18% Energy • 11% Liveness
15% Instrumentalness • 8% Positiveness
16% Popularity • 51% Danceability • 18% Energy • 11% Liveness
15% Instrumentalness • 8% Positiveness
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Samana
Live For The Road
136 bpm • G# Maj • 04:35 • -10.43db
8% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 55% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Nina Nastasia
This Is Love
126 bpm • G Maj • 03:10 • -13.69db
12% Popularity • 57% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 57% Danceability • 16% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Juni Habel
Chicory
126 bpm • E Maj • 03:51 • -9.52db
13% Popularity • 34% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 34% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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The Gentle Good
Pan own i ar foreddydd
137 bpm • C Maj • 03:49 • -12.44db
10% Popularity • 38% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
10% Popularity • 38% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 9% Positiveness
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Ronald Samson
Color Dream
126 bpm • F Maj • 03:11 • -13.42db
22% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Niamh Regan
Freeze Frame
125 bpm • C Maj • 03:26 • -10.1db
26% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Josienne Clarke
You Shadow
125 bpm • C Maj • 03:16 • -9.7db
8% Popularity • 62% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 62% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Laura Veirs
To the Country
125 bpm • A Maj • 05:08 • -10db
14% Popularity • 55% Danceability • 44% Energy • 29% Liveness
6% Instrumentalness • 36% Positiveness
14% Popularity • 55% Danceability • 44% Energy • 29% Liveness
6% Instrumentalness • 36% Positiveness
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Katherine Priddy
The Isle of Eigg
137 bpm • G min • 03:28 • -12.73db
25% Popularity • 41% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 41% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Lisa O'Neill
Birdy From Another Realm
125 bpm • G min • 05:12 • -8.39db
26% Popularity • 43% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 43% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Lilac Time
On The Last Day Of The Last Days Of Summ...
125 bpm • F Maj • 06:06 • -11.16db
8% Popularity • 68% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 68% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Gwenno
N.Y.C.A.W.
125 bpm • G Maj • 04:31 • -6.69db
17% Popularity • 85% Danceability • 49% Energy • 8% Liveness
14% Instrumentalness • 82% Positiveness
17% Popularity • 85% Danceability • 49% Energy • 8% Liveness
14% Instrumentalness • 82% Positiveness
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N’famady Kouyaté
Aros i Fi Yna
125 bpm • G min • 04:13 • -8.38db
11% Popularity • 61% Danceability • 87% Energy • 10% Liveness
20% Instrumentalness • 75% Positiveness
11% Popularity • 61% Danceability • 87% Energy • 10% Liveness
20% Instrumentalness • 75% Positiveness
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Alora Koutnik
Moonlight Over Madness
125 bpm • E min • 02:27 • -10.59db
10% Popularity • 40% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 40% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Josienne Clarke and Ben Walker
I Never Learned French
138 bpm • B Maj • 02:30 • -14.9db
29% Popularity • 37% Danceability • 23% Energy • 10% Liveness
17% Instrumentalness • 17% Positiveness
29% Popularity • 37% Danceability • 23% Energy • 10% Liveness
17% Instrumentalness • 17% Positiveness
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Georgia Ruth
A Slow Parade
124 bpm • C Maj • 05:43 • -6.92db
3% Popularity • 39% Danceability • 41% Energy • 16% Liveness
4% Instrumentalness • 12% Positiveness
3% Popularity • 39% Danceability • 41% Energy • 16% Liveness
4% Instrumentalness • 12% Positiveness
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Natalie Jane Hill
Little Teeth
138 bpm • A# Maj • 03:29 • -10.33db
9% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 40% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Angeline Morrison
Our Captain Cried
124 bpm • C# Maj • 02:39 • -17.73db
18% Popularity • 47% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 47% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Cerys Hafana
Y Môr O Wydr
124 bpm • G Maj • 03:05 • -12.71db
11% Popularity • 64% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 64% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Stella Sommer
The Eyes of the Singer
124 bpm • D Maj • 04:08 • -20.33db
10% Popularity • 37% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
10% Popularity • 37% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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your friend juniper
i made you weep
123 bpm • C Maj • 02:54 • -14.07db
21% Popularity • 44% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
21% Popularity • 44% Danceability • 12% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Jas Ratchford
Seconds
139 bpm • D Maj • 03:25 • -14.11db
17% Popularity • 52% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 52% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Heal & Harrow
Lilias
123 bpm • E min • 05:23 • -15.34db
12% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 54% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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James Yorkston
Choices, Like Wide Rivers
123 bpm • B min • 02:45 • -14.52db
9% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 51% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Katie Spencer
Take Your Time
123 bpm • A Maj • 03:28 • -10.6db
8% Popularity • 52% Danceability • 40% Energy • 18% Liveness
3% Instrumentalness • 12% Positiveness
8% Popularity • 52% Danceability • 40% Energy • 18% Liveness
3% Instrumentalness • 12% Positiveness
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Jenny Sturgeon
Frost and Snow
123 bpm • G min • 03:21 • -17.98db
11% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 54% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Katherine Priddy
Indigo
140 bpm • A# min • 04:14 • -8.99db
32% Popularity • 38% Danceability • 48% Energy • 36% Liveness
1% Instrumentalness • 14% Positiveness
32% Popularity • 38% Danceability • 48% Energy • 36% Liveness
1% Instrumentalness • 14% Positiveness
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STORRY
LIVE
140 bpm • G# Maj • 00:56 • -9.39db
23% Popularity • 67% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 67% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Spell Songs
Jay
140 bpm • B Maj • 04:03 • -10.4db
16% Popularity • 69% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
16% Popularity • 69% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Elsdeer
River River
140 bpm • F# min • 04:05 • -8.28db
21% Popularity • 60% Danceability • 63% Energy • 11% Liveness
31% Instrumentalness • 42% Positiveness
21% Popularity • 60% Danceability • 63% Energy • 11% Liveness
31% Instrumentalness • 42% Positiveness
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Rogue Jones
Triongl Dyfed
140 bpm • A Maj • 03:21 • -9.17db
9% Popularity • 47% Danceability • 79% Energy • 33% Liveness
85% Instrumentalness • 57% Positiveness
9% Popularity • 47% Danceability • 79% Energy • 33% Liveness
85% Instrumentalness • 57% Positiveness
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Laura Veirs
Autumn Song
140 bpm • C# min • 03:38 • -15.68db
11% Popularity • 66% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
11% Popularity • 66% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Tony Woodward
My Tiny Music Box
140 bpm • D Maj • 04:16 • -12.86db
30% Popularity • 52% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 52% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Ríoghnach Connolly
The Old Miner
123 bpm • D Maj • 05:55 • -9.58db
10% Popularity • 45% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 45% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Rachel Sermanni
Love My Love
140 bpm • B Maj • 03:28 • -21db
15% Popularity • 52% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
15% Popularity • 52% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Scott William Urquhart
Song For A Willow Tree
122 bpm • D Maj • 02:47 • -13.8db
13% Popularity • 27% Danceability • 27% Energy • 8% Liveness
97% Instrumentalness • 10% Positiveness
13% Popularity • 27% Danceability • 27% Energy • 8% Liveness
97% Instrumentalness • 10% Positiveness
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Georgia Ruth
Winter
140 bpm • D Maj • 05:53 • -11.38db
3% Popularity • 45% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
3% Popularity • 45% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
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Gerry Diver
My Margaret
122 bpm • E min • 05:15 • -15.47db
9% Popularity • 45% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 45% Danceability • 32% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Sleepwalk the Dog
Stay Away
122 bpm • B min • 03:38 • -13.58db
16% Popularity • 52% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
16% Popularity • 52% Danceability • 26% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Laura Veirs
Brick Layer
122 bpm • G# min • 02:30 • -12.96db
10% Popularity • 67% Danceability • 16% Energy • 9% Liveness
6% Instrumentalness • 26% Positiveness
10% Popularity • 67% Danceability • 16% Energy • 9% Liveness
6% Instrumentalness • 26% Positiveness
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Dafydd Owain
Gan Gwaith
122 bpm • C# Maj • 03:10 • -11.34db
8% Popularity • 77% Danceability • 55% Energy • 17% Liveness
29% Instrumentalness • 94% Positiveness
8% Popularity • 77% Danceability • 55% Energy • 17% Liveness
29% Instrumentalness • 94% Positiveness
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Katherine Priddy
Does She Hold You Like I Did
122 bpm • F# Maj • 04:05 • -11.55db
28% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Josienne Clarke
You Know Me Better
122 bpm • E Maj • 02:25 • -16.75db
17% Popularity • 64% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 15% Positiveness
17% Popularity • 64% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 15% Positiveness
