Songs like Closer Than Sisters by Abel Korzeniowski
Based on a tempo of (+/- 10%) and a similar genre
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Amelia Warner
Mary's Decision
68 bpm • D min • 02:27 • -15.2db
27% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
27% Popularity • 6% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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William Ross
Lonely Roscuro
68 bpm • A min • 01:15 • -36db
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
55% Popularity • 21% Danceability • 1% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Return to Your Ghost
68 bpm • G Maj • 03:55 • -18.95db
16% Popularity • 8% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Anne Nikitin
The Earth Spins
68 bpm • A# Maj • 01:49 • -18.97db
49% Popularity • 7% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Howard Shore
Spotlight
68 bpm • G Maj • 01:03 • -25.07db
40% Popularity • 25% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
40% Popularity • 25% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Abel Korzeniowski
Closer Than Sisters
68 bpm • F min • 03:15 • -20.24db
31% Popularity • 34% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 34% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Rohan Stevenson
Farewell to Gwen
67 bpm • A# min • 01:42 • -20db
41% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Clint Mansell
Blossoming Chestnut Trees
67 bpm • D min • 04:54 • -16.81db
20% Popularity • 7% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 7% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Amelia Warner
Rights Of Women
69 bpm • C Maj • 01:12 • -24db
32% Popularity • 26% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Guy Farley
Drawing
69 bpm • G min • 02:34 • -29.44db
33% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
33% Popularity • 9% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Peter Gregson
Marie-Claire's Toys
67 bpm • B min • 01:10 • -41.15db
30% Popularity • 25% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
30% Popularity • 25% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 29% Positiveness
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The Newton Brothers
The End
69 bpm • B min • 02:48 • -26.32db
30% Popularity • 33% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 33% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Let It End
67 bpm • B min • 06:45 • -18.87db
19% Popularity • 10% Danceability • 6% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
19% Popularity • 10% Danceability • 6% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
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Samuel Sim
When I'm Gone
69 bpm • C min • 02:32 • -21.85db
15% Popularity • 16% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Lullaby Variation
67 bpm • A# min • 01:41 • -22.17db
34% Popularity • 62% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
34% Popularity • 62% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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David Arnold
Who I Want to Be
67 bpm • A min • 02:42 • -20db
38% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 20% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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James Horner
Playing A Game Of "Go!"
67 bpm • D min • 03:33 • -28.84db
34% Popularity • 6% Danceability • 3% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
34% Popularity • 6% Danceability • 3% Energy • 7% Liveness
75% Instrumentalness • 3% Positiveness
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The Newton Brothers
Love Story
69 bpm • B min • 04:22 • -25db
32% Popularity • 16% Danceability • 4% Energy • 24% Liveness
83% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 4% Energy • 24% Liveness
83% Instrumentalness • 4% Positiveness
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Roque Baños
Separations
67 bpm • F min • 04:29 • -33.38db
22% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 1% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Nico Cartosio
Adagio For Strings And Storm
69 bpm • E min • 03:51 • -15.55db
26% Popularity • 6% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 6% Danceability • 13% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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West Dylan Thordson
Kevin & Casey
67 bpm • F min • 02:11 • -20.51db
49% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 25% Danceability • 19% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Fernando Velázquez
Allerdale Hall
69 bpm • G min • 06:19 • -14.87db
33% Popularity • 19% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 19% Danceability • 12% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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James Horner
Nash Descends Into Parcher's World
69 bpm • A# min • 04:38 • -32.79db
28% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Anne Dudley
The Blue Dress
67 bpm • D# Maj • 02:03 • -17.36db
23% Popularity • 17% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 23% Energy • 8% Liveness
75% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Allegiance
66 bpm • F Maj • 03:38 • -25.62db
18% Popularity • 6% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
18% Popularity • 6% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Anne Nikitin
Birth Of The Solar System
66 bpm • A# min • 01:42 • -20.74db
50% Popularity • 20% Danceability • 21% Energy • 12% Liveness
74% Instrumentalness • 3% Positiveness
50% Popularity • 20% Danceability • 21% Energy • 12% Liveness
74% Instrumentalness • 3% Positiveness
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Clint Mansell
First Snow
66 bpm • A min • 03:08 • -18db
34% Popularity • 20% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 20% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Thomas Newman
Private Citizen
70 bpm • G min • 01:35 • -32.58db
26% Popularity • 14% Danceability • 1% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
26% Popularity • 14% Danceability • 1% Energy • 9% Liveness
73% Instrumentalness • 13% Positiveness
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Carlos Rafael Rivera
The Scholar's Mate
70 bpm • F Maj • 01:18 • -19.62db
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
58% Popularity • 22% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Rob Lane
Guinevere
70 bpm • G Maj • 01:31 • -31.74db
43% Popularity • 16% Danceability • 2% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
43% Popularity • 16% Danceability • 2% Energy • 9% Liveness
19% Instrumentalness • 8% Positiveness
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Abel Korzeniowski
One Day Soon
70 bpm • C# Maj • 01:10 • -32.84db
38% Popularity • 45% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
38% Popularity • 45% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Anne Dudley
I Stopped Lying
66 bpm • F min • 01:29 • -22.58db
32% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Roque Baños
Camilla's Theme (Roque Baños Plays)
66 bpm • C# min • 01:59 • -26.16db
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
27% Popularity • 34% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Mark Isham
Frank Gehry
66 bpm • F Maj • 02:13 • -28db
38% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Jed Kurzel
The Child, Pt.1
70 bpm • A Maj • 02:06 • -25db
30% Popularity • 20% Danceability • 3% Energy • 23% Liveness
90% Instrumentalness • 3% Positiveness
30% Popularity • 20% Danceability • 3% Energy • 23% Liveness
90% Instrumentalness • 3% Positiveness
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Thomas Newman
Angela Undress
71 bpm • E min • 01:43 • -31.23db
36% Popularity • 22% Danceability • 4% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Magnificent, Isn't It
71 bpm • E min • 02:11 • -18.96db
34% Popularity • 21% Danceability • 9% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
34% Popularity • 21% Danceability • 9% Energy • 8% Liveness
98% Instrumentalness • 5% Positiveness
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Aaron Zigman
Diana
65 bpm • G min • 02:32 • -34.84db
30% Popularity • 30% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
30% Popularity • 30% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 13% Positiveness
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Jóhann Jóhannsson
Collapsing Inwards
65 bpm • C Maj • 02:17 • -21.59db
40% Popularity • 20% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 3% Positiveness
40% Popularity • 20% Danceability • 11% Energy • 14% Liveness
83% Instrumentalness • 3% Positiveness
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James Horner
Closing Credits
65 bpm • D min • 04:28 • -25.54db
29% Popularity • 13% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Steven Price
You Stop My Heart
71 bpm • E min • 01:17 • -32.96db
43% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 20% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Nicholas Britell
Hymn - Mvmt 2: Lament
65 bpm • G min • 03:41 • -22.96db
36% Popularity • 23% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 23% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Guardian Angels
65 bpm • G min • 03:15 • -31.26db
18% Popularity • 20% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 6% Positiveness
18% Popularity • 20% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 6% Positiveness
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Amelia Warner
We Shall Become The Same
71 bpm • A min • 01:34 • -16.57db
29% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 24% Liveness
88% Instrumentalness • 3% Positiveness
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Rob Lane
The Burdens of Duty
72 bpm • C min • 02:11 • -24db
40% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
40% Popularity • 19% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Stephen Warbeck
A Nation Died
64 bpm • D min • 01:42 • -17.8db
49% Popularity • 18% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
49% Popularity • 18% Danceability • 13% Energy • 12% Liveness
77% Instrumentalness • 5% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
34% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
To Be Beautiful Is To Be Almost Dead
72 bpm • G# Maj • 02:48 • -29.26db
16% Popularity • 18% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Thomas Newman
Resilience
73 bpm • A# Maj • 02:30 • -33db
26% Popularity • 30% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
26% Popularity • 30% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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David Arnold
Vesper
64 bpm • A min • 01:44 • -23.64db
51% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
51% Popularity • 24% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Jeff Russo
Sweet Brutal Suite
72 bpm • D Maj • 03:12 • -26.76db
12% Popularity • 27% Danceability • 0% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
12% Popularity • 27% Danceability • 0% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
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The Newton Brothers
Beginning of the End Movement VI
73 bpm • A min • 03:50 • -21db
29% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
29% Popularity • 7% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Then We Are Together
73 bpm • A# Maj • 02:41 • -28.89db
18% Popularity • 18% Danceability • 3% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 3% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Back Hand Of God
73 bpm • C min • 02:22 • -19.24db
21% Popularity • 14% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
21% Popularity • 14% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Nicholas Britell
The Middle of the World
64 bpm • G min • 02:02 • -14.76db
49% Popularity • 33% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
49% Popularity • 33% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
22% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
22% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Edward Shearmur
Bluebird - K-Pax
64 bpm • G# min • 03:52 • -22.28db
35% Popularity • 18% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 4% Energy • 8% Liveness
75% Instrumentalness • 5% Positiveness
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Steven Price
Aurora Borealis
73 bpm • D Maj • 01:43 • -43db
36% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 22% Danceability • 0% Energy • 22% Liveness
0% Instrumentalness • 7% Positiveness
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Jeff Beal
Making History
63 bpm • G min • 05:34 • -18.52db
30% Popularity • 12% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
30% Popularity • 12% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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Johannes Bornlöf
The Lost Cities
73 bpm • E Maj • 02:20 • -16.63db
35% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Amelia Warner
My Sanctuary
63 bpm • F Maj • 03:01 • -17.37db
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
40% Popularity • 8% Danceability • 14% Energy • 24% Liveness
19% Instrumentalness • 7% Positiveness
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Marco Beltrami
Friendship Theme
73 bpm • G Maj • 01:58 • -18db
29% Popularity • 18% Danceability • 21% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
29% Popularity • 18% Danceability • 21% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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John Murphy
Kiss of Death (Requiem in D Minor)
73 bpm • D min • 02:52 • -14.85db
26% Popularity • 15% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
26% Popularity • 15% Danceability • 8% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Mychael Danna
Tsimtsum
63 bpm • F# min • 02:49 • -20.38db
51% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
Everyone Likes Oranges
74 bpm • A# min • 01:44 • -31.78db
32% Popularity • 20% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
32% Popularity • 20% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Peter Gundry
The Nocturnal
63 bpm • C# min • 03:44 • -21.62db
25% Popularity • 43% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 43% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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The Newton Brothers
The Haunting of Hill House (Main Titles)
63 bpm • F Maj • 01:06 • -15.33db
40% Popularity • 23% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
40% Popularity • 23% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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Howard Shore
Breath of Life
74 bpm • D# min • 05:07 • -20.91db
44% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
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George Fenton
A Sepulchre
74 bpm • A Maj • 02:56 • -28.09db
21% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Six Hours
62 bpm • A min • 03:30 • -16.75db
33% Popularity • 22% Danceability • 24% Energy • 18% Liveness
73% Instrumentalness • 4% Positiveness
33% Popularity • 22% Danceability • 24% Energy • 18% Liveness
73% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
A Normal Family
74 bpm • A min • 01:41 • -21.09db
49% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
49% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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The Newton Brothers
Beginning of the End Movement I
74 bpm • F Maj • 03:28 • -22.72db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Fernando Velázquez
The House
74 bpm • C# Maj • 01:48 • -19db
24% Popularity • 7% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 7% Danceability • 14% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Peter Gregson
End Roller
75 bpm • D# Maj • 03:21 • -37.36db
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
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Nicholas Britell
Rondo in F Minor for Piano and Orchestra...
74 bpm • C# Maj • 01:27 • -15db
49% Popularity • 53% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
49% Popularity • 53% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Abel Korzeniowski
There Is A Place
62 bpm • A min • 02:04 • -24.28db
25% Popularity • 36% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
25% Popularity • 36% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
49% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
49% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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The Newton Brothers
Beginning of the End Movement V
74 bpm • C Maj • 03:47 • -22db
45% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Stephen Warbeck
The Amendment
75 bpm • D# Maj • 01:22 • -22.53db
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
47% Popularity • 17% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Rhian Sheehan
Mother
62 bpm • F Maj • 01:18 • -30.74db
45% Popularity • 18% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 18% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Peter Gundry
Dining With Lectre
75 bpm • G min • 03:34 • -15.07db
43% Popularity • 18% Danceability • 20% Energy • 7% Liveness
73% Instrumentalness • 8% Positiveness
43% Popularity • 18% Danceability • 20% Energy • 7% Liveness
73% Instrumentalness • 8% Positiveness
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Abel Korzeniowski
Abdication
75 bpm • G min • 05:21 • -17db
32% Popularity • 21% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Guy Farley
Wake of Death - Reunited
61 bpm • C min • 02:34 • -17db
46% Popularity • 14% Danceability • 14% Energy • 17% Liveness
97% Instrumentalness • 10% Positiveness
46% Popularity • 14% Danceability • 14% Energy • 17% Liveness
97% Instrumentalness • 10% Positiveness
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The Newton Brothers
Beginning of the End Movement VII
74 bpm • A min • 03:42 • -20.09db
28% Popularity • 31% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Eli's Theme
76 bpm • F min • 02:40 • -13db
29% Popularity • 18% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 8% Positiveness
29% Popularity • 18% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 8% Positiveness
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Amelia Warner
Mary's Nightmare
76 bpm • A min • 02:59 • -18.23db
17% Popularity • 18% Danceability • 13% Energy • 5% Liveness
98% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 5% Liveness
98% Instrumentalness • 3% Positiveness
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Amie Doherty
The Life You Were Living
76 bpm • A# min • 01:19 • -17.1db
32% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 7% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
In Peace
61 bpm • F min • 01:33 • -19.21db
30% Popularity • 23% Danceability • 14% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
30% Popularity • 23% Danceability • 14% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
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Stephen Warbeck
Princess of Nowhere
76 bpm • G min • 03:51 • -21.54db
28% Popularity • 18% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
28% Popularity • 18% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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The Newton Brothers
Flora
75 bpm • F# min • 01:22 • -20.55db
27% Popularity • 28% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
27% Popularity • 28% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Volmer's Lab
76 bpm • A min • 03:32 • -27.3db
13% Popularity • 15% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Abel Korzeniowski
Rejection
61 bpm • G min • 02:34 • -18.74db
26% Popularity • 17% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
26% Popularity • 17% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Peter Gregson
Travelling to Marly
76 bpm • B min • 03:23 • -25.99db
19% Popularity • 9% Danceability • 2% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
19% Popularity • 9% Danceability • 2% Energy • 13% Liveness
73% Instrumentalness • 4% Positiveness
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The Newton Brothers
The Great, Good Place
75 bpm • G min • 01:35 • -18.57db
30% Popularity • 28% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
30% Popularity • 28% Danceability • 10% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
