Songs like Cloud Atlas Opening Title by Tom Tykwer
Based on a tempo of (+/- 10%) and a similar genre
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Steven Price
The Lions Theme
140 bpm • C# min • 04:40 • -18.84db
25% Popularity • 34% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
25% Popularity • 34% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
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Rupert Gregson-Williams
Your Majesty
140 bpm • A# Maj • 04:14 • -14.86db
43% Popularity • 32% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
43% Popularity • 32% Danceability • 28% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Thomas Bergersen
Autumn Love
140 bpm • C min • 04:01 • -23.23db
35% Popularity • 47% Danceability • 11% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 47% Danceability • 11% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Jean-Pierre Taïeb
Theme from "The Divide"
140 bpm • F min • 02:00 • -31.39db
27% Popularity • 42% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
27% Popularity • 42% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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David Buckley
Hitting the Fan
140 bpm • A min • 04:15 • -17db
16% Popularity • 74% Danceability • 34% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
16% Popularity • 74% Danceability • 34% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
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Craig Armstrong
All Lit Up
140 bpm • G Maj • 02:22 • -25.52db
24% Popularity • 29% Danceability • 10% Energy • 11% Liveness
37% Instrumentalness • 8% Positiveness
24% Popularity • 29% Danceability • 10% Energy • 11% Liveness
37% Instrumentalness • 8% Positiveness
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Ingo Ludwig Frenzel
Main Theme Title Sequence (Bonus Track)
140 bpm • F Maj • 02:05 • -21.47db
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Rupert Gregson-Williams
Bounden Duty
140 bpm • G min • 03:35 • -19db
34% Popularity • 36% Danceability • 9% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 36% Danceability • 9% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
First Love Touch
140 bpm • F Maj • 03:54 • -15.35db
13% Popularity • 14% Danceability • 15% Energy • 47% Liveness
83% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 15% Energy • 47% Liveness
83% Instrumentalness • 3% Positiveness
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Michael Giacchino
Super 8 Suite
139 bpm • F Maj • 05:54 • -16.38db
20% Popularity • 16% Danceability • 12% Energy • 40% Liveness
81% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 12% Energy • 40% Liveness
81% Instrumentalness • 4% Positiveness
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Nicholas Britell
Minuet in B Minor
141 bpm • C Maj • 01:37 • -14db
43% Popularity • 54% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
43% Popularity • 54% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Pinar Toprak
Lost Love
139 bpm • E min • 06:19 • -19.31db
35% Popularity • 18% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 12% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
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Rob Simonsen
To a Future with an End
139 bpm • D# Maj • 01:41 • -17.13db
32% Popularity • 15% Danceability • 37% Energy • 8% Liveness
99% Instrumentalness • 5% Positiveness
32% Popularity • 15% Danceability • 37% Energy • 8% Liveness
99% Instrumentalness • 5% Positiveness
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Rupert Gregson-Williams
I Could Have Killed Him
139 bpm • B min • 02:20 • -23.4db
41% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
41% Popularity • 14% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Don Davis
Welcome To The Real World
142 bpm • C min • 02:28 • -31.07db
26% Popularity • 14% Danceability • 2% Energy • 8% Liveness
47% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 2% Energy • 8% Liveness
47% Instrumentalness • 4% Positiveness
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Michael Giacchino
Oceanic 815
139 bpm • C Maj • 06:11 • -29.64db
24% Popularity • 14% Danceability • 5% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 5% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
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Steve Jablonsky
The Battle Room
138 bpm • G min • 03:03 • -17db
42% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Peter Gregson
A Little Chaos
138 bpm • D# Maj • 05:37 • -15.01db
45% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
45% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Nicholas Hooper
Opening
142 bpm • G Maj • 02:54 • -21.7db
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
47% Popularity • 22% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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Max Richter
The Shores of Scotland
143 bpm • B min • 01:51 • -12.34db
34% Popularity • 14% Danceability • 46% Energy • 14% Liveness
93% Instrumentalness • 35% Positiveness
34% Popularity • 14% Danceability • 46% Energy • 14% Liveness
93% Instrumentalness • 35% Positiveness
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Martin Phipps
Get off My Land
137 bpm • G# min • 02:26 • -21.14db
19% Popularity • 16% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Éric Serra
Leeloo
137 bpm • C# Maj • 04:55 • -23.53db
26% Popularity • 15% Danceability • 8% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 8% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Lone Survivor
143 bpm • G Maj • 03:37 • -21.57db
41% Popularity • 27% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
41% Popularity • 27% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Klaus Badelt
Professor Alexander Hartdegen
137 bpm • A min • 03:26 • -17db
29% Popularity • 27% Danceability • 22% Energy • 24% Liveness
52% Instrumentalness • 16% Positiveness
29% Popularity • 27% Danceability • 22% Energy • 24% Liveness
52% Instrumentalness • 16% Positiveness
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The Chamber Orchestra Of London
Fashion
136 bpm • D Maj • 01:20 • -13.65db
43% Popularity • 17% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
43% Popularity • 17% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Max Richter
A Claim to the Throne
137 bpm • G min • 03:05 • -17.35db
20% Popularity • 31% Danceability • 32% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
20% Popularity • 31% Danceability • 32% Energy • 12% Liveness
76% Instrumentalness • 11% Positiveness
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M83
You Can't Save Her
144 bpm • G# min • 04:56 • -16.96db
29% Popularity • 14% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
29% Popularity • 14% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Marc Streitenfeld
Destiny
144 bpm • A min • 03:36 • -17db
45% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
45% Popularity • 19% Danceability • 18% Energy • 4% Liveness
95% Instrumentalness • 10% Positiveness
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Rupert Gregson-Williams
Where Does That Leave Me?
136 bpm • D min • 01:39 • -23.21db
44% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Ryan Amon
Heaven And Earth
145 bpm • G# Maj • 04:25 • -26db
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Nicholas Britell
Hymn - Mvmt 3: Elegy
135 bpm • G min • 02:46 • -20.27db
40% Popularity • 15% Danceability • 14% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
40% Popularity • 15% Danceability • 14% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Ólafur Arnalds
Suspects
145 bpm • D# min • 02:46 • -14.8db
25% Popularity • 19% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Forgotten Overture - Finding Neverland/S...
135 bpm • A min • 03:31 • -19.03db
24% Popularity • 42% Danceability • 11% Energy • 6% Liveness
87% Instrumentalness • 12% Positiveness
24% Popularity • 42% Danceability • 11% Energy • 6% Liveness
87% Instrumentalness • 12% Positiveness
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Jacob Shea
European Macaques
135 bpm • F Maj • 06:04 • -17.54db
17% Popularity • 23% Danceability • 19% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 19% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Clinton Shorter
District 9
135 bpm • C min • 06:28 • -13.04db
29% Popularity • 18% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
29% Popularity • 18% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
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Rob Lane
Funeral Rites
146 bpm • C# Maj • 01:31 • -27.64db
32% Popularity • 13% Danceability • 14% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
32% Popularity • 13% Danceability • 14% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Johnny Klimek
My Dream Ended Here
134 bpm • F min • 03:13 • -14.32db
22% Popularity • 16% Danceability • 26% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 26% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Michael Giacchino
Sub Prime Directive
148 bpm • D# Maj • 02:24 • -11.32db
37% Popularity • 19% Danceability • 43% Energy • 7% Liveness
82% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 43% Energy • 7% Liveness
82% Instrumentalness • 7% Positiveness
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Samuel Sim
The Southerners
132 bpm • F Maj • 02:46 • -12.65db
11% Popularity • 52% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
11% Popularity • 52% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Harald Kloser
President's Speech
133 bpm • A min • 04:20 • -21.1db
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Steven Price
Debris
132 bpm • A Maj • 04:24 • -18.2db
27% Popularity • 16% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
27% Popularity • 16% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Justin Hurwitz
Houston
132 bpm • D# min • 02:16 • -20.76db
34% Popularity • 77% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 83% Positiveness
34% Popularity • 77% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 83% Positiveness
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Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
37% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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John Ottman
Hope (Xavier's Theme)
132 bpm • A min • 04:48 • -21.29db
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
53% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme
132 bpm • E min • 02:41 • -26.3db
53% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
53% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Jeff Beal
More Courage
149 bpm • E min • 03:12 • -20.84db
15% Popularity • 12% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 12% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Nicholas Britell
Antiphon
150 bpm • C min • 02:16 • -18.8db
45% Popularity • 49% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
45% Popularity • 49% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Atli Örvarsson
Flight To Nome
150 bpm • F Maj • 03:07 • -18.22db
13% Popularity • 15% Danceability • 45% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 45% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
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Michael Giacchino
Win One For The Reaper
130 bpm • A# Maj • 02:39 • -41.51db
29% Popularity • 37% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
29% Popularity • 37% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Jamin Winans
Who You Were
130 bpm • A min • 03:02 • -19.31db
24% Popularity • 59% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
24% Popularity • 59% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme Atmospheric
131 bpm • A min • 02:50 • -20.11db
31% Popularity • 23% Danceability • 7% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
31% Popularity • 23% Danceability • 7% Energy • 10% Liveness
69% Instrumentalness • 4% Positiveness
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Michael Price
Status Symbols
130 bpm • D min • 02:33 • -20.13db
21% Popularity • 24% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
21% Popularity • 24% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Clinton Shorter
Prawnkus
130 bpm • G# Maj • 04:00 • -22db
35% Popularity • 16% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Truths
129 bpm • A min • 01:54 • -23.69db
42% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
42% Popularity • 25% Danceability • 11% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Fernando Velázquez
Buffalo
129 bpm • G Maj • 02:08 • -21.93db
21% Popularity • 29% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
21% Popularity • 29% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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M83
I'm Sending You Away
128 bpm • E min • 05:38 • -15.8db
44% Popularity • 26% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
44% Popularity • 26% Danceability • 13% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Justin Hurwitz
Apollo 11 Launch
129 bpm • B min • 05:50 • -16.9db
31% Popularity • 20% Danceability • 44% Energy • 10% Liveness
74% Instrumentalness • 10% Positiveness
31% Popularity • 20% Danceability • 44% Energy • 10% Liveness
74% Instrumentalness • 10% Positiveness
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Rupert Gregson-Williams
Headlines
128 bpm • G# Maj • 04:24 • -16db
37% Popularity • 44% Danceability • 29% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
37% Popularity • 44% Danceability • 29% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Why Does She Have To Die? - Finding Neve...
154 bpm • A Maj • 02:05 • -18.08db
36% Popularity • 11% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Klaus Badelt
Reunion
128 bpm • F Maj • 01:14 • -27.45db
40% Popularity • 20% Danceability • 6% Energy • 35% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 6% Energy • 35% Liveness
96% Instrumentalness • 4% Positiveness
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Lorne Balfe
Forbidden Love
127 bpm • C min • 03:05 • -11.6db
17% Popularity • 21% Danceability • 30% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
17% Popularity • 21% Danceability • 30% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Craig Armstrong
Buchanan Mansion And Daisy Suite
126 bpm • C Maj • 03:53 • -23db
22% Popularity • 17% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Adam Taylor
Their First Time
126 bpm • C Maj • 01:35 • -21db
35% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
35% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Johnny Klimek
Space Out
156 bpm • D min • 03:49 • -13.48db
22% Popularity • 34% Danceability • 31% Energy • 18% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 34% Danceability • 31% Energy • 18% Liveness
95% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Impossible Opening - Finding Neverland/S...
155 bpm • A min • 03:26 • -17.97db
27% Popularity • 28% Danceability • 19% Energy • 26% Liveness
82% Instrumentalness • 16% Positiveness
27% Popularity • 28% Danceability • 19% Energy • 26% Liveness
82% Instrumentalness • 16% Positiveness
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Steve Jablonsky
Battle School
158 bpm • D Maj • 01:55 • -23db
32% Popularity • 45% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 41% Positiveness
32% Popularity • 45% Danceability • 38% Energy • 10% Liveness
86% Instrumentalness • 41% Positiveness
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Lorne Balfe
Truth, Goodness and Beauty
155 bpm • A min • 03:53 • -13.92db
19% Popularity • 54% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
19% Popularity • 54% Danceability • 34% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
30% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Trevor Morris
Wolsey Commits Suicide / Finale
158 bpm • D min • 04:21 • -17.83db
30% Popularity • 14% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
30% Popularity • 14% Danceability • 27% Energy • 12% Liveness
97% Instrumentalness • 14% Positiveness
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Nicholas Britell
Opening Music
123 bpm • A min • 03:04 • -23.12db
15% Popularity • 38% Danceability • 13% Energy • 12% Liveness
71% Instrumentalness • 5% Positiveness
15% Popularity • 38% Danceability • 13% Energy • 12% Liveness
71% Instrumentalness • 5% Positiveness
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Junkie XL
Let Them Up
123 bpm • C Maj • 02:36 • -11.11db
28% Popularity • 17% Danceability • 46% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
28% Popularity • 17% Danceability • 46% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Jeff Beal
I've Known Everything
123 bpm • C min • 04:39 • -16.49db
28% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
28% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Chris Tilton
A New Day In The Old Town
160 bpm • C min • 01:44 • -22.27db
31% Popularity • 56% Danceability • 17% Energy • 18% Liveness
94% Instrumentalness • 22% Positiveness
31% Popularity • 56% Danceability • 17% Energy • 18% Liveness
94% Instrumentalness • 22% Positiveness
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Tan Dun
For the World
122 bpm • A min • 04:18 • -20db
29% Popularity • 17% Danceability • 14% Energy • 21% Liveness
80% Instrumentalness • 14% Positiveness
29% Popularity • 17% Danceability • 14% Energy • 21% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
Steven Price
Tiangong
122 bpm • D min • 06:28 • -16.96db
24% Popularity • 17% Danceability • 27% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 27% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
David Arnold
The Woman
122 bpm • A min • 02:31 • -22.24db
32% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
32% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Jed Kurzel
The Covenant
121 bpm • C# Maj • 03:25 • -21.33db
29% Popularity • 21% Danceability • 14% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
29% Popularity • 21% Danceability • 14% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Guy Farley
Awakening
121 bpm • G Maj • 01:10 • -34db
51% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
51% Popularity • 48% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
Martin Phipps
Vasily
162 bpm • G# Maj • 01:07 • -17.86db
26% Popularity • 21% Danceability • 28% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 28% Energy • 18% Liveness
87% Instrumentalness • 4% Positiveness
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Michael Giacchino
London Calling
121 bpm • F min • 02:10 • -26.23db
37% Popularity • 29% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
37% Popularity • 29% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
37% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Zbigniew Preisner
Leaving The Docks
121 bpm • E min • 01:29 • -23db
40% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
40% Popularity • 34% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 6% Positiveness
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Lorne Balfe
Time and Space
120 bpm • G min • 01:37 • -17.55db
15% Popularity • 23% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
15% Popularity • 23% Danceability • 18% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Rupert Gregson-Williams
Future King
120 bpm • A# min • 02:21 • -16.2db
44% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 33% Danceability • 22% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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M83
Fearful Odds
120 bpm • F min • 03:09 • -12.85db
48% Popularity • 40% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
48% Popularity • 40% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Ceiling Games
120 bpm • F Maj • 02:17 • -13db
50% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
50% Popularity • 37% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Steven Price
Norman
120 bpm • A# Maj • 02:50 • -16.45db
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
52% Popularity • 29% Danceability • 47% Energy • 14% Liveness
88% Instrumentalness • 8% Positiveness
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Steve Jablonsky
The Island Awaits You
120 bpm • A min • 02:21 • -19.1db
34% Popularity • 18% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 27% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Roque Baños
Chase Walking Nantucket
120 bpm • D min • 02:05 • -16db
24% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 51% Danceability • 60% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Harry Escott
Unravelling
120 bpm • C min • 09:35 • -20db
24% Popularity • 22% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
24% Popularity • 22% Danceability • 21% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Trevor Rabin
Page 47
120 bpm • D min • 02:39 • -11.81db
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
45% Popularity • 23% Danceability • 34% Energy • 33% Liveness
36% Instrumentalness • 7% Positiveness
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Guy Farley
Suzy
120 bpm • D min • 03:15 • -22.16db
12% Popularity • 25% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 25% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Sagana
120 bpm • D min • 04:32 • -28.13db
32% Popularity • 17% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
32% Popularity • 17% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Johnny Klimek
Mr. Clay
120 bpm • C min • 04:28 • -13.9db
18% Popularity • 32% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
18% Popularity • 32% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Jeff Russo
The Night Of - Main Title Extended: Pian...
120 bpm • F# min • 02:10 • -19.43db
18% Popularity • 44% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
18% Popularity • 44% Danceability • 9% Energy • 9% Liveness
83% Instrumentalness • 8% Positiveness
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Harry Escott
Brandon
120 bpm • G min • 08:27 • -24db
26% Popularity • 32% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
26% Popularity • 32% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
