Songs like Coconut Woman by Harry Belafonte
Based on a tempo of (+/- 10%) and a similar genre
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Tony Orlando & Dawn
Tie a Yellow Ribbon Round the Ole Oak Tr...
88 bpm • F Maj • 03:27 • -7.47db
55% Popularity • 57% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 57% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Chubby Checker
Limbo Rock
87 bpm • G# Maj • 02:28 • -4.81db
45% Popularity • 74% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
45% Popularity • 74% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Harry Belafonte
Matilda
87 bpm • G# Maj • 03:13 • -8.83db
24% Popularity • 65% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 65% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Etta James
At Last
87 bpm • F Maj • 02:59 • -8.63db
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
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Patti Page
Tennessee Waltz
87 bpm • F Maj • 03:01 • -15db
50% Popularity • 48% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
50% Popularity • 48% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Trini Lopez
If i Had A Hammer
87 bpm • D Maj • 02:57 • -8.21db
43% Popularity • 54% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 54% Danceability • 94% Energy • 94% Liveness
0% Instrumentalness • 92% Positiveness
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Georgie Fame & The Blue Flames
Yeh, Yeh
89 bpm • D# Maj • 02:44 • -9.38db
49% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Chubby Checker
Limbo Rock
89 bpm • G# Maj • 02:24 • -4.91db
36% Popularity • 78% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 78% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Harry Belafonte
Matilda
87 bpm • G# Maj • 03:40 • -6.28db
11% Popularity • 55% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 55% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Wilson Pickett
Land of 1000 Dances
87 bpm • D Maj • 02:26 • -11.62db
66% Popularity • 62% Danceability • 59% Energy • 35% Liveness
3% Instrumentalness • 77% Positiveness
66% Popularity • 62% Danceability • 59% Energy • 35% Liveness
3% Instrumentalness • 77% Positiveness
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Peter, Paul and Mary
If I Had a Hammer
90 bpm • A Maj • 02:10 • -9.3db
38% Popularity • 47% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 47% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 51% Positiveness
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Alan Greene
Fifteen
90 bpm • G Maj • 02:49 • -15db
6% Popularity • 44% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
6% Popularity • 44% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Andy Williams
A Summer Place
90 bpm • G min • 02:34 • -15.45db
51% Popularity • 39% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 39% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Phil Phillips
Sea of Love
86 bpm • G Maj • 02:22 • -10db
46% Popularity • 40% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 40% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Harry Belafonte
Zombie Jamboree (Back To Back)
87 bpm • G Maj • 03:19 • -8.52db
26% Popularity • 72% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 72% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 95% Positiveness
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Bill Haley & His Comets
(We're Gonna) Rock Around The Clock
91 bpm • A Maj • 02:09 • -6.32db
65% Popularity • 81% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
65% Popularity • 81% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Brian Hyland
Sealed With A Kiss
91 bpm • F min • 02:42 • -10db
58% Popularity • 45% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 45% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Bobby Vinton
Mr. Lonely
84 bpm • E Maj • 02:40 • -14.34db
47% Popularity • 37% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 37% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Jackie Wilson
Reet Petite
84 bpm • F Maj • 02:49 • -7db
56% Popularity • 66% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 66% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Billy Joel
The Longest Time
84 bpm • D# Maj • 03:37 • -9.6db
66% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
66% Popularity • 64% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Harry Belafonte
Matilda
87 bpm • C# min • 03:35 • -9.88db
42% Popularity • 60% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 60% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Simon & Garfunkel
Mrs. Robinson
92 bpm • F# min • 04:04 • -14.04db
77% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
77% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Culture Club
Karma Chameleon - Remastered 2002
92 bpm • A# Maj • 04:12 • -7.18db
76% Popularity • 67% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
76% Popularity • 67% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 89% Positiveness
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Melanie
Brand New Key
84 bpm • C# Maj • 02:27 • -10.92db
56% Popularity • 70% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
56% Popularity • 70% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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The Platters
Only You (And You Alone)
84 bpm • D# Maj • 02:46 • -10.81db
61% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
61% Popularity • 39% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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War
Why Can't We Be Friends
92 bpm • A# Maj • 03:50 • -10.09db
62% Popularity • 78% Danceability • 68% Energy • 48% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 78% Danceability • 68% Energy • 48% Liveness
0% Instrumentalness • 96% Positiveness
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Harry Belafonte
Gloria
86 bpm • F# Maj • 03:10 • -11.72db
22% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 66% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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The Mamas & The Papas
Dream A Little Dream Of Me
93 bpm • G Maj • 03:14 • -13.14db
75% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
75% Popularity • 41% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Chuck Berry
Roll Over Beethoven
93 bpm • D# Maj • 02:24 • -10.15db
60% Popularity • 72% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
60% Popularity • 72% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Tom Jones
It's Not Unusual
93 bpm • C Maj • 01:59 • -10.02db
76% Popularity • 48% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
76% Popularity • 48% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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The Platters
Goodnight Sweetheart (It's Time To Go)
93 bpm • G min • 02:17 • -12db
37% Popularity • 76% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 76% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Miriam Makeba
To Those We Love - Nongqongqo
93 bpm • E Maj • 02:19 • -9db
20% Popularity • 47% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 47% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Harry Belafonte
Mama Look A Boo Boo
86 bpm • F# Maj • 03:01 • -8db
21% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Buddy Holly
True Love Ways
83 bpm • A# Maj • 02:48 • -18.74db
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
57% Popularity • 28% Danceability • 14% Energy • 21% Liveness
6% Instrumentalness • 31% Positiveness
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Jimmy Soul
If You Wanna Be Happy
93 bpm • A# Maj • 02:23 • -8.34db
57% Popularity • 67% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 67% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Dinah Washington
What A Diff'rence A Day Made
94 bpm • C Maj • 02:31 • -17.8db
65% Popularity • 39% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
65% Popularity • 39% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Bobby Darin
Mack the Knife
83 bpm • D# min • 03:04 • -12.29db
60% Popularity • 55% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
60% Popularity • 55% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Elaine Stritch
Are You Having Any Fun?
83 bpm • D Maj • 02:03 • -8.44db
45% Popularity • 49% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 49% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Harry Belafonte
Angelique-O
91 bpm • F Maj • 02:44 • -12.66db
26% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 58% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Mungo Jerry
In the Summertime
83 bpm • E Maj • 03:31 • -14.01db
69% Popularity • 75% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
69% Popularity • 75% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Yusuf / Cat Stevens
Peace Train - Remastered 2021
82 bpm • C Maj • 04:13 • -8.86db
68% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
68% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Bobby Vee
Take Good Care Of My Baby
83 bpm • C# Maj • 02:29 • -11db
58% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Tommy James & The Shondells
Crimson and Clover (Single Version)
82 bpm • B Maj • 03:28 • -12.28db
62% Popularity • 40% Danceability • 59% Energy • 18% Liveness
3% Instrumentalness • 65% Positiveness
62% Popularity • 40% Danceability • 59% Energy • 18% Liveness
3% Instrumentalness • 65% Positiveness
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Jim Croce
You Don't Mess Around with Jim
82 bpm • B min • 03:02 • -6.96db
62% Popularity • 76% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
62% Popularity • 76% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 97% Positiveness
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Harry Belafonte
Scratch Scratch
84 bpm • E Maj • 02:45 • -10.66db
15% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Brother Bones & His Shadows
Sweet Georgia Brown
82 bpm • D# Maj • 02:52 • -11.87db
35% Popularity • 80% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 80% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The Righteous Brothers
You've Lost That Lovin' Feelin' - Single...
95 bpm • C# Maj • 03:46 • -14.3db
65% Popularity • 37% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 37% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Lesley Gore
You Don't Own Me
95 bpm • D Maj • 02:30 • -10.02db
73% Popularity • 47% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 71% Positiveness
73% Popularity • 47% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 71% Positiveness
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Wham!
Wake Me Up Before You Go-Go
82 bpm • C Maj • 03:51 • -11.89db
80% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
80% Popularity • 62% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Ritchie Valens
Come On, Let's Go
81 bpm • A Maj • 02:04 • -8.1db
60% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 62% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Harry Belafonte
Banana Boat Song
92 bpm • C# Maj • 03:04 • -20.19db
44% Popularity • 44% Danceability • 7% Energy • 10% Liveness
9% Instrumentalness • 24% Positiveness
44% Popularity • 44% Danceability • 7% Energy • 10% Liveness
9% Instrumentalness • 24% Positiveness
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Herb Alpert
Spanish Flea
81 bpm • A# Maj • 02:06 • -10db
46% Popularity • 82% Danceability • 55% Energy • 7% Liveness
88% Instrumentalness • 90% Positiveness
46% Popularity • 82% Danceability • 55% Energy • 7% Liveness
88% Instrumentalness • 90% Positiveness
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Jackie Wilson
(Your Love Keeps Lifting Me) Higher & Hi...
96 bpm • D Maj • 02:59 • -7.19db
70% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
70% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Nancy Sinatra
Bang Bang (My Baby Shot Me Down)
96 bpm • F min • 02:42 • -18.79db
67% Popularity • 43% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 37% Positiveness
67% Popularity • 43% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 37% Positiveness
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George Michael
Faith - Remastered
96 bpm • B Maj • 03:13 • -11.99db
77% Popularity • 89% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
77% Popularity • 89% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Tom Jones
Delilah
96 bpm • A min • 03:24 • -10.94db
61% Popularity • 53% Danceability • 48% Energy • 55% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 53% Danceability • 48% Energy • 55% Liveness
0% Instrumentalness • 79% Positiveness
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Harry Belafonte
John Henry
84 bpm • E Maj • 03:31 • -12.6db
13% Popularity • 57% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 57% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Fats Domino
Walking To New Orleans
81 bpm • C# Maj • 01:58 • -14.34db
51% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
51% Popularity • 58% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Bobby Vinton
Blue Velvet
81 bpm • A# Maj • 02:48 • -14.48db
52% Popularity • 42% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
52% Popularity • 42% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Little Richard
Rip It Up
96 bpm • F Maj • 02:21 • -6db
55% Popularity • 90% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
55% Popularity • 90% Danceability • 64% Energy • 2% Liveness
0% Instrumentalness • 97% Positiveness
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Norman Span
Monkey
96 bpm • D# Maj • 03:59 • -9.78db
9% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Roger Miller
Oo-De-Lally
80 bpm • F Maj • 00:58 • -16.99db
56% Popularity • 67% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
56% Popularity • 67% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Harry Belafonte
Hold 'Em Joe
96 bpm • E Maj • 02:35 • -8.93db
14% Popularity • 74% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 74% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 90% Positiveness
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Roy Orbison
Crying
97 bpm • D Maj • 02:46 • -9.5db
59% Popularity • 35% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 35% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Monkees
I'm a Believer - 2006 Remaster
80 bpm • C Maj • 02:47 • -6.05db
75% Popularity • 53% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
75% Popularity • 53% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Dion
Runaround Sue
80 bpm • D Maj • 02:51 • -9.79db
69% Popularity • 36% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
69% Popularity • 36% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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The Supremes
You Can't Hurry Love
97 bpm • A# Maj • 02:47 • -9.34db
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Blondie
The Tide Is High
97 bpm • B Maj • 03:52 • -7.26db
62% Popularity • 78% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 96% Positiveness
62% Popularity • 78% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 96% Positiveness
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Harry Belafonte
Will His Love Be Like His Rum?
95 bpm • D Maj • 02:36 • -13.6db
29% Popularity • 73% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 73% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Canned Heat
Going Up The Country
80 bpm • F min • 02:52 • -18.98db
62% Popularity • 62% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 74% Positiveness
62% Popularity • 62% Danceability • 24% Energy • 11% Liveness
5% Instrumentalness • 74% Positiveness
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Percy Sledge
When a Man Loves a Woman
97 bpm • C# Maj • 02:53 • -20.41db
68% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
68% Popularity • 52% Danceability • 15% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
78% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Chuck Berry
Route 66
79 bpm • A# Maj • 02:51 • -9.79db
59% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
59% Popularity • 69% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Dion & The Belmonts
A Teenager In Love
79 bpm • C# Maj • 02:38 • -9.12db
61% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
61% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Harry Belafonte
Monkey
97 bpm • D# Maj • 04:00 • -9.15db
26% Popularity • 64% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 64% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Wayne Newton
L-O-V-E - Remastered
79 bpm • A Maj • 02:48 • -12db
38% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
38% Popularity • 48% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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The Penguins
Earth Angel
79 bpm • G# Maj • 02:51 • -11.12db
58% Popularity • 49% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 49% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Jerry Lee Lewis
Great Balls Of Fire
79 bpm • G min • 01:51 • -7.23db
71% Popularity • 53% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
71% Popularity • 53% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Bette Midler
Boogie Woogie Bugle Boy
98 bpm • C Maj • 02:17 • -6.79db
39% Popularity • 66% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 66% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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The Righteous Brothers
Unchained Melody
99 bpm • C Maj • 03:38 • -16.73db
78% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
78% Popularity • 34% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Harry Belafonte
Angelina
97 bpm • D# Maj • 03:55 • -9.23db
10% Popularity • 53% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 53% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Del Shannon
Runaway
79 bpm • A# min • 02:17 • -7.99db
63% Popularity • 59% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 59% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Charlie Drake
Splish Splash
79 bpm • C Maj • 02:26 • -9db
51% Popularity • 57% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 57% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Buffalo Springfield
For What It's Worth
99 bpm • D Maj • 02:33 • -10.16db
79% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
79% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Bill Withers
Ain't No Sunshine
78 bpm • E min • 02:05 • -11.45db
86% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
86% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Ricky Nelson
Hello Mary Lou, Goodbye Heart - Remaster...
99 bpm • A Maj • 02:18 • -10db
58% Popularity • 60% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
58% Popularity • 60% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Harry Belafonte
Bally Mena
98 bpm • E Maj • 03:26 • -14db
16% Popularity • 49% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 49% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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The Beach Boys
Barbara Ann
78 bpm • F# Maj • 02:13 • -3.66db
63% Popularity • 58% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 58% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Miriam Makeba
Gone Are My Children - Baile Banake
78 bpm • D Maj • 02:52 • -10.63db
6% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
6% Popularity • 51% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Ritchie Valens
Donna - Single Version
100 bpm • F Maj • 02:30 • -12.58db
59% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 47% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Stevie Wonder
Superstition - Single Version
100 bpm • G# Maj • 04:05 • -12.12db
74% Popularity • 63% Danceability • 63% Energy • 4% Liveness
1% Instrumentalness • 87% Positiveness
74% Popularity • 63% Danceability • 63% Energy • 4% Liveness
1% Instrumentalness • 87% Positiveness
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Ricky Nelson
Lonesome Town
77 bpm • B Maj • 02:14 • -12.5db
62% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
62% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Harry Belafonte
The Fox
98 bpm • E Maj • 02:46 • -10db
14% Popularity • 74% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 74% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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The Blues Brothers
Theme from Rawhide
101 bpm • A# min • 02:39 • -8db
52% Popularity • 59% Danceability • 57% Energy • 20% Liveness
16% Instrumentalness • 67% Positiveness
52% Popularity • 59% Danceability • 57% Energy • 20% Liveness
16% Instrumentalness • 67% Positiveness
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Herb Alpert
Tijuana Taxi
101 bpm • F Maj • 02:06 • -9.91db
44% Popularity • 75% Danceability • 60% Energy • 3% Liveness
57% Instrumentalness • 89% Positiveness
44% Popularity • 75% Danceability • 60% Energy • 3% Liveness
57% Instrumentalness • 89% Positiveness
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The Platters
The Great Pretender
76 bpm • G Maj • 02:38 • -6.6db
54% Popularity • 59% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 59% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Percy Faith & His Orchestra
Rags to Riches
76 bpm • D Maj • 02:52 • -13.32db
41% Popularity • 41% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 41% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Paul Simon
50 Ways to Leave Your Lover
102 bpm • G Maj • 03:37 • -12.81db
70% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
70% Popularity • 82% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
