Songs like Cocoon (Rozi Plain Remix) by Emma Gatrill
Based on a tempo of (+/- 10%) and a similar genre
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Conchúr White
The Woman In The War
122 bpm • F Maj • 04:04 • -9.85db
15% Popularity • 73% Danceability • 49% Energy • 9% Liveness
10% Instrumentalness • 27% Positiveness
15% Popularity • 73% Danceability • 49% Energy • 9% Liveness
10% Instrumentalness • 27% Positiveness
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Katherine Priddy
Does She Hold You Like I Did
122 bpm • F# Maj • 04:05 • -11.55db
28% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 59% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Emma Gatrill
Irresistible
122 bpm • G Maj • 02:30 • -10.94db
0% Popularity • 63% Danceability • 62% Energy • 11% Liveness
25% Instrumentalness • 33% Positiveness
0% Popularity • 63% Danceability • 62% Energy • 11% Liveness
25% Instrumentalness • 33% Positiveness
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Jane Weaver
Perfect Storm
122 bpm • F Maj • 03:14 • -8.19db
28% Popularity • 80% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
28% Popularity • 80% Danceability • 64% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Lush Fresh Handmade Sound
Walk Back
122 bpm • G min • 06:04 • -18.06db
10% Popularity • 42% Danceability • 18% Energy • 12% Liveness
8% Instrumentalness • 12% Positiveness
10% Popularity • 42% Danceability • 18% Energy • 12% Liveness
8% Instrumentalness • 12% Positiveness
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Alison Eales
Minuet
122 bpm • D Maj • 03:19 • -14.78db
11% Popularity • 78% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 78% Danceability • 8% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Dearest Sister
Confusion of Reality
122 bpm • F# min • 04:07 • -9.24db
14% Popularity • 51% Danceability • 65% Energy • 12% Liveness
17% Instrumentalness • 32% Positiveness
14% Popularity • 51% Danceability • 65% Energy • 12% Liveness
17% Instrumentalness • 32% Positiveness
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Flunk
Speed Skating - Acoustic Version
122 bpm • D Maj • 03:51 • -12.05db
9% Popularity • 58% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 58% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Emma Gatrill
Cocoon (Ellie Mason Remix)
122 bpm • G min • 04:08 • -10.27db
0% Popularity • 34% Danceability • 43% Energy • 11% Liveness
10% Instrumentalness • 9% Positiveness
0% Popularity • 34% Danceability • 43% Energy • 11% Liveness
10% Instrumentalness • 9% Positiveness
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Pegasuses
Snowglobe
123 bpm • A Maj • 04:24 • -11.07db
10% Popularity • 34% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 34% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 6% Positiveness
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Saint Saviour
Morning Bird
121 bpm • G# Maj • 03:11 • -15.88db
16% Popularity • 49% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 47% Positiveness
16% Popularity • 49% Danceability • 14% Energy • 11% Liveness
10% Instrumentalness • 47% Positiveness
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Any Other
Extra Episode
121 bpm • B Maj • 03:42 • -14.15db
19% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 57% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Mira Lu Kovacs
Disappear
121 bpm • A Maj • 03:02 • -11.27db
26% Popularity • 79% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 79% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Daisy Rickman
Feed the Forest
123 bpm • D min • 04:26 • -16.61db
21% Popularity • 35% Danceability • 25% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 35% Danceability • 25% Energy • 14% Liveness
97% Instrumentalness • 4% Positiveness
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Emma Gatrill
Jobe
122 bpm • C min • 04:04 • -10.81db
0% Popularity • 64% Danceability • 24% Energy • 20% Liveness
37% Instrumentalness • 11% Positiveness
0% Popularity • 64% Danceability • 24% Energy • 20% Liveness
37% Instrumentalness • 11% Positiveness
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April Marmara
Finding My Ways
123 bpm • E Maj • 03:25 • -9.13db
16% Popularity • 56% Danceability • 30% Energy • 11% Liveness
30% Instrumentalness • 10% Positiveness
16% Popularity • 56% Danceability • 30% Energy • 11% Liveness
30% Instrumentalness • 10% Positiveness
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Laetitia Sadier
The Dash
123 bpm • E min • 03:07 • -11.78db
27% Popularity • 70% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
27% Popularity • 70% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
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Old Fire
Mephisto
121 bpm • B min • 04:29 • -19.85db
22% Popularity • 26% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
22% Popularity • 26% Danceability • 15% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Pippa Blundell
sisters
121 bpm • E Maj • 04:19 • -19.72db
7% Popularity • 41% Danceability • 5% Energy • 24% Liveness
25% Instrumentalness • 14% Positiveness
7% Popularity • 41% Danceability • 5% Energy • 24% Liveness
25% Instrumentalness • 14% Positiveness
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Elena Setién
Hard Heart
121 bpm • A Maj • 03:59 • -16.76db
11% Popularity • 51% Danceability • 40% Energy • 9% Liveness
59% Instrumentalness • 31% Positiveness
11% Popularity • 51% Danceability • 40% Energy • 9% Liveness
59% Instrumentalness • 31% Positiveness
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Emma Gatrill
Cocoon (Rozi Plain Remix)
122 bpm • F Maj • 04:20 • -16db
0% Popularity • 54% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 58% Positiveness
0% Popularity • 54% Danceability • 36% Energy • 11% Liveness
82% Instrumentalness • 58% Positiveness
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Sunna Margrét
Lullaby for Daydreamers
121 bpm • D# Maj • 01:35 • -17.2db
20% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 36% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Louien
The Woods We Live In
120 bpm • F Maj • 02:51 • -14.15db
20% Popularity • 39% Danceability • 39% Energy • 28% Liveness
60% Instrumentalness • 33% Positiveness
20% Popularity • 39% Danceability • 39% Energy • 28% Liveness
60% Instrumentalness • 33% Positiveness
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Daudi Matsiko
King of Misery
120 bpm • C Maj • 04:12 • -19.55db
19% Popularity • 49% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 49% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Echo Northstar
waking up
124 bpm • A min • 03:30 • -15.12db
21% Popularity • 22% Danceability • 18% Energy • 11% Liveness
26% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 18% Energy • 11% Liveness
26% Instrumentalness • 4% Positiveness
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Olive Grinter
Murmurations
120 bpm • G Maj • 03:31 • -15.4db
14% Popularity • 63% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 63% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Emma Gatrill
Out of the Dark
121 bpm • A# Maj • 03:55 • -10.86db
8% Popularity • 63% Danceability • 43% Energy • 9% Liveness
70% Instrumentalness • 62% Positiveness
8% Popularity • 63% Danceability • 43% Energy • 9% Liveness
70% Instrumentalness • 62% Positiveness
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Six Organs Of Admittance
The Mission
120 bpm • D Maj • 02:33 • -8.7db
30% Popularity • 42% Danceability • 41% Energy • 43% Liveness
70% Instrumentalness • 30% Positiveness
30% Popularity • 42% Danceability • 41% Energy • 43% Liveness
70% Instrumentalness • 30% Positiveness
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foamboy
Sarah
120 bpm • C# Maj • 00:58 • -15.81db
20% Popularity • 80% Danceability • 42% Energy • 12% Liveness
96% Instrumentalness • 86% Positiveness
20% Popularity • 80% Danceability • 42% Energy • 12% Liveness
96% Instrumentalness • 86% Positiveness
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Daudi Matsiko
I Am Grateful For My Friends
120 bpm • D# Maj • 03:35 • -25.18db
23% Popularity • 62% Danceability • 2% Energy • 26% Liveness
2% Instrumentalness • 44% Positiveness
23% Popularity • 62% Danceability • 2% Energy • 26% Liveness
2% Instrumentalness • 44% Positiveness
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Astrid Sonne
Do you wanna
120 bpm • E Maj • 03:21 • -11.29db
39% Popularity • 69% Danceability • 73% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
39% Popularity • 69% Danceability • 73% Energy • 12% Liveness
93% Instrumentalness • 27% Positiveness
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Erika Angell
Never Tried To Run
124 bpm • D Maj • 03:38 • -10.23db
14% Popularity • 48% Danceability • 46% Energy • 12% Liveness
13% Instrumentalness • 23% Positiveness
14% Popularity • 48% Danceability • 46% Energy • 12% Liveness
13% Instrumentalness • 23% Positiveness
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Emma Gatrill
Cocoon (Machinone Remix)
123 bpm • G min • 03:20 • -9.81db
0% Popularity • 40% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 40% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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William Doyle
Eternal Spring
124 bpm • G min • 04:11 • -7.7db
21% Popularity • 76% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 76% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Marika Hackman
Vitamins
120 bpm • A min • 04:12 • -13.84db
39% Popularity • 30% Danceability • 26% Energy • 20% Liveness
3% Instrumentalness • 9% Positiveness
39% Popularity • 30% Danceability • 26% Energy • 20% Liveness
3% Instrumentalness • 9% Positiveness
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Bill Ryder-Jones
I Hold Something In My Hand
120 bpm • E Maj • 03:04 • -10.55db
41% Popularity • 68% Danceability • 49% Energy • 21% Liveness
4% Instrumentalness • 73% Positiveness
41% Popularity • 68% Danceability • 49% Energy • 21% Liveness
4% Instrumentalness • 73% Positiveness
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Manu Delago
Snow From Yesterday
120 bpm • F Maj • 04:42 • -13.31db
17% Popularity • 55% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
17% Popularity • 55% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Cerys Hafana
Child Owlet
120 bpm • A Maj • 05:02 • -11.62db
9% Popularity • 42% Danceability • 41% Energy • 13% Liveness
11% Instrumentalness • 13% Positiveness
9% Popularity • 42% Danceability • 41% Energy • 13% Liveness
11% Instrumentalness • 13% Positiveness
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Emma Gatrill
Corners
120 bpm • E Maj • 03:34 • -10.52db
5% Popularity • 61% Danceability • 32% Energy • 10% Liveness
12% Instrumentalness • 10% Positiveness
5% Popularity • 61% Danceability • 32% Energy • 10% Liveness
12% Instrumentalness • 10% Positiveness
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Julie Byrne
Velocity! What About The Inertia!?
120 bpm • B min • 02:49 • -16.91db
38% Popularity • 61% Danceability • 19% Energy • 21% Liveness
10% Instrumentalness • 18% Positiveness
38% Popularity • 61% Danceability • 19% Energy • 21% Liveness
10% Instrumentalness • 18% Positiveness
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Sam Worley
overly dramatic
120 bpm • D Maj • 02:39 • -12.49db
21% Popularity • 63% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 63% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Hot Moms Club
Bacon
120 bpm • C Maj • 03:46 • -11.03db
12% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Charm of Finches
Atlantis
120 bpm • C Maj • 04:08 • -10.11db
13% Popularity • 45% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
13% Popularity • 45% Danceability • 39% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
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Cerys Hafana
Lyke Wake Dirge
120 bpm • E min • 05:08 • -11.81db
7% Popularity • 40% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
7% Popularity • 40% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Bas Jan
Margaret Calvert Drives Out
120 bpm • F min • 04:44 • -12.29db
8% Popularity • 59% Danceability • 51% Energy • 8% Liveness
57% Instrumentalness • 43% Positiveness
8% Popularity • 59% Danceability • 51% Energy • 8% Liveness
57% Instrumentalness • 43% Positiveness
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Emma Gatrill
Bit by Bit
120 bpm • G min • 04:11 • -12.48db
0% Popularity • 42% Danceability • 32% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
0% Popularity • 42% Danceability • 32% Energy • 13% Liveness
84% Instrumentalness • 16% Positiveness
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Elena Setién
Mothers
120 bpm • A min • 04:10 • -14.36db
8% Popularity • 67% Danceability • 34% Energy • 9% Liveness
42% Instrumentalness • 20% Positiveness
8% Popularity • 67% Danceability • 34% Energy • 9% Liveness
42% Instrumentalness • 20% Positiveness
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Nailah Hunter
Garden
124 bpm • C Maj • 04:40 • -12.54db
18% Popularity • 27% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 27% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ora Cogan
High Noon
124 bpm • A min • 04:09 • -11.41db
36% Popularity • 50% Danceability • 47% Energy • 15% Liveness
67% Instrumentalness • 29% Positiveness
36% Popularity • 50% Danceability • 47% Energy • 15% Liveness
67% Instrumentalness • 29% Positiveness
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cabane
Rome
124 bpm • G Maj • 04:13 • -15.25db
21% Popularity • 39% Danceability • 12% Energy • 10% Liveness
10% Instrumentalness • 13% Positiveness
21% Popularity • 39% Danceability • 12% Energy • 10% Liveness
10% Instrumentalness • 13% Positiveness
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Itasca
El Dorado
119 bpm • F Maj • 03:34 • -15.13db
21% Popularity • 56% Danceability • 22% Energy • 11% Liveness
8% Instrumentalness • 25% Positiveness
21% Popularity • 56% Danceability • 22% Energy • 11% Liveness
8% Instrumentalness • 25% Positiveness
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Emma Gatrill
Cocoon (Grip Tight Remix)
120 bpm • D min • 03:44 • -11.05db
0% Popularity • 67% Danceability • 45% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 67% Danceability • 45% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Another Sky
Swirling Smoke
125 bpm • C# min • 05:36 • -9.9db
27% Popularity • 56% Danceability • 63% Energy • 26% Liveness
70% Instrumentalness • 22% Positiveness
27% Popularity • 56% Danceability • 63% Energy • 26% Liveness
70% Instrumentalness • 22% Positiveness
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Bas Jan
Ding Dong
125 bpm • C min • 03:38 • -9.28db
8% Popularity • 54% Danceability • 73% Energy • 17% Liveness
76% Instrumentalness • 43% Positiveness
8% Popularity • 54% Danceability • 73% Energy • 17% Liveness
76% Instrumentalness • 43% Positiveness
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Ora Cogan
Holy Hells
119 bpm • D# min • 03:47 • -9.93db
27% Popularity • 54% Danceability • 63% Energy • 16% Liveness
83% Instrumentalness • 64% Positiveness
27% Popularity • 54% Danceability • 63% Energy • 16% Liveness
83% Instrumentalness • 64% Positiveness
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Field Studies
Dirty Lit Club
125 bpm • D Maj • 03:20 • -6.16db
14% Popularity • 56% Danceability • 74% Energy • 26% Liveness
8% Instrumentalness • 72% Positiveness
14% Popularity • 56% Danceability • 74% Energy • 26% Liveness
8% Instrumentalness • 72% Positiveness
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Jenny Sturgeon
Frost and Snow
125 bpm • D min • 02:44 • -16.25db
20% Popularity • 66% Danceability • 13% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 66% Danceability • 13% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Emma Gatrill
Twisted Threads
119 bpm • C min • 04:11 • -10.23db
0% Popularity • 44% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
0% Popularity • 44% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Manu Delago
Paintings on the Wall
125 bpm • G# Maj • 04:13 • -12.39db
19% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 57% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Malena Cadiz
Hellbent & Moonbound
125 bpm • G Maj • 03:41 • -10.71db
21% Popularity • 56% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 56% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Jared Justen
Wake and See
119 bpm • G min • 03:57 • -11.54db
23% Popularity • 54% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
23% Popularity • 54% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Anna Moss
Day After Day
119 bpm • D Maj • 03:07 • -12.87db
12% Popularity • 56% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 14% Positiveness
12% Popularity • 56% Danceability • 22% Energy • 13% Liveness
1% Instrumentalness • 14% Positiveness
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Astrid Sonne
Light and heavy
126 bpm • B Maj • 01:01 • -25.2db
35% Popularity • 29% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 29% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Emma Gatrill
Juna
125 bpm • E min • 05:04 • -10.6db
9% Popularity • 66% Danceability • 33% Energy • 12% Liveness
8% Instrumentalness • 22% Positiveness
9% Popularity • 66% Danceability • 33% Energy • 12% Liveness
8% Instrumentalness • 22% Positiveness
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Katherine Priddy
First House on the Left
126 bpm • F# Maj • 03:49 • -15.33db
28% Popularity • 61% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 61% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 51% Positiveness
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Emily Barker
The Quiet Ways
126 bpm • E Maj • 03:19 • -10.73db
35% Popularity • 65% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
35% Popularity • 65% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Nailah Hunter
Finding Mirrors
126 bpm • C min • 03:42 • -7.25db
25% Popularity • 50% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 50% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Rachael Lavelle
Night Train
126 bpm • D min • 04:43 • -9.19db
17% Popularity • 56% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
17% Popularity • 56% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Mikko Joensuu
Take Us to the Chapel
126 bpm • D Maj • 07:39 • -16.17db
22% Popularity • 65% Danceability • 36% Energy • 10% Liveness
56% Instrumentalness • 78% Positiveness
22% Popularity • 65% Danceability • 36% Energy • 10% Liveness
56% Instrumentalness • 78% Positiveness
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Emma Gatrill
Skin
125 bpm • C min • 04:07 • -11.22db
1% Popularity • 48% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 48% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Hannah Frances
Woolgathering
126 bpm • G Maj • 05:20 • -13.66db
34% Popularity • 50% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
34% Popularity • 50% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Johanna Samuels
Song For Molly Parden - Los Angeles Sess...
126 bpm • D min • 04:08 • -9.06db
2% Popularity • 68% Danceability • 49% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
2% Popularity • 68% Danceability • 49% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
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Maija Sofia
Saint Sebastian
118 bpm • G min • 03:18 • -9.18db
9% Popularity • 38% Danceability • 33% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
9% Popularity • 38% Danceability • 33% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Bas Jan
Singing Bar
126 bpm • F min • 03:19 • -9.62db
15% Popularity • 56% Danceability • 60% Energy • 26% Liveness
56% Instrumentalness • 57% Positiveness
15% Popularity • 56% Danceability • 60% Energy • 26% Liveness
56% Instrumentalness • 57% Positiveness
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Julie Byrne
'22
126 bpm • A# Maj • 01:57 • -14.18db
40% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Aoife O'Donovan
Someone to Follow
117 bpm • D# Maj • 04:46 • -12.18db
28% Popularity • 36% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 58% Positiveness
28% Popularity • 36% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 58% Positiveness
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Tyler Ramsey
Poisonous Summer
127 bpm • A Maj • 07:15 • -10.25db
19% Popularity • 59% Danceability • 30% Energy • 11% Liveness
37% Instrumentalness • 13% Positiveness
19% Popularity • 59% Danceability • 30% Energy • 11% Liveness
37% Instrumentalness • 13% Positiveness
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Anika Pyle
Diné Utah Homecoming Queen
127 bpm • F Maj • 03:35 • -10.59db
9% Popularity • 63% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 63% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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LYR
Profusion
127 bpm • G# Maj • 03:55 • -7.91db
15% Popularity • 60% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 60% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Mal Not Bad
Dodgeball
127 bpm • D Maj • 03:08 • -15.05db
9% Popularity • 69% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 41% Positiveness
9% Popularity • 69% Danceability • 33% Energy • 9% Liveness
3% Instrumentalness • 41% Positiveness
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Dana Gavanski
Ears Were Growing
117 bpm • B min • 03:11 • -8.39db
19% Popularity • 68% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 68% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Ragnhild og
I Have You
117 bpm • G# Maj • 04:24 • -11.36db
11% Popularity • 58% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 33% Positiveness
11% Popularity • 58% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 33% Positiveness
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Mutual Benefit
Beginner's Heart - Demo
127 bpm • G Maj • 04:08 • -15.13db
27% Popularity • 42% Danceability • 20% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
27% Popularity • 42% Danceability • 20% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
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MalummÃ
Something
117 bpm • A# Maj • 04:20 • -10.21db
8% Popularity • 47% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 47% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Barbara Morgenstern
Nevertheless, the Music
128 bpm • B min • 07:39 • -13.31db
10% Popularity • 61% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
10% Popularity • 61% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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William Doyle
Now in Motion
128 bpm • B min • 04:56 • -5.38db
28% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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BLUAI
Save It For Later
128 bpm • F# Maj • 02:44 • -18.03db
27% Popularity • 33% Danceability • 17% Energy • 9% Liveness
4% Instrumentalness • 31% Positiveness
27% Popularity • 33% Danceability • 17% Energy • 9% Liveness
4% Instrumentalness • 31% Positiveness
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Emily Barker
Feathered Thing
128 bpm • G Maj • 03:59 • -8.63db
15% Popularity • 73% Danceability • 60% Energy • 12% Liveness
5% Instrumentalness • 34% Positiveness
15% Popularity • 73% Danceability • 60% Energy • 12% Liveness
5% Instrumentalness • 34% Positiveness
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Itasca
Tears on Sky Mountain
116 bpm • B Maj • 04:28 • -15.49db
23% Popularity • 48% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
23% Popularity • 48% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Ella van der Woude
Restless
128 bpm • E min • 03:46 • -13.82db
12% Popularity • 62% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 20% Positiveness
12% Popularity • 62% Danceability • 30% Energy • 11% Liveness
45% Instrumentalness • 20% Positiveness
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Barbro
Wall Of Mine
128 bpm • G Maj • 04:16 • -15.95db
22% Popularity • 49% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
22% Popularity • 49% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Magana
Paul
128 bpm • F# min • 03:53 • -12.46db
4% Popularity • 35% Danceability • 28% Energy • 12% Liveness
14% Instrumentalness • 10% Positiveness
4% Popularity • 35% Danceability • 28% Energy • 12% Liveness
14% Instrumentalness • 10% Positiveness
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Quiet Light
Hey Char Baby
116 bpm • G Maj • 02:42 • -12.8db
16% Popularity • 61% Danceability • 54% Energy • 10% Liveness
24% Instrumentalness • 57% Positiveness
16% Popularity • 61% Danceability • 54% Energy • 10% Liveness
24% Instrumentalness • 57% Positiveness
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Natascha Rogers
Run
116 bpm • G Maj • 04:03 • -13.67db
13% Popularity • 61% Danceability • 37% Energy • 6% Liveness
40% Instrumentalness • 24% Positiveness
13% Popularity • 61% Danceability • 37% Energy • 6% Liveness
40% Instrumentalness • 24% Positiveness
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Liv Monaghan
Living Beat
129 bpm • C Maj • 04:51 • -11.42db
22% Popularity • 48% Danceability • 39% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
22% Popularity • 48% Danceability • 39% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Cerys Hafana
The Bitter Withy
129 bpm • E min • 04:49 • -12.89db
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
18% Popularity • 66% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 51% Positiveness
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Walls & Birds
Wearing a Dress
116 bpm • F min • 04:05 • -14.15db
9% Popularity • 76% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 8% Positiveness
9% Popularity • 76% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 8% Positiveness
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Emma Gatrill
Robin
115 bpm • G# Maj • 04:29 • -13.66db
0% Popularity • 40% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 40% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
