Songs like Codex by Tim Wynn
Based on a tempo of (+/- 10%) and a similar genre
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Tim Wynn
Codex
159 bpm • D Maj • 01:54 • -26.09db
14% Popularity • 12% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
14% Popularity • 12% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Keith Power
Our Disease
159 bpm • G Maj • 03:18 • -21.8db
17% Popularity • 13% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
17% Popularity • 13% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Jon Everist
Ochre Wall
160 bpm • E min • 02:56 • -10.48db
14% Popularity • 37% Danceability • 66% Energy • 41% Liveness
90% Instrumentalness • 39% Positiveness
14% Popularity • 37% Danceability • 66% Energy • 41% Liveness
90% Instrumentalness • 39% Positiveness
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Oleksa Lozowchuk
Ruin's Rise
160 bpm • A Maj • 03:19 • -14.56db
16% Popularity • 36% Danceability • 56% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
16% Popularity • 36% Danceability • 56% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Justin E. Bell
Pink Slip Protocol
160 bpm • C Maj • 03:21 • -15.09db
17% Popularity • 60% Danceability • 54% Energy • 9% Liveness
80% Instrumentalness • 53% Positiveness
17% Popularity • 60% Danceability • 54% Energy • 9% Liveness
80% Instrumentalness • 53% Positiveness
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Sascha Dikiciyan
Dr. Koller
160 bpm • C# Maj • 03:38 • -12.12db
24% Popularity • 45% Danceability • 53% Energy • 12% Liveness
76% Instrumentalness • 17% Positiveness
24% Popularity • 45% Danceability • 53% Energy • 12% Liveness
76% Instrumentalness • 17% Positiveness
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Tim Wynn
Avatar Project
160 bpm • C# Maj • 01:55 • -23.25db
17% Popularity • 41% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
17% Popularity • 41% Danceability • 21% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Christopher Lennertz
Vasir Combat
160 bpm • C# Maj • 03:27 • -9.56db
17% Popularity • 40% Danceability • 95% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
17% Popularity • 40% Danceability • 95% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Borislav Slavov
One Way In
160 bpm • E min • 01:23 • -15.42db
15% Popularity • 53% Danceability • 53% Energy • 10% Liveness
97% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 53% Energy • 10% Liveness
97% Instrumentalness • 39% Positiveness
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Keith Power
Grineer Onslaught
160 bpm • F# Maj • 02:59 • -10.73db
19% Popularity • 55% Danceability • 94% Energy • 23% Liveness
57% Instrumentalness • 13% Positiveness
19% Popularity • 55% Danceability • 94% Energy • 23% Liveness
57% Instrumentalness • 13% Positiveness
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The Flight
Planned Obsolescence - Part 4 - Secrets ...
160 bpm • A# min • 03:24 • -16.11db
19% Popularity • 23% Danceability • 63% Energy • 24% Liveness
79% Instrumentalness • 26% Positiveness
19% Popularity • 23% Danceability • 63% Energy • 24% Liveness
79% Instrumentalness • 26% Positiveness
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Yoshitaka Suzuki
At Dawn
160 bpm • B min • 03:31 • -18.78db
10% Popularity • 13% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
10% Popularity • 13% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Daniel Licht
Epilogue Karnaca High Chaos
158 bpm • A# Maj • 01:32 • -19.58db
35% Popularity • 16% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
35% Popularity • 16% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Sam Hulick
Combat Simulator Tier 4
161 bpm • D Maj • 01:25 • -14.34db
16% Popularity • 32% Danceability • 30% Energy • 17% Liveness
89% Instrumentalness • 46% Positiveness
16% Popularity • 32% Danceability • 30% Energy • 17% Liveness
89% Instrumentalness • 46% Positiveness
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Griffin Cohen
The Lush Planet (Ambient Late)
157 bpm • D Maj • 03:47 • -25.38db
8% Popularity • 11% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
8% Popularity • 11% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Chris D'Ambrosio
Beware the Faceless
156 bpm • A# Maj • 02:09 • -19.95db
18% Popularity • 42% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
18% Popularity • 42% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Stephen Barton
The Colony
162 bpm • F Maj • 04:43 • -9.89db
13% Popularity • 36% Danceability • 59% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
13% Popularity • 36% Danceability • 59% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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Christopher Lennertz
Final Combat
162 bpm • A# min • 02:47 • -8.42db
19% Popularity • 24% Danceability • 72% Energy • 24% Liveness
91% Instrumentalness • 22% Positiveness
19% Popularity • 24% Danceability • 72% Energy • 24% Liveness
91% Instrumentalness • 22% Positiveness
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Jason Graves
Scaling the Ziggurat
156 bpm • C# Maj • 03:50 • -15.95db
14% Popularity • 31% Danceability • 43% Energy • 21% Liveness
91% Instrumentalness • 10% Positiveness
14% Popularity • 31% Danceability • 43% Energy • 21% Liveness
91% Instrumentalness • 10% Positiveness
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Tyler Bates
The False Prophet
155 bpm • A Maj • 02:02 • -10.16db
15% Popularity • 49% Danceability • 85% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
15% Popularity • 49% Danceability • 85% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
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Richard Birdsall
Soaring Dragons
155 bpm • C# Maj • 02:36 • -9.71db
17% Popularity • 41% Danceability • 69% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
17% Popularity • 41% Danceability • 69% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
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Niels van der Leest
The Pride of the Arena
164 bpm • E Maj • 02:29 • -15.72db
17% Popularity • 58% Danceability • 73% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
17% Popularity • 58% Danceability • 73% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Stephen Barton
Link to Pilot
156 bpm • C min • 02:26 • -16.34db
25% Popularity • 28% Danceability • 66% Energy • 14% Liveness
83% Instrumentalness • 17% Positiveness
25% Popularity • 28% Danceability • 66% Energy • 14% Liveness
83% Instrumentalness • 17% Positiveness
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Nick Arundel
What's He Doing Here?
154 bpm • C# Maj • 02:14 • -14.66db
20% Popularity • 60% Danceability • 72% Energy • 8% Liveness
91% Instrumentalness • 79% Positiveness
20% Popularity • 60% Danceability • 72% Energy • 8% Liveness
91% Instrumentalness • 79% Positiveness
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Arnaud Roy
The BattleScene I
154 bpm • B min • 02:04 • -14.87db
15% Popularity • 40% Danceability • 46% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
15% Popularity • 40% Danceability • 46% Energy • 10% Liveness
79% Instrumentalness • 16% Positiveness
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Brad Derrick
All History Is Vengeance
164 bpm • A min • 03:14 • -8.76db
21% Popularity • 34% Danceability • 83% Energy • 27% Liveness
49% Instrumentalness • 27% Positiveness
21% Popularity • 34% Danceability • 83% Energy • 27% Liveness
49% Instrumentalness • 27% Positiveness
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Sean Murray
Albion
154 bpm • C min • 03:05 • -14.36db
21% Popularity • 35% Danceability • 43% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
21% Popularity • 35% Danceability • 43% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
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Cliff Martinez
One by One
167 bpm • A Maj • 01:48 • -15.4db
12% Popularity • 48% Danceability • 86% Energy • 13% Liveness
56% Instrumentalness • 49% Positiveness
12% Popularity • 48% Danceability • 86% Energy • 13% Liveness
56% Instrumentalness • 49% Positiveness
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Kevin Riepl
Embry Square
150 bpm • A# Maj • 03:02 • -21.07db
17% Popularity • 56% Danceability • 38% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
17% Popularity • 56% Danceability • 38% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
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Erasmus Talbot
Frameshift & Starports: Frameshift Suite...
150 bpm • F Maj • 01:53 • -18.23db
15% Popularity • 44% Danceability • 40% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
15% Popularity • 44% Danceability • 40% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Nick Arundel
This Court Is Now In Session
150 bpm • G# Maj • 02:16 • -13.22db
26% Popularity • 57% Danceability • 68% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
26% Popularity • 57% Danceability • 68% Energy • 11% Liveness
91% Instrumentalness • 38% Positiveness
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Sam Hulick
Combat Simulator Tier 3
150 bpm • A# min • 01:18 • -13.92db
17% Popularity • 52% Danceability • 38% Energy • 28% Liveness
94% Instrumentalness • 36% Positiveness
17% Popularity • 52% Danceability • 38% Energy • 28% Liveness
94% Instrumentalness • 36% Positiveness
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Tim Wynn
Out of the Ashes
150 bpm • D Maj • 03:34 • -15.83db
18% Popularity • 40% Danceability • 48% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
18% Popularity • 40% Danceability • 48% Energy • 11% Liveness
78% Instrumentalness • 14% Positiveness
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Maclaine Diemer
Solar Fury
150 bpm • D Maj • 01:51 • -19.21db
10% Popularity • 52% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
10% Popularity • 52% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 27% Positiveness
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James Hannigan
A Broken Past
150 bpm • C Maj • 04:54 • -13.76db
9% Popularity • 38% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
9% Popularity • 38% Danceability • 41% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Theophany
Wood Knight
150 bpm • A# Maj • 02:24 • -9.98db
14% Popularity • 57% Danceability • 71% Energy • 20% Liveness
89% Instrumentalness • 25% Positiveness
14% Popularity • 57% Danceability • 71% Energy • 20% Liveness
89% Instrumentalness • 25% Positiveness
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Paradox Interactive
Distant Nebula
150 bpm • D min • 07:56 • -14.66db
32% Popularity • 25% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 25% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Ludvig Forssell
Swift Judgement
170 bpm • B min • 01:53 • -15.1db
10% Popularity • 48% Danceability • 66% Energy • 15% Liveness
73% Instrumentalness • 42% Positiveness
10% Popularity • 48% Danceability • 66% Energy • 15% Liveness
73% Instrumentalness • 42% Positiveness
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Tim Wynn
Hidden and Deadly
150 bpm • E Maj • 01:15 • -18.73db
12% Popularity • 45% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 9% Positiveness
12% Popularity • 45% Danceability • 42% Energy • 13% Liveness
83% Instrumentalness • 9% Positiveness
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Jason Hayes
Holding Up the Sky
150 bpm • G# Maj • 03:05 • -10.21db
20% Popularity • 50% Danceability • 63% Energy • 12% Liveness
80% Instrumentalness • 18% Positiveness
20% Popularity • 50% Danceability • 63% Energy • 12% Liveness
80% Instrumentalness • 18% Positiveness
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Jon Everist
That's a Big 'Mech
170 bpm • B min • 03:00 • -12db
13% Popularity • 51% Danceability • 67% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
13% Popularity • 51% Danceability • 67% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
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The Flight
Little Ones - Part 4 - Secrets of the Ea...
170 bpm • C# min • 03:37 • -19.94db
18% Popularity • 61% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 46% Positiveness
18% Popularity • 61% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 46% Positiveness
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Stephen Barton
Substation
148 bpm • G# Maj • 02:23 • -16.15db
15% Popularity • 18% Danceability • 36% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
15% Popularity • 18% Danceability • 36% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Richard Beddow
The Mandate of Heaven
148 bpm • A# min • 03:01 • -13.78db
15% Popularity • 51% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
15% Popularity • 51% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
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Tim Wynn
In Solitude
170 bpm • D min • 02:05 • -21.27db
9% Popularity • 40% Danceability • 41% Energy • 32% Liveness
76% Instrumentalness • 8% Positiveness
9% Popularity • 40% Danceability • 41% Energy • 32% Liveness
76% Instrumentalness • 8% Positiveness
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Christopher Lennertz
Boss Combat
148 bpm • C min • 01:37 • -8.73db
22% Popularity • 46% Danceability • 92% Energy • 18% Liveness
23% Instrumentalness • 37% Positiveness
22% Popularity • 46% Danceability • 92% Energy • 18% Liveness
23% Instrumentalness • 37% Positiveness
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Jon Everist
The Argo
148 bpm • A min • 02:18 • -12.88db
11% Popularity • 12% Danceability • 35% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 35% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Zac Tiessen
Surprise Ambush
172 bpm • C# Maj • 01:25 • -13.82db
30% Popularity • 46% Danceability • 76% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
30% Popularity • 46% Danceability • 76% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Stephen Barton
Vertical Flanking
148 bpm • C# Maj • 04:18 • -10.79db
13% Popularity • 29% Danceability • 78% Energy • 13% Liveness
84% Instrumentalness • 6% Positiveness
13% Popularity • 29% Danceability • 78% Energy • 13% Liveness
84% Instrumentalness • 6% Positiveness
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Finishing Move Inc.
Crash Landing
172 bpm • C# Maj • 03:33 • -15.59db
32% Popularity • 24% Danceability • 46% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 24% Danceability • 46% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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James Hannigan
The Lunar Express
146 bpm • F Maj • 04:35 • -14.25db
8% Popularity • 27% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
8% Popularity • 27% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Justin E. Bell
Choice and Consequence
146 bpm • G Maj • 01:27 • -29.2db
24% Popularity • 16% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Maclaine Diemer
High Roller
174 bpm • G# Maj • 02:08 • -17.85db
10% Popularity • 47% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 45% Positiveness
10% Popularity • 47% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 45% Positiveness
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Brian Tyler
We Are Watching You
145 bpm • C# Maj • 03:33 • -13.53db
15% Popularity • 40% Danceability • 50% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
15% Popularity • 40% Danceability • 50% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - Low Intensity ...
145 bpm • C# Maj • 01:03 • -21.2db
12% Popularity • 43% Danceability • 26% Energy • 28% Liveness
79% Instrumentalness • 3% Positiveness
12% Popularity • 43% Danceability • 26% Energy • 28% Liveness
79% Instrumentalness • 3% Positiveness
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Sean Murray
Commies
145 bpm • C# Maj • 04:16 • -14.23db
20% Popularity • 51% Danceability • 60% Energy • 7% Liveness
62% Instrumentalness • 10% Positiveness
20% Popularity • 51% Danceability • 60% Energy • 7% Liveness
62% Instrumentalness • 10% Positiveness
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James Hannigan
He's Escaping!
172 bpm • C# Maj • 01:11 • -10.15db
15% Popularity • 52% Danceability • 71% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
15% Popularity • 52% Danceability • 71% Energy • 7% Liveness
90% Instrumentalness • 25% Positiveness
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Nick Arundel
Wham. Gotcha!
145 bpm • B min • 03:28 • -14.28db
25% Popularity • 47% Danceability • 69% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
25% Popularity • 47% Danceability • 69% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Kevin Riepl
War of Shadows
145 bpm • G min • 02:21 • -12.54db
25% Popularity • 43% Danceability • 66% Energy • 13% Liveness
87% Instrumentalness • 33% Positiveness
25% Popularity • 43% Danceability • 66% Energy • 13% Liveness
87% Instrumentalness • 33% Positiveness
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Ludvig Forssell
Boy Kills World
175 bpm • G Maj • 02:03 • -11.15db
9% Popularity • 10% Danceability • 29% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 29% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - Medium Intensi...
145 bpm • G# min • 01:56 • -16.06db
9% Popularity • 37% Danceability • 33% Energy • 22% Liveness
81% Instrumentalness • 21% Positiveness
9% Popularity • 37% Danceability • 33% Energy • 22% Liveness
81% Instrumentalness • 21% Positiveness
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Sean Murray
Invictus
145 bpm • G# Maj • 02:17 • -12.25db
25% Popularity • 45% Danceability • 67% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
25% Popularity • 45% Danceability • 67% Energy • 13% Liveness
89% Instrumentalness • 25% Positiveness
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Jason Hayes
Honor Guide Me
144 bpm • C# Maj • 03:58 • -13.35db
17% Popularity • 15% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
17% Popularity • 15% Danceability • 30% Energy • 8% Liveness
95% Instrumentalness • 14% Positiveness
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Meyer
Finding Sanctuary
144 bpm • D Maj • 04:11 • -16.9db
23% Popularity • 22% Danceability • 32% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 32% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Tim Wynn
Lazarus
144 bpm • G# Maj • 02:58 • -19db
30% Popularity • 44% Danceability • 38% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
30% Popularity • 44% Danceability • 38% Energy • 11% Liveness
70% Instrumentalness • 19% Positiveness
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Tyler Bates
Temptation of the Flesh
176 bpm • E min • 01:28 • -18.78db
16% Popularity • 11% Danceability • 18% Energy • 4% Liveness
96% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 18% Energy • 4% Liveness
96% Instrumentalness • 4% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - Medium Intensi...
145 bpm • B Maj • 01:09 • -17.34db
9% Popularity • 43% Danceability • 52% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 43% Danceability • 52% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Justin E. Bell
Phineas Escapes
143 bpm • A Maj • 01:07 • -13.9db
36% Popularity • 34% Danceability • 35% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 34% Danceability • 35% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Nick Arundel
Finger Prints
143 bpm • C# Maj • 01:58 • -24.08db
14% Popularity • 21% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
14% Popularity • 21% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Mike Reagan
Keeping Pace
144 bpm • G Maj • 02:21 • -15.07db
0% Popularity • 34% Danceability • 42% Energy • 64% Liveness
92% Instrumentalness • 19% Positiveness
0% Popularity • 34% Danceability • 42% Energy • 64% Liveness
92% Instrumentalness • 19% Positiveness
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Jon Everist
Bile and Venom
143 bpm • C min • 05:32 • -15.26db
11% Popularity • 46% Danceability • 49% Energy • 14% Liveness
95% Instrumentalness • 25% Positiveness
11% Popularity • 46% Danceability • 49% Energy • 14% Liveness
95% Instrumentalness • 25% Positiveness
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James Hannigan
A Robot?
142 bpm • F min • 02:32 • -20.42db
13% Popularity • 15% Danceability • 12% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 12% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - Medium Intensi...
145 bpm • C min • 01:38 • -17.02db
8% Popularity • 44% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
8% Popularity • 44% Danceability • 36% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Adam Schneider
Warlock
142 bpm • D Maj • 03:52 • -5.51db
20% Popularity • 49% Danceability • 99% Energy • 9% Liveness
80% Instrumentalness • 53% Positiveness
20% Popularity • 49% Danceability • 99% Energy • 9% Liveness
80% Instrumentalness • 53% Positiveness
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Nick Arundel
Batmobile Attack
142 bpm • C# Maj • 01:31 • -20.02db
16% Popularity • 52% Danceability • 48% Energy • 15% Liveness
88% Instrumentalness • 62% Positiveness
16% Popularity • 52% Danceability • 48% Energy • 15% Liveness
88% Instrumentalness • 62% Positiveness
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Maclaine Diemer
Bloodstone Fen
142 bpm • E Maj • 03:09 • -28.1db
13% Popularity • 14% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
13% Popularity • 14% Danceability • 14% Energy • 9% Liveness
80% Instrumentalness • 8% Positiveness
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Brad Derrick
Mists of Morthal
178 bpm • C# Maj • 05:10 • -18.52db
15% Popularity • 8% Danceability • 15% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
15% Popularity • 8% Danceability • 15% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Joel Nielsen
Apprehension
179 bpm • C min • 01:47 • -7.77db
31% Popularity • 7% Danceability • 40% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
31% Popularity • 7% Danceability • 40% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - Low Intensity ...
145 bpm • C# Maj • 01:26 • -18.21db
9% Popularity • 67% Danceability • 29% Energy • 34% Liveness
86% Instrumentalness • 3% Positiveness
9% Popularity • 67% Danceability • 29% Energy • 34% Liveness
86% Instrumentalness • 3% Positiveness
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Tim Wynn
Adrift in Darkness
179 bpm • G Maj • 01:30 • -18.63db
11% Popularity • 8% Danceability • 24% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 24% Energy • 18% Liveness
84% Instrumentalness • 4% Positiveness
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Nick Arundel
Whiskey Trail
178 bpm • C# Maj • 01:14 • -24.85db
16% Popularity • 36% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
16% Popularity • 36% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Paradox Interactive
Hidden Motives
179 bpm • F min • 04:36 • -18.43db
23% Popularity • 7% Danceability • 12% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
23% Popularity • 7% Danceability • 12% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
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Stephen Barton
Anderson's Mission
141 bpm • F# min • 04:31 • -15.58db
15% Popularity • 15% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 28% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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The Flight
CYAN
180 bpm • D# Maj • 02:43 • -25.56db
14% Popularity • 7% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - Low Intensity ...
145 bpm • B min • 01:14 • -16.24db
10% Popularity • 48% Danceability • 72% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
10% Popularity • 48% Danceability • 72% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Tim Wynn
Vox Prima
180 bpm • C Maj • 01:06 • -17.37db
13% Popularity • 15% Danceability • 48% Energy • 14% Liveness
98% Instrumentalness • 26% Positiveness
13% Popularity • 15% Danceability • 48% Energy • 14% Liveness
98% Instrumentalness • 26% Positiveness
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Michael McCann
Detroit Marketplace
180 bpm • B Maj • 03:45 • -12.51db
28% Popularity • 15% Danceability • 54% Energy • 13% Liveness
82% Instrumentalness • 19% Positiveness
28% Popularity • 15% Danceability • 54% Energy • 13% Liveness
82% Instrumentalness • 19% Positiveness
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Jon Everist
Meat Is Cheap
180 bpm • A Maj • 06:48 • -14.12db
13% Popularity • 50% Danceability • 53% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
13% Popularity • 50% Danceability • 53% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
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Jason Graves
On the Beach
180 bpm • E min • 06:49 • -17.44db
10% Popularity • 22% Danceability • 30% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 30% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Adam Schneider
Left Behind
180 bpm • D Maj • 03:36 • -11.72db
12% Popularity • 40% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
12% Popularity • 40% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - Low Intensity ...
145 bpm • C# Maj • 01:16 • -24.62db
10% Popularity • 45% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
10% Popularity • 45% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Tim Wynn
Metal and Steel
180 bpm • D Maj • 01:56 • -14.6db
28% Popularity • 33% Danceability • 61% Energy • 16% Liveness
91% Instrumentalness • 13% Positiveness
28% Popularity • 33% Danceability • 61% Energy • 16% Liveness
91% Instrumentalness • 13% Positiveness
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Andreas Waldetoft
The Titan
180 bpm • D min • 04:01 • -14.99db
26% Popularity • 43% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 43% Danceability • 50% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Wilbert Roget, II
Undead of Elona
180 bpm • A# Maj • 02:04 • -11.69db
10% Popularity • 44% Danceability • 62% Energy • 33% Liveness
79% Instrumentalness • 32% Positiveness
10% Popularity • 44% Danceability • 62% Energy • 33% Liveness
79% Instrumentalness • 32% Positiveness
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James Hannigan
Mecha Storm
180 bpm • E Maj • 04:06 • -6.52db
23% Popularity • 40% Danceability • 96% Energy • 44% Liveness
61% Instrumentalness • 64% Positiveness
23% Popularity • 40% Danceability • 96% Energy • 44% Liveness
61% Instrumentalness • 64% Positiveness
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Oleksa Lozowchuk
Coiled Strike
180 bpm • B min • 02:14 • -13.13db
22% Popularity • 50% Danceability • 75% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
22% Popularity • 50% Danceability • 75% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
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Theophany
The Climb
140 bpm • D# min • 01:37 • -22.41db
14% Popularity • 22% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
14% Popularity • 22% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Daniel Licht
The Bank Job: Exploration
180 bpm • A Maj • 01:47 • -25.21db
20% Popularity • 37% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 37% Danceability • 25% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
