Songs like Coffee And Wine (feat. Sierra Leone's Refugee All Stars) by Chadwick Stokes
Based on a tempo of (+/- 10%) and a similar genre
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Braddigan
Customs
120 bpm • C# min • 05:17 • -8.64db
19% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 77% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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The Ballroom Thieves
Loose Lips
120 bpm • F# min • 03:15 • -6.42db
20% Popularity • 73% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 73% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Nahko And Medicine For The People
It Is Written
120 bpm • E min • 05:37 • -4.9db
29% Popularity • 64% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 64% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Ryan Montbleau
Inspired by No One
120 bpm • F min • 04:57 • -7.43db
15% Popularity • 72% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 72% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Nathaniel Rateliff & The Night Sweats
Mellow Out
120 bpm • B min • 03:32 • -7.82db
46% Popularity • 62% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
46% Popularity • 62% Danceability • 63% Energy • 26% Liveness
1% Instrumentalness • 68% Positiveness
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Chadwick Stokes
Walter (First Hello)
120 bpm • C Maj • 03:59 • -7.5db
15% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 58% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Fruition
Big Sky
120 bpm • C Maj • 03:34 • -10.06db
18% Popularity • 63% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 63% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Michael Franti
Yes I Will
120 bpm • C Maj • 04:20 • -6.71db
34% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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ZOX
Little More Time
120 bpm • G Maj • 04:06 • -6.5db
29% Popularity • 69% Danceability • 74% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
29% Popularity • 69% Danceability • 74% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
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Ryan Montbleau
75 and Sunny
120 bpm • G# Maj • 06:17 • -12.81db
38% Popularity • 79% Danceability • 38% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 79% Danceability • 38% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
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Pickin' On Series
Float On
120 bpm • A Maj • 04:13 • -8db
32% Popularity • 71% Danceability • 68% Energy • 28% Liveness
2% Instrumentalness • 71% Positiveness
32% Popularity • 71% Danceability • 68% Energy • 28% Liveness
2% Instrumentalness • 71% Positiveness
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Sim Redmond Band
Life Is Water
120 bpm • A Maj • 03:52 • -11db
29% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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THE VOYCES
Relate To Me
120 bpm • G Maj • 01:37 • -27.99db
33% Popularity • 63% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
33% Popularity • 63% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 59% Positiveness
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Chadwick Stokes
Coffee And Wine
120 bpm • E min • 04:25 • -9db
37% Popularity • 62% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 62% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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O.A.R.
I Feel Home
121 bpm • A min • 06:49 • -11.53db
31% Popularity • 43% Danceability • 42% Energy • 96% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 43% Danceability • 42% Energy • 96% Liveness
0% Instrumentalness • 21% Positiveness
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Chris Velan
Sweet Mary
119 bpm • G Maj • 04:54 • -7.9db
17% Popularity • 63% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 63% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Middle Brother
Portland
119 bpm • D Maj • 05:05 • -6.93db
32% Popularity • 75% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 75% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Dustin Kensrue
Blood & Wine
119 bpm • E Maj • 01:59 • -5db
36% Popularity • 44% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 44% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Useful Jenkins
Take a Ride
119 bpm • C Maj • 03:47 • -5.71db
14% Popularity • 71% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 71% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Still Time
Come Alive
119 bpm • A Maj • 05:05 • -8.15db
17% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 42% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Madisen Ward and the Mama Bear
Yellow Taxi
119 bpm • C Maj • 04:15 • -6.92db
33% Popularity • 71% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 71% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Applebutter Express
Riley
119 bpm • G Maj • 04:25 • -7.79db
8% Popularity • 82% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 82% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Xavier Rudd
Better People
119 bpm • F# Maj • 03:05 • -8db
48% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
48% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Sawmill Joe
Ain't Nobody's Problem
121 bpm • F Maj • 05:09 • -3.7db
17% Popularity • 59% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 59% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Ryan Montbleau
Duncan
122 bpm • G Maj • 04:03 • -12.07db
21% Popularity • 82% Danceability • 38% Energy • 87% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 82% Danceability • 38% Energy • 87% Liveness
0% Instrumentalness • 69% Positiveness
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Andy Frasco & the U.N.
Sunny Day Soldier
118 bpm • C Maj • 04:32 • -5.11db
34% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Kendall Street Company
Cars
118 bpm • A# Maj • 03:48 • -9db
36% Popularity • 34% Danceability • 69% Energy • 11% Liveness
17% Instrumentalness • 52% Positiveness
36% Popularity • 34% Danceability • 69% Energy • 11% Liveness
17% Instrumentalness • 52% Positiveness
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Sim Redmond Band
All I Ever Want
122 bpm • A# Maj • 03:59 • -7.27db
14% Popularity • 68% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 68% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Slackstring
Candle
118 bpm • G Maj • 03:31 • -7.17db
16% Popularity • 69% Danceability • 63% Energy • 37% Liveness
32% Instrumentalness • 85% Positiveness
16% Popularity • 69% Danceability • 63% Energy • 37% Liveness
32% Instrumentalness • 85% Positiveness
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Useful Jenkins
Smile At Me
118 bpm • G Maj • 04:24 • -6.69db
9% Popularity • 39% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 39% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ryan Montbleau
Stretch
122 bpm • A# Maj • 05:16 • -9.85db
23% Popularity • 71% Danceability • 62% Energy • 11% Liveness
7% Instrumentalness • 69% Positiveness
23% Popularity • 71% Danceability • 62% Energy • 11% Liveness
7% Instrumentalness • 69% Positiveness
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The Low Life
Four Walls
122 bpm • A Maj • 04:51 • -9.1db
9% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 56% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Chad Van Herk
Footprints
123 bpm • A min • 04:04 • -15.92db
34% Popularity • 69% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 69% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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State Radio
Sudan
123 bpm • D min • 03:52 • -6.76db
23% Popularity • 65% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 65% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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The Avett Brothers
Go to Sleep
123 bpm • F# Maj • 04:04 • -5.37db
34% Popularity • 43% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 43% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Wheeland Brothers
Just Take It Easy
117 bpm • D Maj • 03:25 • -7db
49% Popularity • 80% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 80% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Chadwick Stokes
Indiana Fall
117 bpm • D# min • 04:16 • -8.21db
3% Popularity • 57% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
3% Popularity • 57% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Zach Deputy
Remember
117 bpm • E Maj • 03:07 • -6db
17% Popularity • 89% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
17% Popularity • 89% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
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Slackstring
People Look Around
117 bpm • A Maj • 02:55 • -7.29db
20% Popularity • 76% Danceability • 76% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
20% Popularity • 76% Danceability • 76% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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State Radio
Blood Escaping Man
123 bpm • A min • 03:32 • -5.58db
18% Popularity • 47% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 47% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Barefoot Truth
The Ocean
117 bpm • E Maj • 05:31 • -6.81db
17% Popularity • 67% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 67% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Nahko And Medicine For The People
Mr. Washington
124 bpm • C Maj • 06:35 • -9.04db
24% Popularity • 52% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 52% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Chadwick Stokes
That's All
124 bpm • C Maj • 03:21 • -10.13db
1% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 47% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Andy Frasco & the U.N.
Don't Ya Worry
124 bpm • G# Maj • 03:00 • -7.99db
33% Popularity • 80% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 80% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Greensky Bluegrass
In Control
124 bpm • B Maj • 04:32 • -6.75db
36% Popularity • 42% Danceability • 58% Energy • 11% Liveness
7% Instrumentalness • 41% Positiveness
36% Popularity • 42% Danceability • 58% Energy • 11% Liveness
7% Instrumentalness • 41% Positiveness
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O.A.R.
Dareh Meyod
124 bpm • C# min • 03:41 • -6.72db
21% Popularity • 70% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 76% Positiveness
21% Popularity • 70% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 76% Positiveness
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Spiritual Rez
Bring It On
124 bpm • G Maj • 04:49 • -4.58db
30% Popularity • 87% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 87% Danceability • 72% Energy • 3% Liveness
0% Instrumentalness • 79% Positiveness
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Nahko And Medicine For The People
San Quentin
124 bpm • G Maj • 04:01 • -5.89db
28% Popularity • 73% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 73% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’ve Been Failing
116 bpm • D# Maj • 03:00 • -8.47db
47% Popularity • 71% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
47% Popularity • 71% Danceability • 61% Energy • 7% Liveness
1% Instrumentalness • 57% Positiveness
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Chadwick Stokes
Black Bottle
124 bpm • G Maj • 04:17 • -7.22db
11% Popularity • 58% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 58% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 42% Positiveness
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Useful Jenkins
Roy G. Biv
124 bpm • C min • 03:17 • -7.27db
15% Popularity • 61% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 61% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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The Curators
In Walked Charlie
124 bpm • D min • 04:15 • -9.42db
0% Popularity • 89% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 89% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Dangermuffin
Slumber
116 bpm • C# Maj • 03:15 • -10db
40% Popularity • 61% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 61% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Nahko And Medicine For The People
Dinner Party
116 bpm • C Maj • 05:28 • -8.34db
23% Popularity • 83% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 60% Positiveness
23% Popularity • 83% Danceability • 52% Energy • 11% Liveness
5% Instrumentalness • 60% Positiveness
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Twiddle
Every Soul
124 bpm • B min • 05:53 • -7db
39% Popularity • 56% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 56% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Elliott BROOD
Oh Alberta
115 bpm • D Maj • 02:50 • -4db
21% Popularity • 53% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 53% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Madisen Ward and the Mama Bear
Live By the Water
115 bpm • D# Maj • 05:24 • -7.42db
21% Popularity • 80% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 80% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Barton Carroll
Every Little Bit Hurts
125 bpm • A Maj • 03:46 • -6.01db
28% Popularity • 49% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 49% Danceability • 65% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Greensky Bluegrass
No Idea
115 bpm • C Maj • 05:28 • -8db
28% Popularity • 60% Danceability • 58% Energy • 28% Liveness
51% Instrumentalness • 54% Positiveness
28% Popularity • 60% Danceability • 58% Energy • 28% Liveness
51% Instrumentalness • 54% Positiveness
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Spiritual Rez
Don't Be Afraid
125 bpm • A Maj • 07:08 • -5.45db
15% Popularity • 50% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 50% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Twiddle
Hattibagen McRat
115 bpm • C Maj • 05:46 • -7db
29% Popularity • 51% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 51% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Andy Frasco & the U.N.
Change of Pace
125 bpm • C Maj • 04:26 • -5db
31% Popularity • 46% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 46% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Giant Panda Guerilla Dub Squad
Get Me Through
125 bpm • G Maj • 04:26 • -7.58db
7% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 64% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Elephant Revival
What Is Time?
115 bpm • D Maj • 02:49 • -12db
23% Popularity • 67% Danceability • 76% Energy • 9% Liveness
11% Instrumentalness • 82% Positiveness
23% Popularity • 67% Danceability • 76% Energy • 9% Liveness
11% Instrumentalness • 82% Positiveness
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The Hip Abduction
Holiday
115 bpm • F Maj • 04:32 • -7db
34% Popularity • 74% Danceability • 75% Energy • 8% Liveness
34% Instrumentalness • 63% Positiveness
34% Popularity • 74% Danceability • 75% Energy • 8% Liveness
34% Instrumentalness • 63% Positiveness
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Shakey Graves
Late July - Audiotree Live Version
126 bpm • C# Maj • 06:03 • -10.32db
44% Popularity • 50% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 50% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Slightly Stoopid
Train Saga
115 bpm • B Maj • 04:44 • -4.42db
13% Popularity • 48% Danceability • 93% Energy • 10% Liveness
69% Instrumentalness • 32% Positiveness
13% Popularity • 48% Danceability • 93% Energy • 10% Liveness
69% Instrumentalness • 32% Positiveness
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Slackstring
Lend Me Your Love
114 bpm • G Maj • 03:21 • -6db
18% Popularity • 54% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 54% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Nahko And Medicine For The People
We Are On Time
126 bpm • D Maj • 05:45 • -6.23db
37% Popularity • 57% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 57% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Micah Brown
Spend Your Sunlight
126 bpm • E min • 04:12 • -7.18db
12% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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ZOX
Anything but Fine
114 bpm • F Maj • 04:05 • -8.44db
16% Popularity • 54% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 54% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Honeybucket
Pursuit of Happiness
114 bpm • D Maj • 03:33 • -6db
29% Popularity • 76% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 76% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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The Boom Booms
Paradise
114 bpm • F Maj • 06:25 • -9.76db
17% Popularity • 75% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 75% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Chadwick Stokes
Insulin
114 bpm • F Maj • 03:38 • -14db
10% Popularity • 58% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
10% Popularity • 58% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Keller Williams
Doobie In My Pocket
114 bpm • G Maj • 03:32 • -6.38db
37% Popularity • 92% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 92% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Jackie Greene
Gone Wanderin'
114 bpm • A Maj • 02:57 • -6.22db
36% Popularity • 62% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 62% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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The Wood Brothers
One More Day
126 bpm • A min • 03:06 • -9.78db
36% Popularity • 72% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 72% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Ryan Montbleau
Here Et Al.
127 bpm • G Maj • 03:54 • -11.15db
9% Popularity • 59% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 59% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Sublime
Rivers Of Babylon
114 bpm • G# Maj • 02:29 • -9.98db
50% Popularity • 70% Danceability • 44% Energy • 87% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 70% Danceability • 44% Energy • 87% Liveness
0% Instrumentalness • 71% Positiveness
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Chadwick Stokes
Adelaide
114 bpm • A Maj • 05:23 • -8.67db
19% Popularity • 65% Danceability • 60% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 65% Danceability • 60% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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Deer Tick
These Old Shoes
113 bpm • G Maj • 02:20 • -5.31db
40% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 64% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Forest Sun
Big Big Squeeze
127 bpm • D Maj • 03:15 • -7.77db
39% Popularity • 81% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 81% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Fruition
Labor of Love
113 bpm • E min • 04:03 • -7db
33% Popularity • 51% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 51% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Useful Jenkins
Fun 'n Games
113 bpm • B min • 03:42 • -7.29db
17% Popularity • 72% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 72% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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State Radio
Mr. Larkin
128 bpm • A min • 04:08 • -4.99db
25% Popularity • 36% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 36% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Chadwick Stokes
Sand from San Francisco
127 bpm • D Maj • 04:21 • -8.2db
11% Popularity • 55% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
11% Popularity • 55% Danceability • 53% Energy • 38% Liveness
0% Instrumentalness • 45% Positiveness
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Twiddle
White Light
113 bpm • C Maj • 05:13 • -6db
34% Popularity • 45% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 45% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Xavier Rudd
Twist
128 bpm • G# Maj • 03:00 • -6.42db
38% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Barefoot Truth
Dancin' in the Trees
113 bpm • C Maj • 05:01 • -6.92db
14% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 61% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Major and the Monbacks
Don't Say a Word
113 bpm • A# Maj • 03:56 • -3.47db
23% Popularity • 60% Danceability • 80% Energy • 26% Liveness
1% Instrumentalness • 54% Positiveness
23% Popularity • 60% Danceability • 80% Energy • 26% Liveness
1% Instrumentalness • 54% Positiveness
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The Hip Abduction
Someday I'm Going Away
128 bpm • E Maj • 04:47 • -8db
29% Popularity • 54% Danceability • 63% Energy • 10% Liveness
30% Instrumentalness • 50% Positiveness
29% Popularity • 54% Danceability • 63% Energy • 10% Liveness
30% Instrumentalness • 50% Positiveness
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Chadwick Stokes
Love and War
127 bpm • C# Maj • 02:32 • -11.71db
14% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
14% Popularity • 56% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Moonshiner Collective
Autumness
112 bpm • D# Maj • 04:03 • -8.16db
28% Popularity • 77% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 77% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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State Radio
Omar Bay
129 bpm • E min • 04:14 • -7.4db
16% Popularity • 40% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 40% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Barefoot Truth
Roll if ya Fall
113 bpm • B Maj • 04:27 • -7.62db
32% Popularity • 77% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 77% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Braddigan
Walls
111 bpm • D min • 04:26 • -9.57db
8% Popularity • 40% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 40% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Useful Jenkins
Home Sweet Home
112 bpm • G Maj • 02:53 • -7.38db
11% Popularity • 66% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 66% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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![Walter (First Hello) [Commentary] cover art](https://i.scdn.co/image/ab67616d00001e02cd0a8640b965af2c4f4c3e79)
Chadwick Stokes
Walter (First Hello) [Commentary]
112 bpm • A Maj • 02:12 • -19.1db
0% Popularity • 71% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 71% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness