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Coffee (Remasterd)
Songs like
Coffee (Remasterd)
by
Rose
Based on a tempo of (+/- 10%) and a similar genre
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Versityle
The Moment
140 bpm • C min • 03:16 • -9.21db
0% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Matthew James Thomas
With You
140 bpm • B Maj • 05:39 • -8.87db
31% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Rose
Smile Girls - Bonus Track
140 bpm • C Maj • 02:49 • -5db
10% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Lucky Luciano
Hold Me Down
140 bpm • G Maj • 03:12 • -11.5db
1% Popularity • 80% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Shock To The System
No One But Me - Original Mix
140 bpm • A Maj • 04:47 • -10.59db
0% Popularity • 48% Danceability • 65% Energy • 6% Liveness
14% Instrumentalness • 44% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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A Chorus Line Ensemble (2006)
One (Reprise) / Finale
140 bpm • G min • 04:56 • -7.91db
35% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Stephanie J. Block
I'm Breaking Down
141 bpm • A Maj • 04:48 • -7.7db
46% Popularity • 61% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Rose
Raven
140 bpm • F min • 03:57 • -7.75db
0% Popularity • 71% Danceability • 67% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Josie de Guzman
I'll Know
139 bpm • G Maj • 04:55 • -20db
29% Popularity • 40% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Shock To The System
Backing Down - Original Mix
140 bpm • D Maj • 06:18 • -8.28db
0% Popularity • 44% Danceability • 59% Energy • 8% Liveness
38% Instrumentalness • 23% Positiveness
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Stephen Schwartz
The Wizard And I
139 bpm • C Maj • 05:09 • -8.23db
45% Popularity • 38% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Gwen Verdon
My Own Best Friend
139 bpm • F Maj • 02:41 • -16.75db
24% Popularity • 40% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Rose
Coffee (Remasterd)
140 bpm • C# min • 03:51 • -6.96db
0% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Marissa Jaret Winokur
Mama, I'm a Big Girl Now
141 bpm • F Maj • 03:18 • -4.62db
37% Popularity • 78% Danceability • 79% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Patina Miller
Raise Your Voice
141 bpm • C Maj • 06:23 • -5.3db
37% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Josie de Guzman
I've Never Been in Love Before
141 bpm • C# Maj • 02:06 • -15db
31% Popularity • 31% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Carla J. Hargrove
Skid Row (Downtown)
139 bpm • A# Maj • 04:06 • -8.5db
45% Popularity • 54% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Megan Mullally
Please Don't Touch Me
142 bpm • F Maj • 03:58 • -7.54db
26% Popularity • 55% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Rose
Take Your Time
141 bpm • B Maj • 04:33 • -8.25db
0% Popularity • 66% Danceability • 71% Energy • 25% Liveness
8% Instrumentalness • 64% Positiveness
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2021 London Cast of Cabaret
Maybe This Time
138 bpm • E Maj • 04:20 • -15.36db
36% Popularity • 35% Danceability • 15% Energy • 76% Liveness
0% Instrumentalness • 12% Positiveness
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Jeanine Tesori
Ring of Keys
138 bpm • A Maj • 03:07 • -12db
39% Popularity • 45% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Nathan Lane
The Oldest Established
141 bpm • G Maj • 02:34 • -17.64db
31% Popularity • 58% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Propain
Did It B4
142 bpm • B min • 03:49 • -0.94db
0% Popularity • 69% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Gwen Verdon
We Both Reached for the Gun
138 bpm • B Maj • 03:57 • -18db
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Cheyenne Jackson
Don't Walk Away
138 bpm • B Maj • 03:38 • -4.6db
24% Popularity • 55% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Broadway Cast Recording
We Open In Venice
138 bpm • C# Maj • 02:00 • -12.27db
17% Popularity • 62% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Sherie Rene Scott
A Part of That
142 bpm • F min • 04:01 • -11.22db
28% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Nathan Lane
We Can Do It
142 bpm • D# Maj • 03:35 • -12.35db
28% Popularity • 50% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Kay McClelland
What You Don't Know About Women
142 bpm • E min • 02:14 • -19db
19% Popularity • 61% Danceability • 20% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Cody Green
Jet Song
143 bpm • A min • 02:06 • -12db
22% Popularity • 67% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Michael Berresse
Cell Block Tango
137 bpm • F Maj • 06:14 • -12.75db
41% Popularity • 64% Danceability • 30% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Alan Cumming
If You Could See Her
143 bpm • F# Maj • 03:40 • -12.71db
29% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Rosalie Craig
Company
144 bpm • D Maj • 05:08 • -11.65db
29% Popularity • 53% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Nathan Lane
Along Came Bialy
144 bpm • G# Maj • 06:56 • -10.66db
23% Popularity • 47% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Gwen Verdon
Me and My Baby
144 bpm • A# Maj • 03:16 • -18db
21% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Jenn Colella
Me And The Sky
136 bpm • C# Maj • 04:36 • -7.15db
50% Popularity • 67% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Young Bopete
Rose Gold
144 bpm • C# Maj • 03:06 • -6.77db
0% Popularity • 63% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Laura Benanti
Someday
136 bpm • A Maj • 03:30 • -4db
15% Popularity • 68% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Megan Mullally
Deep Love
144 bpm • G# Maj • 03:13 • -7.3db
22% Popularity • 39% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Lea Michele
Sadie, Sadie
145 bpm • F min • 04:08 • -10db
27% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Gwen Verdon
A Little Brains, A Little Talent
145 bpm • F Maj • 03:39 • -16db
17% Popularity • 61% Danceability • 12% Energy • 53% Liveness
0% Instrumentalness • 72% Positiveness
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Rose
Seagull
145 bpm • G Maj • 04:01 • -7db
0% Popularity • 29% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Laura Benanti
Come Out of the Dumpster
145 bpm • D Maj • 03:03 • -8.08db
10% Popularity • 46% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Roger Bart
Together Again
145 bpm • G Maj • 03:50 • -8.55db
29% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Sherie Rene Scott
A Summer in Ohio
135 bpm • A# Maj • 03:57 • -11db
29% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Gwen Verdon
Roxie
135 bpm • B Maj • 05:16 • -17.39db
20% Popularity • 67% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Lucy
A New Life
135 bpm • E Maj • 04:40 • -12db
31% Popularity • 26% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
29% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
35% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Rose
Was It Good For You
146 bpm • G# Maj • 03:11 • -5.57db
0% Popularity • 64% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 72% Positiveness
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Bruce Anthony Davis
All I Care About
135 bpm • D Maj • 03:47 • -13.89db
32% Popularity • 50% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Imelda Staunton
Everything's Coming Up Roses
134 bpm • A Maj • 03:02 • -7.21db
20% Popularity • 46% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Damon Daunno
Oklahoma
134 bpm • D Maj • 03:30 • -9db
16% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
32% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Rose
Legacy
134 bpm • F# Maj • 04:32 • -7.44db
0% Popularity • 64% Danceability • 60% Energy • 70% Liveness
1% Instrumentalness • 66% Positiveness
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Anna Kendrick
A Summer in Ohio
134 bpm • C min • 04:05 • -7.32db
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Capathia Jenkins
That's Rich
134 bpm • F Maj • 02:32 • -10.26db
42% Popularity • 64% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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SMASH Cast
Let Me Be Your Star (SMASH Cast Version)...
147 bpm • B Maj • 03:43 • -7.97db
38% Popularity • 34% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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James Naughton
The Tennis Song
134 bpm • C Maj • 02:36 • -15.98db
16% Popularity • 65% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Patina Miller
On the Right Track
146 bpm • D# min • 03:54 • -8db
35% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Chicago Ensemble (1997)
All That Jazz
134 bpm • E Maj • 05:05 • -12.55db
49% Popularity • 64% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Rose
Never Had a Lover
147 bpm • C Maj • 04:38 • -10.75db
0% Popularity • 50% Danceability • 41% Energy • 8% Liveness
2% Instrumentalness • 59% Positiveness
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Richard Gere
All I Care About
133 bpm • F# Maj • 03:48 • -8.87db
30% Popularity • 43% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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Carole Cook
Go into Your Dance
133 bpm • G# Maj • 03:23 • -14.95db
20% Popularity • 56% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Damon Daunno
The Surrey With The Fringe On Top
133 bpm • A Maj • 05:18 • -11.9db
25% Popularity • 52% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
48% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
30% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Marissa Jaret Winokur
Good Morning Baltimore
133 bpm • G# Maj • 03:40 • -5.01db
39% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
26% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Patina Miller
Take Me to Heaven - Reprise
148 bpm • F Maj • 05:45 • -6.45db
33% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
A Chorus Line Ensemble (2006)
One
132 bpm • G min • 05:56 • -10db
33% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Rose
Some People
132 bpm • C Maj • 03:12 • -5db
25% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Curtis Holbrook
Gee, Officer Krupke
148 bpm • G Maj • 04:12 • -11.61db
23% Popularity • 68% Danceability • 50% Energy • 49% Liveness
0% Instrumentalness • 64% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
31% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Gwen Verdon
I Know a Girl
132 bpm • C Maj • 02:04 • -19.33db
22% Popularity • 68% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Maddox Bros.
Flowers For The Master's Bouquet
132 bpm • D Maj • 02:51 • -10.92db
0% Popularity • 49% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
26% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Broadway Cast Recording
Another Op'nin', Another Show
149 bpm • G# Maj • 06:16 • -9.82db
21% Popularity • 43% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Charles Strouse
Annie: We'd Like to Thank You, Herbert H...
131 bpm • C Maj • 02:27 • -13.71db
29% Popularity • 62% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Rose
Who Needs Him? - Bonus Track
131 bpm • G Maj • 01:16 • -5.7db
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Jonathan Bailey
Getting Married Today
131 bpm • F# Maj • 04:19 • -13db
30% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
33% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
'The Drowsy Chaperone' Original Broadway Cast
Fancy Dress
131 bpm • C# Maj • 04:55 • -8db
28% Popularity • 68% Danceability • 49% Energy • 45% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
David Hyde Pierce
Penny in My Pocket
150 bpm • G Maj • 02:49 • -10.98db
24% Popularity • 67% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
27% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
Annaleigh Ashford
The History of Wrong Guys
130 bpm • A# Maj • 03:48 • -6.34db
44% Popularity • 81% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Rose
Seattle to Los Angeles
130 bpm • C Maj • 01:32 • -3.32db
16% Popularity • 56% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Albert Finney
Sign
130 bpm • G Maj • 02:51 • -15.6db
33% Popularity • 59% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Coffee (Remasterd)