Songs like Colombiafrica by Rus Huellas
Based on a tempo of (+/- 10%) and a similar genre
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maikol el insoportable
El Alboroto (Champeta Africana)
123 bpm • D Maj • 02:33 • -6.57db
18% Popularity • 80% Danceability • 95% Energy • 30% Liveness
60% Instrumentalness • 92% Positiveness
18% Popularity • 80% Danceability • 95% Energy • 30% Liveness
60% Instrumentalness • 92% Positiveness
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Dj Fatxo
Tokonyo
123 bpm • D# min • 03:37 • -6.92db
14% Popularity • 81% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 81% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Rus Huellas
Colombiafrica
123 bpm • G Maj • 05:03 • -8.74db
0% Popularity • 59% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 59% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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4 Étoiles
Zunguluke
123 bpm • G Maj • 07:00 • -8.77db
11% Popularity • 79% Danceability • 82% Energy • 28% Liveness
1% Instrumentalness • 73% Positiveness
11% Popularity • 79% Danceability • 82% Energy • 28% Liveness
1% Instrumentalness • 73% Positiveness
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Tam Tam 2000
Zouk en avant
123 bpm • F Maj • 06:47 • -8.47db
7% Popularity • 74% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 74% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Dina Bell
Ndenge na ndutu
123 bpm • G Maj • 05:38 • -6.9db
11% Popularity • 76% Danceability • 91% Energy • 23% Liveness
3% Instrumentalness • 94% Positiveness
11% Popularity • 76% Danceability • 91% Energy • 23% Liveness
3% Instrumentalness • 94% Positiveness
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maikol el insoportable
La Pea Africano (Champeta Africana)
123 bpm • D Maj • 02:25 • -6.11db
10% Popularity • 76% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 76% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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PICOTIANDO
La Pelea - Champeta Africana
123 bpm • F# Maj • 02:12 • -7.53db
9% Popularity • 84% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 84% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Banda Blanca
El Cegatón
124 bpm • D Maj • 03:01 • -6.04db
8% Popularity • 51% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 51% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
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Papa Noel
Bel Ami
122 bpm • E Maj • 07:21 • -9.33db
9% Popularity • 75% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 75% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Sonora Paramarera
Boracho
122 bpm • G min • 04:26 • -9.72db
13% Popularity • 92% Danceability • 46% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 92% Danceability • 46% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Kitty Harbor
Otvori Vrata
122 bpm • C# min • 04:11 • -10.35db
7% Popularity • 63% Danceability • 87% Energy • 8% Liveness
71% Instrumentalness • 82% Positiveness
7% Popularity • 63% Danceability • 87% Energy • 8% Liveness
71% Instrumentalness • 82% Positiveness
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Lutchiana
Shena
124 bpm • A Maj • 05:52 • -6.67db
11% Popularity • 52% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 52% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Tshala Muana
Kizoungo Zoungo
124 bpm • A Maj • 06:17 • -14.87db
11% Popularity • 73% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 73% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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maikol el insoportable
La Shirley (Champeta Africana)
122 bpm • D Maj • 02:26 • -9.25db
12% Popularity • 72% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 72% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Zaïko Langa Langa
SVP Mbey (2022, Remasterisé)
124 bpm • C# min • 02:07 • -13.15db
16% Popularity • 52% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 52% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Vigil Uche
Satan Why
124 bpm • C Maj • 03:23 • -5.42db
13% Popularity • 90% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 90% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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King Mirak
Chérie Coco
124 bpm • B min • 02:36 • -7.19db
21% Popularity • 71% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 71% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Oriental Brothers International Band
Oku Ngwo Di Ochi
124 bpm • F# Maj • 10:45 • -5.62db
11% Popularity • 78% Danceability • 82% Energy • 15% Liveness
28% Instrumentalness • 89% Positiveness
11% Popularity • 78% Danceability • 82% Energy • 15% Liveness
28% Instrumentalness • 89% Positiveness
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George Ramogi
Alice B. Anyango
122 bpm • F# Maj • 07:27 • -3.94db
9% Popularity • 53% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
9% Popularity • 53% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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maikol el insoportable
El Asarao-Guarapos Africanos
122 bpm • G min • 01:45 • -5.54db
7% Popularity • 86% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 86% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Zaïko Langa Langa
Paiement Cash (2022, Remasterisé)
122 bpm • C Maj • 07:58 • -8.23db
12% Popularity • 66% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 66% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Champetas Africanas
El Gollo - Champeta Africana
124 bpm • C Maj • 02:13 • -8.83db
15% Popularity • 76% Danceability • 75% Energy • 16% Liveness
67% Instrumentalness • 96% Positiveness
15% Popularity • 76% Danceability • 75% Energy • 16% Liveness
67% Instrumentalness • 96% Positiveness
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Johnny Bokelo
Sandoka
121 bpm • D Maj • 08:26 • -13.03db
11% Popularity • 68% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 68% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Oriental Brothers International Band
Edi Special
124 bpm • B Maj • 10:34 • -5.04db
11% Popularity • 80% Danceability • 87% Energy • 30% Liveness
27% Instrumentalness • 93% Positiveness
11% Popularity • 80% Danceability • 87% Energy • 30% Liveness
27% Instrumentalness • 93% Positiveness
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Soukous Stars
Everybody, Loves Somebody
121 bpm • C Maj • 05:49 • -10.72db
7% Popularity • 55% Danceability • 76% Energy • 25% Liveness
14% Instrumentalness • 96% Positiveness
7% Popularity • 55% Danceability • 76% Energy • 25% Liveness
14% Instrumentalness • 96% Positiveness
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Aurlus Mabélé
Meneur de jeu
121 bpm • G Maj • 04:46 • -3.19db
7% Popularity • 69% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
7% Popularity • 69% Danceability • 95% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Zaïko Langa Langa
Toyambana (2022, Remasterisé)
125 bpm • E Maj • 03:03 • -15.74db
14% Popularity • 65% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 65% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Gatho Beevans
Ambiance à gogo
125 bpm • G# Maj • 04:30 • -10.08db
13% Popularity • 79% Danceability • 76% Energy • 28% Liveness
26% Instrumentalness • 97% Positiveness
13% Popularity • 79% Danceability • 76% Energy • 28% Liveness
26% Instrumentalness • 97% Positiveness
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Loketo
Le mot de la fin
125 bpm • A Maj • 04:10 • -13.25db
12% Popularity • 75% Danceability • 53% Energy • 8% Liveness
13% Instrumentalness • 97% Positiveness
12% Popularity • 75% Danceability • 53% Energy • 8% Liveness
13% Instrumentalness • 97% Positiveness
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Oriental Brothers International Band
Akudo
124 bpm • C# Maj • 09:31 • -12.15db
8% Popularity • 52% Danceability • 57% Energy • 13% Liveness
12% Instrumentalness • 62% Positiveness
8% Popularity • 52% Danceability • 57% Energy • 13% Liveness
12% Instrumentalness • 62% Positiveness
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Kanda Bongo Man
Jessy
125 bpm • C Maj • 04:12 • -3.69db
8% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Bessa Teixeira
Kawa Sindikilé
121 bpm • G Maj • 06:01 • -6.76db
17% Popularity • 54% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
17% Popularity • 54% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
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Libaña Maraza
Yota
125 bpm • A Maj • 05:06 • -4.26db
9% Popularity • 73% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 73% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Alphadio Dara
Si a Fami
125 bpm • B min • 05:17 • -7.09db
10% Popularity • 91% Danceability • 70% Energy • 11% Liveness
9% Instrumentalness • 87% Positiveness
10% Popularity • 91% Danceability • 70% Energy • 11% Liveness
9% Instrumentalness • 87% Positiveness
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Paula Castillo
Larani Nuragu
125 bpm • A min • 04:20 • -7.95db
10% Popularity • 79% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 79% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Sergeo Polo
LE MARI D AUTRUI EST SUCRE
125 bpm • G Maj • 07:40 • -9.75db
12% Popularity • 78% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 78% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Faya Tess
Boma l'heure
125 bpm • F min • 05:25 • -7.5db
8% Popularity • 78% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 78% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Paapa Yankson
Yɛboa Ɔmbɔ
125 bpm • C min • 06:34 • -6.42db
8% Popularity • 63% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 63% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 97% Positiveness
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Sulumani Chimbetu
Musandisiye
121 bpm • A Maj • 07:14 • -8.18db
10% Popularity • 84% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 84% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 49% Positiveness
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Alphadio Dara
Mot de passe orange money
125 bpm • G Maj • 04:00 • -2.28db
12% Popularity • 93% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 93% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Son Palenque
Cumbia Africana
121 bpm • D# min • 03:21 • -7.1db
8% Popularity • 72% Danceability • 81% Energy • 37% Liveness
1% Instrumentalness • 87% Positiveness
8% Popularity • 72% Danceability • 81% Energy • 37% Liveness
1% Instrumentalness • 87% Positiveness
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DJ DEMOLEDOR
El Aguita De Coco
125 bpm • G Maj • 01:44 • -9.04db
8% Popularity • 79% Danceability • 87% Energy • 8% Liveness
10% Instrumentalness • 64% Positiveness
8% Popularity • 79% Danceability • 87% Energy • 8% Liveness
10% Instrumentalness • 64% Positiveness
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Soukous Stars
Ghana Success
125 bpm • G Maj • 13:01 • -8.36db
9% Popularity • 85% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 85% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Rorexxie
Afro (mama oh)
121 bpm • G Maj • 07:40 • -16.63db
13% Popularity • 50% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 50% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 84% Positiveness
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Shimita El Diego
Anidjo
125 bpm • G Maj • 06:00 • -4.84db
12% Popularity • 46% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 46% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Zaïko Langa Langa
Liwa Yo Moyibi (2022, Remasterisé)
125 bpm • F Maj • 02:35 • -16.08db
13% Popularity • 55% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 55% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Camilo Domingos
Segunda mulher
120 bpm • G Maj • 04:11 • -6.07db
11% Popularity • 41% Danceability • 89% Energy • 30% Liveness
84% Instrumentalness • 96% Positiveness
11% Popularity • 41% Danceability • 89% Energy • 30% Liveness
84% Instrumentalness • 96% Positiveness
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Le Général Defao
Santu maria
126 bpm • C Maj • 07:19 • -11.24db
11% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 70% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Soukous Stars
Pur Soukous
125 bpm • B min • 04:56 • -6.97db
13% Popularity • 73% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 73% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Zozo and Sangere Superbeat
Maengani (A Cheater)
126 bpm • G Maj • 10:07 • -7.52db
14% Popularity • 63% Danceability • 67% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
14% Popularity • 63% Danceability • 67% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
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Mahlathini & The Mahotella Queens
Sibuyile
120 bpm • G Maj • 03:08 • -17.48db
9% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Zaïko Langa Langa
Sentiment Awa (2022, Remasterisé)
126 bpm • C Maj • 03:24 • -15.89db
18% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 60% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Champeta & Mas Naa
El Gollo Champeta Africana
126 bpm • C min • 02:45 • -6.02db
13% Popularity • 69% Danceability • 77% Energy • 15% Liveness
24% Instrumentalness • 93% Positiveness
13% Popularity • 69% Danceability • 77% Energy • 15% Liveness
24% Instrumentalness • 93% Positiveness
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Joseph Kamaru
Ni Ciumburane
126 bpm • C Maj • 06:04 • -6.63db
12% Popularity • 69% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 69% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Musik Ye Afrika
Rumba Africa
126 bpm • E Maj • 05:38 • -6.8db
11% Popularity • 68% Danceability • 92% Energy • 11% Liveness
80% Instrumentalness • 96% Positiveness
11% Popularity • 68% Danceability • 92% Energy • 11% Liveness
80% Instrumentalness • 96% Positiveness
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Aurlus Mabélé
Point de repère
126 bpm • C Maj • 04:35 • -5.17db
12% Popularity • 78% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 78% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Dez Altino
Nissal daabo
120 bpm • G Maj • 04:05 • -7.88db
13% Popularity • 85% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 85% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Alphadio Dara
Baldé et Frères
126 bpm • C Maj • 04:39 • -4.97db
8% Popularity • 82% Danceability • 79% Energy • 4% Liveness
17% Instrumentalness • 96% Positiveness
8% Popularity • 82% Danceability • 79% Energy • 4% Liveness
17% Instrumentalness • 96% Positiveness
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Lama Sidibe
Yélina
120 bpm • C Maj • 04:19 • -11.13db
14% Popularity • 73% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 73% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 91% Positiveness
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Samba Mapangala
Kaa Chonjo
120 bpm • B min • 07:46 • -7.29db
10% Popularity • 52% Danceability • 67% Energy • 18% Liveness
3% Instrumentalness • 81% Positiveness
10% Popularity • 52% Danceability • 67% Energy • 18% Liveness
3% Instrumentalness • 81% Positiveness
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Alain Makaba
Nadangwe
120 bpm • D Maj • 05:33 • -7.45db
17% Popularity • 63% Danceability • 88% Energy • 33% Liveness
44% Instrumentalness • 96% Positiveness
17% Popularity • 63% Danceability • 88% Energy • 33% Liveness
44% Instrumentalness • 96% Positiveness
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Aurlus Mabélé
Hip hop soukouss
126 bpm • C Maj • 05:52 • -5.93db
7% Popularity • 66% Danceability • 95% Energy • 11% Liveness
24% Instrumentalness • 98% Positiveness
7% Popularity • 66% Danceability • 95% Energy • 11% Liveness
24% Instrumentalness • 98% Positiveness
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Dez Altino
Zakin pagba
120 bpm • A min • 04:02 • -10db
17% Popularity • 75% Danceability • 77% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
17% Popularity • 75% Danceability • 77% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
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Temitope Oyewole
Ojo Ibi
120 bpm • C# Maj • 05:21 • -5.81db
11% Popularity • 80% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 87% Positiveness
11% Popularity • 80% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 87% Positiveness
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Defao Matumona
Chagrin - Dimone
126 bpm • D Maj • 06:59 • -12.43db
12% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Mendes & Mendes
Mas Di Qui Sabe
126 bpm • E min • 04:43 • -5.76db
8% Popularity • 48% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
8% Popularity • 48% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Lama Sidibe
Paikoun no mawna
120 bpm • C Maj • 05:15 • -11.26db
8% Popularity • 74% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 74% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Samba Oussou
Djarabi
120 bpm • G Maj • 05:20 • -12.72db
10% Popularity • 89% Danceability • 56% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
10% Popularity • 89% Danceability • 56% Energy • 17% Liveness
1% Instrumentalness • 91% Positiveness
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Dionicio fortunato
Carnaval de La Calle
120 bpm • A min • 05:19 • -4.95db
10% Popularity • 70% Danceability • 85% Energy • 15% Liveness
5% Instrumentalness • 86% Positiveness
10% Popularity • 70% Danceability • 85% Energy • 15% Liveness
5% Instrumentalness • 86% Positiveness
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Grupo de Carimbó Rouxinol Cruzador
Origem Marapaniense
120 bpm • A# min • 04:44 • -5.63db
1% Popularity • 62% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
1% Popularity • 62% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Lilibeth
El Farsante
120 bpm • E Maj • 03:40 • -5.96db
2% Popularity • 73% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
2% Popularity • 73% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Lutchiana
Malata
126 bpm • B min • 08:04 • -10.25db
7% Popularity • 53% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 53% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Longué Longué
Casser les frontières
120 bpm • D Maj • 04:46 • -7.42db
10% Popularity • 70% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 70% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Samba Oussou
Oula-kadjam
120 bpm • E min • 05:24 • -12.29db
17% Popularity • 83% Danceability • 65% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
17% Popularity • 83% Danceability • 65% Energy • 10% Liveness
11% Instrumentalness • 94% Positiveness
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Alain Kounkou
Soukous correct exigé
126 bpm • G Maj • 06:03 • -6.25db
11% Popularity • 71% Danceability • 79% Energy • 15% Liveness
4% Instrumentalness • 92% Positiveness
11% Popularity • 71% Danceability • 79% Energy • 15% Liveness
4% Instrumentalness • 92% Positiveness
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Soukous Stars
Lossambo
126 bpm • C Maj • 04:54 • -12.7db
9% Popularity • 76% Danceability • 72% Energy • 11% Liveness
41% Instrumentalness • 96% Positiveness
9% Popularity • 76% Danceability • 72% Energy • 11% Liveness
41% Instrumentalness • 96% Positiveness
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Lokassa Ya Mbongo
Marie-José
120 bpm • G Maj • 08:02 • -11db
22% Popularity • 65% Danceability • 74% Energy • 11% Liveness
11% Instrumentalness • 98% Positiveness
22% Popularity • 65% Danceability • 74% Energy • 11% Liveness
11% Instrumentalness • 98% Positiveness
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chorale Assapha Tabitha
Yehova Leza
120 bpm • D Maj • 07:43 • -7.94db
33% Popularity • 76% Danceability • 57% Energy • 9% Liveness
8% Instrumentalness • 67% Positiveness
33% Popularity • 76% Danceability • 57% Energy • 9% Liveness
8% Instrumentalness • 67% Positiveness
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Kass Kass
Kass Kass
126 bpm • A Maj • 07:20 • -14.21db
10% Popularity • 69% Danceability • 67% Energy • 30% Liveness
38% Instrumentalness • 96% Positiveness
10% Popularity • 69% Danceability • 67% Energy • 30% Liveness
38% Instrumentalness • 96% Positiveness
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Verckys & L'Orchestre Vévé
Mikolo Mileki Mingi
120 bpm • G# Maj • 08:07 • -6db
12% Popularity • 84% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 84% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Gyedu-Blay Ambolley
Abrantie
120 bpm • F min • 08:57 • -8.77db
9% Popularity • 78% Danceability • 81% Energy • 91% Liveness
53% Instrumentalness • 87% Positiveness
9% Popularity • 78% Danceability • 81% Energy • 91% Liveness
53% Instrumentalness • 87% Positiveness
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Zaïko Langa Langa
Sandra Lina (2022, Remasterisé)
120 bpm • C# min • 02:31 • -17.35db
19% Popularity • 60% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 60% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Lokassa Ya Mbongo
Monica
127 bpm • G Maj • 07:51 • -11.35db
17% Popularity • 76% Danceability • 80% Energy • 13% Liveness
74% Instrumentalness • 98% Positiveness
17% Popularity • 76% Danceability • 80% Energy • 13% Liveness
74% Instrumentalness • 98% Positiveness
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Bessa Teixeira
Pelenguenhja
127 bpm • G Maj • 04:34 • -10.73db
13% Popularity • 83% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 83% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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LosReyesDelPerreo
La Propia Pelea - Champeta Africana - Or...
127 bpm • A# min • 02:53 • -6.36db
10% Popularity • 85% Danceability • 93% Energy • 21% Liveness
10% Instrumentalness • 97% Positiveness
10% Popularity • 85% Danceability • 93% Energy • 21% Liveness
10% Instrumentalness • 97% Positiveness
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Grupo Son San
Mangaina Vae Ya
119 bpm • D Maj • 04:21 • -8.73db
7% Popularity • 72% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
7% Popularity • 72% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Gyedu-Blay Ambolley
Bend Down Low
120 bpm • F min • 04:25 • -13.26db
15% Popularity • 70% Danceability • 70% Energy • 20% Liveness
37% Instrumentalness • 96% Positiveness
15% Popularity • 70% Danceability • 70% Energy • 20% Liveness
37% Instrumentalness • 96% Positiveness
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Samba Oussou
Nata
127 bpm • G Maj • 04:14 • -12.61db
16% Popularity • 71% Danceability • 86% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
16% Popularity • 71% Danceability • 86% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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Zaïko Langa Langa
Déception, pt. 2
126 bpm • D Maj • 06:32 • -9.36db
10% Popularity • 46% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 46% Danceability • 92% Energy • 47% Liveness
0% Instrumentalness • 92% Positiveness
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Lokassa Ya Mbongo
Ma Elie - Instrumental
119 bpm • C Maj • 05:58 • -10.48db
9% Popularity • 70% Danceability • 92% Energy • 4% Liveness
86% Instrumentalness • 98% Positiveness
9% Popularity • 70% Danceability • 92% Energy • 4% Liveness
86% Instrumentalness • 98% Positiveness
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Diblo Dibala
Diblo'seri
127 bpm • C Maj • 05:32 • -5.75db
11% Popularity • 69% Danceability • 76% Energy • 11% Liveness
9% Instrumentalness • 82% Positiveness
11% Popularity • 69% Danceability • 76% Energy • 11% Liveness
9% Instrumentalness • 82% Positiveness
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Papa Noel
Madiabuana
119 bpm • G Maj • 07:15 • -9.34db
9% Popularity • 68% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 68% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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maikol el insoportable
El Nova Barvaro (Champeta Africana)
119 bpm • D Maj • 02:24 • -9.76db
13% Popularity • 83% Danceability • 63% Energy • 7% Liveness
82% Instrumentalness • 94% Positiveness
13% Popularity • 83% Danceability • 63% Energy • 7% Liveness
82% Instrumentalness • 94% Positiveness
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LosReyesDelPerreo
El Masusa Espelucao - Champeta Africana
127 bpm • F Maj • 02:47 • -7.08db
9% Popularity • 76% Danceability • 92% Energy • 19% Liveness
64% Instrumentalness • 94% Positiveness
9% Popularity • 76% Danceability • 92% Energy • 19% Liveness
64% Instrumentalness • 94% Positiveness
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Pepe Kalle
Pamelo okemena ngambo
127 bpm • C Maj • 05:46 • -12.91db
8% Popularity • 54% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 54% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Aurlus Mabélé
Canon scié
127 bpm • B min • 04:50 • -10db
12% Popularity • 65% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 65% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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Irmão Kapacata
A Loth a Loth
119 bpm • G Maj • 04:08 • -5.75db
10% Popularity • 88% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 88% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
