Songs like Colors by Black Pumas
Based on a tempo of (+/- 10%) and a similar genre
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St. Paul & The Broken Bones
Flow with It (You Got Me Feeling Like)
90 bpm • A# min • 03:16 • -5db
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
56% Popularity • 61% Danceability • 75% Energy • 12% Liveness
8% Instrumentalness • 83% Positiveness
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The Meltdown
Tell You Not To Worry
90 bpm • F# min • 04:42 • -8.55db
47% Popularity • 63% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
47% Popularity • 63% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Joe Cocker
Feelin' Alright
90 bpm • F Maj • 04:10 • -10.14db
61% Popularity • 54% Danceability • 82% Energy • 30% Liveness
4% Instrumentalness • 90% Positiveness
61% Popularity • 54% Danceability • 82% Energy • 30% Liveness
4% Instrumentalness • 90% Positiveness
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Vulfpeck
Back Pocket
90 bpm • D Maj • 03:01 • -7.74db
66% Popularity • 84% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
66% Popularity • 84% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
73% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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B.B. King
The Thrill Is Gone
91 bpm • B min • 05:24 • -8.76db
64% Popularity • 55% Danceability • 46% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
64% Popularity • 55% Danceability • 46% Energy • 10% Liveness
44% Instrumentalness • 54% Positiveness
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Lady Wray
Guilty
91 bpm • F min • 03:34 • -7db
59% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
59% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Matt Corby
Talk It Out
89 bpm • B Maj • 03:10 • -4.09db
47% Popularity • 38% Danceability • 90% Energy • 16% Liveness
3% Instrumentalness • 53% Positiveness
47% Popularity • 38% Danceability • 90% Energy • 16% Liveness
3% Instrumentalness • 53% Positiveness
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Labi Siffre
I Got The...
91 bpm • C Maj • 06:24 • -7.59db
48% Popularity • 52% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 52% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Rhye
Open
91 bpm • C Maj • 03:37 • -10.96db
60% Popularity • 55% Danceability • 32% Energy • 28% Liveness
9% Instrumentalness • 23% Positiveness
60% Popularity • 55% Danceability • 32% Energy • 28% Liveness
9% Instrumentalness • 23% Positiveness
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Ms. Lauryn Hill
Can't Take My Eyes Off of You - (I Love ...
89 bpm • C# min • 03:41 • -7.9db
70% Popularity • 75% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
70% Popularity • 75% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Nina Simone
I Put A Spell On You
89 bpm • F# min • 02:35 • -9.13db
71% Popularity • 42% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
71% Popularity • 42% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Charles Bradley
Heart of Gold
91 bpm • E min • 03:03 • -7.62db
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
63% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Malted Milk
To Build Something
89 bpm • A# Maj • 03:45 • -6.83db
55% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
55% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Norah Jones
Don't Know Why
89 bpm • F Maj • 03:06 • -11.22db
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
77% Popularity • 74% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Khruangbin
White Gloves
91 bpm • D min • 03:38 • -13.96db
66% Popularity • 64% Danceability • 30% Energy • 57% Liveness
83% Instrumentalness • 77% Positiveness
66% Popularity • 64% Danceability • 30% Energy • 57% Liveness
83% Instrumentalness • 77% Positiveness
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Masego
Navajo
89 bpm • F# min • 03:14 • -7.4db
75% Popularity • 57% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
75% Popularity • 57% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Dan Auerbach
King of a One Horse Town
92 bpm • A min • 03:46 • -5.06db
48% Popularity • 57% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 57% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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KALEO
I Can't Go on Without You
92 bpm • G# min • 06:17 • -9.4db
62% Popularity • 37% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
62% Popularity • 37% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Queens of the Stone Age
Make It Wit Chu
92 bpm • A Maj • 04:50 • -5.29db
68% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
68% Popularity • 71% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Tash Sultana
Greed
92 bpm • D# min • 03:42 • -5db
39% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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NEIL FRANCES
Teardrops
92 bpm • B Maj • 03:18 • -8db
72% Popularity • 87% Danceability • 72% Energy • 7% Liveness
9% Instrumentalness • 83% Positiveness
72% Popularity • 87% Danceability • 72% Energy • 7% Liveness
9% Instrumentalness • 83% Positiveness
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Leon Bridges
Shy
92 bpm • G# min • 03:14 • -5.39db
59% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
59% Popularity • 80% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Black Pumas
Old Man - Live from Capitol Studio A
92 bpm • F Maj • 03:43 • -3.42db
22% Popularity • 57% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 57% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Dojo Cuts
Easy to Come Home
92 bpm • E min • 03:33 • -8db
59% Popularity • 78% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
59% Popularity • 78% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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Etta James
At Last
87 bpm • F Maj • 02:59 • -8.63db
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
78% Popularity • 27% Danceability • 35% Energy • 33% Liveness
1% Instrumentalness • 33% Positiveness
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The Teskey Brothers
Those Were The Days
93 bpm • F min • 01:21 • -8.44db
60% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
60% Popularity • 80% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Charles Bradley
The World (Is Going Up in Flames)
87 bpm • F min • 03:22 • -8db
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Lianne La Havas
Can't Fight
87 bpm • F# min • 03:10 • -9.21db
56% Popularity • 74% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
56% Popularity • 74% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Black Pumas
Stay Gold - Live from Capitol Studio A
88 bpm • B min • 04:24 • -3.49db
19% Popularity • 47% Danceability • 82% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 47% Danceability • 82% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
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The Marcus King Band
Rita Is Gone
87 bpm • F Maj • 04:25 • -8.22db
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
58% Popularity • 62% Danceability • 44% Energy • 9% Liveness
7% Instrumentalness • 80% Positiveness
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Van Morrison
Days Like This
94 bpm • C min • 03:17 • -7.85db
71% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
71% Popularity • 66% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Rolling Stones
You Can't Always Get What You Want
86 bpm • C Maj • 07:28 • -9.69db
68% Popularity • 32% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
68% Popularity • 32% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Two Another
Coming Alive
94 bpm • A min • 03:55 • -4.15db
58% Popularity • 63% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
58% Popularity • 63% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Eric Clapton
Layla - Acoustic Live
94 bpm • D min • 04:49 • -11.64db
70% Popularity • 56% Danceability • 52% Energy • 93% Liveness
0% Instrumentalness • 65% Positiveness
70% Popularity • 56% Danceability • 52% Energy • 93% Liveness
0% Instrumentalness • 65% Positiveness
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Black Pumas
Colors - Live from Capitol Studio A
92 bpm • F# min • 06:37 • -4.41db
26% Popularity • 55% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 55% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Lianne La Havas
Green & Gold
94 bpm • G Maj • 04:38 • -8.46db
58% Popularity • 70% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 28% Positiveness
58% Popularity • 70% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 28% Positiveness
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Kings of Convenience
Catholic Country
94 bpm • D min • 03:01 • -12db
56% Popularity • 80% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
56% Popularity • 80% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Van Morrison
Into the Mystic - 2013 Remaster
86 bpm • G# Maj • 03:25 • -10.27db
75% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
75% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Khruangbin
C-Side
94 bpm • B min • 04:43 • -10.13db
57% Popularity • 68% Danceability • 78% Energy • 34% Liveness
13% Instrumentalness • 95% Positiveness
57% Popularity • 68% Danceability • 78% Energy • 34% Liveness
13% Instrumentalness • 95% Positiveness
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Marvin Gaye
Inner City Blues (Make Me Wanna Holler)
94 bpm • C# Maj • 05:27 • -13.67db
61% Popularity • 63% Danceability • 46% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
61% Popularity • 63% Danceability • 46% Energy • 13% Liveness
13% Instrumentalness • 64% Positiveness
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Matt Duncan
Beacon
86 bpm • G# Maj • 03:34 • -7.37db
62% Popularity • 72% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
62% Popularity • 72% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Michael Kiwanuka
Home Again
86 bpm • A min • 03:29 • -11.47db
69% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
69% Popularity • 56% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Eels
That Look You Give That Guy
94 bpm • F Maj • 04:15 • -9.24db
60% Popularity • 78% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
60% Popularity • 78% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 50% Positiveness
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Etta James
A Sunday Kind Of Love
86 bpm • D min • 03:16 • -9.43db
73% Popularity • 42% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
73% Popularity • 42% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Marlena Shaw
California Soul
95 bpm • G# min • 02:57 • -8.41db
66% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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DOPE LEMON
Home Soon
94 bpm • D Maj • 02:57 • -7.5db
61% Popularity • 70% Danceability • 74% Energy • 29% Liveness
38% Instrumentalness • 96% Positiveness
61% Popularity • 70% Danceability • 74% Energy • 29% Liveness
38% Instrumentalness • 96% Positiveness
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Aaron Frazer
If I Got It (Your Love Brought It)
95 bpm • G# min • 02:54 • -6.51db
72% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
72% Popularity • 81% Danceability • 55% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Matt Duncan
The Keys
95 bpm • C Maj • 03:37 • -12.09db
64% Popularity • 73% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
64% Popularity • 73% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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Moby
Porcelain
95 bpm • C min • 04:01 • -7.87db
70% Popularity • 55% Danceability • 63% Energy • 28% Liveness
19% Instrumentalness • 34% Positiveness
70% Popularity • 55% Danceability • 63% Energy • 28% Liveness
19% Instrumentalness • 34% Positiveness
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The Black Keys
Little Black Submarines
95 bpm • D Maj • 04:11 • -7.51db
70% Popularity • 36% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 36% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Michael Kiwanuka
Hero
95 bpm • E min • 03:19 • -3.4db
51% Popularity • 53% Danceability • 94% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
51% Popularity • 53% Danceability • 94% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
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RodrÃguez
Crucify Your Mind
85 bpm • A Maj • 02:32 • -7.77db
66% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
66% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Sharon Jones & The Dap-Kings
Nobody's Baby
95 bpm • F Maj • 02:27 • -9db
62% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Metronomy
The Look
85 bpm • A min • 04:37 • -7.79db
76% Popularity • 64% Danceability • 54% Energy • 8% Liveness
4% Instrumentalness • 50% Positiveness
76% Popularity • 64% Danceability • 54% Energy • 8% Liveness
4% Instrumentalness • 50% Positiveness
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Celeste
Love Is Back
96 bpm • E min • 04:16 • -4.97db
52% Popularity • 52% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 52% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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The Paper Kites
Bloom (Online Bonus Track)
96 bpm • C# Maj • 03:29 • -9.79db
69% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 58% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Otis Redding
Hard to Handle
96 bpm • A# Maj • 02:21 • -8.67db
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 67% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Alicia Keys
Fallin'
96 bpm • B min • 03:30 • -7.52db
77% Popularity • 65% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
77% Popularity • 65% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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J.J. Cale
After Midnight
96 bpm • D Maj • 02:23 • -19.32db
64% Popularity • 69% Danceability • 31% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
64% Popularity • 69% Danceability • 31% Energy • 9% Liveness
7% Instrumentalness • 52% Positiveness
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LEISURE
Got It Bad
96 bpm • B Maj • 03:25 • -10.05db
50% Popularity • 79% Danceability • 47% Energy • 7% Liveness
8% Instrumentalness • 53% Positiveness
50% Popularity • 79% Danceability • 47% Energy • 7% Liveness
8% Instrumentalness • 53% Positiveness
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Black Pumas
Old Man
84 bpm • C Maj • 03:17 • -7.79db
46% Popularity • 65% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 65% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Polo & Pan
Canopée
96 bpm • F min • 04:36 • -6.56db
65% Popularity • 70% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
65% Popularity • 70% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Corinne Bailey Rae
Put Your Records On
96 bpm • A Maj • 03:35 • -7.84db
81% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
81% Popularity • 74% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Curtis Harding
Where We Are - Edit
96 bpm • A min • 03:58 • -5.36db
34% Popularity • 48% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 48% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The Meltdown
Sweet Water
97 bpm • D# min • 03:51 • -7db
59% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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The Knocks
Brazilian Soul - Acoustic Bossa Version
84 bpm • C# Maj • 04:10 • -9.47db
60% Popularity • 69% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
60% Popularity • 69% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Black Pumas
Stay Gold
84 bpm • B min • 04:35 • -6.96db
39% Popularity • 60% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 60% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Tom Misch
It Runs Through Me
97 bpm • B min • 04:21 • -11.03db
67% Popularity • 80% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
67% Popularity • 80% Danceability • 61% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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KAMAUU
MANGO
83 bpm • D min • 04:05 • -7.61db
60% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 67% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Andrew Bird
Sisyphus
83 bpm • C min • 04:07 • -4.36db
59% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 63% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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St. Paul & The Broken Bones
I'll Be Your Woman
83 bpm • G# min • 03:56 • -7.55db
44% Popularity • 60% Danceability • 50% Energy • 23% Liveness
2% Instrumentalness • 31% Positiveness
44% Popularity • 60% Danceability • 50% Energy • 23% Liveness
2% Instrumentalness • 31% Positiveness
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RodrÃguez
Sugar Man
98 bpm • F Maj • 03:49 • -6.54db
63% Popularity • 46% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 46% Danceability • 58% Energy • 60% Liveness
0% Instrumentalness • 43% Positiveness
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Black Pumas
Wichita Lineman - Electric Deluxe Sessio...
83 bpm • D min • 03:14 • -9.03db
40% Popularity • 43% Danceability • 49% Energy • 9% Liveness
18% Instrumentalness • 34% Positiveness
40% Popularity • 43% Danceability • 49% Energy • 9% Liveness
18% Instrumentalness • 34% Positiveness
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Bill Withers
Lovely Day
98 bpm • A Maj • 04:14 • -8.27db
79% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
79% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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James Brown
The Boss
98 bpm • C# Maj • 03:14 • -14.71db
62% Popularity • 74% Danceability • 35% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
62% Popularity • 74% Danceability • 35% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Al Green
Tired of Being Alone
98 bpm • G Maj • 02:52 • -8.59db
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
71% Popularity • 77% Danceability • 40% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Sharon Jones & The Dap-Kings
This Land Is Your Land
98 bpm • F# Maj • 04:30 • -5.3db
47% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 62% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Jungle
Cherry
83 bpm • G# Maj • 03:16 • -8.32db
63% Popularity • 61% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
63% Popularity • 61% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
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Etta James
I'd Rather Go Blind
83 bpm • B min • 02:36 • -6.47db
79% Popularity • 48% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
79% Popularity • 48% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Danielle Ponder
Holding Me Down
82 bpm • E min • 03:13 • -9.88db
34% Popularity • 81% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
34% Popularity • 81% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 59% Positiveness
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Bill Withers
Grandma's Hands
82 bpm • E min • 02:01 • -14.94db
68% Popularity • 73% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
68% Popularity • 73% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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AnnenMayKantereit
Tom's Diner
98 bpm • F# min • 04:29 • -8.11db
74% Popularity • 68% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
74% Popularity • 68% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 33% Positiveness
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Heartless Bastards
Only for You
82 bpm • A# Maj • 05:08 • -5.92db
57% Popularity • 68% Danceability • 64% Energy • 10% Liveness
7% Instrumentalness • 76% Positiveness
57% Popularity • 68% Danceability • 64% Energy • 10% Liveness
7% Instrumentalness • 76% Positiveness
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Buffalo Springfield
For What It's Worth
99 bpm • D Maj • 02:33 • -10.16db
80% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
80% Popularity • 65% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Esbe
Darling
99 bpm • C Maj • 03:09 • -8.96db
69% Popularity • 72% Danceability • 68% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
69% Popularity • 72% Danceability • 68% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Al Green
Love and Happiness
99 bpm • F# Maj • 05:07 • -10.96db
64% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
64% Popularity • 82% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Alabama Shakes
Gimme All Your Love
100 bpm • F# min • 04:03 • -5.18db
45% Popularity • 37% Danceability • 56% Energy • 28% Liveness
25% Instrumentalness • 19% Positiveness
45% Popularity • 37% Danceability • 56% Energy • 28% Liveness
25% Instrumentalness • 19% Positiveness
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Bill Withers
Who Is He (And What Is He to You)?
99 bpm • C# min • 03:14 • -12.54db
60% Popularity • 92% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 92% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Michael Kiwanuka
Light
81 bpm • C Maj • 05:48 • -8.83db
45% Popularity • 40% Danceability • 64% Energy • 11% Liveness
34% Instrumentalness • 35% Positiveness
45% Popularity • 40% Danceability • 64% Energy • 11% Liveness
34% Instrumentalness • 35% Positiveness
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Jungle
Busy Earnin'
100 bpm • A# min • 03:01 • -5.61db
69% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
69% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Kevin Morby
Beautiful Strangers
100 bpm • E Maj • 06:15 • -11.13db
57% Popularity • 83% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 89% Positiveness
57% Popularity • 83% Danceability • 42% Energy • 10% Liveness
7% Instrumentalness • 89% Positiveness
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Nathaniel Rateliff & The Night Sweats
You Worry Me
100 bpm • D Maj • 03:34 • -7.72db
64% Popularity • 67% Danceability • 65% Energy • 10% Liveness
29% Instrumentalness • 66% Positiveness
64% Popularity • 67% Danceability • 65% Energy • 10% Liveness
29% Instrumentalness • 66% Positiveness
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DOPE LEMON
Rose Pink Cadillac
100 bpm • C# Maj • 04:21 • -6.83db
69% Popularity • 75% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
69% Popularity • 75% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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Stereophonics
Maybe Tomorrow
81 bpm • G min • 04:32 • -6.77db
69% Popularity • 50% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 50% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Black Pumas
Red Rover - Live from Capitol Studio A
100 bpm • E min • 03:57 • -3.71db
19% Popularity • 46% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
19% Popularity • 46% Danceability • 84% Energy • 18% Liveness
1% Instrumentalness • 57% Positiveness
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Donny Hathaway
A Song for You
100 bpm • F Maj • 05:25 • -13.16db
59% Popularity • 33% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
59% Popularity • 33% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 7% Positiveness
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Stevie Wonder
Superstition
101 bpm • C# Maj • 04:26 • -14.17db
67% Popularity • 61% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
67% Popularity • 61% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
