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Come All You Weary
Songs like
Come All You Weary
by
Thrice
Based on a tempo of (+/- 10%) and a similar genre
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Brand New
Okay I Believe You, But My Tommy Gun Don...
111 bpm • D# min • 05:35 • -7.86db
50% Popularity • 74% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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AFI
The Days Of The Phoenix
111 bpm • B min • 03:27 • -4db
49% Popularity • 40% Danceability • 99% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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A Static Lullaby
Bear Trap
113 bpm • G Maj • 03:46 • -5.53db
17% Popularity • 46% Danceability • 100% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Norma Jean
Sword In Mouth, Fire Eyes
114 bpm • F# min • 04:25 • -6.78db
45% Popularity • 19% Danceability • 92% Energy • 53% Liveness
5% Instrumentalness • 24% Positiveness
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Touché Amoré
Palm Dreams
110 bpm • B Maj • 02:26 • -2.22db
35% Popularity • 43% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Glassjaw
Must've Run All Day
109 bpm • A min • 04:53 • -5.38db
30% Popularity • 45% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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The Used
Maybe Memories
109 bpm • E min • 02:55 • -4.66db
46% Popularity • 48% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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AFI
Dancing Through Sunday
114 bpm • D# min • 02:26 • -3db
51% Popularity • 56% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Thrice
The Beltsville Crucible
109 bpm • G# Maj • 04:35 • -8db
28% Popularity • 40% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 10% Positiveness
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Chiodos
The Words "Best Friend" Become Redefined
109 bpm • A min • 03:36 • -6.88db
51% Popularity • 33% Danceability • 87% Energy • 66% Liveness
0% Instrumentalness • 22% Positiveness
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He Is Legend
The Seduction
108 bpm • D min • 03:50 • -11db
40% Popularity • 44% Danceability • 94% Energy • 30% Liveness
15% Instrumentalness • 32% Positiveness
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Glassjaw
Ape Dos Mil
108 bpm • G Maj • 05:03 • -5.29db
45% Popularity • 33% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Every Time I Die
Wanderlust
108 bpm • A# Maj • 04:10 • -4.18db
38% Popularity • 26% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 21% Positiveness
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The Used
Blue and Yellow
115 bpm • D min • 03:21 • -5.5db
54% Popularity • 56% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Thrice
Hurricane
109 bpm • F Maj • 04:44 • -5.7db
46% Popularity • 32% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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As Cities Burn
The Widow
108 bpm • D# Maj • 03:51 • -8.6db
24% Popularity • 27% Danceability • 59% Energy • 62% Liveness
0% Instrumentalness • 26% Positiveness
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He Is Legend
Dixie Wolf (The Seduction Of...)
108 bpm • G Maj • 03:52 • -5.83db
29% Popularity • 53% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Glassjaw
All Good Junkies Go To Heaven
116 bpm • E Maj • 04:14 • -5.83db
35% Popularity • 49% Danceability • 96% Energy • 10% Liveness
43% Instrumentalness • 17% Positiveness
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Beloved
Death To Traitors
117 bpm • F Maj • 06:40 • -3.22db
22% Popularity • 32% Danceability • 94% Energy • 32% Liveness
1% Instrumentalness • 20% Positiveness
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Every Time I Die
It Remembers
108 bpm • F min • 03:43 • -5.01db
40% Popularity • 26% Danceability • 88% Energy • 87% Liveness
3% Instrumentalness • 58% Positiveness
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Sparta
Cut Your Ribbon
108 bpm • E Maj • 03:04 • -4db
40% Popularity • 52% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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From First To Last
The One Armed Boxer vs. the Flying Guill...
107 bpm • B min • 03:17 • -4.84db
36% Popularity • 34% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Hidden In Plain View
Ashes Ashes
107 bpm • A# Maj • 02:39 • -4.16db
25% Popularity • 53% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Chiodos
Bulls Make Money, Bears Make Money, Pigs...
117 bpm • C Maj • 03:28 • -5.88db
48% Popularity • 47% Danceability • 95% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
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Blindside
Sleepwalking
117 bpm • D# min • 04:02 • -4.53db
35% Popularity • 52% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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AFI
Bleed Black
117 bpm • G# min • 04:14 • -4.5db
44% Popularity • 40% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Vendetta Red
There Only Is
117 bpm • E Maj • 03:48 • -6db
15% Popularity • 32% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Chevelle
Jars
107 bpm • B min • 03:19 • -3.32db
60% Popularity • 53% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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letlive.
If I'm The Devil...
107 bpm • D# min • 05:01 • -5.41db
26% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Almost
Drive There Now!
118 bpm • C# min • 03:11 • -3.7db
36% Popularity • 26% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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The Bled
My Assassin
118 bpm • C Maj • 05:54 • -8.85db
17% Popularity • 48% Danceability • 51% Energy • 10% Liveness
50% Instrumentalness • 19% Positiveness
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The Fall of Troy
Act One, Scene One
118 bpm • C Maj • 05:00 • -7.15db
39% Popularity • 29% Danceability • 78% Energy • 32% Liveness
4% Instrumentalness • 18% Positiveness
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Thrice
Disarmed
118 bpm • A min • 04:49 • -5.63db
22% Popularity • 53% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Poison The Well
Ghostchant
119 bpm • C Maj • 03:33 • -5.66db
34% Popularity • 28% Danceability • 96% Energy • 34% Liveness
10% Instrumentalness • 9% Positiveness
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Dead Poetic
Molotov
119 bpm • B min • 03:46 • -4.39db
23% Popularity • 31% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 37% Positiveness
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He Is Legend
The Greatest Actor Alive Or Dead
105 bpm • G min • 03:19 • -10.75db
32% Popularity • 35% Danceability • 94% Energy • 24% Liveness
13% Instrumentalness • 29% Positiveness
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The Bled
Daylight Bombings
118 bpm • D min • 04:47 • -5.84db
16% Popularity • 60% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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The Used
Pretty Handsome Awkward
105 bpm • C Maj • 03:35 • -3.74db
62% Popularity • 54% Danceability • 98% Energy • 94% Liveness
0% Instrumentalness • 26% Positiveness
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Thrice
To Awake And Avenge The Dead
106 bpm • A Maj • 03:06 • -4.87db
35% Popularity • 45% Danceability • 97% Energy • 3% Liveness
4% Instrumentalness • 21% Positiveness
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Matchbook Romance
Singing Bridges (We All Fall)
120 bpm • G# min • 05:11 • -5.67db
19% Popularity • 32% Danceability • 76% Energy • 9% Liveness
7% Instrumentalness • 24% Positiveness
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Aiden
Die Romantic
120 bpm • G# Maj • 03:40 • -3.75db
44% Popularity • 38% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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He Is Legend
Attack Of The Dungeon Witch
120 bpm • C min • 04:30 • -5.31db
29% Popularity • 38% Danceability • 96% Energy • 13% Liveness
8% Instrumentalness • 45% Positiveness
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Scary Kids Scaring Kids
Snake Devil
104 bpm • G# min • 03:30 • -4db
30% Popularity • 52% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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The Used
A Box Full of Sharp Objects
120 bpm • C# min • 02:56 • -3.86db
53% Popularity • 51% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Thrice
See You In The Shallows
104 bpm • C# min • 02:35 • -5.37db
34% Popularity • 46% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Chevelle
Sleep Apnea
104 bpm • F# Maj • 03:51 • -2.85db
52% Popularity • 50% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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The Almost
Say This Sooner
121 bpm • E min • 03:14 • -3.73db
50% Popularity • 57% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Dead Poetic
Cannibal Vs. Cunning
121 bpm • D Maj • 03:28 • -3.04db
16% Popularity • 31% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Scary Kids Scaring Kids
My Darkest Hour
103 bpm • D min • 03:29 • -4db
53% Popularity • 57% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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AFI
Girl's Not Grey
122 bpm • G# min • 03:10 • -4.49db
61% Popularity • 39% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Thrice
Trust
105 bpm • F# Maj • 02:54 • -6.78db
28% Popularity • 37% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Chevelle
Letter from a Thief
103 bpm • B min • 03:27 • -3.98db
51% Popularity • 46% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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As Cities Burn
Into The Sea
122 bpm • G# min • 04:32 • -8.1db
28% Popularity • 53% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Halifax
Our Revolution
103 bpm • G min • 03:08 • -3.83db
22% Popularity • 49% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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A Static Lullaby
Under Water Knife Fight
103 bpm • C# min • 03:14 • -5.86db
16% Popularity • 52% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Scary Kids Scaring Kids
A Pistol To My Temple
102 bpm • A Maj • 03:57 • -3.45db
33% Popularity • 48% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Thrice
Hoods On Peregrine
104 bpm • G# Maj • 03:31 • -3.14db
35% Popularity • 60% Danceability • 99% Energy • 12% Liveness
61% Instrumentalness • 40% Positiveness
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Every Time I Die
Map Change
102 bpm • A min • 04:56 • -4.05db
42% Popularity • 23% Danceability • 97% Energy • 50% Liveness
3% Instrumentalness • 23% Positiveness
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Norma Jean
A Small Spark Vs. A Great Forest
123 bpm • C# min • 04:59 • -4.5db
32% Popularity • 32% Danceability • 97% Energy • 8% Liveness
80% Instrumentalness • 25% Positiveness
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Halifax
Sydney
102 bpm • D# min • 03:12 • -2db
36% Popularity • 40% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Glassjaw
Tip Your Bartender
102 bpm • A Maj • 02:59 • -4db
38% Popularity • 40% Danceability • 98% Energy • 56% Liveness
2% Instrumentalness • 7% Positiveness
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Dead Poetic
Hostages
102 bpm • D# min • 03:22 • -3.84db
21% Popularity • 52% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Thrice
The Melting Point Of Wax
104 bpm • E min • 03:29 • -2.8db
39% Popularity • 57% Danceability • 97% Energy • 10% Liveness
26% Instrumentalness • 33% Positiveness
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Blindside
Follow You Down
123 bpm • D Maj • 03:00 • -3.46db
22% Popularity • 55% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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AFI
This Celluloid Dream
123 bpm • A# min • 04:10 • -4.73db
44% Popularity • 53% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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He Is Legend
The Creature Walks
101 bpm • F# min • 03:34 • -10.82db
31% Popularity • 23% Danceability • 87% Energy • 32% Liveness
12% Instrumentalness • 46% Positiveness
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The Fall of Troy
Mouths Like Sidewinder Missles
124 bpm • C Maj • 03:44 • -4.85db
43% Popularity • 38% Danceability • 88% Energy • 21% Liveness
2% Instrumentalness • 39% Positiveness
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Envy On The Coast
Death March on Two, Ready?
124 bpm • G Maj • 03:15 • -3.48db
20% Popularity • 47% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Thrice
Don't Tell And We Won't Ask
102 bpm • C min • 03:59 • -3.17db
34% Popularity • 30% Danceability • 99% Energy • 13% Liveness
29% Instrumentalness • 13% Positiveness
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Scary Kids Scaring Kids
The Only Medicine
101 bpm • F# min • 02:51 • -4.45db
45% Popularity • 56% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Dead Poetic
August Winterman - Dead Poetic Album Ver...
124 bpm • B min • 04:02 • -5.12db
18% Popularity • 34% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Chiodos
There's No Penguins In Alaska
101 bpm • G Maj • 04:33 • -6db
45% Popularity • 42% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Chevelle
I Get It
124 bpm • D# Maj • 03:54 • -4db
54% Popularity • 51% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Matchbook Romance
Promise
101 bpm • G# Maj • 04:16 • -3.92db
42% Popularity • 41% Danceability • 97% Energy • 20% Liveness
8% Instrumentalness • 10% Positiveness
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Motion City Soundtrack
My Favorite Accident
101 bpm • C# Maj • 03:20 • -5.08db
48% Popularity • 53% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Story Of The Year
Take Me Back
100 bpm • G# min • 04:07 • -3db
40% Popularity • 54% Danceability • 99% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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A Static Lullaby
Rattlesnake!
100 bpm • D Maj • 03:33 • -6.07db
21% Popularity • 45% Danceability • 99% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Chiodos
The Undertaker's Thirst For Revenge Is U...
125 bpm • D min • 04:13 • -6.4db
35% Popularity • 47% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Thrice
The Earth Will Shake
125 bpm • A min • 04:28 • -4.65db
34% Popularity • 46% Danceability • 87% Energy • 14% Liveness
12% Instrumentalness • 13% Positiveness
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Thursday
War All The Time
125 bpm • A min • 04:32 • -4db
46% Popularity • 54% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Dead Poetic
Vanus Empty
100 bpm • A Maj • 03:55 • -4.2db
26% Popularity • 51% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Coheed and Cambria
No World for Tomorrow
100 bpm • G Maj • 05:05 • -3.92db
43% Popularity • 53% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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The Used
I Caught Fire
100 bpm • E Maj • 03:24 • -5.47db
45% Popularity • 48% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Chiodos
One Day Women Will All Become Monsters
100 bpm • D min • 03:32 • -6db
38% Popularity • 44% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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He Is Legend
Best In Mexico
98 bpm • E min • 03:20 • -10.56db
28% Popularity • 24% Danceability • 91% Energy • 31% Liveness
20% Instrumentalness • 36% Positiveness
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Circa Survive
I Felt Free
127 bpm • C# Maj • 03:56 • -5.21db
39% Popularity • 45% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Brand New
I Will Play My Game Beneath The Spin Lig...
98 bpm • B Maj • 03:57 • -7db
47% Popularity • 52% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Acceptance
Permanent
98 bpm • B min • 03:21 • -5.04db
22% Popularity • 51% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Used
The Taste of Ink
98 bpm • G Maj • 03:28 • -3db
66% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Norma Jean
Songs Sound Much Sadder
97 bpm • F# min • 03:04 • -3.25db
33% Popularity • 25% Danceability • 98% Energy • 28% Liveness
68% Instrumentalness • 30% Positiveness
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He Is Legend
I Am Hollywood
128 bpm • E min • 02:41 • -10.93db
36% Popularity • 24% Danceability • 95% Energy • 27% Liveness
76% Instrumentalness • 24% Positiveness
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Thrice
Listen Through Me
129 bpm • C Maj • 04:37 • -3.12db
22% Popularity • 46% Danceability • 84% Energy • 35% Liveness
1% Instrumentalness • 34% Positiveness
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Chiodos
Baby, You Wouldn't Last A Minute On The ...
98 bpm • D min • 04:40 • -6.43db
56% Popularity • 38% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Glassjaw
Ry Ry's Song - 2009 Remaster
97 bpm • A min • 03:32 • -6.11db
31% Popularity • 41% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
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Dead Poetic
The Dreamclub Murders
97 bpm • A# min • 03:49 • -4.77db
32% Popularity • 49% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Showbread
Mouth Like A Magazine
130 bpm • F# Maj • 04:12 • -4.73db
26% Popularity • 56% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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letlive.
Muther
130 bpm • A# min • 05:40 • -7db
32% Popularity • 28% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Thrice
Image Of The Invisible
129 bpm • G min • 04:14 • -3.18db
44% Popularity • 47% Danceability • 97% Energy • 39% Liveness
9% Instrumentalness • 14% Positiveness
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The Receiving End Of Sirens
Smoke and Mirrors
130 bpm • C min • 04:12 • -5.12db
21% Popularity • 46% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Poison The Well
Apathy Is a Cold Body
130 bpm • D Maj • 05:00 • -5db
33% Popularity • 34% Danceability • 91% Energy • 22% Liveness
86% Instrumentalness • 14% Positiveness
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Come All You Weary