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Come By the Hills
Songs like
Come By the Hills
by
The McCalmans
Based on a tempo of (+/- 10%) and a similar genre
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Old Blind Dogs
The Pills Of White Mercury
101 bpm • A Maj • 03:29 • -13.98db
19% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Mick Moloney
The Boatman's Dance
101 bpm • A Maj • 03:39 • -10.76db
26% Popularity • 66% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Sweeney's Men
Willy O'Winsbury
101 bpm • G# Maj • 04:54 • -17.32db
14% Popularity • 58% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Blarney Lads
Enniskillen Dragoon
101 bpm • E Maj • 02:51 • -6.68db
15% Popularity • 73% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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The Corries
Twa Recruitin' Sergeants
101 bpm • F Maj • 04:02 • -14db
24% Popularity • 55% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
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The Dicey Rileys
The Black Velvet Band
100 bpm • G Maj • 03:48 • -7.93db
30% Popularity • 66% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Hamish Imlach
Castlereagh (Live)
100 bpm • G Maj • 04:24 • -11.01db
14% Popularity • 48% Danceability • 32% Energy • 68% Liveness
0% Instrumentalness • 62% Positiveness
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Emily Smith
Caledonia
102 bpm • D Maj • 04:34 • -11.96db
17% Popularity • 69% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Mat Williams
The Raggle Taggle Gypsy
102 bpm • D Maj • 02:44 • -6.48db
14% Popularity • 68% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Orthodox Celts
Kesh Jig
102 bpm • D Maj • 01:04 • -14.14db
31% Popularity • 55% Danceability • 44% Energy • 7% Liveness
93% Instrumentalness • 97% Positiveness
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Old Blind Dogs
The Cruel Sister
100 bpm • B min • 05:45 • -17.37db
29% Popularity • 60% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 66% Positiveness
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The McCalmans
Twa Recruitin' Sergeants
102 bpm • F Maj • 03:19 • -10.69db
20% Popularity • 75% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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The Irish Ramblers
Only Our Rivers Run Free
100 bpm • B min • 03:30 • -17.15db
15% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Chris Ball
Golden Jubilee
99 bpm • D Maj • 02:24 • -14.13db
33% Popularity • 63% Danceability • 46% Energy • 28% Liveness
3% Instrumentalness • 63% Positiveness
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House Devils, The
Naomi Wise
103 bpm • E min • 04:41 • -9db
27% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Hamish Imlach
MacPherson's Farewell
103 bpm • G Maj • 04:09 • -10.28db
31% Popularity • 59% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Dolores Keane
Faraway in Australia
103 bpm • F Maj • 02:55 • -8.85db
41% Popularity • 54% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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The McCalmans
The Lying Truth
99 bpm • G Maj • 03:18 • -6.64db
0% Popularity • 70% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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The Corries
The Black Douglas
103 bpm • C Maj • 02:56 • -16.25db
17% Popularity • 50% Danceability • 28% Energy • 63% Liveness
0% Instrumentalness • 61% Positiveness
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Calum Kennedy
The Dark Island
99 bpm • A# Maj • 04:01 • -15.26db
16% Popularity • 21% Danceability • 35% Energy • 96% Liveness
6% Instrumentalness • 20% Positiveness
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Kathleen MacInnes
Teanga Binn mo Mhà thair
99 bpm • A Maj • 04:03 • -11.56db
14% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Emily Smith
Twa Sisters
99 bpm • B Maj • 04:28 • -8.75db
24% Popularity • 70% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Mat Williams
The Derby Ram
99 bpm • G Maj • 03:29 • -8db
27% Popularity • 64% Danceability • 55% Energy • 65% Liveness
0% Instrumentalness • 90% Positiveness
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Lucy Ward
The Baffled Knight
103 bpm • C Maj • 02:31 • -7.53db
23% Popularity • 65% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Corries
North Sea Shoals
99 bpm • A min • 02:35 • -16db
23% Popularity • 61% Danceability • 37% Energy • 61% Liveness
0% Instrumentalness • 76% Positiveness
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Caladh Nua
Song: The Cruel Lowland Maid
98 bpm • F Maj • 03:36 • -12.64db
25% Popularity • 60% Danceability • 44% Energy • 6% Liveness
3% Instrumentalness • 72% Positiveness
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Brogue
The Wild Rover
99 bpm • G Maj • 03:04 • -9.67db
31% Popularity • 60% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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David Kincaid
Young America And Ould Ireland
98 bpm • C Maj • 03:35 • -10db
21% Popularity • 59% Danceability • 49% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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The McCalmans
Doon In the Wee Room
104 bpm • D Maj • 02:43 • -8.26db
18% Popularity • 71% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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The Fighting Men From Crossmaglen
Fighting Men From The Crossmaglen
104 bpm • G Maj • 02:04 • -16.48db
39% Popularity • 65% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Louis Killen
The Wild Goose
98 bpm • B Maj • 01:50 • -13.67db
9% Popularity • 57% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Brady
The Crooked Road to Dublin / The Bucks o...
104 bpm • D Maj • 03:27 • -9.06db
18% Popularity • 48% Danceability • 87% Energy • 96% Liveness
78% Instrumentalness • 79% Positiveness
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Declan Hunt
Boys Of Kilmichael
98 bpm • D Maj • 03:03 • -10.86db
25% Popularity • 49% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Karen Matheson
The Diamond Ring
104 bpm • A min • 03:05 • -10.19db
28% Popularity • 59% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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The McCalmans
Scots Abroad
104 bpm • F# Maj • 03:11 • -4.57db
21% Popularity • 89% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Irish Lads Of Limerick
Finnegan's Wake
98 bpm • G# Maj • 04:01 • -16db
26% Popularity • 60% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Old Blind Dogs
The Battle Of Harlaw
104 bpm • G Maj • 05:09 • -16db
23% Popularity • 49% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Danú
Bridget Donaghue
98 bpm • F Maj • 03:24 • -15.38db
17% Popularity • 39% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Iron Horse
Song: Helen of Kirkconnel
105 bpm • D# Maj • 03:28 • -20.36db
15% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Tony Cuffe
Yestereen I Had a Pint O Wine
97 bpm • A Maj • 04:42 • -10.82db
23% Popularity • 59% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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The McCalmans
Gin I Were Where The Gadie Rins
104 bpm • B Maj • 02:27 • -9.76db
9% Popularity • 82% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Malinky
The Forester
105 bpm • A# Maj • 04:59 • -10.12db
13% Popularity • 49% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Old Blind Dogs
The Trooper and the Maid or the Trumpet ...
104 bpm • C# min • 03:21 • -17db
15% Popularity • 68% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Solas
A Miner's Life
105 bpm • F Maj • 04:49 • -10.15db
15% Popularity • 60% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Barnbrack
Star of the County Down
97 bpm • D min • 01:53 • -15db
27% Popularity • 58% Danceability • 33% Energy • 15% Liveness
3% Instrumentalness • 79% Positiveness
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Irish Lads Of Limerick
Muirsheen Durkin
105 bpm • G Maj • 02:08 • -11db
36% Popularity • 76% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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TheCorries
The Roses Of Prince Charlie
97 bpm • D# Maj • 02:54 • -11.35db
9% Popularity • 46% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 68% Positiveness
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Archie Fisher
The Trooper and the Maid
97 bpm • A min • 01:53 • -9.04db
29% Popularity • 63% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Old Blind Dogs
The Twa Corbies
106 bpm • E min • 03:34 • -19db
31% Popularity • 46% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 61% Positiveness
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The Sheringham Shantymen
Farewell Shanty
106 bpm • A# Maj • 01:51 • -27.45db
15% Popularity • 32% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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The Corries
Macpherson's Rant
106 bpm • F Maj • 03:41 • -14.12db
27% Popularity • 50% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 61% Positiveness
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Sweeney's Men
Waxies Dargle
96 bpm • D Maj • 03:26 • -11.9db
14% Popularity • 55% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Irish Lads Of Limerick
Mountain Dew
106 bpm • D Maj • 01:38 • -11db
37% Popularity • 64% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Declan Hunt
Ricochet
106 bpm • G Maj • 02:02 • -14.49db
18% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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The Wild Rover
I'm A Rover
106 bpm • A Maj • 03:11 • -4.97db
26% Popularity • 76% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Turlough
Smoke and Strong Whiskey
106 bpm • A# Maj • 04:16 • -4db
30% Popularity • 37% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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The Fighting Men From Crossmaglen
Irish Soldier Laddie
106 bpm • C Maj • 03:11 • -8db
35% Popularity • 59% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 91% Positiveness
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Sweeney's Men
Dance to Your Daddy
106 bpm • G Maj • 02:06 • -16.07db
17% Popularity • 65% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Traditional
Mickey Free / The Mountain Road
96 bpm • D Maj • 03:55 • -7.37db
24% Popularity • 22% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Declan Hunt
Soldiers Of '22
106 bpm • D min • 03:04 • -11db
18% Popularity • 26% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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The McCalmans
The Broom O' The Cowdenknowes
106 bpm • C# Maj • 03:27 • -9.73db
1% Popularity • 67% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Breabach
The Rolling Hills
96 bpm • G Maj • 04:21 • -10.58db
32% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Blarney Lads
Black Velvet Band
96 bpm • G Maj • 03:20 • -7.81db
23% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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The Johnstons
Ye Jacobites by Name
106 bpm • D min • 02:53 • -12.43db
20% Popularity • 72% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Andy Irvine
O'Donoghue's
96 bpm • F Maj • 05:20 • -8.43db
16% Popularity • 61% Danceability • 48% Energy • 71% Liveness
0% Instrumentalness • 90% Positiveness
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Chris Ball
Catch Me If You Can
107 bpm • G Maj • 02:28 • -13db
38% Popularity • 64% Danceability • 52% Energy • 12% Liveness
67% Instrumentalness • 86% Positiveness
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Irish Lads Of Limerick
Spanish Lady
96 bpm • C# Maj • 02:56 • -14.33db
30% Popularity • 53% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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The McCalmans
March! March! Ettrick And Teviotdale
95 bpm • G Maj • 02:33 • -6.25db
1% Popularity • 78% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Battlefield Band
Whaur Will We Gang? / March Of The Ceili...
95 bpm • D Maj • 03:21 • -12db
26% Popularity • 48% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Old Blind Dogs
Mormond Braes / Charles Sutherland
107 bpm • E Maj • 03:09 • -18db
32% Popularity • 63% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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The Corries & Ronnie Browne
Lock The Door Lariston
107 bpm • D Maj • 02:31 • -11.27db
8% Popularity • 60% Danceability • 33% Energy • 53% Liveness
0% Instrumentalness • 49% Positiveness
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The Irish Ramblers
The Foggy Dew
95 bpm • B min • 03:03 • -13.44db
32% Popularity • 64% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 76% Positiveness
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Toirdelbach
The Hills of Connemara
95 bpm • D Maj • 02:21 • -11.05db
37% Popularity • 65% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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The McCalmans
A Man's a Man
107 bpm • G Maj • 03:01 • -7.73db
13% Popularity • 76% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Battlefield Band
The Yew Tree
95 bpm • E min • 04:04 • -11db
20% Popularity • 36% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Dick Gaughan
The Last Trip Home
95 bpm • A# Maj • 06:19 • -9db
21% Popularity • 58% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Johnstons
The Spanish Lady
95 bpm • F Maj • 02:41 • -12.64db
16% Popularity • 63% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Pecker Dunne
Whiskey in the Jar
108 bpm • A# Maj • 02:34 • -9db
27% Popularity • 58% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Danú
Fair And Tender Ladies
95 bpm • A Maj • 04:28 • -17.46db
29% Popularity • 45% Danceability • 10% Energy • 19% Liveness
1% Instrumentalness • 32% Positiveness
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The McCalmans
The Peat Bog Soldiers
95 bpm • G min • 02:42 • -11.52db
2% Popularity • 68% Danceability • 25% Energy • 65% Liveness
0% Instrumentalness • 14% Positiveness
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Battlefield Band
Silver Spear / The Humours Of Tulla
95 bpm • D Maj • 02:34 • -15.2db
23% Popularity • 35% Danceability • 47% Energy • 18% Liveness
62% Instrumentalness • 96% Positiveness
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Diane Taraz
Three Drunken Maidens
108 bpm • D Maj • 02:18 • -10db
9% Popularity • 83% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Alan Reid
Kellyburn Braes
95 bpm • D Maj • 03:27 • -12db
24% Popularity • 72% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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The Sheringham Shantymen
10,000 Miles
108 bpm • A# Maj • 03:25 • -8.11db
16% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Old Blind Dogs
Johnny O'Braidislee
108 bpm • E min • 04:46 • -8.25db
37% Popularity • 69% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Boys Of The Lough
An Spailpin Fanach, The One-Horned Buck
94 bpm • D Maj • 03:04 • -13db
13% Popularity • 62% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Battlefield Band
I Am The Common Man
108 bpm • G Maj • 02:57 • -11db
10% Popularity • 47% Danceability • 32% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
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Patrick Street
William Taylor
94 bpm • G# Maj • 03:09 • -14db
12% Popularity • 67% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Kathleen MacInnes
Dh'erich Mi Moch Madainn Cheitein
109 bpm • C Maj • 02:59 • -13db
33% Popularity • 56% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Sheringham Shantymen
High Germany
94 bpm • A# Maj • 02:25 • -14db
17% Popularity • 64% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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The McCalmans
So the Years Roll On
94 bpm • C Maj • 03:21 • -11.85db
1% Popularity • 71% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 57% Positiveness
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Friends Of The Shipyard and Fisherman's Fayre
The Wild Cape Horn
94 bpm • A Maj • 04:48 • -7.11db
9% Popularity • 63% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Battlefield Band
Jenny O' The Braes
94 bpm • D Maj • 03:23 • -13.82db
11% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The Bothy Band
Pretty Peg/Craig’s Pipes (Song And Ree...
109 bpm • G Maj • 04:12 • -11.51db
13% Popularity • 48% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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The Johnstons
Paddy's Green Shamrock Shore
94 bpm • G Maj • 03:51 • -13.51db
8% Popularity • 66% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Dick Gaughan
The Lads O' The Fair/leith Docks
94 bpm • A Maj • 03:32 • -13.72db
13% Popularity • 57% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Dougie MacLean
Bonnie Bessie Logan
109 bpm • C Maj • 02:59 • -17.88db
31% Popularity • 61% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Barry Coope
Spring 1919
109 bpm • D Maj • 04:44 • -8.53db
10% Popularity • 68% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Gunna Sound Ceilidh Band
The Lights Of Lochindaal
109 bpm • C Maj • 02:32 • -6.77db
26% Popularity • 58% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Mick Moloney
When McGuinness Gets a Job
109 bpm • A min • 04:11 • -9db
10% Popularity • 63% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Come By the Hills