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Come Fly with Me
Songs like
Come Fly with Me
by
Roger Molls
Based on a tempo of (+/- 10%) and a similar genre
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Roger Molls
Lost Angels
73 bpm • A min • 06:12 • -9.26db
10% Popularity • 19% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Flatpocket
Nomoneynohoney
74 bpm • B Maj • 00:53 • -9.88db
40% Popularity • 85% Danceability • 37% Energy • 31% Liveness
46% Instrumentalness • 91% Positiveness
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Kabanjak
This Misery
74 bpm • D Maj • 01:33 • -8.86db
42% Popularity • 73% Danceability • 46% Energy • 17% Liveness
2% Instrumentalness • 68% Positiveness
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Frizzy P & Mr Cole
Tilla
75 bpm • A Maj • 03:54 • -11.83db
34% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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JIM
Petite fleur
75 bpm • D Maj • 02:24 • -6.78db
35% Popularity • 87% Danceability • 18% Energy • 9% Liveness
22% Instrumentalness • 18% Positiveness
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Asagaya
Intro (Asagaya Road, Pt. 1)
71 bpm • F Maj • 01:35 • -17.66db
30% Popularity • 37% Danceability • 35% Energy • 15% Liveness
69% Instrumentalness • 29% Positiveness
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Roger Molls
Come Fly with Me
73 bpm • C Maj • 05:40 • -7.9db
11% Popularity • 35% Danceability • 48% Energy • 15% Liveness
68% Instrumentalness • 33% Positiveness
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JK Soul
Traveling One Bite at a Time
76 bpm • A# min • 02:14 • -4.26db
36% Popularity • 61% Danceability • 61% Energy • 41% Liveness
51% Instrumentalness • 48% Positiveness
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ASM
Dilemma
70 bpm • F Maj • 04:09 • -8.29db
23% Popularity • 62% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Mothra
Distance
77 bpm • B min • 02:01 • -9.66db
34% Popularity • 64% Danceability • 54% Energy • 21% Liveness
69% Instrumentalness • 6% Positiveness
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Belleruche
Alice
77 bpm • A Maj • 03:40 • -7.76db
45% Popularity • 65% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Ancient Astronauts
Impossible
78 bpm • C Maj • 02:00 • -8.65db
44% Popularity • 70% Danceability • 81% Energy • 23% Liveness
83% Instrumentalness • 80% Positiveness
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Roger Molls
Rusty Springs Crop Circles 720
75 bpm • E min • 03:01 • -4.82db
7% Popularity • 57% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Moderator
Lost In Motion
78 bpm • A# min • 01:56 • -11.34db
39% Popularity • 79% Danceability • 43% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Sixfingerz
Gone Baby Gone
68 bpm • B Maj • 02:48 • -6.22db
30% Popularity • 29% Danceability • 72% Energy • 69% Liveness
92% Instrumentalness • 51% Positiveness
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Mothra
Sea
78 bpm • A min • 04:15 • -8.23db
20% Popularity • 24% Danceability • 71% Energy • 39% Liveness
40% Instrumentalness • 12% Positiveness
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Senbeï
Guilty
79 bpm • F# min • 04:09 • -11.09db
9% Popularity • 80% Danceability • 27% Energy • 8% Liveness
20% Instrumentalness • 46% Positiveness
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Glen Porter
Transient
79 bpm • F# min • 03:12 • -5db
32% Popularity • 72% Danceability • 61% Energy • 9% Liveness
70% Instrumentalness • 40% Positiveness
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Roger Molls
Storming the Thunder
77 bpm • C min • 04:00 • -14.26db
11% Popularity • 48% Danceability • 48% Energy • 30% Liveness
63% Instrumentalness • 16% Positiveness
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Boogie Belgique
Every Time
79 bpm • G Maj • 04:01 • -7db
53% Popularity • 68% Danceability • 60% Energy • 16% Liveness
32% Instrumentalness • 17% Positiveness
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Protassov
Subways & Meditations
79 bpm • F Maj • 03:19 • -10.34db
16% Popularity • 62% Danceability • 45% Energy • 12% Liveness
48% Instrumentalness • 38% Positiveness
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Frenic
Travel Alone
80 bpm • G Maj • 03:36 • -9db
35% Popularity • 58% Danceability • 63% Energy • 37% Liveness
73% Instrumentalness • 51% Positiveness
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The Architect
The Earth Is My Witness
80 bpm • F# min • 03:11 • -12db
40% Popularity • 65% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Cancel
This Way
80 bpm • G# Maj • 03:24 • -6.67db
27% Popularity • 60% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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Roger Molls
Outroducing
78 bpm • G Maj • 02:45 • -8.28db
37% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Chill Bump
Lost in the Sound
80 bpm • A min • 03:27 • -7.9db
38% Popularity • 69% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Matteo
Head in the Stars
80 bpm • C# min • 03:55 • -5.04db
10% Popularity • 70% Danceability • 70% Energy • 11% Liveness
89% Instrumentalness • 18% Positiveness
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Rsn
Aris 'n' Ricky
80 bpm • D min • 01:12 • -8.88db
51% Popularity • 72% Danceability • 37% Energy • 8% Liveness
78% Instrumentalness • 43% Positiveness
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Frenic
Money In My Pocket
80 bpm • G min • 04:14 • -14.31db
13% Popularity • 70% Danceability • 45% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
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Kormac
Reprise
81 bpm • E min • 02:29 • -11.73db
39% Popularity • 57% Danceability • 52% Energy • 8% Liveness
20% Instrumentalness • 11% Positiveness
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Moderator
Words Remain
81 bpm • F Maj • 03:27 • -8db
55% Popularity • 62% Danceability • 70% Energy • 14% Liveness
58% Instrumentalness • 72% Positiveness
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JIM
Alone In The Dusk
81 bpm • B min • 02:28 • -6.91db
32% Popularity • 65% Danceability • 68% Energy • 39% Liveness
74% Instrumentalness • 33% Positiveness
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La Fine Equipe
Don't Panik
82 bpm • F min • 03:46 • -7.27db
34% Popularity • 52% Danceability • 66% Energy • 7% Liveness
12% Instrumentalness • 14% Positiveness
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Al'Tarba
Pain Killers
82 bpm • A min • 03:13 • -4.3db
27% Popularity • 42% Danceability • 77% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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The Herbaliser
The Hard Stuff
82 bpm • A# min • 02:01 • -7.67db
51% Popularity • 79% Danceability • 50% Energy • 41% Liveness
22% Instrumentalness • 80% Positiveness
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The Cancel
End Station
82 bpm • B min • 02:38 • -6.87db
30% Popularity • 60% Danceability • 82% Energy • 37% Liveness
87% Instrumentalness • 33% Positiveness
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Boogie Belgique
Drop Out
82 bpm • A Maj • 03:30 • -10db
40% Popularity • 72% Danceability • 53% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
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Rob Viktum
3/1/1969
82 bpm • F# min • 01:57 • -15.98db
32% Popularity • 56% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 41% Positiveness
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Onra
Ms. Ho
82 bpm • E min • 01:56 • -7.77db
57% Popularity • 57% Danceability • 54% Energy • 29% Liveness
87% Instrumentalness • 38% Positiveness
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Will Magid
The Crown
83 bpm • G Maj • 04:03 • -6db
28% Popularity • 39% Danceability • 57% Energy • 26% Liveness
6% Instrumentalness • 60% Positiveness
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Poldoore
Hangover Blues
83 bpm • C# min • 02:36 • -8.92db
40% Popularity • 66% Danceability • 48% Energy • 15% Liveness
14% Instrumentalness • 44% Positiveness
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La Fine Equipe
Tiramisu fraise
84 bpm • F min • 02:19 • -6.77db
60% Popularity • 80% Danceability • 59% Energy • 15% Liveness
1% Instrumentalness • 89% Positiveness
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Moderator
Vasai-Virar
84 bpm • G Maj • 04:07 • -9.99db
28% Popularity • 71% Danceability • 62% Energy • 26% Liveness
86% Instrumentalness • 58% Positiveness
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Rob Viktum
3/18/1970
83 bpm • A# min • 02:53 • -6.81db
24% Popularity • 65% Danceability • 68% Energy • 33% Liveness
89% Instrumentalness • 32% Positiveness
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The Sound Defects
Acadiana
84 bpm • F# min • 01:44 • -6.59db
23% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Mononome
Glad To See You
84 bpm • A# min • 03:25 • -9.04db
19% Popularity • 64% Danceability • 69% Energy • 6% Liveness
60% Instrumentalness • 52% Positiveness
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The Cancel
I Believe
84 bpm • B min • 02:55 • -9db
38% Popularity • 73% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Asagaya
Women
84 bpm • A# min • 04:38 • -9.18db
22% Popularity • 65% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Audiopharmacy
Ruined Lands
84 bpm • E min • 04:34 • -9.24db
31% Popularity • 86% Danceability • 43% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
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Protassov
Robinson
84 bpm • A min • 05:18 • -9db
17% Popularity • 71% Danceability • 46% Energy • 10% Liveness
27% Instrumentalness • 26% Positiveness
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The Sound Defects
Double Down
84 bpm • B Maj • 01:20 • -8db
38% Popularity • 73% Danceability • 90% Energy • 23% Liveness
90% Instrumentalness • 93% Positiveness
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Roger Molls
Prelude To
84 bpm • A min • 01:26 • -20.72db
16% Popularity • 31% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Mothra
Spent
84 bpm • C min • 02:55 • -9db
29% Popularity • 55% Danceability • 53% Energy • 30% Liveness
43% Instrumentalness • 20% Positiveness
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Rob Viktum
Kampot
85 bpm • A# min • 03:51 • -5.05db
24% Popularity • 78% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 80% Positiveness
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Ancient Astronauts
From the Sky
85 bpm • G min • 01:56 • -8db
44% Popularity • 65% Danceability • 67% Energy • 10% Liveness
81% Instrumentalness • 80% Positiveness
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Sixfingerz
Law Of Nature
85 bpm • A# min • 04:32 • -9db
32% Popularity • 60% Danceability • 59% Energy • 31% Liveness
90% Instrumentalness • 4% Positiveness
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La Cantina
Hokkaido
85 bpm • A# min • 02:04 • -11.26db
40% Popularity • 58% Danceability • 40% Energy • 32% Liveness
72% Instrumentalness • 36% Positiveness
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Protassov
March of 100
85 bpm • F Maj • 03:06 • -9db
34% Popularity • 47% Danceability • 46% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
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The Architect
Darling
85 bpm • E min • 04:16 • -9db
35% Popularity • 80% Danceability • 50% Energy • 39% Liveness
28% Instrumentalness • 56% Positiveness
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Travelling Day
The Subway
85 bpm • F min • 03:14 • -7.04db
15% Popularity • 70% Danceability • 73% Energy • 10% Liveness
80% Instrumentalness • 67% Positiveness
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Rob Viktum
4/17/1975
85 bpm • B min • 02:49 • -5db
45% Popularity • 73% Danceability • 60% Energy • 10% Liveness
90% Instrumentalness • 86% Positiveness
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Dafuniks
Soul Searching
85 bpm • C Maj • 03:47 • -6db
50% Popularity • 80% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Brian Witzig
You’re Mine
86 bpm • D# Maj • 01:33 • -12.45db
30% Popularity • 52% Danceability • 57% Energy • 15% Liveness
63% Instrumentalness • 60% Positiveness
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La Fine Equipe
Canistrelli
87 bpm • G# Maj • 01:57 • -5.46db
36% Popularity • 60% Danceability • 61% Energy • 24% Liveness
13% Instrumentalness • 63% Positiveness
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Scarecrow
Da Black Cat Bone
87 bpm • C Maj • 04:05 • -9.72db
30% Popularity • 77% Danceability • 65% Energy • 60% Liveness
0% Instrumentalness • 65% Positiveness
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Roger Molls
Eldorado
86 bpm • G Maj • 03:18 • -7.37db
9% Popularity • 55% Danceability • 82% Energy • 5% Liveness
81% Instrumentalness • 54% Positiveness
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Rob Viktum
12/5/1978
85 bpm • E min • 02:49 • -7.16db
30% Popularity • 75% Danceability • 45% Energy • 27% Liveness
91% Instrumentalness • 87% Positiveness
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HashFinger
Low Down
87 bpm • G# min • 02:33 • -6.09db
31% Popularity • 63% Danceability • 59% Energy • 29% Liveness
8% Instrumentalness • 67% Positiveness
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Ancient Astronauts
Bass and Time
87 bpm • G Maj • 01:50 • -11.65db
36% Popularity • 62% Danceability • 80% Energy • 16% Liveness
6% Instrumentalness • 29% Positiveness
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Apanemic
Too Late
87 bpm • C# Maj • 04:35 • -9.09db
23% Popularity • 50% Danceability • 59% Energy • 30% Liveness
82% Instrumentalness • 43% Positiveness
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Socalled
You Are Never Alone
87 bpm • F min • 04:31 • -4.2db
37% Popularity • 75% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Smokey Joe & The Kid
Put the Blame on Pete
87 bpm • C Maj • 03:08 • -5db
34% Popularity • 58% Danceability • 83% Energy • 56% Liveness
0% Instrumentalness • 81% Positiveness
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Belleruche
You're Listening to the Worlds
87 bpm • D Maj • 03:20 • -12.38db
37% Popularity • 66% Danceability • 19% Energy • 15% Liveness
41% Instrumentalness • 37% Positiveness
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Al'Tarba
Lullaby for Insomniacs
88 bpm • D# min • 02:38 • -7.07db
28% Popularity • 55% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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La Fine Equipe
Boulangerie Anthem
88 bpm • E Maj • 01:53 • -5.29db
39% Popularity • 48% Danceability • 69% Energy • 94% Liveness
0% Instrumentalness • 68% Positiveness
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The Waxidermist
Twilight to Paradise
88 bpm • F# min • 02:10 • -9.49db
19% Popularity • 83% Danceability • 57% Energy • 11% Liveness
52% Instrumentalness • 56% Positiveness
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JIM
Tomorrow
88 bpm • B min • 02:31 • -7.48db
27% Popularity • 78% Danceability • 54% Energy • 35% Liveness
23% Instrumentalness • 79% Positiveness
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Rob Viktum
5/1/1993
88 bpm • B min • 02:32 • -6.03db
26% Popularity • 75% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 66% Positiveness
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Kognitif
In da Mood
88 bpm • E min • 02:19 • -6.35db
33% Popularity • 84% Danceability • 87% Energy • 20% Liveness
20% Instrumentalness • 79% Positiveness
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Asagaya
Stagger Lee (Mutant Ninja Edit)
88 bpm • C# Maj • 03:08 • -6db
18% Popularity • 64% Danceability • 74% Energy • 50% Liveness
12% Instrumentalness • 34% Positiveness
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Roger Molls
An Old Jukebox
88 bpm • C# Maj • 00:48 • -8.68db
34% Popularity • 75% Danceability • 91% Energy • 22% Liveness
23% Instrumentalness • 12% Positiveness
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Sixfingerz
Working Overtime
88 bpm • C Maj • 03:09 • -11db
25% Popularity • 62% Danceability • 43% Energy • 9% Liveness
19% Instrumentalness • 32% Positiveness
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JIM
Desert Flowers
88 bpm • F# Maj • 02:32 • -7.42db
35% Popularity • 75% Danceability • 60% Energy • 19% Liveness
91% Instrumentalness • 88% Positiveness
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The Geek x Vrv
If You Want Her
88 bpm • D# min • 03:38 • -4.65db
28% Popularity • 48% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Rob Viktum
2/9/1999
88 bpm • A# min • 01:27 • -8.38db
43% Popularity • 71% Danceability • 41% Energy • 11% Liveness
93% Instrumentalness • 66% Positiveness
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Kognitif
Mama Love
88 bpm • F# min • 03:24 • -11.73db
16% Popularity • 71% Danceability • 57% Energy • 10% Liveness
11% Instrumentalness • 57% Positiveness
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Nym
The Ballad of Dylan Owen
89 bpm • D min • 02:26 • -13.65db
44% Popularity • 74% Danceability • 30% Energy • 18% Liveness
91% Instrumentalness • 74% Positiveness
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Ayatollah
Kingston
88 bpm • B Maj • 02:43 • -9.15db
32% Popularity • 87% Danceability • 60% Energy • 7% Liveness
56% Instrumentalness • 92% Positiveness
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JIM
Bretodeau
89 bpm • F min • 03:27 • -9.31db
15% Popularity • 86% Danceability • 50% Energy • 18% Liveness
91% Instrumentalness • 94% Positiveness
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Kill Emil
Don't Let Me Down
89 bpm • C# Maj • 03:30 • -8.94db
31% Popularity • 63% Danceability • 70% Energy • 11% Liveness
73% Instrumentalness • 62% Positiveness
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Ancient Astronauts
Break My Heart in 2
89 bpm • A# min • 03:59 • -2.97db
34% Popularity • 67% Danceability • 86% Energy • 13% Liveness
39% Instrumentalness • 19% Positiveness
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Kognitif
All Good Things Come to an End
89 bpm • B Maj • 02:27 • -8.05db
41% Popularity • 71% Danceability • 50% Energy • 13% Liveness
89% Instrumentalness • 42% Positiveness
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Dday One
Cielo Azul
89 bpm • D# min • 04:46 • -7.14db
22% Popularity • 63% Danceability • 64% Energy • 55% Liveness
79% Instrumentalness • 20% Positiveness
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GooMar
Old Timer
89 bpm • A# min • 02:15 • -8.16db
37% Popularity • 84% Danceability • 50% Energy • 13% Liveness
73% Instrumentalness • 42% Positiveness
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La Fine Equipe
Pain perdu
89 bpm • F min • 03:44 • -6.27db
22% Popularity • 73% Danceability • 84% Energy • 13% Liveness
7% Instrumentalness • 70% Positiveness
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Sixfingerz
Downfall
89 bpm • E min • 03:03 • -4.23db
27% Popularity • 65% Danceability • 64% Energy • 18% Liveness
74% Instrumentalness • 39% Positiveness
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Chairman Maf
The System
90 bpm • C Maj • 02:43 • -8.05db
19% Popularity • 58% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Kognitif
Common Ground
89 bpm • C# min • 03:31 • -6db
21% Popularity • 51% Danceability • 98% Energy • 85% Liveness
0% Instrumentalness • 27% Positiveness
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JIM
Here We Go
90 bpm • G Maj • 02:02 • -8.45db
21% Popularity • 76% Danceability • 53% Energy • 19% Liveness
65% Instrumentalness • 25% Positiveness
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Q Funktion
The Night Came
90 bpm • G Maj • 02:33 • -6.87db
42% Popularity • 68% Danceability • 40% Energy • 24% Liveness
57% Instrumentalness • 73% Positiveness
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Come Fly with Me