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Come Holy Ghost
Songs like
Come Holy Ghost
by
Jonathan Harvey
Based on a tempo of (+/- 10%) and a similar genre
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Stellan Sagvik
Missa Maria Magdalena: Kyrie
84 bpm • C min • 02:38 • -17.5db
7% Popularity • 20% Danceability • 19% Energy • 10% Liveness
46% Instrumentalness • 3% Positiveness
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Michael Nyman
The Diary of Anne Frank (arr. Richard Bo...
84 bpm • E Maj • 03:31 • -25db
11% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Visage
The Steps
84 bpm • G# min • 03:14 • -20.66db
16% Popularity • 13% Danceability • 54% Energy • 8% Liveness
82% Instrumentalness • 27% Positiveness
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Luigi Nono
Como una ola de fuerza y luz (1971-2): I...
84 bpm • A Maj • 01:46 • -32.86db
8% Popularity • 15% Danceability • 1% Energy • 8% Liveness
12% Instrumentalness • 3% Positiveness
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John Tavener
Song for Athene
84 bpm • F Maj • 05:42 • -30.58db
15% Popularity • 18% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Klaus Nomi
Death
84 bpm • G Maj • 04:21 • -14.15db
14% Popularity • 19% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jonathan Harvey
Come Holy Ghost
84 bpm • A# Maj • 07:26 • -30.22db
2% Popularity • 8% Danceability • 9% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38: No. 8, "...
84 bpm • G# min • 02:10 • -27.08db
8% Popularity • 22% Danceability • 4% Energy • 12% Liveness
22% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: Introit (Ed. Mar...
83 bpm • A# Maj • 01:33 • -24.57db
19% Popularity • 21% Danceability • 3% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness
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Lawrence Casserley
Lost Wax - Lawrence Casserley Remix
85 bpm • A# Maj • 06:36 • -26.54db
0% Popularity • 8% Danceability • 46% Energy • 39% Liveness
75% Instrumentalness • 1% Positiveness
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Francis Poulenc
Poulenc: Gloria, FP 177: VI. Qui sedes a...
83 bpm • G Maj • 06:41 • -21.71db
7% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Henryk Górecki
Symphony No. 3 "Symphony of Sorrowful So...
85 bpm • A# min • 04:33 • -22.95db
14% Popularity • 11% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Jonathan Harvey
Wagner Dream: Scene 5: Good evening moth...
85 bpm • C# Maj • 13:28 • -18.63db
0% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Gayane: Adagio
85 bpm • G# Maj • 04:59 • -35.31db
4% Popularity • 14% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Anders Hillborg
O dessa ögon
85 bpm • G Maj • 04:48 • -31.19db
7% Popularity • 21% Danceability • 2% Energy • 23% Liveness
0% Instrumentalness • 3% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
16% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
85 bpm • D Maj • 02:31 • -31.88db
9% Popularity • 16% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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John Tavener
Tavener: The Protecting Veil: VI. The Re...
85 bpm • E min • 02:36 • -15.44db
7% Popularity • 10% Danceability • 36% Energy • 16% Liveness
84% Instrumentalness • 15% Positiveness
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Jonathan Harvey
The Tree
85 bpm • A# min • 04:23 • -25.12db
0% Popularity • 13% Danceability • 12% Energy • 15% Liveness
15% Instrumentalness • 3% Positiveness
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Ralph Vaughan Williams
Five Mystical Songs: No. 3, Love Bade Me...
85 bpm • B min • 06:06 • -28.87db
7% Popularity • 9% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Anton Bruckner
Te Deum, WAB 45: II. Te ergo quaesumus
83 bpm • F min • 02:42 • -31.5db
15% Popularity • 14% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
La Fanciulla del West / Act 1: Hello, Mi...
86 bpm • F Maj • 03:46 • -21.13db
9% Popularity • 24% Danceability • 13% Energy • 59% Liveness
1% Instrumentalness • 6% Positiveness
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Gian Carlo Menotti
The Consul: Lullaby (Arr. P. Jaffe for V...
82 bpm • C Maj • 04:19 • -22.59db
7% Popularity • 20% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
St. Luke Passion: Part I: O Crux ave (Hy...
82 bpm • G Maj • 05:03 • -28db
11% Popularity • 11% Danceability • 5% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Jonathan Harvey
Come Holy Ghost
85 bpm • A# Maj • 07:27 • -30db
5% Popularity • 9% Danceability • 12% Energy • 12% Liveness
20% Instrumentalness • 5% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38, Pt.2: Pr...
82 bpm • E min • 05:47 • -24.99db
0% Popularity • 24% Danceability • 7% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): XI. No...
82 bpm • D min • 03:34 • -33.88db
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Kaija Saariaho
Sept papillons: Papillons I
86 bpm • D Maj • 01:24 • -30.36db
13% Popularity • 26% Danceability • 13% Energy • 18% Liveness
82% Instrumentalness • 4% Positiveness
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The Human League
Words
86 bpm • A# min • 05:54 • -10.23db
7% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Pierre Boulez
Répons: Section 1
82 bpm • G# min • 02:58 • -20.75db
14% Popularity • 29% Danceability • 29% Energy • 33% Liveness
79% Instrumentalness • 4% Positiveness
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Jonathan Harvey
Song of June
83 bpm • G Maj • 04:36 • -24.76db
4% Popularity • 8% Danceability • 5% Energy • 10% Liveness
10% Instrumentalness • 3% Positiveness
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Carl Orff
Carmina Burana / Blanziflor et Helena: "...
82 bpm • G Maj • 02:02 • -11.1db
9% Popularity • 18% Danceability • 29% Energy • 53% Liveness
0% Instrumentalness • 19% Positiveness
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Ralph Vaughan Williams
Mass in G Minor: Kyrie
82 bpm • D min • 04:11 • -31.85db
7% Popularity • 8% Danceability • 2% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Mass - A Theatre Piece for Singers, Play...
86 bpm • C Maj • 09:52 • -22.04db
2% Popularity • 18% Danceability • 3% Energy • 8% Liveness
29% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Suor Angelica: Suor Angelica! Madre, Mad...
82 bpm • A min • 03:20 • -29.25db
10% Popularity • 18% Danceability • 3% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Frankie Goes To Hollywood
Fury
86 bpm • D Maj • 01:49 • -29.36db
34% Popularity • 27% Danceability • 3% Energy • 46% Liveness
0% Instrumentalness • 21% Positiveness
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Jonathan Harvey
Remember, O Lord
85 bpm • D min • 03:03 • -37.2db
2% Popularity • 9% Danceability • 1% Energy • 7% Liveness
28% Instrumentalness • 2% Positiveness
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Haukur Tómasson
Náttúruljóð (v) (hunangsblaut fluga)
82 bpm • C min • 03:18 • -26.12db
10% Popularity • 9% Danceability • 5% Energy • 21% Liveness
31% Instrumentalness • 4% Positiveness
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Klaus Nomi
Return - Based On The Song "If My Compla...
87 bpm • E min • 02:09 • -24.28db
10% Popularity • 23% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 6% Positiveness
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Edward Elgar
The Music Makers, Op. 69: V. A breath of...
82 bpm • D Maj • 04:04 • -25.7db
7% Popularity • 14% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 4% Positiveness
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John Adams
Adams: Nixon in China: Act II, Scene 1 -...
87 bpm • F Maj • 08:32 • -30db
7% Popularity • 17% Danceability • 2% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "Dulc...
87 bpm • A min • 00:51 • -28.42db
9% Popularity • 35% Danceability • 5% Energy • 9% Liveness
25% Instrumentalness • 4% Positiveness
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Jonathan Harvey
The Royal Banners Forward Go
83 bpm • A# min • 03:49 • -27.04db
0% Popularity • 12% Danceability • 6% Energy • 9% Liveness
16% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 2: "Un bel dì ve...
81 bpm • F# Maj • 04:47 • -20.94db
9% Popularity • 21% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part III. Adagio...
81 bpm • D Maj • 09:30 • -20.02db
8% Popularity • 22% Danceability • 21% Energy • 10% Liveness
28% Instrumentalness • 4% Positiveness
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Kate Bush
Mrs. Bartolozzi
81 bpm • G min • 05:58 • -18.94db
19% Popularity • 29% Danceability • 11% Energy • 10% Liveness
18% Instrumentalness • 6% Positiveness
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Prefab Sprout
Michael
87 bpm • A min • 03:02 • -6.54db
10% Popularity • 49% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Benjamin Britten
Britten: The Young Person's Guide to the...
81 bpm • D Maj • 02:53 • -19db
3% Popularity • 39% Danceability • 25% Energy • 12% Liveness
81% Instrumentalness • 32% Positiveness
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Jonathan Harvey
Wagner Dream: Scene 3: ...What do you wa...
83 bpm • D min • 05:06 • -20.58db
0% Popularity • 22% Danceability • 18% Energy • 69% Liveness
0% Instrumentalness • 7% Positiveness
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Francis Poulenc
Poulenc: Gloria, FP 177: V. Domine Deus,...
81 bpm • A Maj • 07:08 • -27.31db
7% Popularity • 13% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Kevin Puts
Puts: The Hours, Act 1: "Here on This Co...
81 bpm • A# min • 05:01 • -24.88db
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Leonard Bernstein
Chichester Psalms: II. Psalm 23.1-4 – ...
81 bpm • A Maj • 05:38 • -30.94db
13% Popularity • 12% Danceability • 3% Energy • 18% Liveness
3% Instrumentalness • 7% Positiveness
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Depeche Mode
Shouldn't Have Done That
88 bpm • B Maj • 03:12 • -13.81db
26% Popularity • 43% Danceability • 22% Energy • 63% Liveness
0% Instrumentalness • 14% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "È morto! Or gli...
80 bpm • D Maj • 03:54 • -20.65db
11% Popularity • 16% Danceability • 3% Energy • 9% Liveness
26% Instrumentalness • 4% Positiveness
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Jonathan Harvey
Missa Brevis: III. Sanctus & Benedictus
86 bpm • D Maj • 02:57 • -22.19db
0% Popularity • 16% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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ABC
United Kingdom
88 bpm • G Maj • 03:21 • -10.76db
9% Popularity • 50% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Thomas Adès
Alchymia: IV. Divisions on a Lute-Song
88 bpm • G Maj • 08:40 • -22.91db
8% Popularity • 14% Danceability • 3% Energy • 7% Liveness
39% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Mass A Theatre Piece for Singers, Player...
88 bpm • A min • 09:50 • -27.27db
0% Popularity • 16% Danceability • 1% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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David Arnold
Moonraker
88 bpm • C Maj • 03:57 • -13.84db
11% Popularity • 44% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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James MacMillan
Strathclyde Motets: O Radiant Dawn
80 bpm • C min • 03:22 • -23.05db
9% Popularity • 20% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
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Jonathan Harvey
Bhakti: III. —
82 bpm • F min • 04:53 • -22.05db
0% Popularity • 15% Danceability • 8% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
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John Tavener
Tavener: The Protecting Veil: I. The Pro...
80 bpm • F Maj • 08:47 • -23.87db
16% Popularity • 11% Danceability • 12% Energy • 30% Liveness
83% Instrumentalness • 5% Positiveness
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Charles Ives
The Unanswered Question
88 bpm • C Maj • 05:29 • -29db
7% Popularity • 10% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 3% Positiveness
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Benjamin Britten
A Midsummer Night's Dream / Act 1: "Over...
89 bpm • G Maj • 04:04 • -21.69db
9% Popularity • 21% Danceability • 21% Energy • 72% Liveness
1% Instrumentalness • 8% Positiveness
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Edward Elgar
The Music Makers, Op. 69: V. A breath of...
79 bpm • D Maj • 04:29 • -21.2db
8% Popularity • 7% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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James MacMillan
Seven Last Words from the Cross: I. Fath...
80 bpm • B Maj • 05:48 • -25.9db
9% Popularity • 14% Danceability • 17% Energy • 23% Liveness
5% Instrumentalness • 4% Positiveness
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Jonathan Harvey
Piano Trio: I. Song
80 bpm • F Maj • 02:03 • -23.03db
0% Popularity • 34% Danceability • 31% Energy • 30% Liveness
54% Instrumentalness • 11% Positiveness
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George Gershwin
Gershwin: Porgy and Bess, Act 1, Scene 1...
89 bpm • F# min • 03:06 • -23.71db
10% Popularity • 25% Danceability • 11% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
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Lars-Erik Larsson
Forkladd gud, Op. 24: Vad faller over tr...
89 bpm • B min • 03:30 • -16db
7% Popularity • 25% Danceability • 18% Energy • 12% Liveness
29% Instrumentalness • 10% Positiveness
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Ryuichi Sakamoto
『母と暮せば』より「戦死」 ...
79 bpm • G# Maj • 02:42 • -28.02db
14% Popularity • 29% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Edward Elgar
Enigma Variations. Nimrod: Lux Aeterna
79 bpm • C# Maj • 04:11 • -19.5db
11% Popularity • 14% Danceability • 18% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
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Yello
Stalakdrama - Remastered 2005
89 bpm • E min • 03:01 • -7.93db
17% Popularity • 10% Danceability • 35% Energy • 22% Liveness
86% Instrumentalness • 3% Positiveness
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Jonathan Harvey
Missa Brevis: IV. Agnus Dei
87 bpm • G Maj • 02:57 • -27.1db
0% Popularity • 17% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Tobias Picker
Emmeline: Act One: The Lord Has spared t...
78 bpm • A# min • 05:58 • -22.88db
8% Popularity • 21% Danceability • 10% Energy • 64% Liveness
0% Instrumentalness • 11% Positiveness
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David Arnold
Diamonds Are Forever
90 bpm • E min • 03:52 • -9.36db
16% Popularity • 55% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
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The Human League
Filling up with Heaven
90 bpm • E Maj • 04:20 • -7db
18% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Edward Elgar
The Music Makers, Op. 69: IV. We, in the...
79 bpm • F Maj • 04:17 • -20.02db
9% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Thomas Adès
Arcadiana: VI. O Albion
78 bpm • D# Maj • 03:26 • -43db
32% Popularity • 16% Danceability • 0% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Jonathan Harvey
Wagner Dream: Scene 4: What is it? What ...
82 bpm • A# min • 01:25 • -19.17db
0% Popularity • 58% Danceability • 29% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Maurice Duruflé
Pie Jesu
78 bpm • G# Maj • 03:48 • -20.17db
10% Popularity • 19% Danceability • 9% Energy • 8% Liveness
22% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 1: "Perché tarda...
78 bpm • F# min • 03:43 • -22.8db
13% Popularity • 7% Danceability • 3% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Depeche Mode
Oberkorn (It's a Small Town)
78 bpm • F Maj • 04:09 • -20.22db
22% Popularity • 21% Danceability • 13% Energy • 7% Liveness
77% Instrumentalness • 6% Positiveness
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Gustav Mahler
Mahler: Kindertotenlieder: No. 2, Nun se...
78 bpm • C min • 05:13 • -20db
3% Popularity • 20% Danceability • 10% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Duran Duran
Someone Else Not Me (En Francais)
77 bpm • D# Maj • 04:21 • -6.76db
9% Popularity • 50% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Jonathan Harvey
Bhakti: V. —
80 bpm • A min • 04:16 • -23.01db
0% Popularity • 20% Danceability • 15% Energy • 10% Liveness
37% Instrumentalness • 4% Positiveness
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John Adams
Adams: Nixon in China: Act I, Scene 1 - ...
77 bpm • E min • 02:48 • -33.13db
13% Popularity • 13% Danceability • 3% Energy • 21% Liveness
4% Instrumentalness • 6% Positiveness
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Klaus Nomi
Wayward Sisters
77 bpm • F Maj • 01:40 • -17.34db
15% Popularity • 27% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 5% Positiveness
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Benjamin Britten
War Requiem, Op. 66: xii. Dies Irae - Di...
77 bpm • A# min • 03:00 • -25.44db
10% Popularity • 17% Danceability • 5% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
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Marilyn Hill Smith
The Pirates of Penzance: Oh! Is There No...
77 bpm • C# Maj • 04:04 • -27.54db
8% Popularity • 29% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Leonard Bernstein
Bernstein - I hate music!: I hate music!
77 bpm • E min • 01:29 • -16db
8% Popularity • 44% Danceability • 10% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
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Jonathan Harvey
Bhakti: X. —
89 bpm • F min • 03:12 • -25.77db
0% Popularity • 11% Danceability • 18% Energy • 15% Liveness
74% Instrumentalness • 4% Positiveness
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Edward Elgar
The Music Makers, Op. 69: VII. And there...
77 bpm • G# Maj • 04:21 • -16.16db
7% Popularity • 15% Danceability • 24% Energy • 13% Liveness
10% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 1. Pastou...
77 bpm • A min • 03:19 • -19.72db
8% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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William Walton
Henry V, A Shakespeare Scenario: IV. Int...
92 bpm • C Maj • 02:15 • -35.24db
8% Popularity • 15% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Midge Ure
Sister and Brother - Alternate Single Ed...
92 bpm • F min • 04:46 • -7.49db
18% Popularity • 51% Danceability • 93% Energy • 34% Liveness
1% Instrumentalness • 54% Positiveness
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Gary Numan
I Sing Rain
92 bpm • C# Maj • 02:28 • -13.12db
8% Popularity • 64% Danceability • 46% Energy • 10% Liveness
48% Instrumentalness • 55% Positiveness
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Jonathan Harvey
Bhakti: I. —
90 bpm • G# Maj • 05:58 • -31.85db
0% Popularity • 11% Danceability • 0% Energy • 28% Liveness
60% Instrumentalness • 3% Positiveness
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Propaganda
The First Cut
77 bpm • A Maj • 01:28 • -6.99db
28% Popularity • 34% Danceability • 71% Energy • 13% Liveness
7% Instrumentalness • 11% Positiveness
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Depeche Mode
Sonata No.14 in C#m (Moonlight Sonata)
76 bpm • C# min • 05:37 • -18.42db
29% Popularity • 45% Danceability • 17% Energy • 9% Liveness
89% Instrumentalness • 29% Positiveness
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a-ha
Go to Sleep - 2015 Remaster
76 bpm • G# Maj • 02:12 • -12.85db
6% Popularity • 59% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Come Holy Ghost