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Come On
Songs like
Come On
by
Letters To Cleo
Based on a tempo of (+/- 10%) and a similar genre
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Sam Phillips
I Don't Know How To Say Goodbye To You
129 bpm • F# Maj • 03:19 • -12.19db
32% Popularity • 55% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Eyeliners
Think Of Me
129 bpm • A Maj • 03:08 • -3db
13% Popularity • 44% Danceability • 96% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
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Potty Mouth
Smash Hit
129 bpm • D Maj • 03:20 • -4.14db
25% Popularity • 48% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Letters To Cleo
Come On
129 bpm • A Maj • 03:16 • -5db
42% Popularity • 46% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Courtney Love
Never Gonna Be The Same
129 bpm • C Maj • 05:07 • -5.78db
21% Popularity • 36% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Everclear
Normal Like You
129 bpm • G# Maj • 03:13 • -6db
36% Popularity • 63% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Lisa Loeb & Nine Stories
Waiting For Wednesday
128 bpm • D Maj • 03:08 • -5db
25% Popularity • 52% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Liz Phair
My Bionic Eyes
129 bpm • A Maj • 03:52 • -5.19db
16% Popularity • 49% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Nickel
1000 Nights
128 bpm • B min • 02:27 • -8.22db
13% Popularity • 79% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Letters To Cleo
Awake
129 bpm • E Maj • 03:54 • -7.17db
26% Popularity • 49% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Zolof the Rock & Roll Destroyer
The Way It Goes
128 bpm • B Maj • 02:23 • -4.11db
8% Popularity • 60% Danceability • 72% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Phantom Planet
Somebody's Baby
130 bpm • G# Maj • 02:52 • -7db
31% Popularity • 63% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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that dog.
He's Kissing Christian
130 bpm • E Maj • 03:28 • -7.31db
24% Popularity • 55% Danceability • 93% Energy • 15% Liveness
2% Instrumentalness • 44% Positiveness
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Liz Phair
Johnny Feelgood
130 bpm • A Maj • 03:22 • -7db
26% Popularity • 68% Danceability • 66% Energy • 9% Liveness
1% Instrumentalness • 63% Positiveness
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Shampoo
Delicious
130 bpm • A Maj • 03:00 • -7.71db
28% Popularity • 62% Danceability • 86% Energy • 7% Liveness
8% Instrumentalness • 75% Positiveness
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Tegan and Sara
I Hear Noises
130 bpm • B Maj • 03:32 • -3.04db
29% Popularity • 67% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Hilary Duff
Crash World
128 bpm • F Maj • 03:00 • -4.47db
34% Popularity • 51% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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The Indians
Bed Of Roses
128 bpm • A min • 03:51 • -8.57db
23% Popularity • 51% Danceability • 89% Energy • 41% Liveness
1% Instrumentalness • 59% Positiveness
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Juliana Hatfield
Universal Heart-Beat
128 bpm • D Maj • 03:25 • -8db
32% Popularity • 53% Danceability • 81% Energy • 72% Liveness
1% Instrumentalness • 69% Positiveness
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Liz Phair
It's Sweet
130 bpm • G Maj • 02:54 • -4.81db
22% Popularity • 63% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Shampoo
Skinny White Thing
128 bpm • A Maj • 03:08 • -6.93db
11% Popularity • 67% Danceability • 96% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
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The Colourfield
Can't Get Enough of You Baby
128 bpm • C Maj • 02:22 • -9.96db
37% Popularity • 61% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Courtney Love
Sunset Strip
128 bpm • G Maj • 05:32 • -2.8db
24% Popularity • 53% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Loudermilk
Rock 'N' Roll & The Teenage Desperation
128 bpm • B Maj • 03:24 • -4.68db
12% Popularity • 60% Danceability • 82% Energy • 4% Liveness
3% Instrumentalness • 63% Positiveness
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Size 14
Let's Rob A Bank
128 bpm • G# Maj • 03:14 • -5.14db
11% Popularity • 62% Danceability • 80% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Letters To Cleo
Co-Pilot
131 bpm • F# min • 03:40 • -6.31db
39% Popularity • 51% Danceability • 86% Energy • 31% Liveness
22% Instrumentalness • 67% Positiveness
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Liz Phair
Supernova
131 bpm • A Maj • 02:48 • -10.46db
47% Popularity • 52% Danceability • 76% Energy • 33% Liveness
72% Instrumentalness • 70% Positiveness
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Marvelous 3
Freak of the Week
131 bpm • B min • 03:20 • -4.59db
35% Popularity • 62% Danceability • 82% Energy • 55% Liveness
0% Instrumentalness • 51% Positiveness
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The Cranberries
I Can't Be With You
131 bpm • A# Maj • 03:07 • -10.43db
59% Popularity • 47% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Lisa Loeb & Nine Stories
Garden Of Delights
127 bpm • D Maj • 02:36 • -6.83db
22% Popularity • 68% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Superdrag
Lighting the Way
131 bpm • B Maj • 03:27 • -5.18db
22% Popularity • 38% Danceability • 91% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Luscious Jackson
Naked Eye
131 bpm • G Maj • 04:10 • -6.62db
28% Popularity • 69% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Charlotte Hatherley
Summer
131 bpm • C Maj • 04:50 • -3.47db
11% Popularity • 54% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Deadstar
Over the Radio
131 bpm • G Maj • 04:42 • -5.76db
9% Popularity • 56% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Cheyenne Kimball
One Original Thing
127 bpm • F min • 03:32 • -4db
26% Popularity • 65% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 69% Positiveness
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that dog.
Hawthorne
131 bpm • B min • 02:36 • -6.85db
15% Popularity • 50% Danceability • 76% Energy • 17% Liveness
1% Instrumentalness • 42% Positiveness
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Scout
Never Never
127 bpm • E Maj • 04:08 • -7.86db
8% Popularity • 52% Danceability • 75% Energy • 17% Liveness
62% Instrumentalness • 26% Positiveness
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Dressy Bessy
Jenny Come On
127 bpm • F# min • 02:44 • -9.75db
19% Popularity • 49% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Veruca Salt
Volcano Girls
131 bpm • E Maj • 03:18 • -2.75db
56% Popularity • 54% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 57% Positiveness
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Juliana Hatfield
Live on Tomorrow
127 bpm • D Maj • 02:58 • -8.86db
16% Popularity • 63% Danceability • 50% Energy • 27% Liveness
2% Instrumentalness • 46% Positiveness
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Shampoo
Viva La Megababes
132 bpm • G Maj • 03:35 • -8.71db
15% Popularity • 64% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Fountains Of Wayne
Bright Future In Sales
132 bpm • A Maj • 03:06 • -4.59db
39% Popularity • 57% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Letters To Cleo
Disappear
126 bpm • B min • 04:23 • -5.61db
14% Popularity • 48% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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that dog.
Ms. Wrong
126 bpm • G Maj • 02:25 • -8.57db
24% Popularity • 47% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Luscious Jackson
Here
126 bpm • B min • 03:27 • -8.44db
19% Popularity • 70% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Moonpools & Caterpillars
Hear
132 bpm • D Maj • 03:19 • -4.93db
31% Popularity • 59% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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The Juliana Hatfield Three
Addicted
126 bpm • A Maj • 03:17 • -7db
14% Popularity • 56% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Magnapop
Slowly, Slowly
126 bpm • D Maj • 03:37 • -10.12db
23% Popularity • 70% Danceability • 57% Energy • 36% Liveness
17% Instrumentalness • 96% Positiveness
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Letters To Cleo
Good Right Here
132 bpm • F# Maj • 03:43 • -5.02db
10% Popularity • 49% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Zolof the Rock & Roll Destroyer
argh...i'm a Pirate
132 bpm • A# Maj • 01:51 • -6.41db
22% Popularity • 44% Danceability • 72% Energy • 10% Liveness
17% Instrumentalness • 42% Positiveness
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Luscious Jackson
Here - Squirmel Mix
126 bpm • B min • 03:33 • -8.05db
23% Popularity • 61% Danceability • 95% Energy • 3% Liveness
45% Instrumentalness • 73% Positiveness
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Velocity Girl
Nothing
132 bpm • G Maj • 02:46 • -4.83db
11% Popularity • 61% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Liz Phair
Jealousy
133 bpm • D Maj • 03:37 • -12.14db
24% Popularity • 56% Danceability • 86% Energy • 26% Liveness
22% Instrumentalness • 55% Positiveness
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Buffalo Tom
Late At Night
133 bpm • G Maj • 03:58 • -8db
35% Popularity • 43% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Letters To Cleo
Disappear
126 bpm • D Maj • 03:32 • -7.5db
11% Popularity • 55% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Superdrag
Sucked Out
125 bpm • E Maj • 02:46 • -7db
43% Popularity • 40% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Fountains Of Wayne
Red Dragon Tattoo
125 bpm • A Maj • 03:32 • -5.23db
31% Popularity • 66% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Remy Zero
Prophecy
125 bpm • F# min • 03:24 • -6.39db
34% Popularity • 49% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Courtney Jaye
Can't Behave
125 bpm • E Maj • 03:34 • -2.7db
38% Popularity • 67% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Kara's Flowers
Soap Disco
133 bpm • C Maj • 02:40 • -4.52db
28% Popularity • 50% Danceability • 85% Energy • 56% Liveness
0% Instrumentalness • 43% Positiveness
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Letters To Cleo
Happy Ever After
132 bpm • F# min • 02:57 • -5.22db
19% Popularity • 38% Danceability • 89% Energy • 27% Liveness
15% Instrumentalness • 32% Positiveness
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Courtney Love
I'll Do Anything
133 bpm • G# Maj • 03:01 • -3.01db
31% Popularity • 50% Danceability • 99% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Our Lady Peace
Tomorrow Never Knows
125 bpm • E Maj • 04:12 • -5.28db
13% Popularity • 40% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Rooney
Stay Away
133 bpm • C# Maj • 03:32 • -2.95db
28% Popularity • 47% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Adrienne Pierce
Lost & Found
125 bpm • B Maj • 03:39 • -6db
22% Popularity • 70% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Shampoo
Trouble
133 bpm • A Maj • 03:13 • -6.34db
43% Popularity • 80% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Letters To Cleo
Because of You
125 bpm • E Maj • 03:02 • -6.08db
19% Popularity • 43% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Juliana Hatfield
Dumb Fun
125 bpm • A Maj • 03:27 • -8.33db
16% Popularity • 57% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Poster Children
She Walks
134 bpm • E Maj • 03:33 • -9.45db
21% Popularity • 60% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Rooney
That Girl Has Love
125 bpm • F# Maj • 03:29 • -3.03db
24% Popularity • 51% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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7 Year Bitch
Kiss My Ass Goodbye
134 bpm • B min • 02:53 • -6.98db
27% Popularity • 48% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 78% Positiveness
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Shampoo
Bare Knuckle Girl
125 bpm • C# Maj • 03:10 • -2.78db
18% Popularity • 59% Danceability • 97% Energy • 27% Liveness
59% Instrumentalness • 97% Positiveness
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Heavens To Betsy
Me & Her
134 bpm • G Maj • 02:44 • -8.03db
30% Popularity • 67% Danceability • 66% Energy • 10% Liveness
70% Instrumentalness • 69% Positiveness
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Letters To Cleo
I'm a Fool
133 bpm • B Maj • 03:16 • -5.09db
12% Popularity • 34% Danceability • 89% Energy • 35% Liveness
57% Instrumentalness • 58% Positiveness
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Zed
Starlight
134 bpm • G Maj • 02:51 • -6.09db
19% Popularity • 45% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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World Party
All The Young Dudes
134 bpm • C Maj • 04:00 • -8.55db
30% Popularity • 55% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Hoku
Another Dumb Blonde
124 bpm • C# Maj • 03:52 • -4.76db
34% Popularity • 69% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Everclear
I Want To Die A Beautiful Death
124 bpm • C# Maj • 03:30 • -4.85db
19% Popularity • 56% Danceability • 98% Energy • 89% Liveness
1% Instrumentalness • 34% Positiveness
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Liz Phair
H.W.C.
124 bpm • B Maj • 02:55 • -4.04db
31% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Letters To Cleo
Dangerous Type
124 bpm • D Maj • 03:40 • -5.59db
35% Popularity • 59% Danceability • 87% Energy • 6% Liveness
8% Instrumentalness • 48% Positiveness
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Block
Catch a Falling Star
124 bpm • C Maj • 03:32 • -7.47db
19% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Lit
Lovely Day
135 bpm • A# Maj • 04:06 • -4.03db
29% Popularity • 42% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Bikini Kill
Rebel Girl
135 bpm • G# min • 02:37 • -3.46db
44% Popularity • 49% Danceability • 96% Energy • 5% Liveness
2% Instrumentalness • 53% Positiveness
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Tinted Windows
Messing with My Head
135 bpm • A Maj • 02:55 • -3.51db
18% Popularity • 59% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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The Cardigans
War
135 bpm • E Maj • 03:55 • -8.2db
24% Popularity • 59% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Letters To Cleo
I'm a Fool
135 bpm • B Maj • 03:22 • -6.05db
17% Popularity • 55% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Zolof the Rock & Roll Destroyer
Can't Stand It
135 bpm • B min • 02:48 • -2.75db
8% Popularity • 61% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Rooney
If It Were Up To Me
135 bpm • F min • 02:59 • -2db
29% Popularity • 50% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Bikini Kill
Rebel Girl
135 bpm • G# min • 02:37 • -3.85db
59% Popularity • 44% Danceability • 94% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Pernice Brothers
The Weakest Shade of Blue
135 bpm • C Maj • 03:08 • -2.58db
18% Popularity • 42% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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7 Year Bitch
The Scratch
135 bpm • C Maj • 01:59 • -6.44db
34% Popularity • 54% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Letters To Cleo
Cruel to Be Kind
135 bpm • E Maj • 03:02 • -3.5db
52% Popularity • 54% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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The La's
There She Goes
123 bpm • G Maj • 02:42 • -10.63db
76% Popularity • 53% Danceability • 76% Energy • 21% Liveness
83% Instrumentalness • 92% Positiveness
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Superdrag
Shuck & Jive
136 bpm • C# Maj • 02:50 • -6.14db
15% Popularity • 63% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Liz Phair
Love Is Nothing
123 bpm • D Maj • 02:16 • -8.49db
20% Popularity • 57% Danceability • 66% Energy • 32% Liveness
41% Instrumentalness • 88% Positiveness
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that dog.
Retreat From The Sun
136 bpm • G# Maj • 03:39 • -5.25db
19% Popularity • 54% Danceability • 80% Energy • 12% Liveness
24% Instrumentalness • 65% Positiveness
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Semisonic
Singing In My Sleep
136 bpm • E Maj • 04:30 • -5.5db
43% Popularity • 45% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Moonpools & Caterpillars
Summertime
136 bpm • C Maj • 02:48 • -3.94db
18% Popularity • 68% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Tracy Bonham
The One
122 bpm • G Maj • 03:26 • -6db
24% Popularity • 39% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 49% Positiveness
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Letters To Cleo
Sparklegirl
136 bpm • D Maj • 03:18 • -7.13db
12% Popularity • 30% Danceability • 94% Energy • 34% Liveness
1% Instrumentalness • 42% Positiveness
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Come On