Songs like Come, Thou Fount of Every Blessing (Arr. Keith McKay Evans) by BYU Vocal Point
Based on a tempo of (+/- 10%) and a similar genre
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Bernadette Farrell
O God, You Search Me
133 bpm • D Maj • 03:22 • -19db
29% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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BYU Vocal Point
Come, Thou Fount of Every Blessing (Arr....
133 bpm • D# Maj • 03:23 • -17.13db
43% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
43% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Kalli Jackson
Walk Tall, You're a Daughter of God
133 bpm • C Maj • 04:10 • -9.55db
24% Popularity • 43% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 43% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Praise and Harmony
In Need
133 bpm • E Maj • 02:44 • -11.09db
35% Popularity • 26% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 26% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Tom Booth
Sacred Silence
132 bpm • G Maj • 03:50 • -12db
28% Popularity • 34% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 34% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Janice Kapp Perry & Steven Kapp Perry
Thy Word Is a Lamp Unto My Feet
132 bpm • D# Maj • 05:21 • -14.29db
25% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 37% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Eclipse 6
Be Still My Soul
132 bpm • C Maj • 04:27 • -10.08db
29% Popularity • 28% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 28% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Chris Tenbau
Right Where I Belong
134 bpm • E Maj • 03:23 • -10.1db
25% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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BYU Vocal Point
I Stand All Amazed
134 bpm • F# Maj • 05:06 • -10.94db
22% Popularity • 22% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 22% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Praise and Harmony
Goodness of God
134 bpm • A# Maj • 03:07 • -9.84db
36% Popularity • 31% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 31% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Allyse Smith
Like a River
132 bpm • A Maj • 05:52 • -12.08db
10% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Nik Day
Not so Little
134 bpm • G Maj • 03:23 • -6.88db
25% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
25% Popularity • 57% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Michael O'Brien
Safe in the Arms of Jesus
134 bpm • G# Maj • 04:00 • -8.97db
30% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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David Wesley
In Christ Alone (Virtual Choir)
132 bpm • D Maj • 04:02 • -8.5db
11% Popularity • 32% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 32% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Harding University Concert Choir
We Are One In The Spirit
132 bpm • A# min • 01:56 • -19db
33% Popularity • 35% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 35% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Wayne Burton
Ask in Faith
134 bpm • D# Maj • 04:53 • -8.6db
19% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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4ordained
Do You Believe
134 bpm • B Maj • 03:38 • -12db
13% Popularity • 28% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 28% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Nik Day
The Calm
132 bpm • C Maj • 03:13 • -5.97db
24% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 69% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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City Of Enoch
2000
135 bpm • C# Maj • 04:17 • -9db
15% Popularity • 49% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 49% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Daniel Beck
My Dear Redeemer Lord and King
135 bpm • A# Maj • 03:35 • -13.38db
18% Popularity • 31% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 31% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Linda Rowberry
I Know That My Redeemer Lives
135 bpm • B Maj • 06:05 • -15db
36% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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The Cathedral Singers
Gift of Finest Wheat
131 bpm • C# Maj • 04:21 • -14.53db
31% Popularity • 25% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 25% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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4ordained
Brightly Beams Our Father's Mercy
131 bpm • E Maj • 02:35 • -11.07db
18% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Nik Day
Who Am I
135 bpm • G# Maj • 04:09 • -11.14db
30% Popularity • 34% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 34% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Lauryn Judd
Living Water
135 bpm • C# Maj • 04:04 • -8.21db
27% Popularity • 57% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 57% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Calee Reed
Cleanse You
135 bpm • D Maj • 03:37 • -5.19db
27% Popularity • 34% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 34% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Keith Lancaster
Days of Elijah
131 bpm • A# Maj • 03:14 • -11.11db
30% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 45% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Tyler Castleton and Wayne Burton
Look to Him
136 bpm • A Maj • 04:04 • -14db
16% Popularity • 41% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 41% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Shawna Edwards
The Miracle
136 bpm • A# Maj • 03:22 • -10db
43% Popularity • 48% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 48% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Beyond 5
Love Will Find You There
136 bpm • G Maj • 03:13 • -11db
34% Popularity • 48% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 48% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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The Ball Brothers
Just as I Am
130 bpm • A# Maj • 04:25 • -7db
29% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 50% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Rob Gardner, London Symphony Orchestra, Spire Chorus
Hosanna (Thy Savior Hath Come)
136 bpm • D# Maj • 04:25 • -15db
31% Popularity • 30% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 30% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Eclipse 6
For the Beauty of the Earth
130 bpm • F Maj • 03:30 • -8.86db
26% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Elenyi
Lord I Would Follow Thee / Sim Eu Te Seg...
130 bpm • A Maj • 04:20 • -19.38db
32% Popularity • 32% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
32% Popularity • 32% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Shawna Edwards
Always Be My Savior
136 bpm • D Maj • 04:25 • -7db
29% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 54% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Ryan Maag
I Am A Child Of God / I Have A Savior
130 bpm • C Maj • 04:08 • -11.75db
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 31% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Rob Gardner, Spire Chorus & London Symphony Orchestra
My Kindness Shall Not Depart from Thee
137 bpm • C Maj • 05:10 • -16db
28% Popularity • 20% Danceability • 20% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 20% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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Collin Raye
Joyful, Joyful We Adore Thee
130 bpm • A Maj • 02:13 • -10db
30% Popularity • 64% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 64% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Daniel Beck
Abide With Me 'Tis Eventide
129 bpm • D# Maj • 04:04 • -13.04db
25% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 40% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Vocal Point
I Stand All Amazed
137 bpm • F# Maj • 05:08 • -13db
35% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 20% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Shawna Edwards
The Miracle (Recomposed)
136 bpm • A# Maj • 04:59 • -10.93db
32% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 50% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jericho Road
Amazing Grace / My Chains Are Gone
129 bpm • F Maj • 04:45 • -9.17db
16% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
16% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Allyse Smith
Come Thou Fount
137 bpm • G min • 04:34 • -12.51db
22% Popularity • 37% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 37% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Voice Male
Lead, Kindly Light
137 bpm • D Maj • 03:13 • -11db
30% Popularity • 26% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 26% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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The Lower Lights
For the Beauty of the Earth
137 bpm • E Maj • 03:28 • -19.53db
28% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 44% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Collingsworth Family
Your Ways Are Higher Than Mine
137 bpm • G# Maj • 04:00 • -13.56db
38% Popularity • 33% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 33% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Cayson Renshaw
Answers
137 bpm • D# Maj • 04:09 • -7.36db
26% Popularity • 56% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 56% Danceability • 26% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Janice Kapp Perry
No Ordinary Man
129 bpm • C Maj • 03:44 • -17.92db
20% Popularity • 36% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 36% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Allyse Smith
A Child's Prayer
138 bpm • G Maj • 03:28 • -10.7db
38% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Voice Male
There Is a Green Hill Far Away
129 bpm • F# Maj • 04:24 • -14.89db
27% Popularity • 18% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 18% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Jericho Road
Come to Jesus
128 bpm • D# Maj • 04:17 • -10.94db
12% Popularity • 38% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 38% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Julie Rose
His Love Will Lead You Home
128 bpm • C Maj • 04:34 • -9.49db
26% Popularity • 38% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 38% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Shawna Edwards
The Tree of Life
128 bpm • G min • 02:36 • -11.22db
41% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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BYU Vocal Point
Come to Jesus
128 bpm • G# Maj • 04:18 • -8.74db
24% Popularity • 22% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 22% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Jenn B
Change Your Heart
138 bpm • C# Maj • 03:34 • -5.97db
21% Popularity • 39% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 39% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Kyle Vorkink
Thy Will Be Done
128 bpm • G Maj • 03:21 • -7.22db
35% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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April Meservy
I Am A Child Of God
128 bpm • F Maj • 04:37 • -11.44db
25% Popularity • 41% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 41% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Julie Rose
Lay It Down
138 bpm • D Maj • 04:35 • -11.09db
24% Popularity • 34% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 34% Danceability • 12% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Lacie Kirk
If the Savior Stood Beside Me
128 bpm • C Maj • 03:40 • -24.42db
31% Popularity • 55% Danceability • 2% Energy • 16% Liveness
94% Instrumentalness • 36% Positiveness
31% Popularity • 55% Danceability • 2% Energy • 16% Liveness
94% Instrumentalness • 36% Positiveness
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BYU Vocal Point
Danny Boy (Arr. McKay Crockett)
128 bpm • D Maj • 04:46 • -12.88db
38% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 25% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Beyond 5
Never Be the Same
139 bpm • A Maj • 03:37 • -11db
30% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 47% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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City Of Enoch
He Hears Me
128 bpm • D# Maj • 03:50 • -7.04db
18% Popularity • 32% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 32% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Feli Ika
Healing Water
139 bpm • F Maj • 03:45 • -5.92db
28% Popularity • 60% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 60% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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![Glorioso [Spanish Version of Glorious] cover art](https://i.scdn.co/image/ab67616d00001e02599e62ff23abff5a58d29f3a)
Elenyi
Glorioso [Spanish Version of Glorious]
139 bpm • G Maj • 04:08 • -12db
22% Popularity • 33% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 33% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Reese Oliveira
I Know That My Savior Loves Me
139 bpm • D# Maj • 02:55 • -9.75db
35% Popularity • 44% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 44% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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BYU Vocal Point
I Stand All Amazed
128 bpm • F# Maj • 05:07 • -12.98db
30% Popularity • 21% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 21% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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David Wesley
Wonderful, Merciful Savior
139 bpm • G# Maj • 02:58 • -9.2db
28% Popularity • 34% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 34% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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McKenna Hixson
Peace in Christ
140 bpm • D# Maj • 03:36 • -7db
50% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 46% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Daniel Beck
Gentle Savior
127 bpm • A# Maj • 04:25 • -12.51db
29% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 40% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Elenyi
I Believe in Christ / You Raise Me Up
140 bpm • C Maj • 04:20 • -20db
37% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Reese Oliveira
Gethsemane
140 bpm • D# Maj • 02:56 • -11db
42% Popularity • 29% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
42% Popularity • 29% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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BYU Vocal Point
What a Beautiful Name
140 bpm • D Maj • 04:29 • -9.39db
34% Popularity • 38% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 38% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Claire Quigley
He Will Never Change
140 bpm • D Maj • 03:20 • -7.77db
30% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Keith Lancaster
Wonderful Merciful Savior
127 bpm • D Maj • 02:51 • -9.91db
32% Popularity • 27% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 27% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Zac Love
Dare to Stand Alone
140 bpm • A Maj • 03:16 • -7.15db
29% Popularity • 51% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 51% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Afterglow
I Heard Him Come
127 bpm • C Maj • 05:10 • -17.03db
24% Popularity • 28% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
24% Popularity • 28% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 28% Positiveness
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The Ball Brothers
It's About the Cross
140 bpm • F Maj • 04:11 • -5.97db
40% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 57% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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BYU Vocal Point
Fear Is Not Welcome
128 bpm • A# Maj • 04:21 • -9.08db
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Otavio Tobias
Empty
140 bpm • G Maj • 03:43 • -5.53db
28% Popularity • 59% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 59% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Scott Krippayne
New Song
140 bpm • B Maj • 03:25 • -4db
22% Popularity • 60% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 60% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Jaeden Vaifanua
What Family Means to Me
140 bpm • F Maj • 03:09 • -6db
29% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 66% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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InsideOut A Cappella
Baptism (Jesus Came to John the Baptist)
140 bpm • F# Maj • 02:55 • -16.95db
23% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Lower Lights
God Be With You Till We Meet Again
140 bpm • C Maj • 03:48 • -15db
34% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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BYU Vocal Point
We All Need Saving (A cappella Tribute t...
140 bpm • G# Maj • 04:15 • -16.32db
32% Popularity • 32% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 32% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Kristen Nelson
Tell Me the Stories of Jesus
140 bpm • D Maj • 03:22 • -13.22db
26% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 69% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Marty Haugen
Shepherd Me, O God
140 bpm • F min • 04:30 • -16db
40% Popularity • 24% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 24% Danceability • 18% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Bernadette Farrell
Christ, Be Our Light
140 bpm • G Maj • 04:27 • -7.22db
34% Popularity • 49% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 49% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Steven Kapp Perry
I Never Stand Alone
141 bpm • C Maj • 04:03 • -17.17db
20% Popularity • 23% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 23% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Allyse Smith
My Heavenly Father Loves Me
140 bpm • D Maj • 03:28 • -12db
24% Popularity • 38% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 38% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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BYU Vocal Point
Amazing Grace
140 bpm • G Maj • 03:38 • -9.54db
19% Popularity • 21% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 21% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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4ordained
Battle Hymn of the Republic
126 bpm • G# Maj • 03:36 • -10.43db
13% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 36% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Nate Noble
Peace, Be Still
126 bpm • C# Maj • 04:21 • -11db
23% Popularity • 36% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 36% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Frank Brownstead Choir
Christ, Be Our Light
126 bpm • G Maj • 04:05 • -17.44db
43% Popularity • 22% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
43% Popularity • 22% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
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Michael McLean
In the Wink of an Eye
141 bpm • D Maj • 01:52 • -10db
20% Popularity • 46% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 46% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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The Lower Lights
Lead, Kindly Light
141 bpm • C Maj • 03:35 • -13.33db
22% Popularity • 40% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 40% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Janice Kapp Perry
The Test
141 bpm • C Maj • 05:10 • -17.71db
18% Popularity • 31% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 31% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Elenyi
Come Thou Fount of Every Blessing / If Y...
142 bpm • C Maj • 05:55 • -17.75db
45% Popularity • 39% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 39% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dallyn Vail Bayles
Breathe In Me
142 bpm • F# Maj • 04:35 • -10db
14% Popularity • 31% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 31% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
