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Come to Brazil
Songs like
Come to Brazil
by
Why Don't We
Based on a tempo of (+/- 10%) and a similar genre
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Ava Max
My Way
100 bpm • A min • 02:21 • -4.88db
54% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Anna Clendening
Dead End
100 bpm • A# min • 02:32 • -8.96db
38% Popularity • 62% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Katy Perry
Never Really Over
100 bpm • G# Maj • 03:43 • -4.78db
65% Popularity • 77% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Andy Grammer
Smoke Clears
100 bpm • G Maj • 02:59 • -4.74db
27% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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PRETTYMUCH
Summer on You
100 bpm • E Maj • 03:25 • -6.55db
54% Popularity • 81% Danceability • 45% Energy • 46% Liveness
0% Instrumentalness • 69% Positiveness
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Noah Cunane
Call Him
100 bpm • G Maj • 03:01 • -9.76db
17% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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MKTO
Shoulda Known Better
100 bpm • C# min • 03:26 • -5.31db
38% Popularity • 82% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Virginia To Vegas
Just Friends
100 bpm • G Maj • 02:48 • -7.56db
54% Popularity • 79% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Liam Payne
Live Forever (With Cheat Codes)
100 bpm • G Maj • 02:54 • -6.11db
46% Popularity • 69% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Post Malone
Wow.
100 bpm • B min • 02:29 • -7.36db
81% Popularity • 83% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Zak Abel
You Come First
100 bpm • B Maj • 03:11 • -4db
40% Popularity • 74% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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adam&steve
wherever you are
100 bpm • A# min • 02:38 • -3.62db
34% Popularity • 68% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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The Chainsmokers
Do You Mean
100 bpm • B Maj • 03:13 • -9.82db
51% Popularity • 36% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Niall Horan
No Judgement
100 bpm • C# min • 02:56 • -3.84db
58% Popularity • 72% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Liam Payne
Stack It Up
100 bpm • G Maj • 02:45 • -3.07db
47% Popularity • 74% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Charlie Puth
Attention
100 bpm • D# min • 03:28 • -4.59db
82% Popularity • 78% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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American Authors
Champion
100 bpm • G# min • 03:29 • -4db
28% Popularity • 67% Danceability • 74% Energy • 48% Liveness
0% Instrumentalness • 75% Positiveness
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Arizona Zervas
FML
100 bpm • F Maj • 03:43 • -5.95db
63% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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NOTD
Start It Over
100 bpm • A# Maj • 02:47 • -5db
43% Popularity • 71% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Why Don't We
Come to Brazil
100 bpm • E min • 02:19 • -5.19db
51% Popularity • 55% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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MNEK
Colour
101 bpm • C Maj • 03:21 • -2.99db
50% Popularity • 68% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Harry Styles
Adore You
99 bpm • G# Maj • 03:27 • -3.68db
84% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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MAX
Still New York
99 bpm • C# min • 03:44 • -6.37db
42% Popularity • 66% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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MKTO
Monaco
99 bpm • B Maj • 03:47 • -5.13db
48% Popularity • 65% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Tiagz
They Call Me Tiago (Her Name Is Margo)
101 bpm • C Maj • 02:34 • -7.58db
51% Popularity • 88% Danceability • 58% Energy • 10% Liveness
43% Instrumentalness • 15% Positiveness
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In Real Life
Got Me Good
99 bpm • C Maj • 02:43 • -3.53db
23% Popularity • 83% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Joshua Bassett
Lie Lie Lie
101 bpm • G Maj • 02:56 • -3.57db
51% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Ed Sheeran
Put It All on Me
101 bpm • G Maj • 03:17 • -8.31db
60% Popularity • 63% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 39% Positiveness
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MAX
Working For The Weekend
101 bpm • B min • 02:45 • -5.62db
48% Popularity • 86% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Dylan Rockoff
Awesome
101 bpm • C Maj • 02:56 • -12.15db
29% Popularity • 74% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Charlotte Lawrence
Stole Your Car
101 bpm • G min • 03:35 • -5.61db
41% Popularity • 66% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 21% Positiveness
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Russ
CIVIL WAR - Bonus
101 bpm • G Maj • 02:24 • -6.83db
59% Popularity • 92% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Kiiara
Open My Mouth
101 bpm • C min • 02:35 • -10db
23% Popularity • 76% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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James Arthur
You Deserve Better
99 bpm • F# min • 03:27 • -7.12db
48% Popularity • 52% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Anthony Ramos
Relationship
99 bpm • C Maj • 02:56 • -7db
35% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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AJ Mitchell
Like Strangers Do
98 bpm • D# min • 02:40 • -8.52db
62% Popularity • 63% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Why Don't We
Can’t You See
102 bpm • G# min • 03:34 • -5.45db
43% Popularity • 44% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ed Sheeran & Justin Bieber
I Don't Care
102 bpm • F# Maj • 03:39 • -5.04db
76% Popularity • 80% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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In Real Life
Hurt for Long
98 bpm • C# Maj • 03:17 • -4.89db
24% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Bebe Rexha
Baby, I'm Jealous
98 bpm • B min • 02:55 • -2.26db
61% Popularity • 74% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Charlotte Lawrence
Sleep Talking
102 bpm • D min • 03:44 • -4.31db
48% Popularity • 67% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Mitch James
Bright Blue Skies
98 bpm • G Maj • 03:02 • -9db
48% Popularity • 80% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Why Don't We
Taking You
102 bpm • C Maj • 02:35 • -7.19db
42% Popularity • 70% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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5 Seconds of Summer
Want You Back
98 bpm • C Maj • 02:53 • -4.92db
62% Popularity • 62% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Johnny Orlando
All These Parties
102 bpm • C Maj • 03:23 • -2.94db
33% Popularity • 81% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Ashnikko
Working Bitch
102 bpm • D# min • 02:57 • -8db
52% Popularity • 93% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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MKTO
Classic
102 bpm • C# Maj • 02:55 • -4.69db
83% Popularity • 72% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Carson Lueders
Silver Bracelet
98 bpm • G Maj • 02:28 • -6.19db
25% Popularity • 67% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Why Don't We
Turn It Off
98 bpm • F# Maj • 02:57 • -6.14db
37% Popularity • 87% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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NF
Time - Edit
98 bpm • G# Maj • 03:50 • -3.89db
55% Popularity • 66% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Ava Max
Freaking Me Out
98 bpm • C# min • 03:12 • -4.84db
54% Popularity • 43% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Johnny Orlando
Phobias
98 bpm • F min • 03:03 • -6.05db
39% Popularity • 45% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Ansel Elgort
All I Think About Is You
98 bpm • C# Maj • 03:08 • -5db
44% Popularity • 46% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Tre Coast
Face Like a Model
98 bpm • A# min • 01:51 • -11.12db
37% Popularity • 81% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Why Don't We
Runner
102 bpm • F min • 03:00 • -3.59db
35% Popularity • 79% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Ariana Grande
Don’t Call Me Angel (Charlie’s Angel...
103 bpm • C# Maj • 03:10 • -5.33db
70% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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teamwork.
Afterhours
103 bpm • B min • 03:25 • -6db
33% Popularity • 72% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Marteen
Left to Right
103 bpm • F min • 03:10 • -3.78db
42% Popularity • 83% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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SAYGRACE
Boys Ain't Shit
103 bpm • C# min • 02:55 • -4.73db
56% Popularity • 83% Danceability • 62% Energy • 33% Liveness
1% Instrumentalness • 84% Positiveness
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Hailee Steinfeld
Most Girls
103 bpm • A Maj • 03:24 • -7.02db
66% Popularity • 76% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Why Don't We
Why Don't We Just
97 bpm • F# min • 02:59 • -3.63db
39% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Hey Violet
Queen Of The Night
97 bpm • A Maj • 03:17 • -5db
43% Popularity • 66% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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AJ Mitchell
Hate That I Love You
103 bpm • F min • 03:19 • -6.84db
27% Popularity • 94% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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MARINA
About Love
97 bpm • C Maj • 03:34 • -5.57db
55% Popularity • 64% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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SAYGRACE
Boys Ain't Shit
103 bpm • C# min • 03:06 • -5.21db
54% Popularity • 80% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 71% Positiveness
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Hailee Steinfeld
Back to Life
103 bpm • A# min • 03:53 • -6.22db
50% Popularity • 64% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Cody Simpson
Underwater
97 bpm • A Maj • 03:28 • -7.51db
40% Popularity • 64% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Lennon Stella
BITCH (takes one to know one)
97 bpm • D Maj • 03:03 • -9.68db
40% Popularity • 75% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Bebe Rexha
I'm a Mess
97 bpm • B min • 03:15 • -6.26db
72% Popularity • 63% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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MKTO
Consider Me Yours
97 bpm • D Maj • 03:06 • -5db
28% Popularity • 71% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Why Don't We
Friends
97 bpm • G# min • 03:34 • -4.86db
46% Popularity • 87% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Martin Jensen
Nobody
97 bpm • F# min • 03:31 • -5.3db
57% Popularity • 67% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Carson Lueders
No Caption
97 bpm • G# min • 02:26 • -5.3db
20% Popularity • 72% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Madison Beer
Dead
103 bpm • D min • 03:14 • -5db
59% Popularity • 60% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Ivy Adara
Rebels
104 bpm • F# Maj • 02:56 • -6.09db
41% Popularity • 69% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Liam Payne
Remember
104 bpm • F min • 03:09 • -5.1db
48% Popularity • 68% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Leah Kate
Fuck Up The Friendship
104 bpm • C# min • 02:52 • -5.26db
57% Popularity • 74% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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The Chainsmokers
Call You Mine
104 bpm • E min • 03:37 • -5.6db
68% Popularity • 58% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Alex Sampson
Stay Here
96 bpm • D Maj • 02:54 • -5db
34% Popularity • 72% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Quinn XCII
What The Hell Happened To Us
96 bpm • B Maj • 03:37 • -6.58db
39% Popularity • 70% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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NOTD
Wanted
96 bpm • F Maj • 02:40 • -4.45db
50% Popularity • 69% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Tate McRae
stupid
96 bpm • C min • 02:53 • -6.03db
65% Popularity • 67% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Ali Gatie
It's You
96 bpm • B min • 03:32 • -6.97db
77% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Anna Clendening
Boys Like You
96 bpm • D Maj • 03:07 • -8.82db
51% Popularity • 66% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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MKTO
Marry Those Eyes
96 bpm • F min • 02:58 • -5.11db
34% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Lil Dicky
Earth
96 bpm • D Maj • 04:41 • -4.65db
59% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Harry Styles
Watermelon Sugar
95 bpm • C Maj • 02:54 • -4.21db
87% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Cheat Codes
Highway
96 bpm • C# min • 03:41 • -4.31db
40% Popularity • 62% Danceability • 57% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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The Chainsmokers
Hope
105 bpm • C# min • 03:00 • -5.98db
63% Popularity • 77% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Why Don't We
M.I.A.
105 bpm • D Maj • 03:03 • -6db
39% Popularity • 90% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Tate McRae
all my friends are fake
105 bpm • B min • 03:06 • -7.46db
57% Popularity • 71% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Quinn XCII
Stacy
105 bpm • G# Maj • 02:48 • -6.97db
59% Popularity • 74% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Kygo
Not Ok
105 bpm • B min • 03:30 • -8.14db
54% Popularity • 62% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Cher Lloyd
M.I.A
105 bpm • D Maj • 02:37 • -3.44db
37% Popularity • 85% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Jesse McCartney
Wasted
105 bpm • C Maj • 03:04 • -6db
36% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Why Don't We
Something Different
105 bpm • F# min • 02:41 • -4.12db
47% Popularity • 90% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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MKTO
How Can I Forget
105 bpm • G# Maj • 02:57 • -5.97db
56% Popularity • 80% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Becky G
Next To You
105 bpm • G Maj • 02:59 • -5.34db
38% Popularity • 76% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Scott Helman
Hang Ups
105 bpm • D# Maj • 02:55 • -6.16db
37% Popularity • 82% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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JORDY
Just Friends
95 bpm • G Maj • 03:09 • -7.02db
51% Popularity • 68% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 42% Positiveness
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Come to Brazil