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Come To Me - Acoustic
Songs like
Come To Me - Acoustic
by
Diesel
Based on a tempo of (+/- 10%) and a similar genre
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The Radiators
Hit and Run
102 bpm • E Maj • 04:18 • -14db
22% Popularity • 84% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Toni Childs
I've Got To Go Now
102 bpm • G Maj • 06:27 • -12.99db
41% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Split Enz
One Step Ahead
102 bpm • A min • 02:51 • -7.85db
39% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Southern Sons
Always and Ever
102 bpm • A# Maj • 03:58 • -8.85db
28% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Crowded House
Fall At Your Feet
103 bpm • C min • 03:18 • -13.62db
61% Popularity • 65% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Jo Jo Zep and The Falcons
Shape I'm In
101 bpm • G min • 03:34 • -12.26db
46% Popularity • 69% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Wendy Matthews
Standing Strong
103 bpm • F Maj • 04:54 • -11db
24% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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The Black Sorrows
Harley & Rose - Acoustic
100 bpm • G Maj • 03:46 • -6.55db
26% Popularity • 59% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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the feelers
As Good as It Gets
100 bpm • C Maj • 03:55 • -4.56db
24% Popularity • 55% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Johnny Diesel & The Injectors
Parisienne Hotel
104 bpm • E Maj • 04:03 • -12.68db
23% Popularity • 46% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
48% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Tim Finn
Fraction Too Much Friction
100 bpm • B min • 04:14 • -15db
35% Popularity • 66% Danceability • 49% Energy • 5% Liveness
1% Instrumentalness • 93% Positiveness
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Pete Murray
Bail Me Out
100 bpm • A Maj • 04:03 • -10db
38% Popularity • 58% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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The Black Sorrows
Harley & Rose
104 bpm • G Maj • 03:54 • -15.26db
46% Popularity • 64% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Kate Ceberano
Brave
100 bpm • C Maj • 05:30 • -14.98db
27% Popularity • 60% Danceability • 65% Energy • 67% Liveness
0% Instrumentalness • 72% Positiveness
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Diesel
Dig
105 bpm • E Maj • 04:52 • -5.35db
23% Popularity • 48% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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The Mutton Birds
Anchor Me
105 bpm • A Maj • 04:30 • -10.89db
41% Popularity • 78% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Boom Crash Opera
Onionskin
99 bpm • C Maj • 03:27 • -3.04db
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Roachford
Lay Your Love on Me
105 bpm • A# Maj • 04:06 • -12.25db
43% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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1927
Don't Forget Me
105 bpm • D Maj • 04:39 • -11.41db
29% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Jenny Morris
Self Deceiver
105 bpm • C Maj • 03:32 • -9.09db
20% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Richard Clapton
Glory Road - Original
105 bpm • A min • 04:32 • -16.24db
25% Popularity • 70% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
40% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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The Badloves
Living Thing
99 bpm • A# Maj • 03:50 • -9.18db
13% Popularity • 54% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jo Jo Zep and The Falcons
Hit and Run
106 bpm • C Maj • 04:41 • -3.63db
38% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Jenny Morris
Tears
98 bpm • A Maj • 04:04 • -6db
22% Popularity • 51% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Boom Crash Opera
This Isn't Love
106 bpm • A Maj • 03:30 • -4db
14% Popularity • 56% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Robbie Nevil
Just Like You
98 bpm • D Maj • 04:06 • -11.99db
28% Popularity • 70% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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1927
It Ain't Love
106 bpm • E Maj • 04:05 • -8db
20% Popularity • 56% Danceability • 92% Energy • 36% Liveness
1% Instrumentalness • 75% Positiveness
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Bernard Fanning
Tell Me How It Ends
106 bpm • D Maj • 03:41 • -5.14db
31% Popularity • 62% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Hunters & Collectors
Hear No Evil
98 bpm • F# min • 04:20 • -4db
25% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Johnny Diesel & The Injectors
Cry In Shame
98 bpm • E Maj • 04:44 • -6.44db
55% Popularity • 56% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Diesel
Tip Of My Tongue
98 bpm • E Maj • 04:14 • -10.09db
54% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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Pete Murray
Feeler - Michael Brauer Mix
98 bpm • G Maj • 04:21 • -6.51db
40% Popularity • 43% Danceability • 74% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Australian Crawl
The Boys Light Up - Remastered 2013
98 bpm • G Maj • 04:41 • -7db
61% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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The Black Sorrows
Snake Skin Shoes
98 bpm • D Maj • 04:42 • -9db
22% Popularity • 59% Danceability • 72% Energy • 7% Liveness
14% Instrumentalness • 67% Positiveness
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Little River Band
Help Is On Its Way - Remastered 2022
107 bpm • G Maj • 03:57 • -6.59db
55% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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John Swan
If I Were A Carpenter
107 bpm • G Maj • 03:30 • -6.95db
27% Popularity • 51% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 39% Positiveness
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Choirboys
Rendezvous
97 bpm • D Maj • 04:09 • -7.59db
25% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Boom Crash Opera
In The Morning
107 bpm • A Maj • 03:57 • -3.53db
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Australian Crawl
Easy On Your Own - Remastered
97 bpm • G Maj • 03:48 • -6.6db
31% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Diesel
Love Junk
97 bpm • F# min • 03:49 • -8.5db
18% Popularity • 64% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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1927
If I Could
97 bpm • E Maj • 03:40 • -4db
47% Popularity • 69% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Christine Anu
Sunshine on a Rainy Day
97 bpm • G Maj • 03:46 • -8.82db
42% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Black Sorrows
The Crack-Up
108 bpm • D Maj • 03:23 • -11db
27% Popularity • 64% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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The Party Boys
He's Gonna Step on You Again
108 bpm • D Maj • 04:09 • -10.23db
34% Popularity • 72% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Chocolate Starfish
You're so Vain
108 bpm • C Maj • 04:09 • -7db
36% Popularity • 67% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
36% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Johnny Diesel & The Injectors
Thang II
96 bpm • G Maj • 04:52 • -15.08db
14% Popularity • 34% Danceability • 33% Energy • 8% Liveness
75% Instrumentalness • 43% Positiveness
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Powderfinger
Passenger
96 bpm • B min • 04:21 • -6.99db
47% Popularity • 26% Danceability • 61% Energy • 37% Liveness
5% Instrumentalness • 19% Positiveness
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Wendy Matthews
Friday's Child
108 bpm • A# Maj • 04:00 • -12.23db
24% Popularity • 68% Danceability • 59% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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Mark Seymour
The Ballad of the One Eyed Man
96 bpm • E Maj • 04:02 • -7.17db
17% Popularity • 56% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Swanee
If I Were a Carpenter
108 bpm • C Maj • 03:32 • -12db
25% Popularity • 59% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 47% Positiveness
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Ian Moss
Telephone Booth
108 bpm • F# Maj • 03:04 • -11db
41% Popularity • 68% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
44% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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John Williamson
True Blue
109 bpm • F Maj • 04:05 • -14.34db
48% Popularity • 53% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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James Reyne
Slave
109 bpm • F Maj • 04:13 • -11.68db
45% Popularity • 67% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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Divinyls
I Touch Myself
109 bpm • F Maj • 03:47 • -10.21db
64% Popularity • 66% Danceability • 71% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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The Party Boys
Hold Your Head Up
95 bpm • A Maj • 03:00 • -8.69db
25% Popularity • 70% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Australian Crawl
Indisposed - Remastered
109 bpm • D Maj • 04:04 • -8db
39% Popularity • 73% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Powderfinger
Pick You Up
109 bpm • A# min • 04:19 • -7db
43% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Chocolate Starfish
Sign of Victory
95 bpm • G Maj • 04:35 • -10.73db
15% Popularity • 74% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Thirsty Merc
Those Eyes
110 bpm • D# Maj • 04:42 • -5.43db
29% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
29% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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the feelers
Venus - 2015 Remaster
110 bpm • G Maj • 04:50 • -6.67db
39% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Cruel Sea
The Honeymoon Is Over
94 bpm • C# Maj • 03:06 • -7.29db
51% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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Divinyls
Sleeping Beauty
111 bpm • C# Maj • 03:41 • -9.68db
36% Popularity • 69% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Australian Crawl
Waiting - Remastered
111 bpm • D min • 03:53 • -6.26db
28% Popularity • 67% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Daryl Braithwaite
The Horses
94 bpm • E Maj • 04:16 • -14.82db
59% Popularity • 71% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Crowded House
Better Be Home Soon
94 bpm • C Maj • 03:07 • -15db
61% Popularity • 44% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Diesel
Come To Me
94 bpm • F Maj • 04:23 • -10.48db
32% Popularity • 70% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
44% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Chocolate Starfish
Kiss My Fire
93 bpm • F# min • 03:10 • -5.89db
15% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Hunters & Collectors
Edge Of Nowhere
93 bpm • C# min • 05:12 • -5.39db
23% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Superjesus
Gravity
93 bpm • F Maj • 03:59 • -5db
51% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Diesel
Get Lucky
93 bpm • F min • 04:32 • -9.02db
9% Popularity • 70% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Hoodoo Gurus
Death Defying - 2005 Remaster
112 bpm • D Maj • 03:23 • -4db
43% Popularity • 66% Danceability • 77% Energy • 30% Liveness
1% Instrumentalness • 79% Positiveness
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Wendy Matthews
Walk Away
112 bpm • A Maj • 04:04 • -10.31db
12% Popularity • 75% Danceability • 78% Energy • 8% Liveness
1% Instrumentalness • 80% Positiveness
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1927
Tell Me A Story
112 bpm • A Maj • 04:13 • -10.05db
29% Popularity • 55% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Thirsty Merc
20 Good Reasons
93 bpm • C# Maj • 03:49 • -5db
51% Popularity • 42% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Diesel
Man Alive
112 bpm • B min • 04:50 • -7.63db
29% Popularity • 63% Danceability • 88% Energy • 29% Liveness
29% Instrumentalness • 75% Positiveness
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Dave Dobbyn
Whaling - 2009 Version
112 bpm • C Maj • 03:56 • -5.14db
25% Popularity • 63% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Wendy Matthews
Token Angels
112 bpm • G# Maj • 04:50 • -14.22db
30% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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The Badloves
Sugar Daddy
112 bpm • B min • 06:15 • -13.09db
15% Popularity • 51% Danceability • 38% Energy • 8% Liveness
15% Instrumentalness • 69% Positiveness
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D. Pritzker
(Lover) You Don't Treat Me No Good
112 bpm • B Maj • 04:07 • -12.41db
53% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Exponents
Who Loves Who The Most
112 bpm • D Maj • 04:15 • -5.53db
36% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
48% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Taxiride
Get Set
92 bpm • E Maj • 03:13 • -5db
43% Popularity • 51% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Missy Higgins
Scar
92 bpm • C Maj • 03:33 • -5.67db
56% Popularity • 65% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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DD Smash
Whaling
114 bpm • C Maj • 03:45 • -12.62db
41% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Models
I Hear Motion
113 bpm • F Maj • 05:31 • -16.02db
37% Popularity • 73% Danceability • 71% Energy • 22% Liveness
1% Instrumentalness • 74% Positiveness
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Taxiride
Can You Feel
114 bpm • G# Maj • 03:17 • -7db
24% Popularity • 61% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Come To Me - Acoustic