Songs like Come to Me, My love by Norman Dello Joio
Based on a tempo of (+/- 10%) and a similar genre
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Augustana Choir
Long Road, Eriks Esenvalds
66 bpm • F Maj • 06:14 • -26.41db
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
66 bpm • D# Maj • 03:56 • -24db
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
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Norman Dello Joio
Come to Me, My love
66 bpm • F Maj • 04:28 • -24db
17% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Randall Thompson
The Road Not Taken - Randall Thompson
66 bpm • D min • 05:47 • -24.75db
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 7% Positiveness
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 7% Positiveness
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Eric William Barnum
The Stars Stand Up in the Air
66 bpm • G Maj • 05:18 • -14.33db
10% Popularity • 15% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
10% Popularity • 15% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Daniel Elder
3 Nocturnes: No. 1. Ballade to the Moon
66 bpm • E Maj • 05:07 • -28.32db
31% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
66 bpm • D min • 05:51 • -21.13db
13% Popularity • 15% Danceability • 6% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 6% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
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Batavia Madrigal Singers
Hentakan Jiwa
66 bpm • B min • 03:35 • -18db
13% Popularity • 21% Danceability • 54% Energy • 97% Liveness
22% Instrumentalness • 18% Positiveness
13% Popularity • 21% Danceability • 54% Energy • 97% Liveness
22% Instrumentalness • 18% Positiveness
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Norman Dello Joio
Fantasies on a Theme by Haydn: Fantasy N...
66 bpm • D Maj • 05:11 • -24.12db
0% Popularity • 7% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
0% Popularity • 7% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Josiah Kelley Atwood
Unclouded Day (Arr. Shawn Kirchner)
65 bpm • G Maj • 02:20 • -21db
11% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Randall Thompson
Choose Something Like a Star - Randall T...
66 bpm • G Maj • 06:20 • -23db
13% Popularity • 6% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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The Concordia Choir
Praise To The Lord
67 bpm • A Maj • 04:03 • -21.99db
22% Popularity • 21% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 9% Positiveness
22% Popularity • 21% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 9% Positiveness
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Tallgrass Chamber Choir
My Song in the Night
67 bpm • C# Maj • 05:00 • -21db
21% Popularity • 9% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Choral Arts Initiative
In the Middle
65 bpm • A# Maj • 05:12 • -22db
7% Popularity • 14% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
7% Popularity • 14% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
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Unknown
Loch Lomond
67 bpm • G# Maj • 04:45 • -21.25db
30% Popularity • 19% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
30% Popularity • 19% Danceability • 11% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Paul Hindemith
6 Chansons: No. 5. En hiver
65 bpm • F min • 01:19 • -24.48db
21% Popularity • 25% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 25% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
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T. Tertius Noble
Evening Service in B Minor, Op. 6: II. N...
65 bpm • E min • 02:58 • -22db
11% Popularity • 16% Danceability • 18% Energy • 14% Liveness
24% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 18% Energy • 14% Liveness
24% Instrumentalness • 3% Positiveness
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Laudate Mennonite Ensemble
The Gift to Be Simple
67 bpm • C# min • 01:43 • -28.83db
13% Popularity • 28% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 28% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 10% Positiveness
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Joseph M. Martin
The Awakening
65 bpm • E Maj • 07:17 • -18.72db
17% Popularity • 20% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
17% Popularity • 20% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Norman Dello Joio
Meditations on Ecclesiastes: X. Adagio l...
65 bpm • D min • 04:18 • -19.53db
0% Popularity • 6% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
0% Popularity • 6% Danceability • 13% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Matthew Harris
Shakespeare Songs, Book 3: I. It was a l...
67 bpm • G# Maj • 02:21 • -27.69db
9% Popularity • 28% Danceability • 5% Energy • 12% Liveness
24% Instrumentalness • 20% Positiveness
9% Popularity • 28% Danceability • 5% Energy • 12% Liveness
24% Instrumentalness • 20% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23, Act V Scene 10: Pinse...
68 bpm • E min • 01:15 • -37.42db
17% Popularity • 13% Danceability • 0% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 0% Energy • 7% Liveness
28% Instrumentalness • 4% Positiveness
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Brian Holmes
Let Evening Come
68 bpm • A Maj • 05:21 • -26.75db
0% Popularity • 22% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Northern Lights
68 bpm • C# min • 04:26 • -30db
35% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
35% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Voce
The Music Of Living
68 bpm • D Maj • 03:03 • -17.6db
11% Popularity • 20% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
11% Popularity • 20% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
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Norman Dello Joio
Scenes From "The Louvre": IV. Nativity P...
68 bpm • C Maj • 02:02 • -32.65db
1% Popularity • 15% Danceability • 1% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
1% Popularity • 15% Danceability • 1% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Will there really be a "Morning"?
68 bpm • F# Maj • 03:47 • -28.96db
18% Popularity • 28% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
18% Popularity • 28% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Matthew Harris
Shakespeare Songs, Book 2: II. Tell me w...
63 bpm • B min • 01:47 • -28.71db
11% Popularity • 26% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 8% Positiveness
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Sjaella
Abendliedchen
68 bpm • C Maj • 01:42 • -24.31db
36% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Harry Belafonte
Turn the World Around
63 bpm • A# Maj • 04:55 • -18.88db
6% Popularity • 36% Danceability • 21% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
6% Popularity • 36% Danceability • 21% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
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Philippine Madrigal Singers
Euphonos
63 bpm • C Maj • 04:47 • -15.75db
8% Popularity • 8% Danceability • 26% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 26% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
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Norman Dello Joio
Satiric Dances Mvt. II
68 bpm • C Maj • 03:02 • -29.28db
0% Popularity • 15% Danceability • 1% Energy • 15% Liveness
5% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 1% Energy • 15% Liveness
5% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Psalm 121
63 bpm • B min • 02:40 • -28.56db
9% Popularity • 25% Danceability • 4% Energy • 25% Liveness
4% Instrumentalness • 9% Positiveness
9% Popularity • 25% Danceability • 4% Energy • 25% Liveness
4% Instrumentalness • 9% Positiveness
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Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
11% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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Randall Thompson
The Last Words of David
69 bpm • G Maj • 03:48 • -28.26db
12% Popularity • 6% Danceability • 2% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
12% Popularity • 6% Danceability • 2% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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Gabrieli String Quartet
Libera Me (The Priory School) - 2024 Dig...
63 bpm • B min • 04:13 • -33.92db
10% Popularity • 6% Danceability • 1% Energy • 12% Liveness
56% Instrumentalness • 3% Positiveness
10% Popularity • 6% Danceability • 1% Energy • 12% Liveness
56% Instrumentalness • 3% Positiveness
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Elaine Hagenberg
I Will Be a Child of Peace (Version for ...
69 bpm • D# Maj • 03:57 • -23.8db
11% Popularity • 20% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
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Norman Dello Joio
Scenes From "The Louvre": I. Portals
69 bpm • C Maj • 02:17 • -17.88db
2% Popularity • 26% Danceability • 8% Energy • 7% Liveness
83% Instrumentalness • 6% Positiveness
2% Popularity • 26% Danceability • 8% Energy • 7% Liveness
83% Instrumentalness • 6% Positiveness
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Cincinnati Choral Society
Cor Mundum Crea in Me Deus
69 bpm • A# Maj • 02:51 • -25.44db
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
17% Popularity • 18% Danceability • 17% Energy • 11% Liveness
64% Instrumentalness • 8% Positiveness
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Thomas Morley
Fyer Fyer
70 bpm • F Maj • 02:50 • -18db
8% Popularity • 17% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 31% Positiveness
8% Popularity • 17% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 31% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Epilogue: N...
70 bpm • C Maj • 02:34 • -34db
13% Popularity • 22% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Elaine Hagenberg
When We Love
70 bpm • A Maj • 03:44 • -31.1db
15% Popularity • 6% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 6% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Norman Dello Joio
The Assassination
70 bpm • C min • 04:56 • -16.72db
0% Popularity • 40% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 40% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Leonard Bernstein
Chichester Psalms: I. Psalm 108 vs. 2, P...
70 bpm • D min • 03:39 • -19db
22% Popularity • 24% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 24% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Alexander Gretchaninov
Passion Week, Op. 58: II. I See Thy Brid...
70 bpm • G# min • 02:40 • -26db
9% Popularity • 14% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Johannes Brahms
4 Quartette, Op. 92: I. O schöne Nacht
71 bpm • E Maj • 03:37 • -28.07db
6% Popularity • 12% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 6% Positiveness
6% Popularity • 12% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 6% Positiveness
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Anonymous
Passion Chorale "O Sacred Head, Now Woun...
71 bpm • C Maj • 05:04 • -26.53db
15% Popularity • 10% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 10% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 8% Positiveness
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Saunder Choi
Leron, Leron Sinta
70 bpm • F# Maj • 03:36 • -27db
15% Popularity • 24% Danceability • 4% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 4% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
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Norman Dello Joio
Variants on a Mediaeval Tune "In dulce j...
70 bpm • C Maj • 02:05 • -17.48db
4% Popularity • 40% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 57% Positiveness
4% Popularity • 40% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 57% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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The Concordia Choir
When Jesus Wept
71 bpm • E min • 01:45 • -30db
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Edward Elgar
Scenes from the Saga of King Olaf, Op. 3...
71 bpm • D# Maj • 02:16 • -28.24db
16% Popularity • 22% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
Kim André Arnesen
The Gift I'll Leave You
71 bpm • C# Maj • 05:46 • -26.81db
12% Popularity • 12% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Gerald Finzi
7 Partsongs, Op. 17: No. 3, My Spirit Sa...
71 bpm • G min • 01:49 • -15.92db
8% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Norman Dello Joio
Variants on a Mediaeval Tune (In dulce j...
70 bpm • F Maj • 02:43 • -25.33db
0% Popularity • 14% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Daniel Elder
Elegy
60 bpm • C# min • 04:08 • -29.73db
11% Popularity • 6% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
11% Popularity • 6% Danceability • 1% Energy • 18% Liveness
92% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: I. Sa Nuit d’Été (Morten ...
72 bpm • C# Maj • 03:22 • -27.63db
9% Popularity • 13% Danceability • 2% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 2% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
2 Choral songs, Op. 71: No. 1. The Showe...
72 bpm • D# Maj • 02:39 • -28.13db
17% Popularity • 14% Danceability • 5% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
► Preview
Randall Thompson
The Pasture - Randall Thompson
73 bpm • F Maj • 02:59 • -28db
9% Popularity • 8% Danceability • 3% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
9% Popularity • 8% Danceability • 3% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
► Preview
The Wartburg Choir
Way Over in Beulah Lan'
72 bpm • D Maj • 02:40 • -19.59db
13% Popularity • 27% Danceability • 22% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
13% Popularity • 27% Danceability • 22% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
► Preview
DU Chamber Singers
Salmo 150
73 bpm • A Maj • 01:56 • -18.1db
19% Popularity • 47% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 47% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
Kim André Arnesen
Child of Song
73 bpm • C min • 04:51 • -32.13db
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Tonight Eternity Alone
72 bpm • D Maj • 04:00 • -26db
12% Popularity • 7% Danceability • 4% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 4% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
The Concordia Choir
Prayer
74 bpm • A Maj • 05:16 • -23.04db
12% Popularity • 8% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
The Choral Project
Deep River - Joshua Palkki
73 bpm • C# Maj • 03:10 • -33.2db
0% Popularity • 18% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 6% Positiveness
0% Popularity • 18% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 6% Positiveness
► Preview
Norman Dello Joio
The Bluebird
74 bpm • F Maj • 04:40 • -26.04db
0% Popularity • 19% Danceability • 8% Energy • 9% Liveness
26% Instrumentalness • 14% Positiveness
0% Popularity • 19% Danceability • 8% Energy • 9% Liveness
26% Instrumentalness • 14% Positiveness
► Preview
Neil Ginsberg
The Gartan Mother's Lullaby
74 bpm • D Maj • 03:55 • -29.67db
1% Popularity • 17% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 17% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
Pie Jesu
74 bpm • D Maj • 04:16 • -33db
25% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
25% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
John Bennet
Weep, O mine eyes
74 bpm • F min • 02:29 • -15db
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Elaine Hagenberg
O Love (Version for Bass Choir, Cello & ...
74 bpm • G Maj • 04:52 • -24.25db
10% Popularity • 7% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
10% Popularity • 7% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
27% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
27% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Norman Dello Joio
Piano Sonata No. 3: I. Theme and variati...
74 bpm • G Maj • 06:17 • -28.16db
1% Popularity • 35% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
1% Popularity • 35% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Anton Bruckner: Ave Maria
74 bpm • F Maj • 03:19 • -24db
17% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
17% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Jonathan Dove
The Passing of the Year: No. 4. Hot sun,...
74 bpm • B Maj • 03:11 • -20db
11% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 12% Energy • 7% Liveness
28% Instrumentalness • 3% Positiveness
► Preview
Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
John Ireland
Communion Service in C Major: Sanctus
74 bpm • F Maj • 01:26 • -23db
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 5% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
The Chapel Choir of University College, Hurham
Stainer: God so loved the world
75 bpm • D Maj • 03:36 • -30db
12% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
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Norman Dello Joio
Variants on a Mediaeval Tune (In dulce j...
74 bpm • C Maj • 01:27 • -21.81db
1% Popularity • 14% Danceability • 5% Energy • 52% Liveness
78% Instrumentalness • 5% Positiveness
1% Popularity • 14% Danceability • 5% Energy • 52% Liveness
78% Instrumentalness • 5% Positiveness
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Millikin University Choir
Exsultate
75 bpm • D min • 03:15 • -20.51db
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
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Chris Massa
All Flesh is Grass
75 bpm • A Maj • 04:35 • -31.22db
10% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Cantique de Jean Racine
75 bpm • C# Maj • 05:29 • -26.15db
17% Popularity • 7% Danceability • 4% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 4% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Stephen Paulus
Pilgrims' Hymn
75 bpm • F# Maj • 03:48 • -24.06db
13% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
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Dolly Parton
Light of a Clear Blue Morning (Arr. John...
75 bpm • B Maj • 04:32 • -22.23db
18% Popularity • 18% Danceability • 14% Energy • 67% Liveness
2% Instrumentalness • 7% Positiveness
18% Popularity • 18% Danceability • 14% Energy • 67% Liveness
2% Instrumentalness • 7% Positiveness
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Norman Dello Joio
The Trial at Rouen: Scene II: "Fear not,...
75 bpm • C# Maj • 05:09 • -15.8db
0% Popularity • 25% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
0% Popularity • 25% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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The Choral Project
All My Trials
75 bpm • G Maj • 03:14 • -33.73db
2% Popularity • 7% Danceability • 2% Energy • 14% Liveness
14% Instrumentalness • 6% Positiveness
2% Popularity • 7% Danceability • 2% Energy • 14% Liveness
14% Instrumentalness • 6% Positiveness
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The Wartburg Choir
Only in Sleep
75 bpm • G Maj • 04:48 • -21.22db
25% Popularity • 23% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 23% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Edgar Leslie Bainton
And I Saw a New Heaven
75 bpm • G Maj • 05:20 • -23.58db
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Johannes Brahms
Vier Lieder aus dem Jungbrunnen, Op. 44:...
75 bpm • E Maj • 01:42 • -28.55db
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
15% Popularity • 19% Danceability • 2% Energy • 6% Liveness
49% Instrumentalness • 4% Positiveness
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Elaine Hagenberg
There Was a Time (Live)
58 bpm • D Maj • 05:51 • -25.91db
8% Popularity • 16% Danceability • 8% Energy • 97% Liveness
3% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 97% Liveness
3% Instrumentalness • 6% Positiveness
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Frank Martin
Mass for Double Choir: III. Credo
75 bpm • A min • 05:44 • -22db
13% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 29% Liveness
7% Instrumentalness • 4% Positiveness
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Thomas Attwood Walmisley
Magnificat in D Minor
75 bpm • D min • 05:44 • -27db
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
39% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
39% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
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Gerald Finzi
My Spirit Sang All Day
76 bpm • G Maj • 02:18 • -20db
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 7% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Cantus
How Can I Keep from Singing? (Live for B...
76 bpm • C Maj • 02:55 • -18.99db
10% Popularity • 18% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 18% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Charles Wood
Oculi omnium
76 bpm • E Maj • 01:13 • -24db
21% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Don MacDonald
Tabula Rasa
76 bpm • D Maj • 03:54 • -19.45db
15% Popularity • 14% Danceability • 8% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 8% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
