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Coming Home
Songs like
Coming Home
by
Alex Lloyd
Based on a tempo of (+/- 10%) and a similar genre
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Alex Lloyd
Coming Home
104 bpm • E Maj • 03:06 • -2.91db
29% Popularity • 50% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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The Superjesus
So Lonely
105 bpm • F Maj • 03:55 • -11.18db
6% Popularity • 58% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Skunkhour
Weightlessness
103 bpm • F min • 03:57 • -7.55db
27% Popularity • 61% Danceability • 88% Energy • 21% Liveness
45% Instrumentalness • 72% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
40% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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The Cruel Sea
Cocaine
105 bpm • G Maj • 03:48 • -3.61db
24% Popularity • 59% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Bernard Fanning
Tell Me How It Ends
106 bpm • D Maj • 03:41 • -5.14db
31% Popularity • 62% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 43% Positiveness
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Alex Lloyd
What A Year
105 bpm • E min • 03:02 • -8db
17% Popularity • 71% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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The Cops
The Message
106 bpm • A min • 04:13 • -3.93db
13% Popularity • 64% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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The Dissociatives
Somewhere Down The Barrel
102 bpm • G# Maj • 04:39 • -4.15db
17% Popularity • 46% Danceability • 73% Energy • 71% Liveness
0% Instrumentalness • 27% Positiveness
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Hunters & Collectors
True Tears Of Joy
102 bpm • B min • 04:24 • -6.24db
47% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Things Of Stone and Wood
Rock This Boat
102 bpm • F min • 03:38 • -7db
12% Popularity • 59% Danceability • 92% Energy • 37% Liveness
1% Instrumentalness • 79% Positiveness
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Bob Evans
Not Fair - triple j Like A Version
107 bpm • D min • 03:45 • -11.82db
24% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Alex Lloyd
Black The Sun
105 bpm • E min • 03:45 • -10.62db
25% Popularity • 61% Danceability • 48% Energy • 37% Liveness
2% Instrumentalness • 12% Positiveness
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Evermore
This Unavoidable Thing Between Us
102 bpm • B Maj • 05:02 • -6.86db
14% Popularity • 50% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The Screaming Jets
Better
101 bpm • D Maj • 04:37 • -10.16db
51% Popularity • 52% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Boom Crash Opera
In The Morning
107 bpm • A Maj • 03:57 • -3.53db
19% Popularity • 49% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 41% Positiveness
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Hunters & Collectors
Holy Grail
101 bpm • C# min • 03:47 • -3.98db
59% Popularity • 64% Danceability • 96% Energy • 32% Liveness
3% Instrumentalness • 71% Positiveness
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Killing Heidi
Astral Boy
101 bpm • G Maj • 03:08 • -16db
18% Popularity • 39% Danceability • 15% Energy • 20% Liveness
3% Instrumentalness • 16% Positiveness
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Alex Lloyd
Downtown
105 bpm • C Maj • 04:44 • -6.7db
18% Popularity • 62% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Jebediah
First Time
101 bpm • B Maj • 04:13 • -3.19db
21% Popularity • 50% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Cruel Sea
It Won't Last
107 bpm • A# Maj • 03:21 • -6.24db
34% Popularity • 86% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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The Finn Brothers
Won't Give In
100 bpm • G Maj • 04:17 • -6.74db
33% Popularity • 61% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Regurgitator
Polyester Girl
108 bpm • G# Maj • 03:30 • -6db
35% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Evermore
For One Day
108 bpm • F# min • 04:10 • -6.72db
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Alex Lloyd
My Friend
105 bpm • A Maj • 03:36 • -3.88db
12% Popularity • 40% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Tim Finn
Couldn't Be Done
108 bpm • B Maj • 02:50 • -8.85db
20% Popularity • 70% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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The Cruel Sea
It Won't Last
107 bpm • A# Maj • 03:16 • -5.53db
13% Popularity • 78% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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The Superjesus
Over & Out
100 bpm • F# Maj • 04:14 • -1.15db
10% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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The Stereo Bus
birthday
100 bpm • C# Maj • 03:26 • -5.69db
22% Popularity • 40% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Boom Crash Opera
Onionskin
99 bpm • C Maj • 03:27 • -3.04db
42% Popularity • 52% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Alex Lloyd
Momo
106 bpm • A Maj • 04:33 • -10.34db
11% Popularity • 64% Danceability • 65% Energy • 25% Liveness
13% Instrumentalness • 54% Positiveness
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The Badloves
Living Thing
99 bpm • A# Maj • 03:50 • -9.18db
13% Popularity • 54% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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The Mavis's
Thunder
98 bpm • D Maj • 03:32 • -6.1db
19% Popularity • 53% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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The Superjesus
Sandfly
109 bpm • D min • 04:17 • -6.75db
19% Popularity • 46% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Hunters & Collectors
Hear No Evil
98 bpm • F# min • 04:20 • -4db
25% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Jebediah
Harpoon
98 bpm • B Maj • 04:26 • -4.41db
40% Popularity • 54% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Alex Lloyd
Sometimes
101 bpm • A Maj • 04:18 • -6.48db
12% Popularity • 43% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Spiderbait
Stevie
98 bpm • D Maj • 03:00 • -2db
30% Popularity • 56% Danceability • 97% Energy • 34% Liveness
62% Instrumentalness • 46% Positiveness
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The Panics
Ruins
111 bpm • C Maj • 03:41 • -8db
13% Popularity • 58% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Evermore
Never Let You Go
111 bpm • D# Maj • 04:16 • -6.08db
33% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Something For Kate
Monsters
111 bpm • C# Maj • 03:39 • -6.09db
41% Popularity • 42% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Even
Black Umbrella
111 bpm • D Maj • 03:22 • -7db
23% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Alex Lloyd
My Way Home
108 bpm • B min • 04:30 • -9db
23% Popularity • 64% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Christine Anu
Sunshine on a Rainy Day
97 bpm • G Maj • 03:46 • -8.82db
42% Popularity • 62% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Pollyanna
Cinnamon Lip
97 bpm • D# Maj • 02:27 • -5.68db
19% Popularity • 38% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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Bob Evans
Me & My Friend
97 bpm • F# Maj • 02:42 • -9.83db
16% Popularity • 62% Danceability • 35% Energy • 63% Liveness
0% Instrumentalness • 77% Positiveness
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The Panics
Something In The Garden
112 bpm • D Maj • 04:57 • -7.8db
8% Popularity • 48% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 19% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Alex Lloyd
My Way Home - Remix
108 bpm • B min • 03:41 • -4.82db
4% Popularity • 61% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Opshop
Saturated
112 bpm • C min • 03:53 • -5.41db
20% Popularity • 61% Danceability • 89% Energy • 18% Liveness
70% Instrumentalness • 84% Positiveness
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Mark Seymour
The Ballad of the One Eyed Man
96 bpm • E Maj • 04:02 • -7.17db
17% Popularity • 56% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Bob Evans
Don't You Think It's Time
96 bpm • G Maj • 03:18 • -11db
37% Popularity • 46% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 57% Positiveness
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Epicure
So Broken
96 bpm • G# Maj • 04:23 • -5.71db
10% Popularity • 53% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Alex Lloyd
Distant Light
100 bpm • C Maj • 04:02 • -4.01db
12% Popularity • 69% Danceability • 59% Energy • 45% Liveness
0% Instrumentalness • 43% Positiveness
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Machine Gun Fellatio
Just B'coz
96 bpm • E min • 04:10 • -8.33db
16% Popularity • 63% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Faker
Hurricane
96 bpm • C# min • 03:19 • -2.07db
35% Popularity • 41% Danceability • 91% Energy • 28% Liveness
4% Instrumentalness • 59% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
50% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Panics
Feeling Is Gone
114 bpm • E Maj • 03:23 • -6.61db
22% Popularity • 52% Danceability • 68% Energy • 38% Liveness
10% Instrumentalness • 39% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
26% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Zed
Oh! Daisy
114 bpm • F# min • 03:39 • -5.33db
15% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Alex Lloyd
Amazing
100 bpm • A Maj • 03:23 • -7db
48% Popularity • 53% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Regurgitator
Fat Cop
95 bpm • B min • 03:19 • -4db
30% Popularity • 74% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Skunkhour
Sunstone
114 bpm • C Maj • 04:28 • -8.26db
16% Popularity • 76% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Ratcat
Don't Go Now
114 bpm • C# Maj • 03:11 • -7db
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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The Cruel Sea
The Honeymoon Is Over
94 bpm • C# Maj • 03:06 • -7.29db
51% Popularity • 46% Danceability • 75% Energy • 32% Liveness
1% Instrumentalness • 59% Positiveness
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The Androids
Do It with Madonna
115 bpm • C Maj • 03:47 • -5.06db
32% Popularity • 56% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Alex Lloyd
Lost In The Rain
100 bpm • G Maj • 03:02 • -5.46db
14% Popularity • 56% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Regurgitator
! (The Song Formerly Known As)
115 bpm • B Maj • 03:26 • -4db
43% Popularity • 64% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Lior
Daniel
94 bpm • G Maj • 03:50 • -9.58db
34% Popularity • 72% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Gyroscope
Dream vs. Scream
115 bpm • D Maj • 03:35 • -5.18db
18% Popularity • 48% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Cruel Sea
Takin' All Day
94 bpm • G Maj • 03:31 • -8.16db
23% Popularity • 74% Danceability • 62% Energy • 19% Liveness
9% Instrumentalness • 60% Positiveness
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The Panics
Creaks
116 bpm • C# Maj • 04:02 • -6.31db
15% Popularity • 56% Danceability • 59% Energy • 32% Liveness
2% Instrumentalness • 37% Positiveness
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Alex Lloyd
Gender
100 bpm • G min • 03:36 • -8.42db
11% Popularity • 70% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
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End Of Fashion
Lock Up Your Daughters
94 bpm • D Maj • 03:34 • -6.04db
14% Popularity • 43% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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The Living End
Wake Up
116 bpm • B min • 04:31 • -5.49db
37% Popularity • 48% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Ammonia
Drugs
116 bpm • A Maj • 03:27 • -8.27db
33% Popularity • 62% Danceability • 59% Energy • 7% Liveness
6% Instrumentalness • 89% Positiveness
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The Cruel Sea
Black Stick
116 bpm • F min • 04:58 • -10db
39% Popularity • 74% Danceability • 56% Energy • 54% Liveness
52% Instrumentalness • 82% Positiveness
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Jebediah
Feet Touch the Ground
116 bpm • B Maj • 05:04 • -5.27db
23% Popularity • 56% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Alex Lloyd
Something Special
100 bpm • B Maj • 03:13 • -8.37db
11% Popularity • 61% Danceability • 78% Energy • 10% Liveness
20% Instrumentalness • 59% Positiveness
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Machine Gun Fellatio
What the Fuck
116 bpm • E Maj • 04:11 • -7.64db
21% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Bob Evans
Darlin', Won't You Come?
93 bpm • D Maj • 03:31 • -9.42db
24% Popularity • 35% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Hunters & Collectors
Edge Of Nowhere
93 bpm • C# min • 05:12 • -5.39db
23% Popularity • 57% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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The Superjesus
Gravity
93 bpm • F Maj • 03:59 • -5db
51% Popularity • 54% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Alex Lloyd
Blackbird
100 bpm • G Maj • 01:31 • -11.16db
29% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Skunkhour
Up To Our Necks In It
93 bpm • A# Maj • 04:47 • -9db
30% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Killing Heidi
I Am
93 bpm • A# Maj • 03:27 • -2db
36% Popularity • 50% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Noiseworks
Touch
116 bpm • G Maj • 05:03 • -9.53db
44% Popularity • 38% Danceability • 89% Energy • 32% Liveness
62% Instrumentalness • 16% Positiveness
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Gyroscope
Australia
93 bpm • E Maj • 03:49 • -4.92db
32% Popularity • 42% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Mark Seymour
Last Ditch Cabaret
93 bpm • C Maj • 04:52 • -6.85db
9% Popularity • 55% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Alex Lloyd
All You Need
100 bpm • D Maj • 03:03 • -5.39db
10% Popularity • 59% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Regurgitator
Everyday Formula
93 bpm • D Maj • 02:09 • -4db
30% Popularity • 51% Danceability • 99% Energy • 15% Liveness
4% Instrumentalness • 46% Positiveness
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Bob Evans
Don't Walk Alone
93 bpm • G# Maj • 04:00 • -6.2db
9% Popularity • 58% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Ratcat
Holiday
117 bpm • G Maj • 03:25 • -12.93db
15% Popularity • 62% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Dempsey
Bats
92 bpm • D# Maj • 03:52 • -4.77db
21% Popularity • 21% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Faker
Killer On The Loose
117 bpm • C Maj • 03:56 • -4.16db
10% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Alex Lloyd
Still Waiting
110 bpm • G Maj • 03:24 • -5.63db
11% Popularity • 53% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Greg Johnson
Save Yourself
92 bpm • A# Maj • 03:33 • -6.28db
20% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Machine Gun Fellatio
My Ex Girlfriend's Boyfriend
117 bpm • C Maj • 03:02 • -10.14db
22% Popularity • 50% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
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Coming Home