Songs like Coming In From The Dark (feat. New Zealand Symphony Orchestra) by Hollie Smith
Based on a tempo of (+/- 10%) and a similar genre
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Dallas Tamaira
Stormy
74 bpm • G min • 03:12 • -9.1db
28% Popularity • 68% Danceability • 48% Energy • 13% Liveness
3% Instrumentalness • 44% Positiveness
28% Popularity • 68% Danceability • 48% Energy • 13% Liveness
3% Instrumentalness • 44% Positiveness
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Hollie Smith
Poor On Poor
74 bpm • F min • 04:01 • -6.94db
6% Popularity • 68% Danceability • 68% Energy • 21% Liveness
4% Instrumentalness • 63% Positiveness
6% Popularity • 68% Danceability • 68% Energy • 21% Liveness
4% Instrumentalness • 63% Positiveness
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Pete Murray
If We Never Dance Again - Acoustic
74 bpm • C Maj • 03:37 • -10.27db
9% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Max Reger
Variation 11: Andante con moto
74 bpm • E Maj • 05:53 • -27.28db
3% Popularity • 7% Danceability • 3% Energy • 18% Liveness
74% Instrumentalness • 3% Positiveness
3% Popularity • 7% Danceability • 3% Energy • 18% Liveness
74% Instrumentalness • 3% Positiveness
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Miklos Rozsa
The Vintner's Daughter, Twelve Variation...
75 bpm • A# Maj • 02:50 • -27.71db
1% Popularity • 14% Danceability • 6% Energy • 65% Liveness
82% Instrumentalness • 5% Positiveness
1% Popularity • 14% Danceability • 6% Energy • 65% Liveness
82% Instrumentalness • 5% Positiveness
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Reiki Ruawai
Miller
73 bpm • E min • 02:51 • -12.91db
27% Popularity • 75% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 75% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Buttered
Love
75 bpm • D Maj • 04:51 • -7.29db
28% Popularity • 70% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 70% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Hollie Smith
Coming In From The Dark
74 bpm • F min • 03:14 • -10.7db
11% Popularity • 40% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 40% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Troy Kingi
Moko
75 bpm • E min • 04:06 • -8.95db
26% Popularity • 74% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 74% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Niko Walters
Together
75 bpm • G Maj • 03:47 • -7.97db
23% Popularity • 72% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 72% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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TOI
Thinking Too Much
75 bpm • B min • 03:28 • -7.59db
39% Popularity • 59% Danceability • 37% Energy • 61% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 59% Danceability • 37% Energy • 61% Liveness
0% Instrumentalness • 13% Positiveness
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Ria Hall
Love Will Lead Us Home
75 bpm • F# Maj • 03:22 • -6db
10% Popularity • 59% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 59% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Rag'n'Bone Man
Alone - Alternative Mix
75 bpm • E Maj • 03:39 • -5.95db
29% Popularity • 48% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 48% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Pacific Heights
Back To You
72 bpm • C# Maj • 04:04 • -12.44db
5% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
5% Popularity • 33% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Miklós Rózsa
Double Indemnity: I. Prelude
76 bpm • C Maj • 09:18 • -24.44db
6% Popularity • 13% Danceability • 3% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
6% Popularity • 13% Danceability • 3% Energy • 5% Liveness
94% Instrumentalness • 4% Positiveness
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Sol3 Mio
To Love Somebody
76 bpm • F Maj • 03:40 • -11.71db
10% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Max Reger
Variation 5: Andante sostenuto
76 bpm • A Maj • 03:43 • -29.28db
4% Popularity • 17% Danceability • 2% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
4% Popularity • 17% Danceability • 2% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Ria Hall
Te Pou O Te Tangata
72 bpm • E min • 04:20 • -9.24db
27% Popularity • 46% Danceability • 48% Energy • 45% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 46% Danceability • 48% Energy • 45% Liveness
0% Instrumentalness • 16% Positiveness
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Hollie Smith
Ko te hīnātoretanga
76 bpm • F min • 03:13 • -10.65db
12% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Tiki Taane
Over the Rainbow
76 bpm • D Maj • 02:52 • -9.42db
15% Popularity • 42% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 42% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Reb Fountain
Foxbright
76 bpm • F# min • 03:04 • -12.65db
18% Popularity • 40% Danceability • 36% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
18% Popularity • 40% Danceability • 36% Energy • 13% Liveness
3% Instrumentalness • 30% Positiveness
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Margaret Urlich
Slipping Away
72 bpm • F# min • 05:44 • -9.88db
23% Popularity • 56% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 56% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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SIX60
Rest Of You - 2021 Remix / Remaster
77 bpm • A Maj • 04:59 • -8.81db
26% Popularity • 61% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 61% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Andersson
Anthem
72 bpm • D Maj • 03:03 • -11.65db
3% Popularity • 23% Danceability • 14% Energy • 6% Liveness
21% Instrumentalness • 14% Positiveness
3% Popularity • 23% Danceability • 14% Energy • 6% Liveness
21% Instrumentalness • 14% Positiveness
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Hollie Smith
The One To Go
71 bpm • A min • 03:23 • -10.59db
5% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
5% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 2 in G Major, Op. 44,...
77 bpm • G Maj • 07:29 • -19.34db
3% Popularity • 40% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
3% Popularity • 40% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
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Amahla
Bold
71 bpm • A# Maj • 03:44 • -9.37db
9% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Reb Fountain
Don't You Know Who I Am
77 bpm • F Maj • 05:38 • -13db
26% Popularity • 65% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
26% Popularity • 65% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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L.A.B.
Backseat
77 bpm • F min • 05:10 • -8db
36% Popularity • 76% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 64% Positiveness
36% Popularity • 76% Danceability • 54% Energy • 8% Liveness
2% Instrumentalness • 64% Positiveness
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Max Reger
Variation 2: Allegretto con grazia
77 bpm • A Maj • 03:25 • -27.72db
5% Popularity • 7% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
5% Popularity • 7% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Hollie Smith
Kōrukutia / Bathe in the River
71 bpm • G Maj • 04:39 • -7.82db
30% Popularity • 26% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 26% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Majic Pāora
Vibes
77 bpm • D# Maj • 02:50 • -11.14db
15% Popularity • 46% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
15% Popularity • 46% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Miklos Rozsa
Concerto for Violin and Orchestra, Op. 2...
71 bpm • D Maj • 08:52 • -21.16db
3% Popularity • 38% Danceability • 20% Energy • 14% Liveness
27% Instrumentalness • 27% Positiveness
3% Popularity • 38% Danceability • 20% Energy • 14% Liveness
27% Instrumentalness • 27% Positiveness
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Frank Bridge
The Sea: No. 1 Seascape
78 bpm • F# min • 07:28 • -21.81db
6% Popularity • 8% Danceability • 5% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
6% Popularity • 8% Danceability • 5% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Reb Fountain
Beastie
78 bpm • A# Maj • 03:08 • -9db
16% Popularity • 71% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 71% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Max Reger
Variation 7: Presto
78 bpm • A Maj • 03:11 • -24.68db
3% Popularity • 24% Danceability • 8% Energy • 35% Liveness
86% Instrumentalness • 7% Positiveness
3% Popularity • 24% Danceability • 8% Energy • 35% Liveness
86% Instrumentalness • 7% Positiveness
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L.A.B.
Monica
78 bpm • A Maj • 04:31 • -13db
29% Popularity • 71% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 71% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Ralph Vaughan Williams
Concerto Grosso: March and Reprise
78 bpm • G Maj • 03:42 • -14.45db
4% Popularity • 26% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 29% Positiveness
4% Popularity • 26% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 29% Positiveness
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Hollie Smith
Transcendence - Camplaix
78 bpm • D min • 01:38 • -8.5db
5% Popularity • 52% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 37% Positiveness
5% Popularity • 52% Danceability • 54% Energy • 48% Liveness
0% Instrumentalness • 37% Positiveness
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Ria Hall
Te Ahi Kai Pō
70 bpm • C# Maj • 05:27 • -8db
11% Popularity • 17% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 17% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Mica Paris
(Something Inside) So Strong
78 bpm • D Maj • 04:18 • -5.86db
21% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Harmonic Resonators
Pahiwi
78 bpm • E Maj • 03:21 • -6.42db
25% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 46% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Breaks Co-Op
The Otherside
70 bpm • C Maj • 03:33 • -7.12db
45% Popularity • 68% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 68% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Richard Strauss
Tanzsuite aus Klavierstücken von Franç...
70 bpm • G min • 03:30 • -17.83db
0% Popularity • 24% Danceability • 13% Energy • 18% Liveness
85% Instrumentalness • 25% Positiveness
0% Popularity • 24% Danceability • 13% Energy • 18% Liveness
85% Instrumentalness • 25% Positiveness
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Hollie Smith
Sensitive To A Smile
79 bpm • A# Maj • 04:08 • -5.02db
13% Popularity • 43% Danceability • 60% Energy • 65% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 43% Danceability • 60% Energy • 65% Liveness
0% Instrumentalness • 23% Positiveness
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Louis Baker
Won't Forget
79 bpm • C# min • 03:51 • -9.5db
17% Popularity • 50% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 50% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Ria Hall
I Nga Wa, Taumaha Ai (Bridge over Troubl...
79 bpm • E Maj • 04:22 • -10.93db
12% Popularity • 41% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 41% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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L.A.B.
Early Bird
79 bpm • E min • 03:59 • -9.98db
27% Popularity • 72% Danceability • 53% Energy • 63% Liveness
10% Instrumentalness • 81% Positiveness
27% Popularity • 72% Danceability • 53% Energy • 63% Liveness
10% Instrumentalness • 81% Positiveness
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Troy Kingi
Aztechknowledgey
79 bpm • A min • 04:26 • -10.64db
32% Popularity • 74% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 74% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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SIX60
Green Bottles - 2021 Remix / Remaster
79 bpm • C Maj • 03:55 • -11.83db
27% Popularity • 48% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 48% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Hollie Smith
The One To Go - Acoustic
70 bpm • C Maj • 03:27 • -10.48db
0% Popularity • 50% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 50% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Opensouls
Love Turns Wild
79 bpm • F min • 04:19 • -7.27db
19% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Abby Lee
Overwhelmed
80 bpm • A Maj • 03:56 • -8.59db
14% Popularity • 47% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 47% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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New Zealand Symphony Orchestra
Jeux D'enfants (Children Games): III. Im...
79 bpm • F Maj • 01:02 • -38.41db
2% Popularity • 35% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 35% Positiveness
2% Popularity • 35% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 35% Positiveness
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Troy Kingi
Te Wai Nō Rua Whetū / Aztechknowledgey
79 bpm • A min • 04:25 • -8db
23% Popularity • 72% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 72% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Niko Walters
Your Way
80 bpm • A# Maj • 03:13 • -8.75db
14% Popularity • 71% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 71% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Emily Wurramara
Cruisin'
80 bpm • G Maj • 04:47 • -8.91db
29% Popularity • 39% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 39% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Meg Washington
My Happiness
80 bpm • C Maj • 03:39 • -12.12db
15% Popularity • 57% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 57% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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TEEKS
Oil & Water
80 bpm • D min • 03:12 • -11db
38% Popularity • 53% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 53% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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TrinityRoots
Little Things
80 bpm • F min • 05:23 • -14.54db
15% Popularity • 54% Danceability • 22% Energy • 10% Liveness
22% Instrumentalness • 18% Positiveness
15% Popularity • 54% Danceability • 22% Energy • 10% Liveness
22% Instrumentalness • 18% Positiveness
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Christabel
If You Ain't Looking
80 bpm • F Maj • 03:19 • -7.99db
16% Popularity • 44% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 44% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Muroki
Still Care
80 bpm • E min • 03:18 • -6db
31% Popularity • 71% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 71% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Andreya Triana
It's Gonna Be Alright
80 bpm • D Maj • 03:21 • -11db
13% Popularity • 72% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 72% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Edward Elgar
Nursery Suite: II. The Serious Doll
80 bpm • F Maj • 02:56 • -36.96db
2% Popularity • 22% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
2% Popularity • 22% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
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Bella Taylor Smith
The Voice Within - The Voice Australia 2...
80 bpm • D Maj • 01:56 • -9.61db
33% Popularity • 26% Danceability • 30% Energy • 74% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 26% Danceability • 30% Energy • 74% Liveness
0% Instrumentalness • 11% Positiveness
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Nikau Grace
Toku Tuakiri
81 bpm • F Maj • 04:28 • -7.99db
33% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 57% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Georges Bizet
Symphony in C Major: I. Allegro Vivo
81 bpm • G Maj • 10:21 • -22.09db
7% Popularity • 41% Danceability • 8% Energy • 34% Liveness
95% Instrumentalness • 18% Positiveness
7% Popularity • 41% Danceability • 8% Energy • 34% Liveness
95% Instrumentalness • 18% Positiveness
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TrinityRoots
Little Things
81 bpm • F min • 05:06 • -10.38db
30% Popularity • 80% Danceability • 40% Energy • 16% Liveness
3% Instrumentalness • 27% Positiveness
30% Popularity • 80% Danceability • 40% Energy • 16% Liveness
3% Instrumentalness • 27% Positiveness
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L.A.B.
Natural
81 bpm • E min • 03:40 • -9db
49% Popularity • 84% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 84% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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COTERIE
Salvation
81 bpm • B Maj • 03:40 • -7.9db
32% Popularity • 32% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 32% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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Hollie Smith
Lay Me Down - Acoustic
82 bpm • A min • 03:42 • -11.16db
0% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
0% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tertia May
Where We Belong
82 bpm • D Maj • 04:16 • -12.75db
21% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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SIX60
Hard For Me - 2021 Remix / Remaster
82 bpm • A min • 05:29 • -8.92db
22% Popularity • 18% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 18% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Benny Walker
Woman
82 bpm • G Maj • 03:12 • -7.77db
23% Popularity • 67% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 50% Positiveness
23% Popularity • 67% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 50% Positiveness
► Preview
Jem Cassar-Daley
Changes
82 bpm • F Maj • 03:23 • -6db
32% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 67% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Kosaku Yamada
Overture in D Major
82 bpm • A Maj • 03:35 • -18.81db
4% Popularity • 17% Danceability • 20% Energy • 7% Liveness
94% Instrumentalness • 41% Positiveness
4% Popularity • 17% Danceability • 20% Energy • 7% Liveness
94% Instrumentalness • 41% Positiveness
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Sol3 Mio
Blue Bayou
82 bpm • G Maj • 04:30 • -9.87db
11% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 58% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Wam_music
Malu Mabu Liyan
83 bpm • B min • 03:32 • -5.99db
13% Popularity • 39% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 39% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Bella Taylor Smith
Nice To Know Ya
82 bpm • G Maj • 02:47 • -4.16db
25% Popularity • 41% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Dave Dobbyn
Nau Mai Rā (Welcome Home)
83 bpm • G# Maj • 03:48 • -7.02db
28% Popularity • 27% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 27% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Miiesha
Damaged
83 bpm • F min • 03:16 • -7db
25% Popularity • 71% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 71% Danceability • 50% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Niko Walters
Not My Neighbour
66 bpm • C# Maj • 03:53 • -10.21db
41% Popularity • 87% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 87% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Anika Moa
Buttercup
83 bpm • A min • 03:30 • -9.54db
7% Popularity • 67% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 67% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Louis Baker
Te Utu o Te Aroha
66 bpm • G Maj • 03:16 • -10.02db
25% Popularity • 61% Danceability • 33% Energy • 28% Liveness
12% Instrumentalness • 17% Positiveness
25% Popularity • 61% Danceability • 33% Energy • 28% Liveness
12% Instrumentalness • 17% Positiveness
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L.A.B.
Natural - Acoustic
83 bpm • E min • 03:43 • -17.27db
27% Popularity • 80% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
27% Popularity • 80% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 23% Positiveness
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New Zealand Symphony Orchestra
Jeux D'enfants (Children Games): II. Ber...
83 bpm • B Maj • 02:56 • -38.97db
3% Popularity • 15% Danceability • 0% Energy • 14% Liveness
69% Instrumentalness • 4% Positiveness
3% Popularity • 15% Danceability • 0% Energy • 14% Liveness
69% Instrumentalness • 4% Positiveness
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Arlo Sim
Somewhere Only We Know - The Voice Austr...
83 bpm • A Maj • 01:37 • -8.86db
24% Popularity • 46% Danceability • 42% Energy • 79% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 46% Danceability • 42% Energy • 79% Liveness
0% Instrumentalness • 20% Positiveness
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Breaks Co-Op
Lma
84 bpm • F# Maj • 03:01 • -6.98db
20% Popularity • 67% Danceability • 55% Energy • 9% Liveness
6% Instrumentalness • 11% Positiveness
20% Popularity • 67% Danceability • 55% Energy • 9% Liveness
6% Instrumentalness • 11% Positiveness
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Max Reger
Variations and Fugue on a Theme of J.A. ...
83 bpm • E Maj • 09:40 • -19.87db
3% Popularity • 27% Danceability • 13% Energy • 18% Liveness
90% Instrumentalness • 21% Positiveness
3% Popularity • 27% Danceability • 13% Energy • 18% Liveness
90% Instrumentalness • 21% Positiveness
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Hollie Smith
Autumn Rain
84 bpm • B Maj • 03:23 • -6.29db
7% Popularity • 48% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 68% Positiveness
7% Popularity • 48% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 68% Positiveness
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Troy Kingi
Cold Steel
84 bpm • A# min • 03:18 • -8.12db
18% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 70% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Katchafire
Karawhiua
84 bpm • B Maj • 03:38 • -7.94db
37% Popularity • 67% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 67% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Aaradhna
Forever Love
84 bpm • C# Maj • 03:18 • -6.72db
47% Popularity • 79% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
47% Popularity • 79% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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Reb Fountain
Quiet Like the Rain
84 bpm • F Maj • 04:17 • -11.54db
13% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 62% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Max Reger
Variation 6: Tempo di menuetto
84 bpm • E min • 02:40 • -26.78db
4% Popularity • 31% Danceability • 4% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
4% Popularity • 31% Danceability • 4% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
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Tulliah
Just My Type (A Little Bit Lonely)
84 bpm • F Maj • 03:56 • -8db
11% Popularity • 58% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 58% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Breaks Co-Op
A Place for You
85 bpm • F Maj • 03:44 • -8.7db
18% Popularity • 23% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 23% Danceability • 45% Energy • 57% Liveness
0% Instrumentalness • 15% Positiveness
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Niko Walters
Vicious Love
85 bpm • E Maj • 02:53 • -9db
22% Popularity • 61% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 61% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
![Roimata (feat. The Big Boss Orchestra) [Live at RNZ] cover art](https://i.scdn.co/image/ab67616d00001e02d98d4fdc5867f2dd08f477c6)