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Coming up Roses
Songs like
Coming up Roses
by
Eliza Rickman
Based on a tempo of (+/- 10%) and a similar genre
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Sunday Driver
The Fantasist
133 bpm • D min • 03:37 • -5.83db
15% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Altogether
Slowly
133 bpm • C Maj • 04:49 • -14db
26% Popularity • 64% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Lilli Furfaro
Bottom Line
133 bpm • F Maj • 02:56 • -14db
21% Popularity • 86% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Unwoman
Werewolf
133 bpm • D# Maj • 04:53 • -7.6db
9% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Bitter Ruin
Trust (Official Single 2011)
133 bpm • C# min • 02:58 • -6.78db
32% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Eliza Rickman
Coming up Roses
133 bpm • C Maj • 05:17 • -8.85db
16% Popularity • 25% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Pretty Balanced
My Mind Is a Box
133 bpm • D min • 03:53 • -11.65db
14% Popularity • 26% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Rebecca Angel
I Love You Oddly
132 bpm • D Maj • 01:54 • -7.61db
14% Popularity • 65% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Kim Boekbinder
The Sky Is Calling
134 bpm • C# min • 03:09 • -5.57db
12% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Unwoman
The Future, the Boot
132 bpm • C# Maj • 04:26 • -7.31db
12% Popularity • 68% Danceability • 82% Energy • 44% Liveness
0% Instrumentalness • 54% Positiveness
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Charming Disaster
Baba Yaga
132 bpm • A min • 02:52 • -8db
29% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Holly Henry
Citrus
132 bpm • F Maj • 02:53 • -17db
27% Popularity • 38% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Regina Spektor
Ballad of a Politician
132 bpm • C min • 02:13 • -9.54db
24% Popularity • 47% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Danny Schmidt
Standard Deviation
131 bpm • D# Maj • 05:53 • -11.69db
19% Popularity • 46% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Phemiec
Changeling
131 bpm • D# min • 04:44 • -18.06db
20% Popularity • 47% Danceability • 7% Energy • 11% Liveness
20% Instrumentalness • 27% Positiveness
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Mother Falcon
Sanctuary
131 bpm • D Maj • 04:49 • -11.79db
15% Popularity • 35% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Eliza Rickman
Riches and Wonders
135 bpm • D Maj • 03:45 • -11.87db
28% Popularity • 55% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bitter Ruin
Tom Thumb
135 bpm • D min • 03:46 • -9.24db
39% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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This Way To The Egress
Going Home Again
131 bpm • C Maj • 04:24 • -6.22db
30% Popularity • 55% Danceability • 88% Energy • 8% Liveness
2% Instrumentalness • 63% Positiveness
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Vian Izak
Witchcraft
131 bpm • D Maj • 01:49 • -11db
49% Popularity • 42% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Lady Lamb
Ten
135 bpm • C Maj • 04:45 • -10.81db
17% Popularity • 41% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Jason Webley
Against the Night
135 bpm • C Maj • 04:41 • -20.78db
10% Popularity • 35% Danceability • 9% Energy • 12% Liveness
4% Instrumentalness • 14% Positiveness
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The Amazing Devil
That Unwanted Animal
136 bpm • G min • 04:58 • -9.77db
52% Popularity • 41% Danceability • 56% Energy • 25% Liveness
1% Instrumentalness • 11% Positiveness
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Danny Schmidt
Stained Glass
130 bpm • B min • 06:38 • -14.46db
27% Popularity • 45% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Dessa
Annabelle
130 bpm • F Maj • 04:00 • -7.46db
16% Popularity • 59% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Evelyn Evelyn
Love Will Tear Us Apart
130 bpm • D Maj • 02:50 • -18.95db
28% Popularity • 66% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Johnny Hollow
Bloodsuckers
130 bpm • F min • 02:36 • -9db
36% Popularity • 65% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Cake Bake Betty
Dear Mother
130 bpm • G Maj • 03:41 • -8.49db
15% Popularity • 33% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Autoheart
Wretch
136 bpm • B Maj • 03:22 • -15.5db
36% Popularity • 49% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Amazing Devil
Secret Worlds
130 bpm • E min • 05:18 • -9.28db
44% Popularity • 32% Danceability • 70% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
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Rachael Sage
Try Try Try
130 bpm • G Maj • 04:00 • -6.74db
16% Popularity • 74% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Cloud Cult
Come Home
130 bpm • G Maj • 03:29 • -15.34db
25% Popularity • 57% Danceability • 20% Energy • 36% Liveness
1% Instrumentalness • 18% Positiveness
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Jason Webley
They Just Want
130 bpm • A min • 03:49 • -9.33db
10% Popularity • 66% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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The Family Crest
It Keeps Us Dancing
130 bpm • E Maj • 05:59 • -9.13db
26% Popularity • 30% Danceability • 58% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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Stars
Personal
130 bpm • G# Maj • 04:07 • -18.39db
29% Popularity • 58% Danceability • 18% Energy • 23% Liveness
7% Instrumentalness • 14% Positiveness
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Squalloscope
Open Water Reckless Fishes
130 bpm • C Maj • 04:46 • -12.92db
18% Popularity • 44% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Caravan of Thieves
Angels in Cages
137 bpm • G Maj • 04:16 • -8.74db
20% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Unwoman
Kids
130 bpm • D Maj • 04:44 • -8.24db
10% Popularity • 60% Danceability • 31% Energy • 9% Liveness
4% Instrumentalness • 37% Positiveness
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Jason Webley
Dance While the Sky Crashes Down
137 bpm • A min • 04:29 • -13.6db
35% Popularity • 46% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Blue Kid
Inside
137 bpm • C Maj • 05:13 • -7db
11% Popularity • 44% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Eleisha Eagle
The Quittin' Kind
129 bpm • F Maj • 03:44 • -8.92db
35% Popularity • 87% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Pretty Balanced
Fear Of Dying
129 bpm • G# Maj • 03:34 • -9.71db
12% Popularity • 38% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Stephanie Mabey
Stop Motion
129 bpm • E Maj • 03:53 • -7.12db
13% Popularity • 68% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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AlicebanD
Fire With Fire
129 bpm • A# min • 02:56 • -7db
47% Popularity • 48% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Regina Spektor
Genius Next Door
137 bpm • F min • 05:05 • -11.11db
33% Popularity • 37% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
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April Smith and the Great Picture Show
Bright White Jackets (Bonus)
129 bpm • D Maj • 04:34 • -6db
16% Popularity • 58% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 35% Positiveness
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Vienna Teng
The Breaking Light
138 bpm • C# Maj • 04:21 • -14.93db
17% Popularity • 29% Danceability • 15% Energy • 7% Liveness
27% Instrumentalness • 10% Positiveness
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The Mechanisms
Sirens
128 bpm • D min • 03:14 • -8.87db
30% Popularity • 43% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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Stephanie Mabey
Wake Up Dreaming
138 bpm • F Maj • 03:22 • -8.41db
13% Popularity • 51% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Family Crest
The Valley Below
138 bpm • C min • 04:06 • -8.27db
28% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Eliza Rickman
Waiting Around Again
138 bpm • C Maj • 03:26 • -9.5db
9% Popularity • 52% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Heather Dale
Changeling Child
138 bpm • D min • 05:08 • -13.34db
27% Popularity • 28% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Chris Garneau
Raw and Awake
138 bpm • F Maj • 04:28 • -13.79db
15% Popularity • 43% Danceability • 7% Energy • 13% Liveness
24% Instrumentalness • 6% Positiveness
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Autoheart
Santa Fe
128 bpm • A Maj • 04:23 • -9.49db
30% Popularity • 61% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Regina Spektor
Call Them Brothers
128 bpm • G# min • 03:07 • -8.25db
39% Popularity • 44% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Vienna Teng
Recessional
138 bpm • C min • 04:05 • -14db
13% Popularity • 38% Danceability • 16% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Sunday Driver
Black Spider
128 bpm • E Maj • 03:26 • -9db
21% Popularity • 74% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Danny Schmidt
This Too Shall Pass
128 bpm • A Maj • 04:18 • -13.47db
41% Popularity • 40% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Jason Webley
Icarus
139 bpm • A min • 03:55 • -11db
34% Popularity • 49% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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PigPen Theatre Co.
We Stand Alone
127 bpm • G Maj • 04:02 • -9.88db
24% Popularity • 72% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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The Altogether
Forever Endeavor
127 bpm • G Maj • 04:42 • -11db
28% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Cake Bake Betty
1916
140 bpm • G# Maj • 03:10 • -10.77db
12% Popularity • 28% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Bitter Ruin
Pushin' out the Light
140 bpm • E min • 04:00 • -11.86db
24% Popularity • 38% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Autoheart
Agoraphobia
140 bpm • D Maj • 04:25 • -15.22db
44% Popularity • 44% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Last Bison
Sleep
126 bpm • B min • 04:12 • -14.05db
30% Popularity • 48% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Mallori
Darlin' I'm Gone
140 bpm • G min • 02:56 • -8.14db
9% Popularity • 53% Danceability • 56% Energy • 33% Liveness
8% Instrumentalness • 50% Positiveness
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Ghost Quartet
Any Kind of Dead Person
140 bpm • D Maj • 03:28 • -8db
28% Popularity • 54% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Squalloscope
Crying Swimmers
140 bpm • E min • 04:33 • -11.47db
16% Popularity • 55% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Opus Orange & Emy Reynolds
Mercy Street
140 bpm • F min • 04:43 • -14.79db
12% Popularity • 46% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Travis Love Benson
Draggin' Me Down
126 bpm • G# Maj • 02:32 • -13.33db
13% Popularity • 65% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Stephanie Mabey
Heart-Shaped Hologram
140 bpm • E Maj • 03:27 • -10.39db
31% Popularity • 63% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Four Eyes
Everyone I Know (Will Die)
140 bpm • A min • 02:29 • -12.53db
20% Popularity • 48% Danceability • 22% Energy • 25% Liveness
2% Instrumentalness • 33% Positiveness
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Hannah Telle
Obstacles
126 bpm • D# Maj • 03:23 • -17.95db
25% Popularity • 61% Danceability • 25% Energy • 11% Liveness
6% Instrumentalness • 36% Positiveness
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Squalloscope
Domino
140 bpm • G Maj • 03:49 • -9.84db
15% Popularity • 62% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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aeseaes
Mahogany
126 bpm • C# Maj • 04:07 • -9.36db
28% Popularity • 69% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Eleisha Eagle
Best You Never Had
126 bpm • F Maj • 04:02 • -6db
13% Popularity • 61% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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The Dream Masons
All or Nothing
126 bpm • F min • 03:58 • -10db
27% Popularity • 41% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Regina Spektor
Man of a Thousand Faces
126 bpm • D min • 03:11 • -10.27db
30% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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AlicebanD
It Gets Better
125 bpm • F min • 03:51 • -8.05db
38% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Marian Call
Anchorage
125 bpm • C Maj • 07:40 • -10.88db
16% Popularity • 45% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Charming Disaster
Secretary
125 bpm • G min • 03:29 • -7.89db
25% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Jason Webley
Map
141 bpm • D min • 04:38 • -10.01db
14% Popularity • 40% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sunday Driver
Circus
125 bpm • D min • 03:22 • -6.71db
16% Popularity • 72% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Erin McKeown
Where Did I Go
125 bpm • A# Maj • 02:52 • -9.34db
19% Popularity • 86% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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AlicebanD
Fight for Me
125 bpm • G min • 03:11 • -7db
43% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Bitter Ruin
Leather for Hell
125 bpm • F min • 03:05 • -7db
40% Popularity • 63% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Cake Bake Betty
The Spine Song
142 bpm • C Maj • 03:29 • -9.96db
23% Popularity • 55% Danceability • 31% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Eliza Rickman
Through an Aquarium
142 bpm • D# min • 04:09 • -7.26db
14% Popularity • 48% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Sunday Driver
Heroes
142 bpm • E min • 03:34 • -6.06db
11% Popularity • 63% Danceability • 56% Energy • 35% Liveness
5% Instrumentalness • 49% Positiveness
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Vienna Teng
Never Look Away
142 bpm • B Maj • 03:33 • -5.44db
32% Popularity • 56% Danceability • 83% Energy • 15% Liveness
1% Instrumentalness • 58% Positiveness
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Johanna Warren
Witchsickness
124 bpm • E Maj • 05:20 • -11.94db
14% Popularity • 32% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Domini Forster
Little Dreamer
124 bpm • F Maj • 03:29 • -8.63db
26% Popularity • 48% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Brittain Ashford
Please Leave a Light on When You Go
124 bpm • C Maj • 02:26 • -10db
27% Popularity • 33% Danceability • 23% Energy • 11% Liveness
60% Instrumentalness • 41% Positiveness
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Ginger & Pear
Pressed
142 bpm • C Maj • 02:21 • -12.39db
20% Popularity • 42% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Cake Bake Betty
Gigantomachy
124 bpm • D Maj • 03:12 • -9.6db
13% Popularity • 37% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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AlicebanD
True Blood
142 bpm • D min • 02:11 • -11.24db
36% Popularity • 61% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Gabriel Royal
Remember Us
124 bpm • D min • 02:58 • -9.47db
18% Popularity • 75% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Mishkin Fitzgerald
Finale
143 bpm • G Maj • 02:20 • -11.83db
10% Popularity • 30% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Mary Crowell
Massacre Anne
143 bpm • F min • 04:15 • -12.37db
15% Popularity • 43% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Eleisha Eagle
Rocketboy
124 bpm • A Maj • 04:19 • -10.85db
15% Popularity • 62% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Coming up Roses