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Commander Awakens
Songs like
Commander Awakens
by
Tim Wynn
Based on a tempo of (+/- 10%) and a similar genre
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Stephen Barton
Pilot? What Pilot?
80 bpm • C# Maj • 04:09 • -11.78db
13% Popularity • 56% Danceability • 80% Energy • 11% Liveness
84% Instrumentalness • 32% Positiveness
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Jamie Christopherson
Enemy Within
80 bpm • C# Maj • 02:07 • -13.27db
30% Popularity • 49% Danceability • 79% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
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Jon Everist
I Am Not a Hero (Prologue)
80 bpm • C Maj • 01:56 • -18.21db
16% Popularity • 39% Danceability • 28% Energy • 9% Liveness
82% Instrumentalness • 8% Positiveness
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Borislav Slavov
Crynet, Shoot Him Down!
80 bpm • B min • 02:09 • -12.64db
23% Popularity • 61% Danceability • 40% Energy • 12% Liveness
90% Instrumentalness • 13% Positiveness
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Tim Wynn
Game Over
80 bpm • D Maj • 01:08 • -14.1db
30% Popularity • 38% Danceability • 45% Energy • 16% Liveness
87% Instrumentalness • 21% Positiveness
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Stuart Chatwood
The Blasted Heath
80 bpm • G min • 08:15 • -12.77db
37% Popularity • 40% Danceability • 73% Energy • 17% Liveness
77% Instrumentalness • 26% Positiveness
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Stephen Barton
Made Men
80 bpm • A# min • 04:06 • -12.02db
13% Popularity • 25% Danceability • 58% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Christopher Lennertz
Agent Combat
80 bpm • C# Maj • 01:07 • -14.01db
26% Popularity • 42% Danceability • 65% Energy • 13% Liveness
27% Instrumentalness • 44% Positiveness
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Jon Everist
'Mech Bay Cantata
80 bpm • A min • 06:32 • -18.38db
14% Popularity • 60% Danceability • 37% Energy • 11% Liveness
78% Instrumentalness • 7% Positiveness
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Borislav Slavov
Alien Suite
80 bpm • C# Maj • 02:07 • -12.55db
13% Popularity • 42% Danceability • 52% Energy • 11% Liveness
95% Instrumentalness • 33% Positiveness
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Kevin Riepl
Beast of the Blood Eaters
80 bpm • C# Maj • 02:26 • -15db
33% Popularity • 54% Danceability • 64% Energy • 18% Liveness
84% Instrumentalness • 53% Positiveness
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Sam Hulick
Wake Up
80 bpm • G min • 02:01 • -22db
30% Popularity • 32% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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James Hannigan
200 Years Ago, On an Icy Planet...
80 bpm • D min • 07:20 • -15db
18% Popularity • 17% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Jason Graves
A Call For Help
80 bpm • G# Maj • 06:31 • -14.8db
16% Popularity • 23% Danceability • 36% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Jon Everist
Three Years Later
80 bpm • C Maj • 08:18 • -16.96db
13% Popularity • 53% Danceability • 53% Energy • 9% Liveness
60% Instrumentalness • 16% Positiveness
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Pawel Blaszczak
Jasir
80 bpm • G min • 01:51 • -19.89db
29% Popularity • 38% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 6% Positiveness
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Tim Wynn
Implants
80 bpm • F Maj • 01:34 • -12.82db
17% Popularity • 30% Danceability • 47% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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Jason Hayes
Valor My Shield
80 bpm • D Maj • 03:02 • -10.73db
22% Popularity • 37% Danceability • 44% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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James Hannigan
Imperial Peril
80 bpm • G# Maj • 02:12 • -15.63db
14% Popularity • 34% Danceability • 14% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - High Intensity...
81 bpm • C# Maj • 01:12 • -12.1db
13% Popularity • 34% Danceability • 59% Energy • 32% Liveness
92% Instrumentalness • 15% Positiveness
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Richard Beddow
Thetis' Lament
81 bpm • D Maj • 01:39 • -19.72db
19% Popularity • 14% Danceability • 24% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Jason Graves
First Blood
79 bpm • C Maj • 04:26 • -20.26db
13% Popularity • 7% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Tim Wynn
Commander Awakens
80 bpm • A# Maj • 03:23 • -16.65db
15% Popularity • 16% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Jason Hayes
The Dark Voice
80 bpm • C# Maj • 03:27 • -14.1db
17% Popularity • 30% Danceability • 19% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Raison Varner
Traveling to the Vault
81 bpm • F Maj • 03:21 • -19.02db
17% Popularity • 12% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Richard Birdsall
Sealed by Fate
79 bpm • F Maj • 04:02 • -13.05db
10% Popularity • 14% Danceability • 40% Energy • 32% Liveness
90% Instrumentalness • 17% Positiveness
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Henry Jackman
Hidden in Plain Sight
78 bpm • G Maj • 02:23 • -17.74db
24% Popularity • 15% Danceability • 28% Energy • 24% Liveness
91% Instrumentalness • 8% Positiveness
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Kevin Kiner
The Emperor's Play
82 bpm • C Maj • 04:35 • -21.2db
18% Popularity • 14% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Tim Wynn
Shen's Hope
78 bpm • D Maj • 02:00 • -29.65db
16% Popularity • 7% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 3% Positiveness
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Christopher Drake
The Final Offer
78 bpm • G Maj • 01:32 • -18.71db
17% Popularity • 12% Danceability • 15% Energy • 10% Liveness
73% Instrumentalness • 23% Positiveness
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John Paesano
No More Mercy
78 bpm • A# min • 02:20 • -11.67db
17% Popularity • 12% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Simon Ravn
The Righteous Path
77 bpm • C Maj • 03:15 • -15.25db
8% Popularity • 17% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Michael McCann
LIMB Clinic
83 bpm • G# Maj • 01:44 • -23.29db
32% Popularity • 14% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Stephen Barton
The Battle of Typhon
83 bpm • G# Maj • 06:57 • -12.42db
18% Popularity • 17% Danceability • 64% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Tim Wynn
Warlock
82 bpm • D Maj • 02:33 • -14.43db
14% Popularity • 41% Danceability • 67% Energy • 13% Liveness
95% Instrumentalness • 30% Positiveness
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Bill Brown
Helix Armada
83 bpm • G min • 03:23 • -14.51db
21% Popularity • 44% Danceability • 51% Energy • 11% Liveness
26% Instrumentalness • 28% Positiveness
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Sam Hulick
A Future That Many Will Never See
83 bpm • F# Maj • 01:33 • -13.56db
24% Popularity • 20% Danceability • 33% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Jason Hayes
Protoss Ready Room
77 bpm • C# Maj • 01:26 • -15.12db
27% Popularity • 13% Danceability • 19% Energy • 26% Liveness
95% Instrumentalness • 3% Positiveness
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Jason Graves
Reaching Roth
83 bpm • E min • 03:17 • -20.15db
13% Popularity • 19% Danceability • 11% Energy • 12% Liveness
74% Instrumentalness • 3% Positiveness
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Paul Leonard-Morgan
Prophecy of War
83 bpm • G# Maj • 01:59 • -16.55db
11% Popularity • 8% Danceability • 49% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Tim Wynn
Last Hope
83 bpm • D Maj • 01:42 • -13.63db
27% Popularity • 45% Danceability • 65% Energy • 10% Liveness
91% Instrumentalness • 22% Positiveness
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Simon Ravn
The Looming Storm
77 bpm • F Maj • 02:39 • -16.88db
7% Popularity • 8% Danceability • 26% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
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Maclaine Diemer
Army of the War God
77 bpm • F min • 02:09 • -13.03db
15% Popularity • 50% Danceability • 57% Energy • 11% Liveness
85% Instrumentalness • 22% Positiveness
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Daniel Licht
Streets of Karnaca (Ambient)
84 bpm • G min • 02:31 • -28db
39% Popularity • 21% Danceability • 7% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Jon Everist
Mercenary Blues
84 bpm • G Maj • 04:03 • -21.75db
15% Popularity • 16% Danceability • 9% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
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Chris D'Ambrosio
Blacksite
85 bpm • C# Maj • 02:13 • -19.36db
18% Popularity • 34% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Joris de Man
Hologram Myth - Part 1 - Motherland
76 bpm • F# min • 03:35 • -22.86db
27% Popularity • 19% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Tim Wynn
Lethal Assault
85 bpm • C# Maj • 01:42 • -14.76db
19% Popularity • 49% Danceability • 65% Energy • 13% Liveness
77% Instrumentalness • 50% Positiveness
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Paul Leonard-Morgan
Macha
85 bpm • G Maj • 01:07 • -19.36db
15% Popularity • 15% Danceability • 33% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Jason Graves
Paying Respects
75 bpm • G min • 04:45 • -12.22db
10% Popularity • 14% Danceability • 46% Energy • 34% Liveness
83% Instrumentalness • 4% Positiveness
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Simon Ravn
Bleeding Earth
85 bpm • A# Maj • 02:23 • -24.33db
9% Popularity • 14% Danceability • 9% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Ludvig Forssell
Darkness Roars
75 bpm • C# min • 03:31 • -15.1db
12% Popularity • 41% Danceability • 79% Energy • 10% Liveness
91% Instrumentalness • 29% Positiveness
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Adam Schneider
Resistance
75 bpm • G# Maj • 02:48 • -4.77db
24% Popularity • 50% Danceability • 96% Energy • 8% Liveness
29% Instrumentalness • 97% Positiveness
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Tim Wynn
Psi Network
85 bpm • A# Maj • 02:19 • -22.61db
16% Popularity • 35% Danceability • 16% Energy • 11% Liveness
81% Instrumentalness • 3% Positiveness
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Sam Hulick
We Face Our Enemy Together
75 bpm • E min • 01:40 • -10.13db
29% Popularity • 20% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
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George Spanos
Origin System
86 bpm • A# Maj • 02:57 • -27.93db
25% Popularity • 17% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Johan Söderqvist
Snow and Mist
75 bpm • C# Maj • 02:10 • -24.66db
16% Popularity • 24% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Michael McCann
Singapore Ambient (Part 2)
86 bpm • A# min • 02:24 • -18.24db
33% Popularity • 19% Danceability • 29% Energy • 12% Liveness
74% Instrumentalness • 29% Positiveness
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Jason Graves
The Scavenger's Den
86 bpm • F Maj • 03:47 • -15.79db
17% Popularity • 22% Danceability • 15% Energy • 11% Liveness
16% Instrumentalness • 3% Positiveness
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Tim Wynn
Hope Is Lost
85 bpm • A Maj • 02:19 • -13.33db
14% Popularity • 51% Danceability • 58% Energy • 22% Liveness
95% Instrumentalness • 16% Positiveness
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Sam Hulick
Combat Simulator Tier 1
75 bpm • G min • 01:18 • -12.76db
15% Popularity • 34% Danceability • 54% Energy • 12% Liveness
53% Instrumentalness • 12% Positiveness
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Erasmus Talbot
Combat & Extras: Combat - High Intensity...
87 bpm • C Maj • 01:35 • -26.95db
9% Popularity • 47% Danceability • 13% Energy • 21% Liveness
87% Instrumentalness • 8% Positiveness
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Justin E. Bell
Hope, Forever
87 bpm • D min • 01:59 • -18.98db
39% Popularity • 38% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Sascha Dikiciyan
Main Menu Theme
73 bpm • G min • 03:37 • -17db
31% Popularity • 7% Danceability • 28% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Christopher Lennertz
Final Conversation
73 bpm • G min • 01:37 • -24.05db
33% Popularity • 23% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
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Tim Wynn
Blacksite Horror
75 bpm • D Maj • 02:18 • -24.51db
19% Popularity • 30% Danceability • 19% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Sam Hulick
We Fought As a United Galaxy
75 bpm • E min • 01:58 • -18db
28% Popularity • 12% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Joris de Man
The Bad News - Part 1 - Motherland
73 bpm • G# Maj • 03:04 • -22.82db
27% Popularity • 15% Danceability • 11% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Daniel Licht
Epilogue: Dead
87 bpm • E min • 01:07 • -21.33db
27% Popularity • 9% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Christopher Drake
G.C.P.D.
88 bpm • F# min • 02:14 • -10.21db
22% Popularity • 52% Danceability • 64% Energy • 10% Liveness
86% Instrumentalness • 51% Positiveness
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Frank Klepacki
Commanche Down
88 bpm • C min • 03:11 • -19.5db
24% Popularity • 59% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Jason Graves
Infiltrating the Bunker
88 bpm • G# Maj • 02:38 • -20.93db
19% Popularity • 39% Danceability • 25% Energy • 5% Liveness
91% Instrumentalness • 8% Positiveness
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Sam Hulick
The Fate Of The Galaxy
87 bpm • A# min • 01:21 • -16.77db
32% Popularity • 12% Danceability • 17% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Joris de Man
To Be Banuk
87 bpm • E min • 02:14 • -21.24db
20% Popularity • 18% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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The Flight
Death and Rebirth - Part 4 - Secrets of ...
89 bpm • C# min • 01:13 • -21.85db
18% Popularity • 13% Danceability • 38% Energy • 11% Liveness
37% Instrumentalness • 4% Positiveness
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Christopher Drake
Shadow of the Bat
88 bpm • G Maj • 02:10 • -11.77db
20% Popularity • 45% Danceability • 86% Energy • 21% Liveness
99% Instrumentalness • 55% Positiveness
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Daniel Licht
A Hole in the World: The Eye
89 bpm • A Maj • 01:07 • -22.97db
21% Popularity • 12% Danceability • 21% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Kevin Kiner
Assaulting the City
89 bpm • C# Maj • 05:20 • -14.46db
15% Popularity • 21% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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James Hannigan
Graffiti Speaks
72 bpm • D Maj • 01:38 • -26.76db
10% Popularity • 20% Danceability • 9% Energy • 19% Liveness
85% Instrumentalness • 3% Positiveness
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Chris D'Ambrosio
Death Approaches
90 bpm • D Maj • 02:14 • -21.51db
10% Popularity • 13% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Tim Wynn
Hunt the Weak
90 bpm • C# Maj • 01:21 • -21.64db
12% Popularity • 41% Danceability • 26% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Michael McCann
Opening Credits
90 bpm • D min • 02:15 • -12.6db
36% Popularity • 44% Danceability • 63% Energy • 20% Liveness
93% Instrumentalness • 24% Positiveness
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Michael Curran
Xenomancer
90 bpm • D Maj • 03:11 • -12.08db
13% Popularity • 40% Danceability • 64% Energy • 12% Liveness
95% Instrumentalness • 9% Positiveness
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Raison Varner
Mines of Avarice Ambience - Tiny Tina's ...
90 bpm • F min • 03:39 • -19.46db
21% Popularity • 47% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Sean Murray
Melville
90 bpm • D Maj • 03:14 • -12db
31% Popularity • 56% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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James Hannigan
Memories of Guthix
71 bpm • A Maj • 02:34 • -23.84db
28% Popularity • 16% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Tim Wynn
Obey
90 bpm • D Maj • 02:18 • -14.18db
17% Popularity • 50% Danceability • 89% Energy • 13% Liveness
66% Instrumentalness • 33% Positiveness
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Bill Brown
Generals Main Theme
90 bpm • E min • 03:12 • -12db
34% Popularity • 56% Danceability • 62% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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Kevin Riepl
Lawgiver
90 bpm • D Maj • 02:06 • -21db
24% Popularity • 62% Danceability • 60% Energy • 50% Liveness
71% Instrumentalness • 28% Positiveness
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Johan Söderqvist
Mystic Movement
90 bpm • A min • 01:15 • -23.71db
14% Popularity • 33% Danceability • 22% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Grant Kirkhope
Solar Collector
90 bpm • E Maj • 04:42 • -19.51db
9% Popularity • 14% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Phill Boucher
Welcome to City 31
90 bpm • E min • 01:09 • -20.49db
32% Popularity • 37% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Tim Wynn
Last Gift
90 bpm • C# Maj • 01:51 • -14.23db
14% Popularity • 54% Danceability • 71% Energy • 12% Liveness
66% Instrumentalness • 28% Positiveness
► Preview
Bill Brown
Zero Hour Main Theme
90 bpm • E min • 03:10 • -14db
28% Popularity • 50% Danceability • 62% Energy • 11% Liveness
68% Instrumentalness • 55% Positiveness
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Daniel Licht
Intro the Return
90 bpm • E min • 01:10 • -16.72db
44% Popularity • 36% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Michael McCann
Detroit City Ambient (Part 1)
90 bpm • C Maj • 02:03 • -22db
37% Popularity • 10% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 5% Positiveness
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Simon Ravn
A Defiant End
71 bpm • G min • 00:57 • -18.55db
11% Popularity • 14% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Jamie Christopherson
Fury of The Victims
91 bpm • A Maj • 02:03 • -9.98db
13% Popularity • 35% Danceability • 61% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
► Preview
Tim Wynn
Ambush
90 bpm • D Maj • 04:56 • -17.65db
18% Popularity • 45% Danceability • 62% Energy • 11% Liveness
64% Instrumentalness • 23% Positiveness
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Petri Alanko
You See Me in My Dreams
70 bpm • F Maj • 02:48 • -19.51db
10% Popularity • 17% Danceability • 30% Energy • 16% Liveness
91% Instrumentalness • 4% Positiveness
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Commander Awakens