Songs like Comme femme, M 144 (Arr. M. Lewon for Lute & Gittern) by Johannes Tinctoris
Based on a tempo of (+/- 10%) and a similar genre
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Anthony Holborne
Dances: Sic semper soleo
110 bpm • G min • 01:26 • -22db
8% Popularity • 57% Danceability • 5% Energy • 9% Liveness
60% Instrumentalness • 52% Positiveness
8% Popularity • 57% Danceability • 5% Energy • 9% Liveness
60% Instrumentalness • 52% Positiveness
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Heinrich Isaac
La la hö hö
110 bpm • D Maj • 01:37 • -15.78db
9% Popularity • 42% Danceability • 19% Energy • 6% Liveness
89% Instrumentalness • 31% Positiveness
9% Popularity • 42% Danceability • 19% Energy • 6% Liveness
89% Instrumentalness • 31% Positiveness
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Bartolomé Cárceres
Falalalán Falalalera
110 bpm • A min • 01:54 • -22.13db
8% Popularity • 64% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 46% Positiveness
8% Popularity • 64% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 46% Positiveness
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Johann Walter
Jesus Christus, unser Heiland
111 bpm • G min • 01:25 • -20db
13% Popularity • 24% Danceability • 14% Energy • 6% Liveness
6% Instrumentalness • 9% Positiveness
13% Popularity • 24% Danceability • 14% Energy • 6% Liveness
6% Instrumentalness • 9% Positiveness
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Johannes Tinctoris
Comme femme, M 144 (Arr. M. Lewon for Lu...
110 bpm • C Maj • 01:48 • -21.74db
1% Popularity • 33% Danceability • 19% Energy • 15% Liveness
93% Instrumentalness • 81% Positiveness
1% Popularity • 33% Danceability • 19% Energy • 15% Liveness
93% Instrumentalness • 81% Positiveness
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Giovanni Girolamo Kapsberger
Canarios. Tablature Di Chitarrone Livre ...
111 bpm • G Maj • 02:15 • -34.82db
15% Popularity • 43% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
15% Popularity • 43% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
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Hildegard von Bingen
Discretio - Ego Discretio
111 bpm • C Maj • 02:07 • -35db
20% Popularity • 23% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Pierre Attaingnant
Basse dance Cueur angoisseux
109 bpm • D# min • 01:23 • -33.07db
10% Popularity • 59% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
10% Popularity • 59% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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John Dowland
Sir John Souch his Galiard
111 bpm • G min • 01:28 • -18.4db
12% Popularity • 42% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
12% Popularity • 42% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 25% Positiveness
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Miguel De Fuellana
Si Amores Me Han de Matar
111 bpm • G min • 01:29 • -20.05db
7% Popularity • 61% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 68% Positiveness
7% Popularity • 61% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 68% Positiveness
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![Le souvenir [Segovia Codex, Toledo, c. 1501-1503] cover art](https://i.scdn.co/image/ab67616d00001e027f4057acac21203154b148b9)
Johannes Tinctoris
Le souvenir [Segovia Codex, Toledo, c. 1...
111 bpm • F Maj • 01:09 • -31.62db
0% Popularity • 43% Danceability • 5% Energy • 10% Liveness
56% Instrumentalness • 19% Positiveness
0% Popularity • 43% Danceability • 5% Energy • 10% Liveness
56% Instrumentalness • 19% Positiveness
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Garcimuñoz
Cancionero musical de palacio: No. 429, ...
111 bpm • F Maj • 07:12 • -20.28db
7% Popularity • 22% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 22% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Johannes Cornago
Morte merce, gentile aquill'altera
109 bpm • D min • 03:06 • -19.78db
7% Popularity • 27% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 27% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Francesco Manelli
Acceso mio cuore (Ciaconna)
109 bpm • C Maj • 02:42 • -24.61db
16% Popularity • 18% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
16% Popularity • 18% Danceability • 3% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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Mayshuet de Joan
Arae post libamina / Nunc surgunt
109 bpm • D Maj • 01:34 • -22.95db
12% Popularity • 28% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 28% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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John Sheppard
Sheppard: Gaude virgo Christiphera - 2. ...
109 bpm • E min • 01:25 • -25.14db
7% Popularity • 22% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 22% Danceability • 15% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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John Dowland
Lachrimae or Seven Tears: XV. Captain Pi...
109 bpm • F# min • 01:22 • -20.55db
13% Popularity • 20% Danceability • 8% Energy • 15% Liveness
97% Instrumentalness • 37% Positiveness
13% Popularity • 20% Danceability • 8% Energy • 15% Liveness
97% Instrumentalness • 37% Positiveness
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![Missa Quatuor Vocum in Ecclesia: III. Credo [1626] cover art](https://i.scdn.co/image/ab67616d00001e02e33eb2118e4d0c56ada345dc)
Jehan Titelouze
Missa Quatuor Vocum in Ecclesia: III. Cr...
109 bpm • C min • 06:19 • -15.52db
10% Popularity • 19% Danceability • 33% Energy • 11% Liveness
45% Instrumentalness • 17% Positiveness
10% Popularity • 19% Danceability • 33% Energy • 11% Liveness
45% Instrumentalness • 17% Positiveness
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Philippe Verdelot
Se l'ardor foss'equale
109 bpm • G# min • 02:49 • -18.69db
16% Popularity • 22% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 12% Energy • 33% Liveness
0% Instrumentalness • 9% Positiveness
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Matthew Locke
The Little Consort, Suite No. 8 in A Min...
111 bpm • G# Maj • 01:01 • -22.04db
16% Popularity • 36% Danceability • 9% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
16% Popularity • 36% Danceability • 9% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
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Sigismondo D'India
Ha di serp'il velen, di tigr'il morso
109 bpm • G# Maj • 02:10 • -24db
8% Popularity • 32% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 32% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Henry Lawes
Have You e’er seen the Morning Sun? (A...
112 bpm • A Maj • 02:31 • -24.28db
17% Popularity • 35% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 35% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Aria
108 bpm • C Maj • 03:55 • -44.2db
17% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
17% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
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Piffaro
Dieu Quel Mariage/Corps Digne
108 bpm • B min • 01:12 • -19.28db
14% Popularity • 32% Danceability • 11% Energy • 29% Liveness
99% Instrumentalness • 32% Positiveness
14% Popularity • 32% Danceability • 11% Energy • 29% Liveness
99% Instrumentalness • 32% Positiveness
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A5 Vocal Ensemble
Guerrero: Beatus es
108 bpm • B Maj • 02:25 • -19.36db
14% Popularity • 19% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
14% Popularity • 19% Danceability • 16% Energy • 11% Liveness
7% Instrumentalness • 8% Positiveness
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Andrea Falconieri
Passacalle
108 bpm • D min • 04:21 • -22.31db
8% Popularity • 32% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
8% Popularity • 32% Danceability • 11% Energy • 11% Liveness
84% Instrumentalness • 15% Positiveness
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Anthony Holborne
Dances: Heigh Ho Holiday
108 bpm • D min • 01:02 • -21db
12% Popularity • 64% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
12% Popularity • 64% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Josquin des Prez
Parfons regretz à 5
108 bpm • F# min • 02:26 • -16.55db
7% Popularity • 18% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 18% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Mattio Rampollini
Bacco, Bacco
112 bpm • F Maj • 01:08 • -16db
23% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
23% Popularity • 49% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Jacques Arcadelt
Missa Noe Noe: I. Kyrie
108 bpm • G min • 03:15 • -25.5db
12% Popularity • 16% Danceability • 9% Energy • 15% Liveness
81% Instrumentalness • 9% Positiveness
12% Popularity • 16% Danceability • 9% Energy • 15% Liveness
81% Instrumentalness • 9% Positiveness
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Gaspar Fernandes
Para la llegada del virrey don Diego Fer...
108 bpm • C Maj • 01:45 • -15.03db
10% Popularity • 19% Danceability • 48% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
10% Popularity • 19% Danceability • 48% Energy • 15% Liveness
94% Instrumentalness • 42% Positiveness
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Piffaro
Vilana, Che Sa Tu Far?
108 bpm • G Maj • 01:32 • -18db
13% Popularity • 23% Danceability • 14% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
13% Popularity • 23% Danceability • 14% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Alessandro Piccinini
Gagliarda I
107 bpm • G# Maj • 01:01 • -19db
21% Popularity • 57% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 48% Positiveness
21% Popularity • 57% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 48% Positiveness
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Emilio de' Cavalieri
Secunda die Lectio prima: V. Defecerunt
107 bpm • F# Maj • 01:49 • -18db
9% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Tinctoris
Vostre regart si tresfort m’a feru
107 bpm • F Maj • 05:38 • -23.22db
1% Popularity • 25% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 25% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Claudio Monteverdi
Introduzione al ballo, SV 154:1: Entrata...
113 bpm • G Maj • 02:04 • -19.86db
10% Popularity • 49% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 54% Positiveness
10% Popularity • 49% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 54% Positiveness
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Anonymus
Tutti debiam cantare
107 bpm • C Maj • 02:22 • -18.38db
10% Popularity • 50% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
10% Popularity • 50% Danceability • 23% Energy • 8% Liveness
1% Instrumentalness • 69% Positiveness
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Alexander Agricola
Guarde vostre visage No. 1
107 bpm • C Maj • 00:50 • -19.75db
14% Popularity • 78% Danceability • 26% Energy • 19% Liveness
96% Instrumentalness • 64% Positiveness
14% Popularity • 78% Danceability • 26% Energy • 19% Liveness
96% Instrumentalness • 64% Positiveness
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Thomas Tallis
Tallis: Blessed are those that be undefi...
106 bpm • D Maj • 01:18 • -22.82db
9% Popularity • 19% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Anthony Holborne
Dances: Ecce quam bonum
114 bpm • C min • 01:23 • -22.49db
8% Popularity • 35% Danceability • 3% Energy • 21% Liveness
69% Instrumentalness • 37% Positiveness
8% Popularity • 35% Danceability • 3% Energy • 21% Liveness
69% Instrumentalness • 37% Positiveness
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John Dowland
Lachrimae or Seven Tears: II. Lachrimae ...
114 bpm • G# min • 03:28 • -21.22db
10% Popularity • 17% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
10% Popularity • 17% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
114 bpm • D min • 01:26 • -24.55db
16% Popularity • 24% Danceability • 4% Energy • 14% Liveness
75% Instrumentalness • 41% Positiveness
16% Popularity • 24% Danceability • 4% Energy • 14% Liveness
75% Instrumentalness • 41% Positiveness
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Hildegard von Bingen
O ignis spiritus, BN 28
114 bpm • F# min • 04:48 • -26.75db
12% Popularity • 32% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 32% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Juan del Encina
Propiñan de Melyor
115 bpm • A min • 03:05 • -28db
14% Popularity • 37% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
14% Popularity • 37% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Pierre Attaingnant
Second livre de danseries: Tourdion C’...
105 bpm • C min • 00:57 • -30.87db
19% Popularity • 51% Danceability • 1% Energy • 23% Liveness
73% Instrumentalness • 76% Positiveness
19% Popularity • 51% Danceability • 1% Energy • 23% Liveness
73% Instrumentalness • 76% Positiveness
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Ensemble Discantus
Cantiga de Santa Maria 300: Muito deveri...
105 bpm • F# Maj • 04:22 • -21.94db
8% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Antoine Brumel
Missa Et ecce terrae motus: Kyrie
106 bpm • C Maj • 07:49 • -14.81db
12% Popularity • 15% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
12% Popularity • 15% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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Gábor Kállay
Ha! traitre amours - Le souvenir - 3 dan...
105 bpm • C Maj • 05:56 • -15.9db
0% Popularity • 31% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
0% Popularity • 31% Danceability • 13% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
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Francesco Corbetta
Suite in C Major: II. Allemanda
105 bpm • B Maj • 01:38 • -34.82db
12% Popularity • 46% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
12% Popularity • 46% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 52% Positiveness
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Gregorian Chants
My Lord
115 bpm • G min • 05:05 • -19.53db
12% Popularity • 20% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 20% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 13% Positiveness
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Johannes Tinctoris
De tous biens playne [Segovia Codex, Tol...
105 bpm • D min • 01:16 • -28.14db
0% Popularity • 37% Danceability • 5% Energy • 8% Liveness
82% Instrumentalness • 49% Positiveness
0% Popularity • 37% Danceability • 5% Energy • 8% Liveness
82% Instrumentalness • 49% Positiveness
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Piffaro
Textless Carmen
115 bpm • D Maj • 01:04 • -20db
23% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
23% Popularity • 47% Danceability • 4% Energy • 21% Liveness
99% Instrumentalness • 51% Positiveness
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Manuel Machado
Dos estrellas le siguen
115 bpm • G min • 02:16 • -18.97db
11% Popularity • 38% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
11% Popularity • 38% Danceability • 17% Energy • 13% Liveness
39% Instrumentalness • 29% Positiveness
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Nicolas Champion
Missa de Sancta Maria Magdalena Gloria
105 bpm • B Maj • 05:19 • -19.71db
8% Popularity • 17% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 17% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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John Dowland
Mrs. Nichols Almand
116 bpm • A# Maj • 01:55 • -21.24db
8% Popularity • 31% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
8% Popularity • 31% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 13% Positiveness
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Bertrand de Bacilly
Pour une bergere infidelle
115 bpm • G min • 02:52 • -27.69db
21% Popularity • 29% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 21% Positiveness
21% Popularity • 29% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 21% Positiveness
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Claude Gervaise
Troisième livre de danseries: Suite d�...
116 bpm • G Maj • 01:32 • -26.66db
9% Popularity • 59% Danceability • 1% Energy • 14% Liveness
93% Instrumentalness • 43% Positiveness
9% Popularity • 59% Danceability • 1% Energy • 14% Liveness
93% Instrumentalness • 43% Positiveness
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Michel Lambert
Le repos, l'ombre, le silence
104 bpm • A Maj • 05:10 • -22.71db
7% Popularity • 24% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 24% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Claudio Monteverdi
Laetatus sum I
116 bpm • G Maj • 06:24 • -20.87db
7% Popularity • 35% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 30% Positiveness
7% Popularity • 35% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 30% Positiveness
► Preview
Giaches de Wert
Gaudete in Domino
116 bpm • G min • 01:32 • -20.09db
15% Popularity • 20% Danceability • 28% Energy • 10% Liveness
43% Instrumentalness • 15% Positiveness
15% Popularity • 20% Danceability • 28% Energy • 10% Liveness
43% Instrumentalness • 15% Positiveness
► Preview
Bellerofonte Castaldi
Aurora Corrente. Capricci a Due Stroment...
104 bpm • F Maj • 03:17 • -34.75db
11% Popularity • 36% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
11% Popularity • 36% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
► Preview
Johannes Tinctoris
Elaes Abrayam
104 bpm • G# min • 02:16 • -19.4db
0% Popularity • 16% Danceability • 5% Energy • 7% Liveness
79% Instrumentalness • 29% Positiveness
0% Popularity • 16% Danceability • 5% Energy • 7% Liveness
79% Instrumentalness • 29% Positiveness
► Preview
Guillaume de Machaut
Donnez, signeurs, Ballade 26 a 3: II. A ...
104 bpm • E Maj • 01:44 • -20.86db
8% Popularity • 24% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 24% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
John Playford
The Dancing Master: Packington's Pound
104 bpm • D min • 02:15 • -27.67db
8% Popularity • 48% Danceability • 13% Energy • 29% Liveness
1% Instrumentalness • 31% Positiveness
8% Popularity • 48% Danceability • 13% Energy • 29% Liveness
1% Instrumentalness • 31% Positiveness
► Preview
Pierre de la Rue
Soubz ce tumbel
116 bpm • C Maj • 05:03 • -24.03db
14% Popularity • 23% Danceability • 4% Energy • 7% Liveness
14% Instrumentalness • 8% Positiveness
14% Popularity • 23% Danceability • 4% Energy • 7% Liveness
14% Instrumentalness • 8% Positiveness
► Preview
Piffaro
Greiner, Zanner
104 bpm • A Maj • 01:43 • -16.04db
10% Popularity • 45% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
10% Popularity • 45% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 70% Positiveness
► Preview
John Dowland
The Second Book of Songes: No. 12, Fine ...
104 bpm • D Maj • 02:22 • -22.39db
9% Popularity • 49% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 49% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Jean Guyot de Châtelet
Benedicta es caelorum Regina
103 bpm • C Maj • 06:48 • -22.62db
12% Popularity • 16% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 16% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Loyset Compère
In nomine Iesu: Hora prima
103 bpm • C Maj • 01:44 • -22.14db
8% Popularity • 16% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
► Preview
Thomas Campion
The peacefull westerne winde
103 bpm • G Maj • 01:30 • -29.65db
9% Popularity • 22% Danceability • 2% Energy • 13% Liveness
98% Instrumentalness • 44% Positiveness
9% Popularity • 22% Danceability • 2% Energy • 13% Liveness
98% Instrumentalness • 44% Positiveness
► Preview
Guillaume Dufay
Se la face ay pale
103 bpm • A# Maj • 02:53 • -23db
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Vincenzo Capirola
Ricercar ottava
103 bpm • B Maj • 01:34 • -33.8db
15% Popularity • 51% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
15% Popularity • 51% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
► Preview
John Dowland
M. Giles Hoby his Galiard
104 bpm • C min • 01:42 • -21.32db
11% Popularity • 18% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
11% Popularity • 18% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
► Preview
A5 Vocal Ensemble
Guerrero: Ambulans Iesus
118 bpm • D# min • 03:32 • -19.86db
11% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Capella de Ministrers
Alta
118 bpm • A# Maj • 01:20 • -22.47db
8% Popularity • 71% Danceability • 14% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
8% Popularity • 71% Danceability • 14% Energy • 12% Liveness
99% Instrumentalness • 3% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: IV. Te per orbem terrar...
118 bpm • C Maj • 03:31 • -22.21db
7% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 23% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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John Cooke
Stella celi
102 bpm • D min • 01:53 • -23.92db
9% Popularity • 19% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Joan Ambrosio Dalza
Calata Al Española
118 bpm • F Maj • 02:31 • -30.54db
8% Popularity • 42% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 78% Positiveness
8% Popularity • 42% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 78% Positiveness
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John Dowland
Lachrimae or Seven Tears: V. Lachrimae c...
117 bpm • G# min • 03:17 • -21.3db
10% Popularity • 17% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
10% Popularity • 17% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Miguel de Fuenllana
Morenica, dame un beso
119 bpm • C Maj • 02:00 • -20db
10% Popularity • 42% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
10% Popularity • 42% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Piffaro
Greiner, Zancker, Schnöpfitzer
102 bpm • D Maj • 01:02 • -17.88db
24% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
24% Popularity • 47% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 74% Positiveness
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Giovanni Serragli
Donna, el pianto et la mia doglia
102 bpm • G Maj • 05:16 • -18.97db
9% Popularity • 29% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 29% Danceability • 8% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Philippe Verdelot
Gloriar mi poss io donne
101 bpm • C# min • 02:16 • -19.16db
11% Popularity • 19% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 19% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Ensemble Project Ars Nova
Regina gloriosa
119 bpm • D min • 02:19 • -33db
13% Popularity • 44% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
13% Popularity • 44% Danceability • 4% Energy • 7% Liveness
87% Instrumentalness • 57% Positiveness
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John Dowland
The King of Denmarks Galiard
103 bpm • C Maj • 01:38 • -21db
11% Popularity • 36% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
11% Popularity • 36% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Orlande de Lassus
Cantai, or piango
101 bpm • B Maj • 04:10 • -26.1db
11% Popularity • 16% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 16% Danceability • 13% Energy • 35% Liveness
0% Instrumentalness • 9% Positiveness
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Robert Cooper
Farewell My Joy
101 bpm • A# min • 03:35 • -22db
7% Popularity • 36% Danceability • 16% Energy • 11% Liveness
6% Instrumentalness • 15% Positiveness
7% Popularity • 36% Danceability • 16% Energy • 11% Liveness
6% Instrumentalness • 15% Positiveness
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John Sheppard
Sheppard: Beata nobis gaudia - 7. Sit la...
120 bpm • A Maj • 00:52 • -34.74db
11% Popularity • 26% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 26% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Philippe de Vitry
Vos quied admiramini - Gratissima vigini...
101 bpm • F Maj • 03:20 • -18.67db
12% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Orlando Gibbons
In Nomine No. 1 a 5
100 bpm • D min • 03:57 • -26.42db
9% Popularity • 14% Danceability • 2% Energy • 8% Liveness
73% Instrumentalness • 9% Positiveness
9% Popularity • 14% Danceability • 2% Energy • 8% Liveness
73% Instrumentalness • 9% Positiveness
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John Dowland
Captaine Digorie Piper his Galiard
103 bpm • F min • 03:11 • -21.84db
8% Popularity • 42% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
8% Popularity • 42% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Orlande de Lassus
Magnificat secundi tono "Ultimi miei sos...
120 bpm • G# Maj • 08:13 • -21.86db
7% Popularity • 20% Danceability • 16% Energy • 25% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 20% Danceability • 16% Energy • 25% Liveness
0% Instrumentalness • 5% Positiveness
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Lumen Valo
Josef Gabriel Rheinberger: Kyrie (Cantus...
100 bpm • D# Maj • 04:19 • -20.15db
8% Popularity • 14% Danceability • 14% Energy • 11% Liveness
62% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 11% Liveness
62% Instrumentalness • 3% Positiveness
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John Sheppard
Sheppard: Laudem dicite - 6. Gaudeamus e...
100 bpm • D# Maj • 01:07 • -22.8db
9% Popularity • 23% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
9% Popularity • 23% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Peire d’Alvernhe
Amar dei - Melody borrowed from Peire’...
100 bpm • C Maj • 06:43 • -21.74db
12% Popularity • 27% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
12% Popularity • 27% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Gregorian Chants
Lamentations Of Jeremiah
100 bpm • F# Maj • 07:16 • -18.52db
13% Popularity • 16% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
100 bpm • C# Maj • 01:14 • -20.03db
15% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
15% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
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Anonymous
Cancionero musical de palacio: No. 131, ...
100 bpm • C Maj • 02:46 • -30.68db
8% Popularity • 16% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
8% Popularity • 16% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness