Songs like Community by Max LL
Based on a tempo of (+/- 10%) and a similar genre
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Jeff van Dyck
Unpacking Theme
147 bpm • C Maj • 02:09 • -10db
29% Popularity • 58% Danceability • 24% Energy • 9% Liveness
52% Instrumentalness • 13% Positiveness
29% Popularity • 58% Danceability • 24% Energy • 9% Liveness
52% Instrumentalness • 13% Positiveness
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Alkis Livathinos
Impossible Colours
146 bpm • C Maj • 03:00 • -24db
23% Popularity • 56% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 56% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 3% Positiveness
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Yasunori Nishiki
Alfyn, the Apothecary
148 bpm • D Maj • 03:26 • -15.53db
34% Popularity • 26% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 10% Positiveness
34% Popularity • 26% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 10% Positiveness
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Joel Bille
Grottan
145 bpm • A min • 03:45 • -12.53db
14% Popularity • 14% Danceability • 59% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 59% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Russell Shaw
Title Theme
145 bpm • G# Maj • 04:15 • -23.95db
37% Popularity • 16% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Max LL
Hummingberg
149 bpm • C Maj • 02:09 • -17.87db
36% Popularity • 31% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 29% Positiveness
36% Popularity • 31% Danceability • 10% Energy • 9% Liveness
86% Instrumentalness • 29% Positiveness
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Jason Graves
Twofold
145 bpm • E min • 01:50 • -18.46db
32% Popularity • 14% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Arnaud Roy
Lords of Lava (Kapaku Prologue)
150 bpm • B min • 01:08 • -20.94db
36% Popularity • 55% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
36% Popularity • 55% Danceability • 26% Energy • 11% Liveness
91% Instrumentalness • 46% Positiveness
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Jonathan Geer
Echo of the Past
144 bpm • D# min • 02:02 • -18.45db
28% Popularity • 15% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
28% Popularity • 15% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Chris Remo
Shoshone Overlook
144 bpm • C Maj • 01:06 • -23db
53% Popularity • 51% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
53% Popularity • 51% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Ryan Roth
Sand Travellers
150 bpm • E min • 03:17 • -16db
16% Popularity • 55% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
16% Popularity • 55% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
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Tomoki Miyoshi
Redemption and Forgiveness
144 bpm • G# min • 03:22 • -21db
37% Popularity • 58% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
37% Popularity • 58% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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Wesley Sprayue
Midna's Theme - Piano
144 bpm • E Maj • 01:24 • -22.37db
40% Popularity • 37% Danceability • 7% Energy • 10% Liveness
75% Instrumentalness • 23% Positiveness
40% Popularity • 37% Danceability • 7% Energy • 10% Liveness
75% Instrumentalness • 23% Positiveness
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Tumult Kollektiv
A Simple Life
151 bpm • A min • 01:34 • -19db
33% Popularity • 22% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
33% Popularity • 22% Danceability • 14% Energy • 12% Liveness
91% Instrumentalness • 17% Positiveness
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Austin Wintory
Second Confluence
143 bpm • B min • 02:20 • -25.71db
38% Popularity • 14% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Alessio Dicorato
Escape Through the Snow - Piano
152 bpm • C# Maj • 01:16 • -22.18db
45% Popularity • 30% Danceability • 24% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
45% Popularity • 30% Danceability • 24% Energy • 11% Liveness
99% Instrumentalness • 19% Positiveness
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Frida Johansson
Garden Party
142 bpm • F min • 04:17 • -14.03db
24% Popularity • 40% Danceability • 26% Energy • 11% Liveness
16% Instrumentalness • 23% Positiveness
24% Popularity • 40% Danceability • 26% Energy • 11% Liveness
16% Instrumentalness • 23% Positiveness
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Andrew Prahlow
The Sun Station
143 bpm • F min • 02:38 • -16.65db
42% Popularity • 13% Danceability • 17% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
42% Popularity • 13% Danceability • 17% Energy • 9% Liveness
74% Instrumentalness • 3% Positiveness
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Tomoki Miyoshi
Dark Anomaly
142 bpm • A min • 03:18 • -22.29db
31% Popularity • 34% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
31% Popularity • 34% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
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Brad Derrick
Grazelands Dawn
141 bpm • G min • 05:01 • -15.34db
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 22% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Juke Remix
Zora's Domain
152 bpm • G Maj • 03:59 • -22.08db
23% Popularity • 31% Danceability • 17% Energy • 37% Liveness
90% Instrumentalness • 14% Positiveness
23% Popularity • 31% Danceability • 17% Energy • 37% Liveness
90% Instrumentalness • 14% Positiveness
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Justin Bell
In Search of Adventure
141 bpm • E min • 03:05 • -22db
32% Popularity • 56% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
32% Popularity • 56% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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Max LL
I'll Follow You
154 bpm • C min • 03:31 • -19.7db
26% Popularity • 46% Danceability • 29% Energy • 17% Liveness
89% Instrumentalness • 6% Positiveness
26% Popularity • 46% Danceability • 29% Energy • 17% Liveness
89% Instrumentalness • 6% Positiveness
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e.hillman
Ashen
140 bpm • F min • 04:32 • -26.93db
21% Popularity • 17% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 6% Positiveness
21% Popularity • 17% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 6% Positiveness
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Joel Schoch
First Glimpse
140 bpm • D min • 01:40 • -36db
20% Popularity • 17% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 29% Positiveness
20% Popularity • 17% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 29% Positiveness
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Theophany
Dawn of the First Day
140 bpm • B min • 03:11 • -17.72db
26% Popularity • 18% Danceability • 34% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 34% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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Black Salt Games
The Path to the Door
140 bpm • E min • 03:42 • -18.32db
25% Popularity • 34% Danceability • 16% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 34% Danceability • 16% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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David Fenn
Will's Theme
154 bpm • E min • 00:52 • -20db
34% Popularity • 26% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 39% Positiveness
34% Popularity • 26% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 39% Positiveness
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Mark Sparling
A Short Flight
140 bpm • C Maj • 02:32 • -14.23db
33% Popularity • 55% Danceability • 23% Energy • 9% Liveness
14% Instrumentalness • 25% Positiveness
33% Popularity • 55% Danceability • 23% Energy • 9% Liveness
14% Instrumentalness • 25% Positiveness
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Brombaer
Luminous Woods Prologue
140 bpm • C Maj • 01:42 • -20.93db
35% Popularity • 46% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
35% Popularity • 46% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 21% Positiveness
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ConcernedApe
Night Market
140 bpm • D min • 02:11 • -17.64db
52% Popularity • 53% Danceability • 20% Energy • 39% Liveness
94% Instrumentalness • 20% Positiveness
52% Popularity • 53% Danceability • 20% Energy • 39% Liveness
94% Instrumentalness • 20% Positiveness
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Aakaash Rao
Warm Waves of Happiness
140 bpm • G Maj • 02:22 • -17.18db
40% Popularity • 58% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
40% Popularity • 58% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
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Lifeformed
Redwood Colonnade
140 bpm • A min • 05:57 • -17db
35% Popularity • 34% Danceability • 37% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
35% Popularity • 34% Danceability • 37% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Paweł Górniak
Far in the Grassland
140 bpm • F# Maj • 02:43 • -17.94db
35% Popularity • 56% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
35% Popularity • 56% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Mark Sparling
Boat Buds (Alternate Mix)
140 bpm • A Maj • 06:57 • -11.48db
19% Popularity • 65% Danceability • 51% Energy • 12% Liveness
66% Instrumentalness • 80% Positiveness
19% Popularity • 65% Danceability • 51% Energy • 12% Liveness
66% Instrumentalness • 80% Positiveness
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T’s MUSIC
Resolve
140 bpm • E Maj • 01:18 • -17db
33% Popularity • 41% Danceability • 27% Energy • 40% Liveness
95% Instrumentalness • 19% Positiveness
33% Popularity • 41% Danceability • 27% Energy • 40% Liveness
95% Instrumentalness • 19% Positiveness
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Max LL
Northern Waters
140 bpm • C Maj • 02:21 • -24.75db
30% Popularity • 15% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
30% Popularity • 15% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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David Fenn
The Old Watchtowers
155 bpm • G min • 02:54 • -12.99db
27% Popularity • 41% Danceability • 44% Energy • 19% Liveness
90% Instrumentalness • 52% Positiveness
27% Popularity • 41% Danceability • 44% Energy • 19% Liveness
90% Instrumentalness • 52% Positiveness
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Lucas Cooper
Fishing Hole - Piano and Cello
139 bpm • D Maj • 03:20 • -23.81db
36% Popularity • 19% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
36% Popularity • 19% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Guy Jackson
My Floating Sanctuary
139 bpm • D Maj • 03:51 • -20.08db
14% Popularity • 15% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Mark Sparling
See You at the Top (Short Hike)
155 bpm • G Maj • 05:53 • -13.16db
28% Popularity • 52% Danceability • 49% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
28% Popularity • 52% Danceability • 49% Energy • 10% Liveness
95% Instrumentalness • 41% Positiveness
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Arnaud Roy
A Kora Tale
156 bpm • A min • 04:23 • -14.98db
33% Popularity • 46% Danceability • 35% Energy • 7% Liveness
87% Instrumentalness • 19% Positiveness
33% Popularity • 46% Danceability • 35% Energy • 7% Liveness
87% Instrumentalness • 19% Positiveness
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Max LL
Shipyards
140 bpm • C Maj • 01:23 • -18.11db
28% Popularity • 72% Danceability • 33% Energy • 12% Liveness
72% Instrumentalness • 80% Positiveness
28% Popularity • 72% Danceability • 33% Energy • 12% Liveness
72% Instrumentalness • 80% Positiveness
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Jonathan Geer
Strato
156 bpm • C Maj • 02:40 • -16.99db
26% Popularity • 44% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 40% Positiveness
26% Popularity • 44% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 40% Positiveness
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David Fenn
Tired Rynoka
156 bpm • E min • 01:44 • -15.44db
40% Popularity • 40% Danceability • 17% Energy • 16% Liveness
95% Instrumentalness • 16% Positiveness
40% Popularity • 40% Danceability • 17% Energy • 16% Liveness
95% Instrumentalness • 16% Positiveness
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Joel Corelitz
Indoor
138 bpm • D min • 01:26 • -26.46db
36% Popularity • 73% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 82% Positiveness
36% Popularity • 73% Danceability • 5% Energy • 9% Liveness
96% Instrumentalness • 82% Positiveness
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Mark Sparling
See You at the Top (Long Hike)
155 bpm • G Maj • 09:35 • -12.86db
23% Popularity • 51% Danceability • 47% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
23% Popularity • 51% Danceability • 47% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Tomoki Miyoshi
The Warmth of Hope
138 bpm • G# Maj • 02:02 • -20.27db
43% Popularity • 70% Danceability • 17% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
43% Popularity • 70% Danceability • 17% Energy • 8% Liveness
91% Instrumentalness • 31% Positiveness
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Max LL
Wind Witherer
140 bpm • E min • 02:33 • -20.23db
12% Popularity • 45% Danceability • 24% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
12% Popularity • 45% Danceability • 24% Energy • 15% Liveness
91% Instrumentalness • 12% Positiveness
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Robin Appelqvist
The Hills Yonder
137 bpm • E min • 02:10 • -19.78db
26% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 55% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Tumult Kollektiv
Into the Out
158 bpm • F min • 01:16 • -15.73db
37% Popularity • 11% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 11% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Andrew Prahlow
Nomai Ruins
137 bpm • E min • 06:24 • -38.44db
38% Popularity • 15% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Will Savino
The New Gods
158 bpm • E Maj • 03:26 • -16.79db
28% Popularity • 27% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
28% Popularity • 27% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Coxev
Kena: Bridge of Spirits - The Medley: Th...
137 bpm • D min • 02:25 • -19.97db
30% Popularity • 24% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Max LL
Dust Bunnies
155 bpm • C Maj • 00:40 • -13.34db
24% Popularity • 73% Danceability • 56% Energy • 12% Liveness
85% Instrumentalness • 48% Positiveness
24% Popularity • 73% Danceability • 56% Energy • 12% Liveness
85% Instrumentalness • 48% Positiveness
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Joel Bille
Nästet Del 2
136 bpm • A min • 04:52 • -12.72db
15% Popularity • 20% Danceability • 46% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
15% Popularity • 20% Danceability • 46% Energy • 10% Liveness
83% Instrumentalness • 10% Positiveness
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Joris de Man
Shelter from the Storm
136 bpm • A min • 05:20 • -16.18db
32% Popularity • 27% Danceability • 27% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
32% Popularity • 27% Danceability • 27% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
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Jeff Russo
The House
136 bpm • D min • 03:30 • -32db
22% Popularity • 15% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
22% Popularity • 15% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Jeremy Soule
King and Country
136 bpm • F# min • 04:04 • -21.33db
49% Popularity • 17% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 17% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Max Duggan
Hillside Daydreams
160 bpm • E Maj • 02:54 • -14.4db
20% Popularity • 59% Danceability • 27% Energy • 27% Liveness
82% Instrumentalness • 15% Positiveness
20% Popularity • 59% Danceability • 27% Energy • 27% Liveness
82% Instrumentalness • 15% Positiveness
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Max LL
Choo Choo!
139 bpm • C# Maj • 00:47 • -11.8db
23% Popularity • 44% Danceability • 92% Energy • 10% Liveness
83% Instrumentalness • 22% Positiveness
23% Popularity • 44% Danceability • 92% Energy • 10% Liveness
83% Instrumentalness • 22% Positiveness
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Olivier Deriviere
Father
160 bpm • D min • 02:35 • -23.23db
38% Popularity • 44% Danceability • 6% Energy • 11% Liveness
18% Instrumentalness • 36% Positiveness
38% Popularity • 44% Danceability • 6% Energy • 11% Liveness
18% Instrumentalness • 36% Positiveness
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Yasunori Nishiki
The Woodlands
160 bpm • F# Maj • 03:45 • -19.24db
32% Popularity • 56% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
32% Popularity • 56% Danceability • 6% Energy • 10% Liveness
89% Instrumentalness • 32% Positiveness
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JSolo
Main Theme
160 bpm • A Maj • 02:43 • -19.48db
35% Popularity • 50% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
35% Popularity • 50% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Alkis Livathinos
Home
135 bpm • E min • 01:46 • -28.59db
33% Popularity • 53% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
33% Popularity • 53% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
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Mikko Tarmia
Alone (End Credits)
135 bpm • F min • 02:18 • -18.99db
42% Popularity • 26% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Max LL
Don't Be Scared Stella
137 bpm • A min • 02:04 • -18.17db
31% Popularity • 15% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 15% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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David GarcÃa DÃaz
The King
134 bpm • E min • 02:01 • -20.46db
36% Popularity • 19% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 19% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Yasunori Nishiki
The Riverlands
160 bpm • B min • 04:32 • -18.64db
36% Popularity • 59% Danceability • 15% Energy • 8% Liveness
22% Instrumentalness • 67% Positiveness
36% Popularity • 59% Danceability • 15% Energy • 8% Liveness
22% Instrumentalness • 67% Positiveness
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Phoenix Glendinning
A Shadian Lullaby
134 bpm • A# min • 03:50 • -17db
21% Popularity • 56% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
21% Popularity • 56% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 24% Positiveness
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JSolo
Echoes of The Eye
162 bpm • C# min • 04:17 • -17.21db
27% Popularity • 30% Danceability • 34% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
27% Popularity • 30% Danceability • 34% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Austin Wintory
The Crossing
162 bpm • B min • 01:58 • -20.4db
31% Popularity • 10% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Max LL
The Swarms of Hades
134 bpm • D min • 01:51 • -12.12db
26% Popularity • 16% Danceability • 45% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 45% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
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Theophany
Crossing Over
132 bpm • G Maj • 01:17 • -19.47db
20% Popularity • 30% Danceability • 16% Energy • 15% Liveness
87% Instrumentalness • 9% Positiveness
20% Popularity • 30% Danceability • 16% Energy • 15% Liveness
87% Instrumentalness • 9% Positiveness
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Paweł Górniak
The Opening
132 bpm • D# Maj • 01:53 • -14.84db
34% Popularity • 62% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
34% Popularity • 62% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Andrew Prahlow
End of the Wilds
164 bpm • G Maj • 02:38 • -36.46db
33% Popularity • 19% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 19% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Yasunori Nishiki
The Frostlands
164 bpm • C# Maj • 04:19 • -22.58db
38% Popularity • 42% Danceability • 6% Energy • 6% Liveness
74% Instrumentalness • 18% Positiveness
38% Popularity • 42% Danceability • 6% Energy • 6% Liveness
74% Instrumentalness • 18% Positiveness
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Austin Wintory
First Confluence
133 bpm • C# min • 01:40 • -29.58db
40% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
40% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Max LL
Northern Waters (Night)
132 bpm • C Maj • 01:55 • -31.82db
27% Popularity • 26% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Jonathan Geer
Flight of the Boguins
132 bpm • D# min • 01:04 • -11.82db
26% Popularity • 62% Danceability • 29% Energy • 13% Liveness
72% Instrumentalness • 24% Positiveness
26% Popularity • 62% Danceability • 29% Energy • 13% Liveness
72% Instrumentalness • 24% Positiveness
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Jeremy Soule
Through the Valleys
132 bpm • E min • 04:19 • -24.33db
50% Popularity • 16% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
50% Popularity • 16% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Chris Remo
Hidden Away
131 bpm • B min • 02:09 • -25db
42% Popularity • 42% Danceability • 0% Energy • 14% Liveness
85% Instrumentalness • 6% Positiveness
42% Popularity • 42% Danceability • 0% Energy • 14% Liveness
85% Instrumentalness • 6% Positiveness
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Yasunori Nishiki
Cyrus, the Scholar
131 bpm • F min • 02:30 • -12.36db
39% Popularity • 21% Danceability • 35% Energy • 12% Liveness
81% Instrumentalness • 63% Positiveness
39% Popularity • 21% Danceability • 35% Energy • 12% Liveness
81% Instrumentalness • 63% Positiveness
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Jim Guthrie
Shadows in the Throne Room
165 bpm • G Maj • 01:09 • -21.92db
32% Popularity • 21% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
32% Popularity • 21% Danceability • 4% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Claire Waluch
Midna's Lament
131 bpm • A min • 01:51 • -20.2db
39% Popularity • 47% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
39% Popularity • 47% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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User Youth
Lost Woods
166 bpm • E min • 02:37 • -26.52db
28% Popularity • 62% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 48% Positiveness
28% Popularity • 62% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 48% Positiveness
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Jeremy Soule
Frostfall
131 bpm • E min • 03:26 • -20.9db
55% Popularity • 17% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
55% Popularity • 17% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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David Fenn
Onsen
130 bpm • F Maj • 01:01 • -21db
37% Popularity • 35% Danceability • 22% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
37% Popularity • 35% Danceability • 22% Energy • 10% Liveness
98% Instrumentalness • 24% Positiveness
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Joel Bille
Havet
130 bpm • E min • 03:17 • -15db
23% Popularity • 42% Danceability • 21% Energy • 11% Liveness
35% Instrumentalness • 20% Positiveness
23% Popularity • 42% Danceability • 21% Energy • 11% Liveness
35% Instrumentalness • 20% Positiveness
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Jim Guthrie
Lost Lanterns
166 bpm • G# min • 02:46 • -17.03db
37% Popularity • 44% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 25% Positiveness
37% Popularity • 44% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 25% Positiveness
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Ari J.
Scintillation
130 bpm • D min • 03:05 • -29.15db
21% Popularity • 48% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
21% Popularity • 48% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 10% Positiveness
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Eli Rainsberry
The Thalassic Surrounding
130 bpm • A# Maj • 01:22 • -35.22db
38% Popularity • 61% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
38% Popularity • 61% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Mark Sparling
Beach Buds (Long Hike)
130 bpm • C Maj • 08:54 • -13.65db
25% Popularity • 71% Danceability • 38% Energy • 8% Liveness
68% Instrumentalness • 52% Positiveness
25% Popularity • 71% Danceability • 38% Energy • 8% Liveness
68% Instrumentalness • 52% Positiveness
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David Fenn
The Stranded Sailor
130 bpm • G min • 01:34 • -17.44db
27% Popularity • 51% Danceability • 15% Energy • 9% Liveness
68% Instrumentalness • 17% Positiveness
27% Popularity • 51% Danceability • 15% Energy • 9% Liveness
68% Instrumentalness • 17% Positiveness
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Launchable Socks
TOEM
130 bpm • C Maj • 04:45 • -19.6db
17% Popularity • 61% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
17% Popularity • 61% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Alkis Livathinos
Autumn
166 bpm • B min • 01:39 • -23.8db
22% Popularity • 14% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
22% Popularity • 14% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 8% Positiveness
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Joris de Man
City On The Mesa - Part 3 - Onwards to M...
130 bpm • F Maj • 04:07 • -22db
34% Popularity • 42% Danceability • 16% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 42% Danceability • 16% Energy • 7% Liveness
81% Instrumentalness • 6% Positiveness
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Eli Rainsberry
To Cross the Seas
130 bpm • F min • 01:39 • -26.63db
33% Popularity • 53% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
33% Popularity • 53% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness