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Songs like
Company
by
Rosalie Craig
Based on a tempo of (+/- 10%) and a similar genre
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
30% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Gwen Verdon
Me and My Baby
144 bpm • A# Maj • 03:16 • -18db
21% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Megan Mullally
Deep Love
144 bpm • G# Maj • 03:13 • -7.3db
22% Popularity • 39% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Beth Leavel
Changing Lives (Reprise)
144 bpm • D Maj • 01:52 • -5.74db
31% Popularity • 61% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
24% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Gavin Creel
Any Moment
144 bpm • F min • 02:07 • -17.41db
32% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
29% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Rosalie Craig
Company
144 bpm • D Maj • 05:08 • -11.65db
30% Popularity • 53% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Aaron Tveit
You Can't Tame Me
143 bpm • D# Maj • 03:23 • -12db
25% Popularity • 45% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jerry Herman
With Anne on My Arm
143 bpm • A min • 04:18 • -11.63db
23% Popularity • 50% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Lea Michele
Sadie, Sadie
145 bpm • F min • 04:08 • -10db
27% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
29% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Alan Cumming
If You Could See Her
143 bpm • F# Maj • 03:40 • -12.71db
30% Popularity • 49% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Kecia Lewis-Evans
I Do, I Do in the Sky
145 bpm • A# min • 02:08 • -7db
30% Popularity • 67% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Mindi Dickstein
Here Alone
143 bpm • C# Maj • 03:37 • -11.54db
26% Popularity • 21% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Rosalie Craig
Marry Me a Little
142 bpm • D Maj • 04:55 • -14.08db
26% Popularity • 47% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Matthew James Thomas
Extraordinary
146 bpm • D min • 02:38 • -7.39db
35% Popularity • 53% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Sherie Rene Scott
A Part of That
142 bpm • F min • 04:01 • -11.22db
28% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Beth Leavel
Changing Lives
142 bpm • F# Maj • 03:10 • -6db
33% Popularity • 54% Danceability • 83% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Megan Hilty, Stephanie J. Block, Allison Janney and Ensemble
Shine Like The Sun
142 bpm • E Maj • 04:15 • -6.44db
34% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Lynnette Perry
The Crime of the Century
142 bpm • D# Maj • 02:52 • -7.77db
25% Popularity • 54% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Rosalie Craig
On the Inside
146 bpm • B min • 05:15 • -11.62db
6% Popularity • 25% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Aaron Tveit
You Done Tamed Me
142 bpm • G Maj • 01:55 • -9.17db
23% Popularity • 56% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
32% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Sally Dexter
As Long As He Needs Me - Reprise
146 bpm • F Maj • 02:16 • -13.35db
25% Popularity • 30% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
27% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
29% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
28% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Jake Gyllenhaal
Finishing the Hat
141 bpm • F# Maj • 03:33 • -10.95db
28% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Patina Miller
Raise Your Voice
141 bpm • C Maj • 06:23 • -5.3db
37% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
33% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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'Something Rotten' Ensemble
The Black Death
140 bpm • E Maj • 01:15 • -8.96db
39% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Peter Gallagher
Luck Be a Lady
148 bpm • G# Maj • 03:02 • -17.27db
36% Popularity • 54% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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A Chorus Line Ensemble (2006)
Opening: I Hope I Get It
141 bpm • A Maj • 06:57 • -9.75db
39% Popularity • 56% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Rose
Smile Girls - Bonus Track
140 bpm • C Maj • 02:49 • -5db
10% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Patina Miller
Take Me to Heaven - Reprise
148 bpm • F Maj • 05:45 • -6.45db
33% Popularity • 40% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
27% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
18% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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'Songs for a New World' 2018 Encores! Off-Center Company
Opening: The New World
140 bpm • D# Maj • 05:18 • -7db
31% Popularity • 52% Danceability • 47% Energy • 52% Liveness
0% Instrumentalness • 39% Positiveness
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Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
34% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
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A Chorus Line Ensemble (2006)
One (Reprise) / Finale
140 bpm • G min • 04:56 • -7.91db
35% Popularity • 61% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Annaleigh Ashford
Color and Light
140 bpm • G Maj • 08:34 • -13db
22% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
28% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
40% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Josie de Guzman
I'll Know
139 bpm • G Maj • 04:55 • -20db
30% Popularity • 40% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
31% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
26% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
32% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Gwen Verdon
My Own Best Friend
139 bpm • F Maj • 02:41 • -16.75db
24% Popularity • 40% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Harry Haden-Paton
The Rain in Spain
150 bpm • F Maj • 02:58 • -6.18db
18% Popularity • 45% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Vicki Simon
I Cain't Say No
139 bpm • F Maj • 02:53 • -10db
26% Popularity • 55% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
39% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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2021 London Cast of Cabaret
Maybe This Time
138 bpm • E Maj • 04:20 • -15.36db
37% Popularity • 35% Danceability • 15% Energy • 76% Liveness
0% Instrumentalness • 12% Positiveness
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Gwen Verdon
We Both Reached for the Gun
138 bpm • B Maj • 03:57 • -18db
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Rosalie Craig
Side by Side by Side
150 bpm • G Maj • 08:45 • -13.1db
25% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Ramin Karimloo
You're a Funny Girl / Beekman Call
150 bpm • D# Maj • 02:02 • -16.59db
19% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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David Hyde Pierce
Penny in My Pocket
150 bpm • G Maj • 02:49 • -10.98db
24% Popularity • 67% Danceability • 48% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
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Beth Fowler
I Want It All
151 bpm • C Maj • 04:11 • -13db
16% Popularity • 53% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Brian D'Arcy James
Finale: Children Will Listen
137 bpm • C Maj • 06:20 • -10.04db
34% Popularity • 46% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Christopher Sieber
The Acceptance Song
152 bpm • A# Maj • 03:14 • -5.35db
30% Popularity • 54% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
31% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Lauren Ambrose
I Could Have Danced All Night
136 bpm • C Maj • 03:48 • -6.46db
24% Popularity • 36% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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New Broadway Cast of Merrily We Roll Along
Merrily We Roll Along
153 bpm • C Maj • 03:57 • -6.68db
40% Popularity • 48% Danceability • 43% Energy • 59% Liveness
0% Instrumentalness • 71% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
30% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
29% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Brian D'Arcy James
To Thine Own Self - Reprise
135 bpm • E min • 01:50 • -13.56db
33% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
28% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Beautiful Ensemble
1650 Broadway Medley
153 bpm • C# Maj • 02:00 • -4db
31% Popularity • 57% Danceability • 82% Energy • 59% Liveness
0% Instrumentalness • 95% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
29% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Jerry Herman
A Little More Mascara
153 bpm • A Maj • 05:00 • -12db
22% Popularity • 44% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Gwen Verdon
Roxie
135 bpm • B Maj • 05:16 • -17.39db
20% Popularity • 67% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Sherie Rene Scott
A Summer in Ohio
135 bpm • A# Maj • 03:57 • -11db
29% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
27% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Nikki M. James
Sal Tlay Ka Siti
134 bpm • C Maj • 03:41 • -11db
43% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
24% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Damon Daunno
Oklahoma
134 bpm • D Maj • 03:30 • -9db
17% Popularity • 69% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
32% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Billy Porter
Everybody Say Yeah
134 bpm • D Maj • 04:19 • -6.19db
34% Popularity • 63% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
23% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Kate Baldwin
Elegance
155 bpm • G Maj • 02:30 • -8.78db
27% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
22% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Damon Daunno
The Surrey With The Fringe On Top
133 bpm • A Maj • 05:18 • -11.9db
25% Popularity • 52% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
31% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Charlotte D'Amboise
The Music and the Mirror
156 bpm • E Maj • 06:50 • -8.02db
29% Popularity • 42% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Patina Miller
Fabulous, Baby! - Reprise
156 bpm • G Maj • 03:01 • -5.64db
30% Popularity • 39% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
27% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Rosalie Craig
Probly Final
133 bpm • G# Maj • 03:02 • -11.37db
4% Popularity • 49% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
30% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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The Producers Ensemble
Opening Night
157 bpm • C Maj • 01:42 • -9.31db
27% Popularity • 51% Danceability • 56% Energy • 77% Liveness
0% Instrumentalness • 64% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
39% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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A Chorus Line Ensemble (2006)
One
132 bpm • G min • 05:56 • -10db
33% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Shoshana Bean
Stars and the Moon
156 bpm • D Maj • 04:45 • -9.02db
29% Popularity • 41% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Andy Karl
Day Two
132 bpm • D Maj • 04:26 • -8.2db
29% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Idina Menzel
Look at Me Now
157 bpm • A Maj • 02:15 • -4.45db
23% Popularity • 44% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Rose
Some People
132 bpm • C Maj • 03:12 • -5db
25% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Michael James Scott
Welcome to the Renaissance
131 bpm • C Maj • 04:45 • -7.22db
43% Popularity • 54% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Jenn Colella
28 Hours / Wherever We Are
131 bpm • E min • 07:33 • -8.57db
43% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Company