Songs like Concerto for 2 Pianos and Orchestra in D minor, FP 61: 1. Allegro ma non troppo by Francis Poulenc
Based on a tempo of (+/- 10%) and a similar genre
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Francis Poulenc
Organ Concerto, FP 93: Allegro giocoso
99 bpm • G Maj • 01:53 • -17.51db
15% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
15% Popularity • 32% Danceability • 19% Energy • 56% Liveness
93% Instrumentalness • 17% Positiveness
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Joseph Haydn
Haydn: Symphony No. 102 in B-Flat Major,...
99 bpm • A# Maj • 04:54 • -19.18db
1% Popularity • 47% Danceability • 11% Energy • 36% Liveness
81% Instrumentalness • 39% Positiveness
1% Popularity • 47% Danceability • 11% Energy • 36% Liveness
81% Instrumentalness • 39% Positiveness
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Felix Mendelssohn
Mendelssohn: String Quartet No. 2 in A M...
99 bpm • A min • 04:54 • -33.71db
11% Popularity • 36% Danceability • 4% Energy • 32% Liveness
16% Instrumentalness • 23% Positiveness
11% Popularity • 36% Danceability • 4% Energy • 32% Liveness
16% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Piano Concerto No. 23 in A Major...
99 bpm • F# min • 06:27 • -27.7db
23% Popularity • 24% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
23% Popularity • 24% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Piano Concerto No. 2 in F Minor, Op. 21:...
99 bpm • C# Maj • 08:52 • -22.22db
9% Popularity • 32% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
9% Popularity • 32% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Johannes Brahms
Serenade No. 2 in A Major, Op. 16: 2. Sc...
99 bpm • C Maj • 02:43 • -18.74db
33% Popularity • 50% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 56% Positiveness
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Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
99 bpm • D# Maj • 08:05 • -22.5db
14% Popularity • 36% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
14% Popularity • 36% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
99 bpm • D# Maj • 08:21 • -16.9db
31% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
31% Popularity • 21% Danceability • 16% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
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Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, Cantata...
98 bpm • G Maj • 03:28 • -31.36db
26% Popularity • 39% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
26% Popularity • 39% Danceability • 6% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Emmanuel Chabrier
Suite Pastorale: I. Idylle
98 bpm • F Maj • 04:29 • -25.08db
14% Popularity • 19% Danceability • 6% Energy • 16% Liveness
90% Instrumentalness • 11% Positiveness
14% Popularity • 19% Danceability • 6% Energy • 16% Liveness
90% Instrumentalness • 11% Positiveness
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Vladimir Cosma
Le Grand Blond avec une chaussure noire
98 bpm • D min • 04:01 • -15.16db
18% Popularity • 51% Danceability • 31% Energy • 8% Liveness
68% Instrumentalness • 64% Positiveness
18% Popularity • 51% Danceability • 31% Energy • 8% Liveness
68% Instrumentalness • 64% Positiveness
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Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
99 bpm • D# Maj • 08:20 • -24db
14% Popularity • 38% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 38% Danceability • 11% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Fazıl Say
Night
99 bpm • C Maj • 09:52 • -23.58db
10% Popularity • 42% Danceability • 14% Energy • 9% Liveness
85% Instrumentalness • 11% Positiveness
10% Popularity • 42% Danceability • 14% Energy • 9% Liveness
85% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH 13 / Pro...
100 bpm • F Maj • 06:27 • -21.38db
20% Popularity • 32% Danceability • 22% Energy • 8% Liveness
24% Instrumentalness • 17% Positiveness
20% Popularity • 32% Danceability • 22% Energy • 8% Liveness
24% Instrumentalness • 17% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 1 in A minor, BWV 10...
98 bpm • A min • 03:41 • -17db
31% Popularity • 48% Danceability • 25% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
31% Popularity • 48% Danceability • 25% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
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Robert Schumann
Piano Concerto in A Minor, Op. 54: II. I...
97 bpm • F Maj • 05:03 • -30.31db
9% Popularity • 23% Danceability • 2% Energy • 13% Liveness
69% Instrumentalness • 7% Positiveness
9% Popularity • 23% Danceability • 2% Energy • 13% Liveness
69% Instrumentalness • 7% Positiveness
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Edvard Grieg
Grieg: Piano Concerto in A Minor, Op. 16...
100 bpm • C# Maj • 06:09 • -29db
12% Popularity • 15% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 2% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Francis Poulenc
Pastourelle, FP 45
97 bpm • D# Maj • 02:33 • -25.47db
8% Popularity • 42% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
8% Popularity • 42% Danceability • 4% Energy • 14% Liveness
91% Instrumentalness • 22% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Pyotr Ilyich Tchaikovsky
Chanson triste, Op. 40: No. 2
101 bpm • G min • 02:58 • -33db
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Josef Suk
6 Pieces, Op. 7: 1. Love Song (Arr. Koci...
101 bpm • G# Maj • 06:35 • -16.31db
16% Popularity • 25% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 25% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Piano Concerto No. 1 in D Mino...
98 bpm • D min • 08:03 • -20db
35% Popularity • 47% Danceability • 25% Energy • 31% Liveness
83% Instrumentalness • 49% Positiveness
35% Popularity • 47% Danceability • 25% Energy • 31% Liveness
83% Instrumentalness • 49% Positiveness
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Adolfo Berio
Polka, for Piano 4 Hands
97 bpm • F Maj • 01:01 • -22.7db
12% Popularity • 61% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 86% Positiveness
12% Popularity • 61% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 86% Positiveness
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Franz Schubert
No. 4 in F Major (4 Polonaises, Op. 75, ...
101 bpm • C Maj • 03:42 • -29.99db
9% Popularity • 54% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 46% Positiveness
9% Popularity • 54% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 46% Positiveness
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Sergei Prokofiev
Piano Concerto No. 2 in G Minor, Op. 16:...
101 bpm • G min • 06:41 • -17.28db
8% Popularity • 40% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
8% Popularity • 40% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Rondo in G Minor, Op. 94, B. 181
101 bpm • G Maj • 07:53 • -23.44db
12% Popularity • 26% Danceability • 8% Energy • 13% Liveness
76% Instrumentalness • 19% Positiveness
12% Popularity • 26% Danceability • 8% Energy • 13% Liveness
76% Instrumentalness • 19% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
101 bpm • G Maj • 06:56 • -19.89db
1% Popularity • 34% Danceability • 14% Energy • 7% Liveness
76% Instrumentalness • 32% Positiveness
1% Popularity • 34% Danceability • 14% Energy • 7% Liveness
76% Instrumentalness • 32% Positiveness
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Fritz Kreisler
Schön Rosmarin
102 bpm • G Maj • 02:14 • -23.25db
22% Popularity • 49% Danceability • 13% Energy • 6% Liveness
76% Instrumentalness • 62% Positiveness
22% Popularity • 49% Danceability • 13% Energy • 6% Liveness
76% Instrumentalness • 62% Positiveness
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Erik Satie
Croquis et agaceries d'un gros bonhomme ...
97 bpm • C Maj • 01:37 • -22.27db
20% Popularity • 49% Danceability • 9% Energy • 18% Liveness
93% Instrumentalness • 14% Positiveness
20% Popularity • 49% Danceability • 9% Energy • 18% Liveness
93% Instrumentalness • 14% Positiveness
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Igor Stravinsky
Pulcinella Ballet in one Act: 3. Scherzi...
102 bpm • C Maj • 01:52 • -28db
15% Popularity • 40% Danceability • 5% Energy • 22% Liveness
88% Instrumentalness • 46% Positiveness
15% Popularity • 40% Danceability • 5% Energy • 22% Liveness
88% Instrumentalness • 46% Positiveness
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Sergei Prokofiev
12 Movements from Romeo and Juliet, Op. ...
101 bpm • A min • 03:39 • -21db
11% Popularity • 45% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
11% Popularity • 45% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
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Antonín Dvořák
Piano Quintet No. 2, Op. 81, B. 155: III...
96 bpm • F Maj • 04:21 • -17.81db
10% Popularity • 27% Danceability • 12% Energy • 33% Liveness
90% Instrumentalness • 22% Positiveness
10% Popularity • 27% Danceability • 12% Energy • 33% Liveness
90% Instrumentalness • 22% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH 13 / Act...
102 bpm • A# Maj • 04:39 • -20.06db
45% Popularity • 27% Danceability • 15% Energy • 31% Liveness
89% Instrumentalness • 47% Positiveness
45% Popularity • 27% Danceability • 15% Energy • 31% Liveness
89% Instrumentalness • 47% Positiveness
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Frédéric Chopin
Piano Concerto No. 2 in F Minor, Op. 21:...
96 bpm • G# Maj • 08:54 • -27.83db
22% Popularity • 23% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Jean Sibelius
Sibelius: Valse triste, Op. 44
102 bpm • G Maj • 05:30 • -23db
13% Popularity • 19% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
13% Popularity • 19% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Mendelssohn: Violin Concerto in E Minor,...
96 bpm • E min • 12:58 • -18db
24% Popularity • 24% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 13% Positiveness
24% Popularity • 24% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 13% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante - I...
102 bpm • E Maj • 09:05 • -23.47db
15% Popularity • 16% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 8% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
96 bpm • C min • 07:17 • -13.67db
17% Popularity • 30% Danceability • 31% Energy • 9% Liveness
83% Instrumentalness • 17% Positiveness
17% Popularity • 30% Danceability • 31% Energy • 9% Liveness
83% Instrumentalness • 17% Positiveness
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Erik Satie
Croquis et agaceries d'un gros bonhomme ...
102 bpm • C Maj • 01:58 • -22db
21% Popularity • 46% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
21% Popularity • 46% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
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Paul Éluard
Le travail du peintre: Juan Gris
102 bpm • E min • 02:09 • -18db
0% Popularity • 29% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
0% Popularity • 29% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Piano Concerto No. 3 in D M...
103 bpm • D min • 02:52 • -23.34db
34% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
34% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
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Felix Mendelssohn
Symphony No. 5 in D Major, Op. 107, MWV ...
96 bpm • G min • 04:52 • -34.54db
24% Popularity • 12% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 3% Positiveness
24% Popularity • 12% Danceability • 1% Energy • 6% Liveness
62% Instrumentalness • 3% Positiveness
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Sergei Prokofiev
Lieutenant Kijé Suite, Op. 60: II. Roma...
103 bpm • C min • 04:38 • -35db
11% Popularity • 18% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
11% Popularity • 18% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Johannes Brahms
Two Waltzes in A Major, Op. 39, No. 15 &...
96 bpm • A Maj • 02:52 • -20.71db
11% Popularity • 29% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
11% Popularity • 29% Danceability • 5% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
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Alfred Schnittke
Concerto Grosso No. 3: 2. Risoluto
95 bpm • G# Maj • 03:40 • -19.02db
16% Popularity • 37% Danceability • 28% Energy • 12% Liveness
61% Instrumentalness • 18% Positiveness
16% Popularity • 37% Danceability • 28% Energy • 12% Liveness
61% Instrumentalness • 18% Positiveness
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Karl Goldmark
Goldmark: Violin Concerto in A Minor, Op...
103 bpm • C Maj • 06:50 • -24.68db
12% Popularity • 18% Danceability • 15% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 15% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Symphony No. 2 in E Minor, ...
103 bpm • F Maj • 09:58 • -25.04db
10% Popularity • 31% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
10% Popularity • 31% Danceability • 14% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: I. Allegro
95 bpm • G Maj • 10:11 • -19.55db
3% Popularity • 20% Danceability • 15% Energy • 36% Liveness
13% Instrumentalness • 8% Positiveness
3% Popularity • 20% Danceability • 15% Energy • 36% Liveness
13% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Mendelssohn: String Quartet No. 2 in A M...
103 bpm • A min • 04:58 • -27db
10% Popularity • 38% Danceability • 8% Energy • 35% Liveness
28% Instrumentalness • 33% Positiveness
10% Popularity • 38% Danceability • 8% Energy • 35% Liveness
28% Instrumentalness • 33% Positiveness
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Frédéric Chopin
Piano Concerto No. 2 in F Minor, Op. 21 ...
103 bpm • F min • 08:49 • -21.22db
8% Popularity • 33% Danceability • 17% Energy • 13% Liveness
90% Instrumentalness • 18% Positiveness
8% Popularity • 33% Danceability • 17% Energy • 13% Liveness
90% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Concerto for 2 Harpsichords, Strings & C...
103 bpm • C Maj • 05:26 • -20db
19% Popularity • 44% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 70% Positiveness
19% Popularity • 44% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 70% Positiveness
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Franz Schubert
Ellens Gesang III, Op. 52, No. 6, D 839:...
95 bpm • C Maj • 04:32 • -24.49db
20% Popularity • 17% Danceability • 8% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 8% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Joey Roukens
Concerto for Two Pianos and Orchestra "I...
95 bpm • F min • 08:10 • -21.47db
11% Popularity • 26% Danceability • 25% Energy • 6% Liveness
89% Instrumentalness • 18% Positiveness
11% Popularity • 26% Danceability • 25% Energy • 6% Liveness
89% Instrumentalness • 18% Positiveness
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Alexandre Desplat
New Moon
94 bpm • A min • 02:47 • -15.43db
18% Popularity • 18% Danceability • 24% Energy • 12% Liveness
80% Instrumentalness • 13% Positiveness
18% Popularity • 18% Danceability • 24% Energy • 12% Liveness
80% Instrumentalness • 13% Positiveness
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Georges Bizet
Jeux d'enfants, Op. 22 WD 56: 12. Le bal
94 bpm • A Maj • 01:57 • -22.63db
2% Popularity • 59% Danceability • 25% Energy • 8% Liveness
87% Instrumentalness • 21% Positiveness
2% Popularity • 59% Danceability • 25% Energy • 8% Liveness
87% Instrumentalness • 21% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Robert Schumann
Piano Quintet in E flat, Op. 44: 2. In m...
94 bpm • F min • 08:55 • -24.11db
19% Popularity • 26% Danceability • 2% Energy • 14% Liveness
24% Instrumentalness • 8% Positiveness
19% Popularity • 26% Danceability • 2% Energy • 14% Liveness
24% Instrumentalness • 8% Positiveness
► Preview
Franz Schubert
4 Impromptus, Op. 90, D.899: No. 2 in E ...
94 bpm • F# Maj • 05:13 • -25.23db
13% Popularity • 21% Danceability • 6% Energy • 20% Liveness
90% Instrumentalness • 22% Positiveness
13% Popularity • 21% Danceability • 6% Energy • 20% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
Francis Poulenc
Le Bal Masqué: I. Préambule et Air de...
94 bpm • G Maj • 04:03 • -18.42db
5% Popularity • 52% Danceability • 26% Energy • 6% Liveness
20% Instrumentalness • 65% Positiveness
5% Popularity • 52% Danceability • 26% Energy • 6% Liveness
20% Instrumentalness • 65% Positiveness
► Preview
Michel Legrand
Papa, Can You Hear Me?
94 bpm • A min • 05:28 • -19.38db
20% Popularity • 18% Danceability • 13% Energy • 10% Liveness
37% Instrumentalness • 5% Positiveness
20% Popularity • 18% Danceability • 13% Energy • 10% Liveness
37% Instrumentalness • 5% Positiveness
► Preview
Joseph Haydn
Haydn: Symphony No. 97 in C Major, Hob. ...
104 bpm • F Maj • 06:44 • -24.15db
1% Popularity • 28% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 15% Positiveness
1% Popularity • 28% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 15% Positiveness
► Preview
Pablo de Sarasate
Peteneras, Op. 35 (version for violin an...
104 bpm • D min • 07:01 • -21.58db
6% Popularity • 51% Danceability • 7% Energy • 6% Liveness
38% Instrumentalness • 38% Positiveness
6% Popularity • 51% Danceability • 7% Energy • 6% Liveness
38% Instrumentalness • 38% Positiveness
► Preview
Jean Sibelius
Sibelius: Violin Concerto in D Minor, Op...
105 bpm • D Maj • 07:50 • -21.29db
11% Popularity • 40% Danceability • 19% Energy • 13% Liveness
50% Instrumentalness • 16% Positiveness
11% Popularity • 40% Danceability • 19% Energy • 13% Liveness
50% Instrumentalness • 16% Positiveness
► Preview
Franz Schubert
No. 3 in E Major (4 Polonaises, Op. 75, ...
105 bpm • E Maj • 04:04 • -28.28db
8% Popularity • 53% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 58% Positiveness
8% Popularity • 53% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 58% Positiveness
► Preview
Johannes Brahms
Violin Concerto in D Major, Op. 77: III....
94 bpm • D Maj • 07:56 • -19.06db
7% Popularity • 41% Danceability • 18% Energy • 18% Liveness
43% Instrumentalness • 29% Positiveness
7% Popularity • 41% Danceability • 18% Energy • 18% Liveness
43% Instrumentalness • 29% Positiveness
► Preview
Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
93 bpm • G Maj • 07:15 • -18.61db
17% Popularity • 30% Danceability • 15% Energy • 4% Liveness
56% Instrumentalness • 25% Positiveness
17% Popularity • 30% Danceability • 15% Energy • 4% Liveness
56% Instrumentalness • 25% Positiveness
► Preview
Igor Stravinsky
Concerto for 2 Pianos / III. Quattro var...
105 bpm • C# Maj • 01:10 • -25db
8% Popularity • 42% Danceability • 9% Energy • 16% Liveness
81% Instrumentalness • 52% Positiveness
8% Popularity • 42% Danceability • 9% Energy • 16% Liveness
81% Instrumentalness • 52% Positiveness
► Preview
Camille Saint-Saëns
Introduction et Rondo Capriccioso, Op. 2...
93 bpm • A min • 09:02 • -20.59db
15% Popularity • 33% Danceability • 15% Energy • 7% Liveness
55% Instrumentalness • 22% Positiveness
15% Popularity • 33% Danceability • 15% Energy • 7% Liveness
55% Instrumentalness • 22% Positiveness
► Preview
Emmanuel Chabrier
Suite pastorale: I. Idylle
105 bpm • F Maj • 04:22 • -33db
15% Popularity • 19% Danceability • 3% Energy • 30% Liveness
86% Instrumentalness • 13% Positiveness
15% Popularity • 19% Danceability • 3% Energy • 30% Liveness
86% Instrumentalness • 13% Positiveness
► Preview
Franz Schubert
Schubert: Fantasia for Piano Four-Hands ...
94 bpm • F min • 04:51 • -24db
23% Popularity • 34% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
23% Popularity • 34% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Paul Éluard
Le travail du peintre: Marc Chagall
105 bpm • C# Maj • 01:08 • -20db
1% Popularity • 42% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
1% Popularity • 42% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 38% Positiveness
► Preview
Clara Schumann
Piano Concerto in A Minor, Op. 7: III. F...
105 bpm • A min • 10:25 • -22.68db
11% Popularity • 34% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
11% Popularity • 34% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 12% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Symphony No.5 in C minor, Op....
93 bpm • C min • 07:36 • -13db
31% Popularity • 34% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
31% Popularity • 34% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Joseph Haydn
Haydn: Symphony No. 99 in E-Flat Major, ...
105 bpm • A# Maj • 04:34 • -20.98db
1% Popularity • 39% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
1% Popularity • 39% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Johannes Brahms
Brahms: Double Concerto for Violin and C...
105 bpm • D Maj • 07:45 • -22.83db
17% Popularity • 18% Danceability • 12% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 12% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Franz Schubert
No. 1 in D Minor (4 Polonaises, Op. 75, ...
105 bpm • D min • 03:12 • -26.55db
10% Popularity • 49% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 64% Positiveness
10% Popularity • 49% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 64% Positiveness
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Franz Liszt
Grandes Études de Paganini, S. 141: No....
93 bpm • G# min • 04:51 • -22.03db
39% Popularity • 27% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 42% Positiveness
39% Popularity • 27% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 42% Positiveness
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Clara Schumann
3 Romances for Violin and Piano, Op. 22:...
105 bpm • A# Maj • 03:53 • -23db
5% Popularity • 24% Danceability • 11% Energy • 14% Liveness
24% Instrumentalness • 5% Positiveness
5% Popularity • 24% Danceability • 11% Energy • 14% Liveness
24% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Sonata No.2 in E flat major, BWV 1031 - ...
106 bpm • G min • 03:39 • -29.15db
21% Popularity • 38% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
21% Popularity • 38% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 24% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, Op. 22,...
93 bpm • F# min • 07:31 • -24.52db
28% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
28% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24, H. 111, P...
92 bpm • A Maj • 04:53 • -20db
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
16% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
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Franz Schubert
No. 2 in B-Flat Major (4 Polonaises, Op....
106 bpm • F Maj • 02:57 • -27.29db
9% Popularity • 51% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 29% Positiveness
9% Popularity • 51% Danceability • 7% Energy • 12% Liveness
86% Instrumentalness • 29% Positiveness
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Ludwig van Beethoven
II. Largo
106 bpm • E Maj • 09:54 • -28.31db
8% Popularity • 26% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
92 bpm • A# Maj • 04:54 • -25db
12% Popularity • 25% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
12% Popularity • 25% Danceability • 5% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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César Franck
Prélude, fugue et variation pour piano ...
92 bpm • F# min • 02:45 • -33db
18% Popularity • 11% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
18% Popularity • 11% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Benjamin Godard
Jocelyn, Suite No. 2: Berceuse
92 bpm • F Maj • 05:33 • -33.67db
18% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
18% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Concerto for Violin and Piano, MWV O4: I...
107 bpm • A Maj • 08:03 • -34.64db
2% Popularity • 21% Danceability • 1% Energy • 8% Liveness
6% Instrumentalness • 8% Positiveness
2% Popularity • 21% Danceability • 1% Energy • 8% Liveness
6% Instrumentalness • 8% Positiveness
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Johannes Brahms
Violin Concerto in D, Op. 77: 3. Allegro...
92 bpm • D Maj • 08:01 • -18.83db
7% Popularity • 42% Danceability • 18% Energy • 19% Liveness
11% Instrumentalness • 41% Positiveness
7% Popularity • 42% Danceability • 18% Energy • 19% Liveness
11% Instrumentalness • 41% Positiveness
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Anonymous
Elegie (arr. for cello and orchestra)
91 bpm • F min • 02:39 • -26db
20% Popularity • 12% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty, Op. 66, TH.13 / Act...
91 bpm • G min • 03:07 • -13.59db
15% Popularity • 30% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
15% Popularity • 30% Danceability • 18% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Frédéric Chopin
Chopin: Piano Concerto No. 1 in E Minor,...
91 bpm • E Maj • 09:24 • -26.53db
21% Popularity • 20% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 4% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
91 bpm • D# Maj • 08:11 • -22.97db
23% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
23% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
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Erik Satie
Descriptions automatiques: II. Sur une l...
91 bpm • A min • 01:35 • -19.09db
20% Popularity • 42% Danceability • 12% Energy • 5% Liveness
92% Instrumentalness • 12% Positiveness
20% Popularity • 42% Danceability • 12% Energy • 5% Liveness
92% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Fauré: Élégie, Op. 24
91 bpm • G# Maj • 06:42 • -22.44db
13% Popularity • 11% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
13% Popularity • 11% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
48% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
48% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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John Williams
Main Theme
91 bpm • D min • 04:12 • -20.91db
25% Popularity • 14% Danceability • 9% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
25% Popularity • 14% Danceability • 9% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
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Franz Schubert
Schwanengesang, D. 957: IV. Ständchen i...
108 bpm • D Maj • 04:31 • -23.31db
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 12% Liveness
29% Instrumentalness • 5% Positiveness
