Songs like Concerto for Oboe, Violin, Strings and Continuo in B flat, R.548: 3. Allegro by Antonio Vivaldi

168 bpm • B Maj • 01:21 • -16.31db

17% Popularity • 17% Danceability • 22% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness

168 bpm • F Maj • 01:53 • -22.71db

34% Popularity • 10% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness

167 bpm • G# Maj • 04:25 • -17.86db

4% Popularity • 24% Danceability • 21% Energy • 27% Liveness
90% Instrumentalness • 31% Positiveness

167 bpm • D min • 01:21 • -19db

43% Popularity • 17% Danceability • 8% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness

163 bpm • F# min • 05:14 • -24.42db

7% Popularity • 13% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness

174 bpm • A min • 02:48 • -24db

12% Popularity • 11% Danceability • 5% Energy • 4% Liveness
83% Instrumentalness • 6% Positiveness

168 bpm • F Maj • 02:06 • -17.01db

13% Popularity • 44% Danceability • 16% Energy • 7% Liveness
69% Instrumentalness • 73% Positiveness

175 bpm • D Maj • 03:52 • -16db

11% Popularity • 43% Danceability • 27% Energy • 18% Liveness
42% Instrumentalness • 76% Positiveness

173 bpm • F Maj • 03:40 • -27.04db

1% Popularity • 11% Danceability • 3% Energy • 15% Liveness
89% Instrumentalness • 9% Positiveness

174 bpm • C Maj • 01:13 • -23.92db

0% Popularity • 47% Danceability • 15% Energy • 7% Liveness
26% Instrumentalness • 9% Positiveness

177 bpm • D min • 03:52 • -22.74db

21% Popularity • 15% Danceability • 13% Energy • 14% Liveness
77% Instrumentalness • 15% Positiveness

180 bpm • D min • 02:49 • -18db

23% Popularity • 34% Danceability • 12% Energy • 8% Liveness
44% Instrumentalness • 55% Positiveness

170 bpm • E min • 03:04 • -21db

11% Popularity • 28% Danceability • 18% Energy • 38% Liveness
7% Instrumentalness • 10% Positiveness

157 bpm • A# Maj • 06:59 • -17.5db

0% Popularity • 33% Danceability • 16% Energy • 5% Liveness
68% Instrumentalness • 24% Positiveness

156 bpm • C Maj • 03:44 • -23.38db

1% Popularity • 45% Danceability • 26% Energy • 5% Liveness
58% Instrumentalness • 38% Positiveness

154 bpm • E Maj • 03:13 • -26.95db

0% Popularity • 32% Danceability • 6% Energy • 12% Liveness
75% Instrumentalness • 56% Positiveness

154 bpm • D Maj • 05:21 • -19.92db

1% Popularity • 50% Danceability • 21% Energy • 10% Liveness
89% Instrumentalness • 71% Positiveness

180 bpm • A Maj • 03:35 • -21.51db

17% Popularity • 31% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness

170 bpm • C min • 02:07 • -16.93db

11% Popularity • 17% Danceability • 17% Energy • 18% Liveness
1% Instrumentalness • 12% Positiveness

153 bpm • D# Maj • 08:20 • -19.38db

2% Popularity • 35% Danceability • 14% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness

149 bpm • D Maj • 03:44 • -21db

39% Popularity • 43% Danceability • 16% Energy • 14% Liveness
49% Instrumentalness • 79% Positiveness

145 bpm • D Maj • 01:49 • -14db

27% Popularity • 61% Danceability • 30% Energy • 28% Liveness
11% Instrumentalness • 88% Positiveness

152 bpm • D Maj • 05:31 • -18.99db

0% Popularity • 55% Danceability • 19% Energy • 12% Liveness
87% Instrumentalness • 36% Positiveness

149 bpm • F# Maj • 02:30 • -25db

26% Popularity • 36% Danceability • 4% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness

149 bpm • C Maj • 02:48 • -15.18db

12% Popularity • 51% Danceability • 34% Energy • 7% Liveness
92% Instrumentalness • 72% Positiveness

144 bpm • E min • 03:24 • -15db

34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness

171 bpm • G Maj • 04:24 • -18.75db

4% Popularity • 34% Danceability • 12% Energy • 13% Liveness
93% Instrumentalness • 31% Positiveness

166 bpm • D min • 02:31 • -20.95db

16% Popularity • 13% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness

171 bpm • F# min • 02:49 • -14.16db

8% Popularity • 32% Danceability • 2% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness

172 bpm • F# min • 01:12 • -21.9db

21% Popularity • 14% Danceability • 13% Energy • 20% Liveness
93% Instrumentalness • 6% Positiveness

173 bpm • D min • 03:32 • -18.51db

6% Popularity • 30% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 40% Positiveness

162 bpm • C# Maj • 03:24 • -18.93db

9% Popularity • 46% Danceability • 32% Energy • 5% Liveness
91% Instrumentalness • 65% Positiveness

176 bpm • C# Maj • 01:08 • -15.77db

40% Popularity • 37% Danceability • 53% Energy • 37% Liveness
26% Instrumentalness • 57% Positiveness

176 bpm • C Maj • 02:23 • -15db

44% Popularity • 45% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness

177 bpm • D min • 02:10 • -23.58db

40% Popularity • 17% Danceability • 7% Energy • 18% Liveness
89% Instrumentalness • 7% Positiveness

179 bpm • A# Maj • 02:23 • -22.91db

21% Popularity • 22% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness

157 bpm • D Maj • 03:32 • -17db

14% Popularity • 46% Danceability • 29% Energy • 11% Liveness
8% Instrumentalness • 65% Positiveness

154 bpm • A min • 04:37 • -29db

12% Popularity • 48% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 69% Positiveness

150 bpm • A# min • 01:58 • -20.68db

9% Popularity • 40% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness

151 bpm • G Maj • 03:24 • -20.19db

14% Popularity • 42% Danceability • 21% Energy • 8% Liveness
62% Instrumentalness • 68% Positiveness

149 bpm • D# min • 05:51 • -25.66db

12% Popularity • 25% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness

148 bpm • D# Maj • 03:03 • -13db

8% Popularity • 50% Danceability • 47% Energy • 10% Liveness
91% Instrumentalness • 91% Positiveness

148 bpm • C# Maj • 01:31 • -18.01db

19% Popularity • 54% Danceability • 26% Energy • 15% Liveness
71% Instrumentalness • 88% Positiveness

147 bpm • C# min • 05:22 • -21.35db

8% Popularity • 42% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness

147 bpm • D Maj • 02:55 • -15.67db

11% Popularity • 48% Danceability • 27% Energy • 26% Liveness
79% Instrumentalness • 65% Positiveness

145 bpm • E min • 03:36 • -21.32db

4% Popularity • 23% Danceability • 6% Energy • 31% Liveness
69% Instrumentalness • 17% Positiveness

193 bpm • C Maj • 02:21 • -12.81db

22% Popularity • 28% Danceability • 29% Energy • 6% Liveness
79% Instrumentalness • 74% Positiveness

145 bpm • D# min • 03:30 • -19.65db

21% Popularity • 44% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 69% Positiveness

144 bpm • C# Maj • 03:57 • -20.24db

9% Popularity • 49% Danceability • 24% Energy • 9% Liveness
58% Instrumentalness • 65% Positiveness

143 bpm • G# Maj • 00:59 • -12db

11% Popularity • 28% Danceability • 12% Energy • 20% Liveness
3% Instrumentalness • 25% Positiveness

143 bpm • B min • 04:17 • -32.13db

0% Popularity • 48% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 25% Positiveness

222 bpm • C# Maj • 01:28 • -21.25db

34% Popularity • 55% Danceability • 1% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness

199 bpm • F# min • 04:52 • -32.43db

22% Popularity • 34% Danceability • 3% Energy • 7% Liveness
86% Instrumentalness • 75% Positiveness