Songs like Concerto für Flügelhorn und Blasorchester: III. Allegro con brio by Reinhold Summerer
Based on a tempo of (+/- 10%) and a similar genre
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Badische Posaunenarbeit
Geh aus, mein Herz, und suche Freud: 1. ...
137 bpm • D# Maj • 01:08 • -18.05db
11% Popularity • 34% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 58% Positiveness
11% Popularity • 34% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 58% Positiveness
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Jesper Juul Windahl
To Studier: Studie II
137 bpm • B Maj • 02:45 • -28.26db
9% Popularity • 22% Danceability • 1% Energy • 26% Liveness
95% Instrumentalness • 8% Positiveness
9% Popularity • 22% Danceability • 1% Energy • 26% Liveness
95% Instrumentalness • 8% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
137 bpm • D# Maj • 01:09 • -14db
12% Popularity • 60% Danceability • 59% Energy • 30% Liveness
97% Instrumentalness • 50% Positiveness
12% Popularity • 60% Danceability • 59% Energy • 30% Liveness
97% Instrumentalness • 50% Positiveness
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八木澤教司
蒼天の鳥たち
137 bpm • F Maj • 07:54 • -17.22db
10% Popularity • 19% Danceability • 15% Energy • 15% Liveness
93% Instrumentalness • 9% Positiveness
10% Popularity • 19% Danceability • 15% Energy • 15% Liveness
93% Instrumentalness • 9% Positiveness
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Mnozil Brass
Infernal Dance Of All Kashei's Subjects
137 bpm • A Maj • 04:39 • -12.76db
12% Popularity • 46% Danceability • 54% Energy • 87% Liveness
95% Instrumentalness • 24% Positiveness
12% Popularity • 46% Danceability • 54% Energy • 87% Liveness
95% Instrumentalness • 24% Positiveness
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Bruce Broughton
Oliver's Birthday
137 bpm • A# Maj • 03:46 • -19.44db
7% Popularity • 49% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 66% Positiveness
7% Popularity • 49% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 66% Positiveness
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Gioachino Rossini
Una Voce Poco Fa
137 bpm • D# Maj • 05:44 • -24.54db
28% Popularity • 42% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
28% Popularity • 42% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 42% Positiveness
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Reinhold Summerer
Concerto für Flügelhorn und Blasorches...
137 bpm • G min • 04:09 • -13.53db
0% Popularity • 54% Danceability • 32% Energy • 6% Liveness
87% Instrumentalness • 37% Positiveness
0% Popularity • 54% Danceability • 32% Energy • 6% Liveness
87% Instrumentalness • 37% Positiveness
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University of North Texas Symphony Orchestra
ดวงใจกับความร�...
138 bpm • F Maj • 02:41 • -14.62db
14% Popularity • 35% Danceability • 33% Energy • 13% Liveness
80% Instrumentalness • 35% Positiveness
14% Popularity • 35% Danceability • 33% Energy • 13% Liveness
80% Instrumentalness • 35% Positiveness
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Ben van Dijk
World Concerto: I. Allegro
138 bpm • A# Maj • 04:06 • -20.72db
8% Popularity • 41% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
8% Popularity • 41% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 16% Positiveness
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Klaas van der Woude
Ritter Pasman, Op. 441: Csárdás
138 bpm • F min • 02:42 • -13.81db
8% Popularity • 48% Danceability • 32% Energy • 8% Liveness
88% Instrumentalness • 73% Positiveness
8% Popularity • 48% Danceability • 32% Energy • 8% Liveness
88% Instrumentalness • 73% Positiveness
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Jacob Gade
Tango Jalousie: II
138 bpm • D# min • 00:53 • -12.41db
14% Popularity • 33% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
14% Popularity • 33% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
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Koninklijke Biltse Harmonie
Suite from 'Hymn of the Highlands': II. ...
136 bpm • A# Maj • 04:40 • -22db
17% Popularity • 21% Danceability • 9% Energy • 9% Liveness
65% Instrumentalness • 28% Positiveness
17% Popularity • 21% Danceability • 9% Energy • 9% Liveness
65% Instrumentalness • 28% Positiveness
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William Owens
Every Day New (Live)
138 bpm • D# Maj • 03:09 • -23.86db
8% Popularity • 17% Danceability • 21% Energy • 67% Liveness
84% Instrumentalness • 9% Positiveness
8% Popularity • 17% Danceability • 21% Energy • 67% Liveness
84% Instrumentalness • 9% Positiveness
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Parforcehornensemble Windhag
Hasenjagd
135 bpm • D# Maj • 01:11 • -16.72db
13% Popularity • 63% Danceability • 22% Energy • 21% Liveness
92% Instrumentalness • 94% Positiveness
13% Popularity • 63% Danceability • 22% Energy • 21% Liveness
92% Instrumentalness • 94% Positiveness
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Laura Estes
Kvetchers
135 bpm • A# Maj • 02:16 • -14.94db
8% Popularity • 61% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 56% Positiveness
8% Popularity • 61% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 56% Positiveness
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Boston Brass
Fly Me to the Moon
139 bpm • F Maj • 02:57 • -17.74db
8% Popularity • 36% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
8% Popularity • 36% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 30% Positiveness
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Brassology
The Russian One
139 bpm • D# Maj • 02:29 • -12.22db
8% Popularity • 58% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 22% Positiveness
8% Popularity • 58% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 22% Positiveness
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John Larsson
That's the Spirit - Euphonium Multi-Trac...
135 bpm • A# Maj • 01:09 • -31.22db
14% Popularity • 62% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 76% Positiveness
14% Popularity • 62% Danceability • 6% Energy • 13% Liveness
90% Instrumentalness • 76% Positiveness
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Jacob Gade
Tango Jalousie: V
139 bpm • F min • 00:55 • -13.1db
16% Popularity • 50% Danceability • 19% Energy • 24% Liveness
93% Instrumentalness • 64% Positiveness
16% Popularity • 50% Danceability • 19% Energy • 24% Liveness
93% Instrumentalness • 64% Positiveness
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Jorijn Van Hese
In the Strength of the Lord - Baritone H...
135 bpm • F Maj • 01:55 • -29db
11% Popularity • 84% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 86% Positiveness
11% Popularity • 84% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 86% Positiveness
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J.W. Mitchell High School Wind Ensemble
Oh Henry!
135 bpm • D# Maj • 03:21 • -19.72db
7% Popularity • 39% Danceability • 26% Energy • 70% Liveness
87% Instrumentalness • 81% Positiveness
7% Popularity • 39% Danceability • 26% Energy • 70% Liveness
87% Instrumentalness • 81% Positiveness
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John Stevens
Power
135 bpm • C Maj • 01:25 • -24.63db
12% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 56% Positiveness
12% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 56% Positiveness
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Benedetto Marcello
Cello Sonata in F Major, Op. 1, No. 1 (a...
135 bpm • D Maj • 00:56 • -36.61db
19% Popularity • 17% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 46% Positiveness
19% Popularity • 17% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 46% Positiveness
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P. Yoder
Bells of Brass
134 bpm • D# Maj • 02:06 • -14.51db
11% Popularity • 70% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 93% Positiveness
11% Popularity • 70% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 93% Positiveness
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Carl August Hänsel
Quatuors originaux for Four Horns in F M...
134 bpm • A# Maj • 03:01 • -27.23db
15% Popularity • 32% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 23% Positiveness
15% Popularity • 32% Danceability • 0% Energy • 8% Liveness
88% Instrumentalness • 23% Positiveness
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Jorijn Van Hese
Come and Listen - Euphonium Multi-Track
140 bpm • C Maj • 01:27 • -29.69db
11% Popularity • 58% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
11% Popularity • 58% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 44% Positiveness
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Mnozil Brass
French Kiss
140 bpm • C min • 03:32 • -14db
9% Popularity • 33% Danceability • 50% Energy • 91% Liveness
89% Instrumentalness • 67% Positiveness
9% Popularity • 33% Danceability • 50% Energy • 91% Liveness
89% Instrumentalness • 67% Positiveness
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Zhou Tian
Sinfonia: II. Transit
134 bpm • A# Maj • 04:13 • -17.32db
10% Popularity • 52% Danceability • 34% Energy • 13% Liveness
79% Instrumentalness • 26% Positiveness
10% Popularity • 52% Danceability • 34% Energy • 13% Liveness
79% Instrumentalness • 26% Positiveness
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SRK Instrumentaali
Sinua Herra kiitämme
134 bpm • G min • 01:53 • -21.7db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Door Vriendschap Sterk
Big, Bad and Beautiful
140 bpm • A# Maj • 10:46 • -15.81db
7% Popularity • 40% Danceability • 41% Energy • 13% Liveness
45% Instrumentalness • 25% Positiveness
7% Popularity • 40% Danceability • 41% Energy • 13% Liveness
45% Instrumentalness • 25% Positiveness
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Alfred Concert Band
Guantanamera (arr. V. Lopez)
134 bpm • A# Maj • 01:58 • -15.01db
9% Popularity • 59% Danceability • 38% Energy • 9% Liveness
97% Instrumentalness • 94% Positiveness
9% Popularity • 59% Danceability • 38% Energy • 9% Liveness
97% Instrumentalness • 94% Positiveness
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Jorijn Van Hese
O Happy Day - Euphonium Multi-Track
140 bpm • F Maj • 01:19 • -29.25db
11% Popularity • 76% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 96% Positiveness
11% Popularity • 76% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 96% Positiveness
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PRO BRASS
La Bergamasca
140 bpm • D Maj • 03:39 • -18db
11% Popularity • 57% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
11% Popularity • 57% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
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Cory Band
Mr. Sandman
134 bpm • C# Maj • 03:12 • -20db
12% Popularity • 39% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
12% Popularity • 39% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Alexander Borodin
Prince Igor Overture (Arr. Lawrence for ...
140 bpm • A# Maj • 10:09 • -21.65db
9% Popularity • 26% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Alfred Reed
El Camino Real
140 bpm • D min • 10:44 • -18.26db
9% Popularity • 21% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Hiroshima Wind Orchestra
Festal Scenes - Session in 2007
141 bpm • A# Maj • 06:52 • -21.76db
7% Popularity • 21% Danceability • 11% Energy • 12% Liveness
55% Instrumentalness • 9% Positiveness
7% Popularity • 21% Danceability • 11% Energy • 12% Liveness
55% Instrumentalness • 9% Positiveness
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Christian Lindberg
Requerdos De Girona 1. ”Locura En Cada...
141 bpm • D Maj • 01:07 • -17.78db
15% Popularity • 41% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
15% Popularity • 41% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
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Tom Davoren
Rondo Olympia
133 bpm • C Maj • 01:26 • -24.1db
16% Popularity • 61% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 84% Positiveness
16% Popularity • 61% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 84% Positiveness
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Joseph Bartz
Impromptu for Solo Tuba: IV. Moderato
140 bpm • C# Maj • 00:42 • -34.56db
8% Popularity • 50% Danceability • 0% Energy • 14% Liveness
93% Instrumentalness • 74% Positiveness
8% Popularity • 50% Danceability • 0% Energy • 14% Liveness
93% Instrumentalness • 74% Positiveness
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Gustav Holst
1st Suite in E-Flat Major, Op. 28 No. 1,...
133 bpm • F min • 03:10 • -18.29db
3% Popularity • 39% Danceability • 25% Energy • 80% Liveness
86% Instrumentalness • 46% Positiveness
3% Popularity • 39% Danceability • 25% Energy • 80% Liveness
86% Instrumentalness • 46% Positiveness
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Newton Citadel Band
The Battle Cry
132 bpm • D# Maj • 02:04 • -26.97db
12% Popularity • 48% Danceability • 8% Energy • 26% Liveness
97% Instrumentalness • 72% Positiveness
12% Popularity • 48% Danceability • 8% Energy • 26% Liveness
97% Instrumentalness • 72% Positiveness
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Japan Air Self-Defense Force Central Band
ゆかいな仲間の行進曲(1992年)
132 bpm • A# Maj • 02:52 • -14.88db
11% Popularity • 50% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
11% Popularity • 50% Danceability • 49% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
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Christian Lindberg
Docktor Decker´s Daydream: V
142 bpm • G# Maj • 01:04 • -20.41db
11% Popularity • 54% Danceability • 41% Energy • 84% Liveness
92% Instrumentalness • 55% Positiveness
11% Popularity • 54% Danceability • 41% Energy • 84% Liveness
92% Instrumentalness • 55% Positiveness
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Joel Love
Solace (A Lyric Concerto): I. Joy
132 bpm • D# Maj • 03:08 • -14.95db
7% Popularity • 24% Danceability • 22% Energy • 24% Liveness
89% Instrumentalness • 23% Positiveness
7% Popularity • 24% Danceability • 22% Energy • 24% Liveness
89% Instrumentalness • 23% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Suite from Pique Dame (Arr....
132 bpm • A Maj • 01:22 • -17.27db
11% Popularity • 60% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 52% Positiveness
11% Popularity • 60% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 52% Positiveness
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United States Air Force Heritage of America Band
American Salute (America Medley)
142 bpm • G min • 04:22 • -16.38db
3% Popularity • 43% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 29% Positiveness
3% Popularity • 43% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 29% Positiveness
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George Bassman
I’m getting Sentimental over You (arr....
132 bpm • D Maj • 00:52 • -21.13db
0% Popularity • 31% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
0% Popularity • 31% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
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Zuggesellschaft Villingen e.V.
Stroße Marsch (Gordula Grün)
131 bpm • A# Maj • 02:42 • -9.68db
10% Popularity • 60% Danceability • 66% Energy • 13% Liveness
89% Instrumentalness • 77% Positiveness
10% Popularity • 60% Danceability • 66% Energy • 13% Liveness
89% Instrumentalness • 77% Positiveness
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The Regimental Band of the Coldstream Guards
And the Band Played On
131 bpm • D# Maj • 03:42 • -12.02db
9% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
9% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
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Західноукраїнське об'єднання МСЦ ЄХБ
Когда Иисус мой лучши�...
131 bpm • C Maj • 02:34 • -14.09db
10% Popularity • 37% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
10% Popularity • 37% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
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Jim Croce
Bad Bad Leroy Brown
144 bpm • C min • 02:52 • -16db
10% Popularity • 55% Danceability • 27% Energy • 22% Liveness
28% Instrumentalness • 73% Positiveness
10% Popularity • 55% Danceability • 27% Energy • 22% Liveness
28% Instrumentalness • 73% Positiveness
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Jon Rørmark
Knerten det er meg
143 bpm • D# Maj • 01:54 • -13.2db
8% Popularity • 60% Danceability • 68% Energy • 7% Liveness
4% Instrumentalness • 86% Positiveness
8% Popularity • 60% Danceability • 68% Energy • 7% Liveness
4% Instrumentalness • 86% Positiveness
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Jim Ellis
Military Honors and Fanfare
144 bpm • D Maj • 07:31 • -19db
9% Popularity • 24% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Waldir Azevedo
Brasileirinho
144 bpm • G Maj • 01:38 • -12.08db
8% Popularity • 55% Danceability • 84% Energy • 29% Liveness
93% Instrumentalness • 96% Positiveness
8% Popularity • 55% Danceability • 84% Energy • 29% Liveness
93% Instrumentalness • 96% Positiveness
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Lili Boulanger
Deux Morceaux (arr. for brass ensemble b...
130 bpm • D# Maj • 02:55 • -26.77db
27% Popularity • 18% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Wynton Marsalis
4 Bassoons Talking, 6. Preach It Teach I...
130 bpm • E min • 02:18 • -21.8db
13% Popularity • 47% Danceability • 7% Energy • 14% Liveness
86% Instrumentalness • 30% Positiveness
13% Popularity • 47% Danceability • 7% Energy • 14% Liveness
86% Instrumentalness • 30% Positiveness
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Західноукраїнське об'єднання МСЦ ЄХБ
Когда предвидя
144 bpm • G min • 02:54 • -14.22db
10% Popularity • 28% Danceability • 18% Energy • 13% Liveness
97% Instrumentalness • 16% Positiveness
10% Popularity • 28% Danceability • 18% Energy • 13% Liveness
97% Instrumentalness • 16% Positiveness
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Friedemann Wutzler
Blessed Time
130 bpm • A# Maj • 01:50 • -16.29db
11% Popularity • 52% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
11% Popularity • 52% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Ingried Hoffmann
Mouse & Friends I: Der Die Das / Biene M...
130 bpm • F Maj • 09:36 • -19.53db
7% Popularity • 45% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 39% Positiveness
7% Popularity • 45% Danceability • 13% Energy • 7% Liveness
94% Instrumentalness • 39% Positiveness
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Daniel Boone
3 Moods: III. Allegro
145 bpm • C Maj • 01:07 • -28.9db
9% Popularity • 50% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
9% Popularity • 50% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
► Preview
Jorijn Van Hese
The Voice of Jesus - Euphonium Choir
145 bpm • C Maj • 01:24 • -27.65db
8% Popularity • 54% Danceability • 5% Energy • 11% Liveness
66% Instrumentalness • 84% Positiveness
8% Popularity • 54% Danceability • 5% Energy • 11% Liveness
66% Instrumentalness • 84% Positiveness
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The Philip Jones Brass Ensemble
Borage
129 bpm • F min • 02:42 • -16db
9% Popularity • 60% Danceability • 20% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
9% Popularity • 60% Danceability • 20% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
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Philip Sparke
風のスケッチ I. 貿易風
145 bpm • G# Maj • 04:04 • -19.03db
8% Popularity • 48% Danceability • 33% Energy • 6% Liveness
43% Instrumentalness • 54% Positiveness
8% Popularity • 48% Danceability • 33% Energy • 6% Liveness
43% Instrumentalness • 54% Positiveness
► Preview
Tetsunosuke Kushida
Asura
129 bpm • C Maj • 09:58 • -20.16db
9% Popularity • 23% Danceability • 9% Energy • 21% Liveness
70% Instrumentalness • 4% Positiveness
9% Popularity • 23% Danceability • 9% Energy • 21% Liveness
70% Instrumentalness • 4% Positiveness
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Chris Hazell
Three Brass Cats: Borage
129 bpm • G Maj • 02:40 • -15db
11% Popularity • 73% Danceability • 24% Energy • 7% Liveness
96% Instrumentalness • 21% Positiveness
11% Popularity • 73% Danceability • 24% Energy • 7% Liveness
96% Instrumentalness • 21% Positiveness
► Preview
John Krance
Carmina Burana Suite, "Cantiones profana...
145 bpm • D Maj • 02:12 • -36db
16% Popularity • 13% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Bob Crewe
君の瞳に恋してる
146 bpm • G min • 01:32 • -5.92db
7% Popularity • 59% Danceability • 72% Energy • 23% Liveness
90% Instrumentalness • 64% Positiveness
7% Popularity • 59% Danceability • 72% Energy • 23% Liveness
90% Instrumentalness • 64% Positiveness
► Preview
Benjamin Yeo
City Of Dreams
128 bpm • F Maj • 11:36 • -14.5db
9% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
9% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 5% Positiveness
► Preview
Andrew Lewinter
Quartet for Trumpet, Horn, Trombone & Pi...
147 bpm • F Maj • 04:26 • -17.14db
20% Popularity • 32% Danceability • 11% Energy • 16% Liveness
94% Instrumentalness • 17% Positiveness
20% Popularity • 32% Danceability • 11% Energy • 16% Liveness
94% Instrumentalness • 17% Positiveness
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Laura Estes
Fleet Street March
128 bpm • D# Maj • 02:09 • -14.01db
11% Popularity • 52% Danceability • 46% Energy • 5% Liveness
94% Instrumentalness • 79% Positiveness
11% Popularity • 52% Danceability • 46% Energy • 5% Liveness
94% Instrumentalness • 79% Positiveness
► Preview
Reinhold Summerer
Concerto für Flügelhorn und Blasorches...
128 bpm • A# Maj • 05:25 • -14.71db
0% Popularity • 50% Danceability • 21% Energy • 22% Liveness
91% Instrumentalness • 32% Positiveness
0% Popularity • 50% Danceability • 21% Energy • 22% Liveness
91% Instrumentalness • 32% Positiveness
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Cory Band
Caravan
127 bpm • C min • 02:09 • -13db
10% Popularity • 37% Danceability • 47% Energy • 8% Liveness
90% Instrumentalness • 57% Positiveness
10% Popularity • 37% Danceability • 47% Energy • 8% Liveness
90% Instrumentalness • 57% Positiveness
► Preview
Christian Lindberg
Requerdos De Girona 1. ”Locura En Cada...
147 bpm • G Maj • 01:04 • -24.59db
15% Popularity • 44% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
15% Popularity • 44% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
► Preview
Joseph Bartz
Six Studies in English Folk Song: No. 6,...
127 bpm • E min • 00:50 • -28.72db
13% Popularity • 55% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 72% Positiveness
13% Popularity • 55% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 72% Positiveness
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Paul Hindemith
March from Symphonic Metamorfosis I
148 bpm • A# Maj • 01:01 • -15.67db
15% Popularity • 40% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 32% Positiveness
15% Popularity • 40% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 32% Positiveness
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Leroy Anderson
Typewriter
148 bpm • F Maj • 01:43 • -11.44db
19% Popularity • 72% Danceability • 41% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
19% Popularity • 72% Danceability • 41% Energy • 8% Liveness
90% Instrumentalness • 98% Positiveness
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Johann Crüger
Hymnus - Lobet den Herren alle, die ihn ...
127 bpm • C Maj • 04:52 • -14.31db
8% Popularity • 30% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
8% Popularity • 30% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Cory Band
Los Hermanos de Bop
147 bpm • G# Maj • 02:33 • -13.29db
13% Popularity • 33% Danceability • 74% Energy • 16% Liveness
24% Instrumentalness • 11% Positiveness
13% Popularity • 33% Danceability • 74% Energy • 16% Liveness
24% Instrumentalness • 11% Positiveness
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Georges Bizet
Carmen Suite No. 2: 5. Danse bohème I
126 bpm • A# Maj • 01:08 • -25db
22% Popularity • 51% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 45% Positiveness
22% Popularity • 51% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 45% Positiveness
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Lili Boulanger
Deux Morceaux (arr. for brass ensemble b...
126 bpm • G Maj • 01:26 • -18.56db
19% Popularity • 61% Danceability • 32% Energy • 22% Liveness
89% Instrumentalness • 81% Positiveness
19% Popularity • 61% Danceability • 32% Energy • 22% Liveness
89% Instrumentalness • 81% Positiveness
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Die Hornisten der Berliner Philharmoniker
Carmen Suite: I. Entr´acte
126 bpm • D# min • 01:53 • -23.05db
11% Popularity • 39% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 63% Positiveness
11% Popularity • 39% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 63% Positiveness
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Christian Lindberg
Alcázar II
126 bpm • A min • 01:09 • -17.7db
17% Popularity • 64% Danceability • 34% Energy • 31% Liveness
96% Instrumentalness • 90% Positiveness
17% Popularity • 64% Danceability • 34% Energy • 31% Liveness
96% Instrumentalness • 90% Positiveness
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Chris Hazell
3 More Cats: No. 1. Flora
126 bpm • A# Maj • 03:16 • -17.03db
7% Popularity • 45% Danceability • 17% Energy • 6% Liveness
92% Instrumentalness • 16% Positiveness
7% Popularity • 45% Danceability • 17% Energy • 6% Liveness
92% Instrumentalness • 16% Positiveness
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German Brass
Espana cani
126 bpm • F Maj • 01:54 • -18.87db
11% Popularity • 63% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
11% Popularity • 63% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
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Simon Zöchbauer
Anthem
126 bpm • F min • 06:19 • -22db
9% Popularity • 28% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Door Vriendschap Sterk
Nearer my God to Thee
150 bpm • D# Maj • 03:16 • -20.48db
10% Popularity • 22% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Hinos CCB
O teu poder supremo
125 bpm • D# Maj • 04:40 • -13.11db
18% Popularity • 17% Danceability • 29% Energy • 27% Liveness
75% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 29% Energy • 27% Liveness
75% Instrumentalness • 4% Positiveness
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Paul Lovatt-Cooper
Wall of Sound
125 bpm • C Maj • 08:14 • -19.72db
9% Popularity • 53% Danceability • 35% Energy • 39% Liveness
93% Instrumentalness • 37% Positiveness
9% Popularity • 53% Danceability • 35% Energy • 39% Liveness
93% Instrumentalness • 37% Positiveness
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Darrol Barry
La Cucaracha
150 bpm • G# Maj • 04:39 • -18.83db
10% Popularity • 40% Danceability • 14% Energy • 8% Liveness
58% Instrumentalness • 51% Positiveness
10% Popularity • 40% Danceability • 14% Energy • 8% Liveness
58% Instrumentalness • 51% Positiveness
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Canadian Staff Band
Hillcrest
125 bpm • D# Maj • 03:07 • -11.43db
8% Popularity • 35% Danceability • 40% Energy • 24% Liveness
96% Instrumentalness • 57% Positiveness
8% Popularity • 35% Danceability • 40% Energy • 24% Liveness
96% Instrumentalness • 57% Positiveness
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Jack Gallagher, arr. Niels Jenster
Stanfare
150 bpm • C min • 05:31 • -18.61db
8% Popularity • 38% Danceability • 24% Energy • 6% Liveness
91% Instrumentalness • 13% Positiveness
8% Popularity • 38% Danceability • 24% Energy • 6% Liveness
91% Instrumentalness • 13% Positiveness
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John Cheetham
Scherzo
151 bpm • F Maj • 02:30 • -26db
8% Popularity • 46% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 59% Positiveness
8% Popularity • 46% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 59% Positiveness
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Militärmusik Oberösterreich
Wenn die Augen glänzen
125 bpm • G# Maj • 04:48 • -14.91db
9% Popularity • 20% Danceability • 19% Energy • 29% Liveness
85% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 19% Energy • 29% Liveness
85% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Papageno
124 bpm • G# Maj • 02:17 • -17.79db
13% Popularity • 53% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
13% Popularity • 53% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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Karl Lawrence King, arr. Andrew Glover
Semper Iuvenalis, the Gateway City March
125 bpm • A# Maj • 03:03 • -11.17db
11% Popularity • 43% Danceability • 66% Energy • 10% Liveness
69% Instrumentalness • 39% Positiveness
11% Popularity • 43% Danceability • 66% Energy • 10% Liveness
69% Instrumentalness • 39% Positiveness
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Gustav Holst
First Suite In E Flat. March
124 bpm • D# Maj • 03:08 • -23.74db
8% Popularity • 44% Danceability • 19% Energy • 19% Liveness
97% Instrumentalness • 48% Positiveness
8% Popularity • 44% Danceability • 19% Energy • 19% Liveness
97% Instrumentalness • 48% Positiveness
