Songs like Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: III. Largo - Adagio - Larghetto andante, e piano by George Frideric Handel
Based on a tempo of (+/- 10%) and a similar genre
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Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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Antonio Vivaldi
Vivaldi: Giustino, RV 717: Sinfonia, 1. ...
139 bpm • F# Maj • 02:18 • -24db
39% Popularity • 43% Danceability • 13% Energy • 15% Liveness
3% Instrumentalness • 50% Positiveness
39% Popularity • 43% Danceability • 13% Energy • 15% Liveness
3% Instrumentalness • 50% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
139 bpm • D Maj • 04:50 • -15.87db
34% Popularity • 37% Danceability • 17% Energy • 11% Liveness
66% Instrumentalness • 56% Positiveness
34% Popularity • 37% Danceability • 17% Energy • 11% Liveness
66% Instrumentalness • 56% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: I. Ov...
138 bpm • E Maj • 03:12 • -21.04db
38% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
38% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
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Antonio Vivaldi
Concerto In D Major For 2 Violins, Strin...
139 bpm • D Maj • 03:40 • -17db
39% Popularity • 42% Danceability • 23% Energy • 28% Liveness
44% Instrumentalness • 60% Positiveness
39% Popularity • 42% Danceability • 23% Energy • 28% Liveness
44% Instrumentalness • 60% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
140 bpm • E Maj • 04:29 • -23.16db
43% Popularity • 26% Danceability • 7% Energy • 32% Liveness
12% Instrumentalness • 22% Positiveness
43% Popularity • 26% Danceability • 7% Energy • 32% Liveness
12% Instrumentalness • 22% Positiveness
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Joseph Haydn
Haydn: Symphony No. 94 in G Major, Hob. ...
140 bpm • G Maj • 04:01 • -16.26db
33% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
33% Popularity • 44% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 50% Positiveness
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Jean-Baptiste Lully
Phaéton Opera in 5 acts with prologue: ...
140 bpm • F# Maj • 04:22 • -15db
15% Popularity • 20% Danceability • 14% Energy • 21% Liveness
81% Instrumentalness • 14% Positiveness
15% Popularity • 20% Danceability • 14% Energy • 21% Liveness
81% Instrumentalness • 14% Positiveness
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Henry Purcell
Ciacona in G Minor, Z. 730
138 bpm • G min • 04:51 • -20.16db
17% Popularity • 25% Danceability • 9% Energy • 22% Liveness
84% Instrumentalness • 10% Positiveness
17% Popularity • 25% Danceability • 9% Energy • 22% Liveness
84% Instrumentalness • 10% Positiveness
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Giovanni Battista Sammartini
Sonata for 2 Recorders and Basso Continu...
140 bpm • C# min • 01:35 • -25.49db
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
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Luigi Boccherini
Boccherini: Cello Concerto No. 9 in B-Fl...
141 bpm • A# Maj • 06:08 • -16.83db
31% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
31% Popularity • 40% Danceability • 16% Energy • 7% Liveness
56% Instrumentalness • 48% Positiveness
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George Frideric Handel
From Samson / Act I: Sinfonia, HWV 57: I...
141 bpm • F# Maj • 03:53 • -18db
6% Popularity • 30% Danceability • 13% Energy • 11% Liveness
24% Instrumentalness • 34% Positiveness
6% Popularity • 30% Danceability • 13% Energy • 11% Liveness
24% Instrumentalness • 34% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 2 in D Major, ...
138 bpm • A Maj • 04:57 • -19.77db
25% Popularity • 31% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
25% Popularity • 31% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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Wolfgang Amadeus Mozart
Serenade in D, K.250 "Haffner": 4. Rondo...
141 bpm • G Maj • 07:20 • -23.36db
44% Popularity • 39% Danceability • 14% Energy • 17% Liveness
46% Instrumentalness • 39% Positiveness
44% Popularity • 39% Danceability • 14% Energy • 17% Liveness
46% Instrumentalness • 39% Positiveness
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Tafelmusik Baroque Orchestra
Antonio Vivaldi: Concerto For 2 Violins ...
141 bpm • G# min • 03:19 • -21.85db
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
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Antonio Vivaldi
Concerto for 2 Cellos, Strings and Conti...
141 bpm • G min • 03:02 • -15.73db
31% Popularity • 40% Danceability • 37% Energy • 33% Liveness
91% Instrumentalness • 76% Positiveness
31% Popularity • 40% Danceability • 37% Energy • 33% Liveness
91% Instrumentalness • 76% Positiveness
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Felix Mendelssohn
The Hebrides, Op. 26 "Fingal's Cave"
137 bpm • D Maj • 09:59 • -18db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Henry Purcell
12 Sonatas of III parts Z790-801: Sonata...
137 bpm • F# min • 07:03 • -22.09db
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in F majo...
136 bpm • C Maj • 03:40 • -21db
45% Popularity • 48% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 36% Positiveness
45% Popularity • 48% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 36% Positiveness
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George Frideric Handel
Handel: Music for the Royal Fireworks, H...
135 bpm • C# Maj • 05:14 • -10.71db
30% Popularity • 40% Danceability • 43% Energy • 8% Liveness
70% Instrumentalness • 27% Positiveness
30% Popularity • 40% Danceability • 43% Energy • 8% Liveness
70% Instrumentalness • 27% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
31% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Antonio Vivaldi
Cello Concerto in E Minor, RV 409: III. ...
142 bpm • E min • 02:12 • -18.49db
42% Popularity • 44% Danceability • 10% Energy • 8% Liveness
81% Instrumentalness • 73% Positiveness
42% Popularity • 44% Danceability • 10% Energy • 8% Liveness
81% Instrumentalness • 73% Positiveness
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Johann Joachim Quantz
Flute Concerto in A Minor, QV 5:238: I. ...
143 bpm • G min • 08:10 • -19db
30% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
30% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
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Franz Ignaz Beck
Symphony in C Major, Op. 1, No. 6, (Call...
143 bpm • G Maj • 02:05 • -19db
28% Popularity • 52% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
28% Popularity • 52% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
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Carl Philipp Emanuel Bach
Rondo in D Minor, Wq. 61/4, H. 290
135 bpm • A# Maj • 04:05 • -22db
46% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
46% Popularity • 38% Danceability • 9% Energy • 13% Liveness
87% Instrumentalness • 41% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
143 bpm • C Maj • 06:03 • -22.3db
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act I: Overture
134 bpm • E Maj • 05:30 • -27db
31% Popularity • 33% Danceability • 9% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
31% Popularity • 33% Danceability • 9% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
Cello Concerto in G Minor, RV 416: III. ...
135 bpm • G min • 03:08 • -20.81db
44% Popularity • 44% Danceability • 14% Energy • 31% Liveness
86% Instrumentalness • 73% Positiveness
44% Popularity • 44% Danceability • 14% Energy • 31% Liveness
86% Instrumentalness • 73% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Francesco Geminiani
Concerto Grosso in E Minor, Op. 3, No. 3...
144 bpm • E min • 03:24 • -15db
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
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Carl Philipp Emanuel Bach
Sinfonia In G Major, Wq. 183/4, H. 666: ...
135 bpm • G Maj • 02:16 • -22db
46% Popularity • 59% Danceability • 18% Energy • 22% Liveness
90% Instrumentalness • 75% Positiveness
46% Popularity • 59% Danceability • 18% Energy • 22% Liveness
90% Instrumentalness • 75% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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George Frideric Handel
Trio Sonata in F Major, HWV 392: IV. All...
144 bpm • E Maj • 02:53 • -15.59db
33% Popularity • 35% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
33% Popularity • 35% Danceability • 40% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
133 bpm • C# Maj • 02:00 • -31.22db
45% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
45% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
145 bpm • D min • 04:33 • -17db
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
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George Frideric Handel
Alcina, HWV 34 / Act 2: Col celarvi a ch...
133 bpm • C# min • 02:30 • -16.92db
7% Popularity • 48% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 48% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in D Minor, Wq. 23, H....
133 bpm • D min • 08:14 • -20.49db
15% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
15% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
32% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
32% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
146 bpm • D Maj • 02:11 • -22.86db
45% Popularity • 43% Danceability • 10% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness
45% Popularity • 43% Danceability • 10% Energy • 15% Liveness
93% Instrumentalness • 64% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318: Toccata
146 bpm • D Maj • 01:27 • -18.12db
30% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
30% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
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Wolfgang Amadeus Mozart
Minuet & Trio in C Major, K. 485a (Compl...
132 bpm • B Maj • 02:24 • -30.16db
17% Popularity • 54% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 54% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49a, Act II: The F...
145 bpm • B min • 02:18 • -18.1db
6% Popularity • 42% Danceability • 13% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
6% Popularity • 42% Danceability • 13% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
132 bpm • C# min • 03:20 • -17db
29% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
29% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
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Arcangelo Corelli
Concerto grosso No. 1 in D Major, Op. 6:...
146 bpm • C# Maj • 02:24 • -14db
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness
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Joseph Haydn
The Seven Last Words of Christ, Hob.XX:2...
132 bpm • C min • 08:21 • -26db
28% Popularity • 24% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 7% Positiveness
28% Popularity • 24% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 7% Positiveness
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Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: I. ...
147 bpm • C min • 01:15 • -18db
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness
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George Frideric Handel
Handel / Arr. Mackerras & Rothwell: Oboe...
132 bpm • A# Maj • 02:06 • -16.02db
26% Popularity • 44% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 62% Positiveness
26% Popularity • 44% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 62% Positiveness
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Johann Stamitz
Symphony in G Major, Op. 3 No. 3, WolS G...
147 bpm • C# Maj • 03:07 • -17db
24% Popularity • 54% Danceability • 35% Energy • 6% Liveness
73% Instrumentalness • 80% Positiveness
24% Popularity • 54% Danceability • 35% Energy • 6% Liveness
73% Instrumentalness • 80% Positiveness
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Ludwig van Beethoven
Violin Sonata No. 5 in F Major, Op. 24 "...
147 bpm • F Maj • 09:40 • -21db
39% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
39% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
131 bpm • A Maj • 01:21 • -15db
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
58% Popularity • 41% Danceability • 25% Energy • 29% Liveness
89% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Ein Musikalischer Spass, "A Musical Joke...
131 bpm • E Maj • 04:09 • -24db
24% Popularity • 40% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 40% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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William Boyce
Symphony No. 5 in D Major: 1. Allegro ma...
131 bpm • C# Maj • 04:06 • -15.92db
25% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
25% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
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George Frideric Handel
Serse, HWV 40: Sinfonia
132 bpm • A# Maj • 05:20 • -19.68db
8% Popularity • 50% Danceability • 19% Energy • 41% Liveness
85% Instrumentalness • 63% Positiveness
8% Popularity • 50% Danceability • 19% Energy • 41% Liveness
85% Instrumentalness • 63% Positiveness
► Preview
Alessandro Marcello
Oboe Concerto in D Minor: II. Adagio
131 bpm • D min • 04:14 • -25.18db
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
41% Popularity • 26% Danceability • 5% Energy • 8% Liveness
79% Instrumentalness • 6% Positiveness
► Preview
Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Abdelazar Suite, Z. 570: VI. Air
131 bpm • G min • 01:08 • -19db
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
58% Popularity • 54% Danceability • 21% Energy • 24% Liveness
94% Instrumentalness • 72% Positiveness
► Preview
Jean-Philippe Rameau
Tambourin
148 bpm • E min • 00:56 • -22.81db
41% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
41% Popularity • 36% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
► Preview
Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
► Preview
George Frideric Handel
Water Music, Suite No. 2, HWV 349: No. 1...
132 bpm • C# Maj • 03:43 • -16.46db
40% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
40% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
► Preview
Antonio Vivaldi
Oboe Concerto in C Major, RV 452: II. Ad...
130 bpm • A min • 02:03 • -18db
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
40% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
40% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
► Preview
Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
► Preview
Cologne Chamber Orchestra
Concerto For 4 Violins in B Minor, Op. 3...
129 bpm • F# min • 02:08 • -20.34db
52% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 44% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
George Frideric Handel
Concerto Grosso in G Minor, Op. 6, No. 6...
130 bpm • A Maj • 02:51 • -27.7db
3% Popularity • 58% Danceability • 1% Energy • 9% Liveness
58% Instrumentalness • 31% Positiveness
3% Popularity • 58% Danceability • 1% Energy • 9% Liveness
58% Instrumentalness • 31% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: II. ...
130 bpm • A# min • 04:38 • -18db
33% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
33% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
129 bpm • D Maj • 01:13 • -16.72db
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
60% Popularity • 49% Danceability • 26% Energy • 40% Liveness
37% Instrumentalness • 50% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
56% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
56% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Francesco Geminiani
Concerto grosso, Op. 3 (revised), No. 6 ...
129 bpm • D# min • 02:29 • -20.16db
32% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
32% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
26% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
26% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49a, Act II: Galat...
129 bpm • A Maj • 03:11 • -21.91db
5% Popularity • 27% Danceability • 17% Energy • 34% Liveness
21% Instrumentalness • 34% Positiveness
5% Popularity • 27% Danceability • 17% Energy • 34% Liveness
21% Instrumentalness • 34% Positiveness
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Jean-Baptiste Lully
Alcidiane: Petite Chaconne
150 bpm • B Maj • 01:32 • -31db
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
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Antonio Vivaldi
Oboe Concerto in D Minor, Op. 8, No. 9, ...
129 bpm • D min • 02:52 • -18db
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
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Anonymous
Flute Sonata in G Major, Op. 1, No. 5, H...
127 bpm • G Maj • 01:41 • -16db
29% Popularity • 35% Danceability • 16% Energy • 15% Liveness
3% Instrumentalness • 64% Positiveness
29% Popularity • 35% Danceability • 16% Energy • 15% Liveness
3% Instrumentalness • 64% Positiveness
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Antonio Caldara
Stabat Mater: I. Stabat Mater dolorosa
126 bpm • C# Maj • 01:38 • -21.97db
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
19% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
19% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
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George Frideric Handel
Concerto grosso in B-Flat Major, Op. 6, ...
128 bpm • E Maj • 01:13 • -28.06db
17% Popularity • 18% Danceability • 2% Energy • 13% Liveness
56% Instrumentalness • 17% Positiveness
17% Popularity • 18% Danceability • 2% Energy • 13% Liveness
56% Instrumentalness • 17% Positiveness
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Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
128 bpm • A# Maj • 03:22 • -12.11db
26% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
26% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
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Antonio Vivaldi
Violin Concerto No. 3 in F Major, RV 293...
152 bpm • C Maj • 03:11 • -16.14db
32% Popularity • 44% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
32% Popularity • 44% Danceability • 24% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Giovanni Battista Sammartini
Symphony in F Major, J-C 36: III. Allegr...
126 bpm • E Maj • 01:37 • -18.06db
47% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
47% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
58% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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George Frideric Handel
Theodora, HWV 68, Pt. III: Chorus. Blest...
128 bpm • D Maj • 03:09 • -14.16db
7% Popularity • 32% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 43% Positiveness
7% Popularity • 32% Danceability • 35% Energy • 14% Liveness
4% Instrumentalness • 43% Positiveness
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Henry Purcell
Timon of Athens, Masque: Curtain Tune on...
125 bpm • F# min • 02:20 • -27.13db
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
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Antonio Vivaldi
Vivaldi - Concerto in D Major "Grosso Mo...
126 bpm • C# Maj • 05:40 • -18db
42% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
42% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
124 bpm • F Maj • 08:31 • -23.81db
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
30% Popularity • 21% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: III. ...
151 bpm • E Maj • 02:08 • -17.98db
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
123 bpm • C# min • 02:47 • -20db
19% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Pietro Locatelli
Concerto Grosso in F Major, Op. 1, No. 1...
123 bpm • F Maj • 01:34 • -18.1db
37% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
